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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis JOIV : International Journal on Informatics Visualization Al Ishlah Jurnal Pendidikan MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia AL-ATHFAL : JURNAL PENDIDIKAN ANAK Journal of Education Technology Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal JIAA: Journal of Islamic Art and Architecture Varia Humanika MUMTAZ: Jurnal Pendidikan Agama Islam
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Journal : Catharsis

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The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic Natalia, Violinna Wynsa; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45347

Abstract

This study aims to identify, reveal, analyze and describe adaptation of Andy Irawan Music's efforts to deal with the Covid-19 pandemic in the wedding music industry. The author uses an interdisciplinary approach, by borrowing theories and concepts from the disciplines of musicology, sociology, and economics. The object in this study is industry and adaptation, with the subject Andy Irawan Music. The research design uses an interpretive case study located in Semarang. The data were collected through observation, interviews, and documentation. The results show that Andy Irawan Music could adapt during the Covid-19 pandemic. Adaptation efforts made by Andy Irawan Music include appearing with new formations, optimizing the use of social media/ digital platforms, applying virtual music, following recommended health protocols, participating in wedding showcases, and creating Andy Irawan Disciples.
Svara Jiva Song: A Study of Educational Values in the Cultural Process of the antagonist of the Riau Rhythm group Trigunawan, Ade; sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

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Abstract

This study aims to analyze the educational values applied through the process of cultural antagonism to the "Svara Jiva" song of the Riau Rhythm group. This study used a qualitative method with an interdisciplinary approach to sociology and education. The data were collected by using observation, interview and document study techniques. The data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources and theory. The results showed that in the "Svara Jiva" song there was a cultural antagonistic process, namely a form of conflict within a creative individual with the culture, it caused a new form of cultural product. In the process of cultural antagonism, several educational values were implemented. The educational values included; 1) Religious Values; (2) Pluralist Value; (3) Historical Value; (4) Value of Responsibility; (5) Value of Responsibility. The results of this study can be used as a reference regarding the study of educational values.
Ska Grisness Culture Music in the Music Industry and Its Implications in Arts Education Asmarani, Kidung Sukma; Wadiyo, Wadiyo; Sunarto, Sunarto
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.46624

Abstract

The aims of this study is to explain and reveal how Grisness Culture musical works can compete in the music industry and its implications in arts education. This study uses an interdisciplinary approach with qualitative analytical methods. The research design used a case study and the focus of the research was on the ska music of the Grisness Culture group. The data collection techniques used were observation, interview, and documentation study. The data validation used triangulation techniques with data analysis techniques by using interactive models. The results of this study are Grisness Culture was able to compete in the music industry with the capital they have, namely economic, cultural, social, and symbolic capital as well as marketing activities, namely the production of works, promotion, and distribution. Second, the activities carried out during the work to marketing process lead to artistic experiences through art activities, namely appreciation, creation and expression that can create arts education in a broader context in the music industry and have implications in the form of character values.
Bamboo Flute Music Development in Timor Tengah Utara Community in The Context of Social Changes Mau, Laurensius Yosef; Wadiyo, Wadiyo; Sunarto, Sunarto
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.46955

Abstract

Bamboo flute music is a typical traditional music of Timor Tengah Utara (TTU). It was one of the most favourable traditional arts and shown at various events, such as religious events, local government events even as a welcoming music for the country guests. As the time goes by, the existence of bamboo flute music currently has been declined and it was because of various factors, one of it was the social and cultural changes of the community which influenced the development of bamboo flute music. The method used in this research was analytical qualitative method. The data collection techniques used observation, interview, and document study. The technique of data validity used sources triangulation. The data analysis in this research used social changes theory. Based on the results of this research, it can be found that the development of bamboo flute music is influenced by the changes in cultural elements which are the knowledge system that evolves over the time; the livelihood system that the majority of the community back then was as farmers and now turn into office employees; the technology system that is the current rapid development and advanced technology information which impacts on the technology effectiveness and eficiency towards the community life; as well as the art elements that continue to develop according to the needs and trend. This research expands the perspetive of the readers about the existence and influene of cultural elements changes towards the development of bamboo flute music in Timor Tengah Utara (TTU) Regency.
The Use of Musical Elements in Music Learning as an Effort to Foster Creativity of Children Kwidura, Nugroho; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.48081

Abstract

The purpose of this study is to explain and reveal how the process of using musical elements is applied as an effort to foster creativity of the students in Foundation of Music class at Sekolah Musik Indonesia Semarang. This research used an interdisciplinary approach with qualitative analytical methods. The research design used a case study and the focus of the research was the Foundation of Music class at Sekolah Musik Indonesia Semarang. The data collection techniques used were observation, interviews and documentation studies. Validation of data in this study used triangulation techniques and data analysis techniques used interactive models. The results of this study show that the first process of using musical elements in classroom learning of Foundation of Music is able to introduce elements of music (rhythm and melody) using the sequence/order of learning set at the Foundation of Music class and also by using play-based learning method and learning media in the form of musical instruments, puzzles music books, and paper notation used during the process learning takes place. Second, the activities carried out during the learning process lead to a creative process through the teacher's openness and its positive impact on the students (creative personality), integration of methods and diversity of learning activities (creative process), and verbal motivation (creativity press).
The Local Wisdom Value of Kompang Music in Rupat District, Bengkalis Regency, Riau Province Fahmi, Nuril; Wadiyo, Wadiyo; Sunarto, Sunarto
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.53515

Abstract

Kompang music is one of the most famous arts among the Malay community of Bengkalis Regency and its surroundings, including in Rupat District. As a result of cultural products, kompang music has local cultural values (local genius) which become the characteristic or identity of the community. The purpose of this study is to examine the musical aspect of the kompang music performance and the local wisdom value expressed through the kompang music performance. The research method used in this study is a qualitative research method, with a case study approach. The results of this study in terms of musical aspects are divided into two, namely the musical aspect of the kompang song and the musical aspect of the kompang music instruments, while the local wisdom values expressed in the kompang music performance are religious values, leadership values, cooperation values, responsibility values and educational values.
The Oral Literaty of Rejung Rasan-Dirasan in Musi Rawas Regency: Form Analysis of Garap Halilintar, Mark Dhaksa; Ibnan Syarif, Muh.; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.53536

Abstract

This study aims to describe the form of garap on music accompaniment of Rejung Rasan-Dirasan in Musi Rawas Regency. This study used the descriptive qualitative method. The data collection used: (1) recording technique, both audio and audiovisual; (2) notes; (3) in-depth interviews with some informants; (4) literature study and documentation analysis. The primary data source analyzed was Cikwan as the speaker and some of the public figures in Musi Rawas Regency, South Sumatra. The study results show that the garap form of oral-literary is different from the music structure of Javanese gamelan tradition in general. It submits to the techniques of Rejung Rasan-Dirasan in Musi Rawas Regency. ------- This study aims to describe the form of working on the musical accompaniment of Rejung Rasan-Drasan in Musi Rawas Regency. This study used descriptive qualitative method. Data collection techniques in this study used: (1) recording techniques, both audio and audiovisual, (2) recording, (3) in-depth interviews, (4) literature study and documentation analysis. The main data sources analyzed were Cikwan as a speaker and several community leaders in Musi Rawas Regency, South Sumatra. The results of this study indicate that the form of working on the oral literary art of Rejung Rasan-Dirasan is out of the structure of the rules of Javanese gamelan music which is certainly different from the structure of Javanese music in general but is subject to the technique in the musical Rejung Rasan-Drasan in Musi Rawas Regency.
The Value of Character Education in Tembang Dolanan Jawa and Its Implementation in The Cultural Art Learning Process Lathifasari, Meisera Fika; Widodo, Widodo; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.53923

Abstract

One of the arts that is very full of Islamic nuance with the Kikim Tribe is the art of “Arakan” or "Ngarak" (parade) or better known as the Kikim bridal parade. The problem raised in this study aims to analyze the music of the Kikim bridal parade as a cultural expression of the Kikim Tribe in Lahat Regency. This research used a qualitative method with a case study research design. Data collection techniques involved observation, interviews and document studies. The results showed that the Arakan which was staged in Kikim District, Padang Bindu Village, was a form of cultural expression for the Kikim community living in Lahat Regency. The performance is often staged for accompanying the bride and groom from Kikim Tribe In the organological framework, Ngarak or Arakan music consists of compositions of poetry (vocals), tambourines (rhythm), tambourines/terbangan genjring (rhythm), and gongs (rhythm). Meanwhile, if they are classified based on the characteristics of instruments used, they fall into the category of percussion instruments. The songs in Arakan use sholawat and berzanji lyrics (prays and praises for Prophet Muhammad SAW) and they are performed by dancers (as well as vocals). Therefore, the role of vocals in Arakan is to play the melody of the song sung by the dancers to clarify the meaning of the song through poetry in addition to providing an element of aesthetic variation.
Creativity and Aesthetics of Keychain Carving At The Jati Nugroho Business Unit in Tahunan Village Jepara rohman, fadlur; Cahyono, Agus; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.55840

Abstract

Keychain carving is a form of carving that is produced by the young generation at the Jati Nugroho Business Unit in Tahunan Village, Jepara. This study aims to provide an overview of the aesthetic and creative form of keychain crafts. The research was conducted using qualitative analysis research methods with the research location in the Jati Nugroho Business Unit, Tahunan Village, Jepara. The instruments and data collection techniques used observation, interviews and document studies. The data validity technique used data triangulation techniques. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, presenting and verifying data.The aesthetic form produced in the keychain craft is expected to instill values in the daily life of community. The value given is also an added value for the young generation because it has been given earlier by the family (parents) and the environment surrounds them. The value instilled in the young generation is a good effort because it makes craftsmen have knowledge, especially through the keychain carving.The data were analyzed using aesthetic form and creativity theory. The results show the following things. First, the keychain carving has a variety of shapes and aesthetic form. Second, the craftsmen have creativity in developing the latest design ideas.
Presentation Form of Candei Music Group in Sendari Song in Muara Enim Indah Rizky Heryana; Wadiyo Wadiyo; Udi Utomo
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.72015

Abstract

This research aims to analyze the changes in the performance of Rejung Music and interpret the changes in the sociology of Rejung Music. This research uses qualitative research methods with an interdisciplinary approach, namely ethnomusicology and sociology. The research design used is a case study with a research focus on the form of performance, sociocultural changes in Rejung Music. The data in this study are primary and secondary data obtained from observations, interviews and document studies. Data validation is carried out by triangualation techniques, data sources and theories. Data analysis techniques include; data collection, data reduction, data presentation and data verification. The results of this study show that the art of Rejung Music has experienced changes in socio-cultural behavior both in presentation including the form of presentation of Rejung Music has changed from the time of its creation until now. The form of presentation of Rejung Music that has undergone changes includes the following components, 1) Rejung music is no longer just sung in the yard or in love, rejung music has evolved into contemporary music with traditional wraps that are often held at major events. 2) Rejung music used to only use a single guitar and now uses modern music ensembles 3) The musical instruments used are not only single Guitars, but are already diverse. 4) not having to use traditional costumes (shirt of Kurung).
Co-Authors A, Heryanto A. Heryanto Abdul Rachman Adi, Brian Trinanda Kusuma Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Andri Pranolo Apriadi, Sugeng Arbi, Bahtiar Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Dhani Windra Guspa Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Girindra Putri Dewi Saraswati, Girindra Putri Dewi Girmaw Ashebir Sinshaw Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hasanah, Noviatun Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kamis, Arasinah Kusrina Widjayantie Kwidura, Nugroho Laila Fitriah Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M Okta Dwi Sastra FM Marijo M. Jazuli M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Kunta Biddinika Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nugroho Notosutanto Arhon Dhony Nugroho, Septian Cipto Nur Rokhmat Nur Sahid Nur Sahid Nur Sahid Nuswantara, Deu Aditama Opwora, Meshack Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut Puspita, Sovie Kresnadayanti putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rokhmah, Na'ilir Rosyidi, Mohamad Ikhwan Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Sayuti, Muhammad Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sularso Sularso, Sularso Sumaryanto. F, Totok Suminto A. Sayuti Sunarto Sunarto Susanto, Harry Agus Suwardi Endraswara Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widna, Maria Angelita Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi