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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis JOIV : International Journal on Informatics Visualization Al Ishlah Jurnal Pendidikan MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia AL-ATHFAL : JURNAL PENDIDIKAN ANAK Journal of Education Technology Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal JIAA: Journal of Islamic Art and Architecture Varia Humanika MUMTAZ: Jurnal Pendidikan Agama Islam
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Journal : Catharsis

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The Pantun Pitutur Song: A Study of Educational Values in The Music Show of The Marawis Suma Budhaya Group Sulaksono, Projo; Sumaryanto Florentinus, Totok; Wadiyo, Wadiyo
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i1.39959

Abstract

This study aims to analyze the educational values of that is implemented through the process of interaction in the musical play of the "Pantun Pitutur" song in the Suma Budhaya group performance. This study used a qualitative method with an interdisciplinary approach to sociology and education. The data were collected by using observation, interview, and document study techniques. The data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used were triangulation, data sources, and theory. The results showed that in the musical play "Pantun Pitutur" there was a process of social interaction among fellow musicians, musicians with the Suma Budhaya group, and the Suma Budhaya group with the community. Social interaction occurs through communication and social contact symbolically by using language, signs, and body language. Social contact in this performance is primary and positive. The social interaction process that was impledmented contains several educational values to the community. The educational values include; 1). Religious Value; 2). Cooperation Value; 3). Pluralist Value; and 4). Responsibility Value. The results of this study can be used as a reference regarding the study of educational values.
Educational Value of Tri Hita Karana's in Garap Gending Sidhakarya Mask Dance putra, I wayan agus suardiana; Widodo, Widodo; Wadiyo, Wadiyo
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.42620

Abstract

This study aims to analyze the educational value of Tri Hita Karana (harmonization of humans with humans, harmonization of humans with nature, and harmonization of humans with God) which represents the musical composition of the Sidhakarya Mask dance at the odalan ceremony in Pura Agung Giri Natha Semarang. This study used qualitative analytic method with interdisciplinary approach of ilmusosiology and education. The data was obtained by using observation, interview, and document study techniques. The data analysis technique used intrinsic and extrinsic analysis techniques, and the data were analyzed with the stages of data reduction, data classification, and data display. The validity of the data used the credibility test (internal validity), transferability (external validity), dependability (reliability), and confirmability (objectivity). The results of this study indicate that the garap material represents the educational value on the harmonization of humans with God which was produced from the gending notes of the Sidhakarya Mask Dance; 1) the educational value of harmonization of humans with nature was represented when the penabuh of the Seni Puspa Giri Studio are able to control the five senses and there is happiness in the penabuh, and the form of the yadya offering is in the form of its performance when the odalan ceremony shows a sense of devotion and the harmonious relationship between humans with God; 2) the educational value on the harmonization of humans with nature was represented when the penabuh of the Seni Puspa Giri Studio played the notes in the Gong Kebyar gamelan, there are vibrations of sound that are the same as sounds produced by nature (the sound of space, water, land, and Earth) which are suitable and create harmony; 3) the educational value of harmonization between humans with humans was represented when the penabuh of Ugal hinted hard and soft of the gending sound, the Kendang performer told another Kendang performer when he forgot with the playing motive of Kendang, when the Kendang performer told the Kajar perfromer that the way of playing was wrong, so the penabuh played together the gending of Sidhakarya Mask dance which proved that the value of human with harmonization. The results of this study can be used as a reference regarding the educational value of Tri Hita Karana which was represented in the garap of gending. Kata Kunci: garap, gending tari Topeng Sidhakarya, nilai pendidikan Tri Hita Karana, upacara odalan.
Presentation of Ma'badong Music in the Context of Social Action in Lembang Gandangbatu Sambira, Zefanya; Wadiyo, Wadiyo; Syakir, Syakir
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.44526

Abstract

Ma'badong music is a music that is presented in the Ma'badong performance at the Rambu Solo' ritual or death ritual in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency as an expression and lamentation for someone who has died. This study uses qualitative research method with a sociological approach. The data analysis used to analyze the presentation of Ma'badong music in the context of social action consists of three stages, namely: data reduction, data presentation, and drawing conclusions. The data collection techniques used were observation, interview, and documentation techniques. The results suggest that the presentation of Ma'badong music in Lembang Gandangbatu consists of four types of social action proposed by Max Weber, namely: objective rational action, value rational action, affective action, and traditional action. Pa'badong acts as an actor or music presenter of Ma'badong that tried to present their best performance through melodies, rhythms, and lyrics in Badong which are full of meaning and noble values upheld by the Toraja tribe. Meanwhile, individuals or groups of people who watch Ma'badong performance act as appreciators or audience. The presentation of Ma'badong music is not only seen as part of religious rituals and performing arts, but also as a form of social action that occurs in Tana Toraja community, especially in Lembang Gandangbatu. Ma'badong music is a music that is presented in the Ma'badong performance at the Rambu Solo' ritual or death ritual in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency as an expression and lamentation for someone who has died. This study uses qualitative research method with a sociological approach. The data analysis used to analyze the presentation of Ma'badong music in the context of social action consists of three stages, namely: data reduction, data presentation, and drawing conclusions. The data collection techniques used were observation, interview, and documentation techniques. The results suggest that the presentation of Ma'badong music in Lembang Gandangbatu consists of four types of social action proposed by Max Weber, namely: objective rational action, value rational action, affective action, and traditional action. Pa'badong acts as an actor or music presenter of Ma'badong that tried to present their best performance through melodies, rhythms, and lyrics in Badong which are full of meaning and noble values ​​upheld by the Toraja tribe. Meanwhile, individuals or groups of people who watch Ma'badong performance act as appreciators or audience. The presentation of Ma'badong music is not only seen as part of religious rituals and performing arts, but also as a form of social action that occurs in Tana Toraja community, especially in Lembang Gandangbatu.
Character Values in Children Songs Lyrics by Sumaryanto as an Effort to Develop Children's Personality Wulansari, Reni; Wadiyo, Wadiyo; Triyanto, Triyanto
Catharsis Vol 9 No 2 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i2.45214

Abstract

Children song by Sumaryanto is a learning medium that was created with the character values contained. The purpose of this study is to analyze and describe the values contained in children songs by Sumaryanto that can shape a child's personality. The method used is qualitative with a psychological approach and arts education. The data collection techniques was conducted through observation, interviews, and document study. The data validity technique used was the source triangulation technique. The analysis process was started from data collection, data reduction and clarification, drawing conclusions and interpretation. The results showed that children songs by Sumaryanto have character values that can help children's development. The values including the values of caring for the environment, the value of curiosity, the value of respect for parents, and the value of honesty. These values appeared through the lyrics contained in every song by Sumaryanto which certainly had a good impact on children by implementing these good qualities.
Musik Gondang Batak Horas Rapolo dalam Proses Penggunaanya untuk Berkesenian pada Upacara Adat Pernikahan Batak Toba di kota Semarang Lubis, May Sari; Wadiyo, Wadiyo
Catharsis Vol 5 No 1 (2016)
Publisher : Universitas Negeri Semarang

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Abstract

Musik Gondang Batak adalah musik tradisi yang berasal dari Sumatera Utara. Musik Gondang Batak ini dikembangkan oleh grup Horas Rapolo di Kota Semarang dan digunakan sebagai musik pengiring dalam berbagai acara dan upacara adat khususnya dalam upacara adat pernikahan di Kota Semarang. Grup musik Gondang Batak dalam mengiringi upacara adat lahir dari sebuah tindakan nyata yang dilakukan antar individu dan kelompok (penikmat). Masalah penelitian ini adalah bagaimana proses penggunaan musik Gondang Batak dalam upacara adat pernikahan di Kota Semarang? Pendekatan yang diterapkan penelitian ini adalah disiplin ilmu sosiologi. Kajian sosiologi dalam teori tindakan sosial Max Weber akan digunakan untuk mengkaji tindakan sosial dalam proses penggunaan musik Gondang Batak grup Horas Rapolo pada Upacara adat pernikahan di Kota Semarang. Metode yang digunakan adalah kualitatif. Lokasi penelitian di Taman Budaya Raden Saleh, Kota Semarang. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah analisis isi dan analisis data interaktif. Hasil penelitian menunjukkan, adanya interaksi dari situasi sosial yang melahirkan pemikiran subjektif sehingga adanya respon serta tanggapan kepada penikmat dalam upacara adat pernikahan tersebut.
NILAI-NILAI YANG TERTANAM PADA MASYARAKAT DALAM KEGIATAN MASAMPER DI DESA LAONGGO Maragani, Meyltsan Herbert; Wadiyo, Wadiyo
Catharsis Vol 5 No 1 (2016)
Publisher : Universitas Negeri Semarang

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Abstract

Fenomena berkesenian masyarakat etnis Sangihe di desa Laonggo menjadi hal yang unik dan menarik. Dalam hal ini, Masamper diyakini tidak hanya sebagai sarana hiburan masyarakat tetapi juga sebagai sarana untuk berinteraksi. Masalah yang dikemukakan dalam penelitian ini adalah nilai-nilai apa yang tertanam pada masyarakat dalam aktivitas interaksi yang terjadi dalam Masamper. Metode yang digunakan adalah metode kualitatif dengan desain penelitian studi kasus. Teknik pengumpulan data meliputi observasi,wawancara dan studi dokumen. Hasil penelitian menunjukan bahwa nilai-nilai yang tertanam pada masyarakat dalam kegiatan Masamper, terbentuk melalui proses interaksi yang terjadi pada saat kegiatan Masamper berlangsung. Interaksi dalam kegiatan Masamper merupakan interaksi simbolis yang ditandai dengan adanya tindakan yang didasarkan atas makna. Nilai-nilai yang tertanam pada masyarakat meliputi nilai religius, kerjasama, etika, kerukunan, cinta budaya, kedisiplinan, tenggang rasa, dan keindahan. Nilai-nilai tersebut tertanam pada masyarakat tidak hanya melalui lagu-lagu yang dinyanyikan, tetapi juga melalui aktivitas-aktivitas atau tindakan-tindakan yang dilakukan masyarakat pada saat berinteraksi dalam kegiatan Masamper.
SYAROFAL ANAM: FUNGSIONALISME STRUKTURAL PADA SANGGAR AN-NAJJAM KOTA PALEMBANG Lontoh, Willy; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 5 No 2 (2016)
Publisher : Universitas Negeri Semarang

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Abstract

Syarofal Anam pada dasarnya adalah penyajian vokal salawatan atau puji-pujian kepada Allah dan Nabi Muhammad SAW yang disertai dengan permainan alat musik terbangan dan dalam penyajiannya ketiga elemen ini (vokal, alat musik terbangan dan Rodat) saling berkaitan. Permasalahan pada penelitian ini terkait dengan bagaimana fungsionalisme struktural Syarofal Anam yang ada pada Sanggar An-Najjam Kota Palembang. Pendekatan yang diterapkan penelitian ini adalah interdisplin, yang melibatkan disiplin ilmu sosiologi dan musikologi. Metode yang digunakan adalah kualitatif. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah analisis isi dan analisis data interaktif. Hasil penelitian menunjukkan, Syarofal Anam pada Sanggar An-Najjam dan masyarakat Palembang saling fungsional yang masing-masing mempunyai harapan demi keberlangsungan Syarofal Anam. Syarofal Anam menjadi kebutuhan estetik yang fungsional bagi masyarakat Kota Palembang.
MADIHIN AR RUMI: KREATIVITAS MUSIK DAN TINDAKAN SOSIAL DALAM PENYAJIANNYA Widiyanti, Wulan; Wadiyo, Wadiyo; Sunarto, Sunarto
Catharsis Vol 5 No 2 (2016)
Publisher : Universitas Negeri Semarang

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Abstract

Fenomena berkesenian di sanggar Ar Rumi menjadi hal yang menarik terhadap Madihin.Penelitian ini bertujuan untuk menganalisis dan memahami tindakan sosial dalam penyajian Madihin. Metode yang digunakan adalah kualitatif dengan pendekatan sosiologi. Teknik pengumpulan data meliputi observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan teknik triangulasi dan teknik analisis data yang digunakan mengikuti langkah analisis model interaktif. Hasil penelitian menunjukan bahwa Madihin digital di sanggar Ar Rumi terbentuk karena adanya tindakan-tindakan yang dilakukan oleh sanggar Ar Rumi dimana tindakan tersebut menghasilkan suatu interaksi sosial yang meliputi kontak sosial dan komunikasi secara antara pamadihinan dan penikmat.
Gambus Al-Mubarok’s Studio: Form and Structure of Music Hanifah, Hanifah Suaidi; Sumaryanto. F, Totok; Wadiyo, Wadiyo
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.13226

Abstract

The music of Gambus is a musical that has Middle East style and identic with Islamic nuances, from song lyrics, dances to musical instruments that are used rhythmically, as well as melodic songs with unique characteristics possessed by stringed instrument, namely Gambus. This study aimed to analyze the form and structure of Gambus music in the Al-Mubarok studio at Palembang city. The method used a qualitative research case study design. The research data were collected through observation, interview, and documentation techniques and also using triangulation techniques in testing the credibility of the data. In the process of analyzing data, the data validation technique was carried out through several stages, namely reduction, presentation of data, and drawing conclusions. The results of this study were to provide knowledge and become a reference for Gambus music consisting of two elements of time and melody. Meanwhile, the structure of Gambus music had repeated sentences and periods. The researcher hopes this research can be useful for the public and readers who want to know the oldest Gambus music studio in Palembang city that still maintains the authenticity of their ancestor’s art in Sriwijaya.
The Appreciation of Ngloho Santri Society Towards Kubrosiswo Bintang Mudo Art in Ngloho Pringsurat Temanggung Safitri, Setiorini Rahma; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 6 No 2 (2017)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19291

Abstract

People's appreciation of traditional art can be influenced by the views of the community. This study aims to examine the appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo Arts. This research uses qualitative method. The approach used is a contextual approach or how to understand a phenomenon by connecting it to other phenomena in a particular culture. In the context of this research, problem solving is placed within the socio-cultural context of Ngloho santri society.The appreciation of Ngloho santri society towards Kubrosiswo Bintang Mudo art splits into two, namely the young and the old group. Kubrosiswo Bintang Mudo since its inception in Ngloho Hamlet in 1989 was supported by a group of young people because of the desire to fulfill their aesthetic needs for a traditional art form that can represent their identity. This art for young people is understood as a symbol of trends, progress and modernity. The old group tends to keep a distance to this art. For them this art is considered jogedan art that is understood as the symbol of abangan art. In addition, the existence of pre-show and trance ritual sessions for the old group is considered to have come out of the Islamic faith.
Co-Authors A, Heryanto A. Heryanto Abdul Rachman Adi, Brian Trinanda Kusuma Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Andri Pranolo Apriadi, Sugeng Arbi, Bahtiar Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Dhani Windra Guspa Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Girindra Putri Dewi Saraswati, Girindra Putri Dewi Girmaw Ashebir Sinshaw Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hasanah, Noviatun Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kamis, Arasinah Kusrina Widjayantie Kwidura, Nugroho Laila Fitriah Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M Okta Dwi Sastra FM Marijo M. Jazuli M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Kunta Biddinika Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nugroho Notosutanto Arhon Dhony Nugroho, Septian Cipto Nur Rokhmat Nur Sahid Nur Sahid Nur Sahid Nuswantara, Deu Aditama Opwora, Meshack Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut Puspita, Sovie Kresnadayanti putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rokhmah, Na'ilir Rosyidi, Mohamad Ikhwan Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Sayuti, Muhammad Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sularso Sularso, Sularso Sumaryanto. F, Totok Suminto A. Sayuti Sunarto Sunarto Susanto, Harry Agus Suwardi Endraswara Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widna, Maria Angelita Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi