Claim Missing Document
Check
Articles

GAMELAN SELONDING SACRED FUNCTION IN TENGANAN PEGRINGSINGAN VILLAGE I Wayan Suharta; I Nyoman Suarka; I Wayan Cika; I Ketut Setiawan
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p03

Abstract

Gamelan Selonding in Tenganan Village has its own history, its existence is associated with stories that have been passed down from generation to generation.It begins with the discovery of three blades iron plates which is stated as gamelan selonding blade.It is believed to be a piturun not made by human beings, but because of the nature, by the people of Tenganan village called ‘Bhatara Bagus Selonding'.Gamelan Selonding for Tenganan people is very sacred.To maintain its sacredness, it should be adapted to the concept desa, kala, and patra, should not be touched by anyone else, except by a designated group of seven people as Juru Gambel (Balinese musician). Juru Gambel has their responsibility for the sanctity of Selonding gamelan, it cannot be placed at random space and could only be played at specified time. For Tenganan people the Selonding gamelan sacredness is not just an outward statement, but the totality of the integration of thoughts, feelings, words and attitudes, so that the treatment for the Selonding is a form of prostration. Selonding not only honored and sacred, and sanctified, but it fulfills all the vibrations of the Tenganan Village community in meeting space, time, and circumstances. This paper uses a qualitative approach and the writing mechanism analyzes the text which is described to know and understand the sacredness of Selonding gamelan in Tenganan. Keywords: Gamelan Selonding, function, sacred.
GOVERNMENT HEGEMONY VS. DESA ADAT RESISTANCE: DYNAMICS OF REGULATING DESA ADAT IN BALI Putu Gede Sridana; I Wayan P. Windia; I Nyoman Darma Putra; I Nyoman Suarka
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p04

Abstract

The government's strategy to promote desa adat (customary village) materialized through the implementation of Regional Regulation Number 4 of 2019 in Bali, fostering a dynamic interaction aimed at enhancing desa adat resilience. This study examines the dynamic forms of interaction between these institutions. Data were obtained utilizing a qualitative approach, including literature reviews, observations, and interviews. The data analysis results are described using theories of hegemony, ideology, discourse, and the power of knowledge. The research concludes that diverse forms of interaction between the government and desa adat encompass involvement in the formulation of desa adat regulations; participation in religious rituals and cultural activities; and relevance in financial governance. Theoretical findings suggest that power operates through interactions to assert dominance over desa adat by spreading discourse, knowledge, and ideological strategies. This article provides valuable insights for shaping regulations that better align with the identity and autonomy of desa adat. Keywords: dynamic interactions, desa adats, Regional Regulation Number 4/2019
ARTICULATION OF THE JAVANESE ISLAMIC MYTHIC IDEOLOGY IN THE KRUCIL KEDIRI PUPPETS Rudi Irawanto; A.A. Ngurah Anom Kumbara; I Nyoman Suarka; I Ketut Darmana
E-Journal of Cultural Studies Vol 15 No 1 (2022): Volume 15, Number 1, February 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i01.p01

Abstract

The Cipto Manunggal Kebatinan Community is a mystical community that has developed in the Kediri area of ??East Java, which strengthens its ideological identity through the Krucil puppet art. Krucil is constructed as a performing art from the kebatinan community, which displays the concepts in the kebatinan teachings they profess. The main concepts in kejawen teachings are reconstructed through symbols in the Krucil puppets, so that the core concepts in kejawen teachings have new meanings. This study uses a critical ethnographic approach to dissect the ideological concepts in the wayang Krucil which is used as an ideological representation of the Cipto Manunggal community. The results of this study indicate that there are 3 main aspects in Cipto manunggal's kebatinan teachings that acquire new meanings, Keywords: ideology, Javanese Islam, wayang Krucil
UNVEIL THE DAY OF DISCOURSE ON THE USE OF TRADITIONAL BALINESE CLOTHING FOR ASN IN THE PROVINCIAL GOVERNMENT OF BALI Desak Putu Andi Suarmini; I Nyoman Suarka; I Nyoman Sukiada
E-Journal of Cultural Studies Volume 12, Number 4, November 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (658.286 KB) | DOI: 10.24843/cs.2019.v12.i04.p03

Abstract

This study aims to uncover the form of power relations and the implications of the discourse on the use of traditional Balinese clothing for the State Civil Apparatus (ASN) in the Provincial Government of Bali. The rules on the use of traditional Balinese clothes for the ASN Bali Provincial Government are the implementation of the policy of the Governor of Bali Wayan Koster at the beginning of his leadership period and has been set forth in the Governor Regulation No. 79 of 2018 concerning the Day of the Use of Customary Bali Clothing. The study uses the scientific foundation of Cultural Studies with a qualitative approach. Two theories used in this research are the theory of power and knowledge relations and social practice theory. These two theories are collaboratively used to uncover the power relation forms and the implications of the discourse on the use of traditional Balinese clothes for ASN within the Provincial Government of Bali. The study revealed the form of power relations in the day-to-day discourse on the use of traditional Balinese clothes for ASN in the Provincial Government of Bali, namely governmentality in the form of regulations aimed at making the application of Balinese customary dress rules effective. Another form of power relation is the hegemonic ideology that is by utilizing the myths of Balinese traditional clothing and symbolic power relations using meaningful symbols. The results also revealed that the discourse on the use of Balinese traditional clothing for ASN in the Environment of the Provincial Government of Bali has implications for the representation of social classes marked by the desire of a group of ASN to differentiate themselves by adding accessories to the traditional clothes they wear. Another implication is consumerism among ASNs, where their desire engine is motivated to add custom clothing collections to the office beyond what they actually need. The application of traditional Balinese dress rules for the Bali Provincial Government ASN also gives rise to what is called cultural hybridization. Keywords: discourse, Balinese traditional clothing, State Civil Apparatus
UNDERSTANDING THE CHAOTIC SYSTEM IN MANAGING TYPE-C EXCAVATION FACILITIES IN SEBUDI VILLAGE BALI Ida Bagus Gde Putra; A.A. Ngurah Anom Kumbara; I Nyoman Suarka; I Nyoman Sukiada
E-Journal of Cultural Studies Vol 15 No 2 (2022): Volume 15, Number 2, May 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i02.p02

Abstract

The catastrophic eruption of Mount Agung in 1963 had spewed deposits of lava and sandstone covering the lower reaches of the Sebudi Village area. After the eruption of Mount Agung, the lava and sandstone deposits were explored as minerals C and used as a new source of income for their welfare, but the community did not pay taxes. The purpose of the study is to describe struggles in fighting for capital between actors in the realm of the type-C excavation in Sebudi Village. This research was carried out with a qualitative approach, using a triangulation technique, namely by observation, in-depth interviews with informants with the technique of purposive sampling, and documentation studies. The theory used is the theory of hegemony, the theory of power-knowledge discourse, and the theory of social practice.The results of the study reveal that factors that trigger the occurrence of chaos are due to regulatory factors issued by the government which cause conflicts of interest between agencies in managing the type-C excavation. The implications of the chaos of type-C excavation have been changing the structure of infrastructure buildings, unclear topographic and geographical boundaries. Additionally, local government policies in law enforcement have made a shift in status of land ownership which is closely related to the interests and powers of actors and agencies in determining their actions. Keywords: regulation, chaos, type-C excavation, land ownership
GENEALOGY OF CONSERVATION NGOs ON THE ESTABLISHMENT OF THE AMBEL-MA'YA TRIBE CONSERVATION AREA IN RAJA AMPAT George Mentansan; I Ketut Ardhana; I Nyoman Suarka; I Nyoman Dhana
E-Journal of Cultural Studies Vol 14 No 4 (2021): Volume 14, Number 4, November 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i04.p03

Abstract

This article aims to reveal the genealogy of the International Conservation NGO towards the establishment of the Ambel-Ma'ya tribal conservation area so that the Ma'yalibit Bay conservation area in Raja Ampat is formed as well as a departure station for the establishment of other conservation areas in Raja Ampat. The research approach uses a Cultural Studies approach with descriptive qualitative research methods and slices of theory used, namely, the genealogy of practice and power from Michel Foucault.The results showed that before international conservation NGOs operated in Raja Ampat, they recruited actors and agents who were recruited from intellectuals of the Ma'ya indigenous peoples' institutions and religious and traditional leaders. Conservation NGOs act as captains as well as organic intellectuals and traditional intellectuals for the Ambel-Ma'ya tribe in the Ma'yalibit Bay of Raja Ampat acting as sea commanders in the boat of conservation ideology. Conservation NGOs are hiding behind the discourse of knowledge about high marine tropical biodiversity and the threat of its degradation as a result of the fishing behavior of fishermen who are not environmentally friendly, becoming the basis for discourse on knowledge, articulation and practice of language texts and capital of power to carry out discursive practices in the formation of conservation areas on tribal waters stage. Abel-Ma'ya. Keywords: Genealogy, NGO, Conservation, Ambel-Ma'ya, Raja Ampat
TRIGGERED FACTORS OF GRINGSING TENGANAN DOUBLE IKAT COMMODIFICATION IN THE GLOBALIZATION ERA Ida Ayu Kade Sri Sukmadewi; A.A. Ngurah Anom Kumbara; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 15 No 1 (2022): Volume 15, Number 1, February 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i01.p02

Abstract

The double woven cloth of Gringsing, Tenganan, Karangasem Bali serves as a ritual medium in traditional, religious, marriage activities, is sacred, and weaving skills are inherited from generation to generation (habitus) from their ancestors. Globalization and the entry of the tourism industry have influenced the development of the Gringsing double ikat fabric. Development is carried out by commodifying form and meaning, so as to create products with new meanings. The purpose of this study is to identify and understand the factors that cause the commodification of double ikat fabrics in Gringsing Tenganan, Karangasem in the era of globalization. This study used descriptive qualitative method. The techniques used in data collection, namely observation techniques, in-depth interview techniques, and document studies. The collected data were analyzed using analytical techniques, verified (data display), and concluded in narratives, tables, photos, and charts. The theory used in this research is the commodification theory of Barker and Piliang. The results of the study, namely the commodification of double ikat fabrics in Gringsing Tenganan, Karangasem in the era of globalization occurred due to internal and external factors. Internal factors that support the commodification of the Gringsing double ikat fabric are the economic orientation of the Tenganan community, the orientation of equality and freedom of life as well as ideology and outlook on life. External factors such as globalization and tourism development in Tenganan Pagringsingan Village, Karangasem. Keywords: commodification, gringsing double ikat, globalization
REPRESENTATION OF BALINESE CULTURE IN GUN GUN’S MAHABHARATA EPIC PUPPET COMIC I Wayan Nuriarta; I Nyoman Darma Putra; I Nyoman Suarka; Ida Ayu Laksmita Sari
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p01

Abstract

The Mahabharata epic is better known to people in Bali, especially in shadow puppet plays. However, since 1955, the Mahabharata epic has been presented in the form of comics. This way of storytelling continued until 2014 with the printing of the Mahabharata epic puppet comic by Gun Gun, which presents Balinese cultural icons. This research aims to describe the representation of Balinese culture in Gun Gun’s Mahabharata epic puppet comic. The research method employed a critical qualitative design. Data collection was conducted through observation, interview, and literature study. The theories utilised are comic theory, hegemony theory, representation theory, and articulation theory. The findings indicate that Gun Gun’s Mahabharata epic puppet comic employs three forms of Balinese cultural representation. The three forms are as follows: (1) visual representation, whereby characters and backgrounds are depicted in comics in a manner that evokes Balinese architecture, including wantilan, pura, and togog; (2) verbal representation, which is evidenced by the presence of Balinese vocabulary in the dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma; and (3) narrative representation, which is evident in the explicit portrayal of Hindu teachings, including karma phala. The dialogue of the characters, such as om swastiastu, kerahayuan, yadnya, Hyang Widhi, and darma, and the narrative representation that shows explicitly the teachings of Hinduism, such as karma phala, are also forms of cultural representation. The study of Balinese cultural representation in the Mahabharata epic comic contributes to the understanding that comics also serve as a medium for the adaptation of external cultural influences, thereby reinforcing Balinese identity. Keywords: Balinese culture, Mahabharata epic, comics, representation, Balinese identity
THE SOCIAL STRUGGLE OF PRACTICES CONTEMPORARY RAJAH PANYENGKER IN BALI I Made Gede Anadhi; I Nyoman Suarka; I Nyoman Sukiada; I Nyoman Wijaya
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (990.545 KB) | DOI: 10.24843/cs.2020.v13.i01.p04

Abstract

This study aims to analyze why there are practitioners today who still interpret Rajah Panyengker (mystical script) as a means of obtaining understanding, safety. Yet in reality they also practice Hindu religious rituals with the same purpose. The answers to these questions are sought in the arena of social struggle of practitioners Rajah Panyengker. In relation to their desire to emerge victorious in the arena of social and social struggle, they felt the need to convert capital so that they would not lose against their colleagues, fellow practitioners. The size of a practitioner's cultural capital is very dependent on his habitus. Therefore the answers to the research questions will be sought in the formation of the habitus of Rajah Panyengker practitioners. How the habitus forms the mystical cultural capital of practitioners regarding Rajah Panyengker, then places it in the arena of social struggle of the Balinese people today. Thus the focus of this study is directed at the meeting between the arenas of practitioners' internal social struggle with the users of Rajah Penyengker. Generative structural theory is used as a basis for thinking to understand and explain these problems. The conclusion of this study, that to emerge victorious in the arena of social struggle, practitioners fulfill the wishes of patients who want to get Rajah Penyengker. In the arena of social struggle like that, practitioners Rajah Panyengker do capital conversion. Thus this phenomenon illustrates the increasing arena of social struggle for practitioners of Rajah Penyenker today, not to search for positivistic origins or their backgrounds to interpret Rajah Penyengker. Keywords: Rajah Panyengker, social struggle, practitioners
THE RESILIENCE OF BALI TRADITIONAL POTTERY CRAFTSMEN OF PEJATEN VILLAGE IN THE GLOBAL ERA Ida Ayu Gede Artayani; I Wayan Ardika; I Nyoman Suarka; I Wayan Suwena
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p01

Abstract

Pottery craftsmen in Pejaten Village still survive producing traditional pottery amid changes in their socio-cultural space. This study aims to analyze the reasons they persist in the realm of traditional pottery crafts today. This study uses the paradigm of critical thinking with a qualitative approach that views social reality as something that is intact, complex, dynamic, full of meaning with interactive symptom relationships. This research, analyzed by the generative structural theory of Pierre Bourdieu. Theory to explain the practice in the realm of pottery crafts in Pejaten Village. Bourdieu made a generative formula about practice, namely: (Habitus x Capital) + Domain = Practice. The results of this study indicate the survival practice of these pottery craftsmen by applying the habitus cutting strategy, in the form of intergenerational skills through informal education between families. Habitus they have internalized in individuals and make them have cultural capital. Ownership of cultural capital can be converted into other forms of capital, but the ability to convert capital cannot be done by all individuals, even though they grow and have a similar habitus. This is influenced by cognitive abilities, reasoning power, episteme, and individual experiences. This results in a class structure in the realm. Ownership of habitus and cultural capital is not sufficient to survive in this realm. Other capital ownership is needed, such as: economic capital, social capital, and symbolic capital. The results of this study can be used as a reference for developing the cultural sustainability of the traditional heritage between generations in responding to the changes that have occurred in the social space for pottery handicrafts in Pejaten Village today. Keywords: sustainability, habitus, capital, traditional pottery craftsmen.
Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Gede Bawa A.A. Kade Sri Yudari A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kumbara AA. Gede Bawa Admin OJSIkip Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Anak Agung Raka Asmariani Ardjani, Ni Luh Artayani, Ida Ayu Gede Bagus Wahyu Sudhyatmika Bawa, Anak Agung Gde Cerita, I Nyoman Desak Putu Andi Suarmini Dewa Gede Bambang Erawan Diah Savitri, Putu Dian Saputra, I Made Dr Pudentia Dra Dafirah Duija, I Nengah Dwi Mahendra Putra Erna Supriathi, Ni Kadek Farhaeni, Mutria Fauzan Al Jundi Fransiscus Bustan Gde Artawan Gede Indrawan Gede Yoga Kharisma Pradana George Mentansan Gitananda, W.A. Sindhu Gusti Ayu Novaeni Hamiruddin Udu, Hamiruddin I Gde Parimartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Oeinada I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Sri Widiantari I Gusti Ngurah Seramasara, I Gusti Ngurah I Gusti Ngurah Sudiana I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Darmana I Ketut Jirnaya I Ketut Muka I Ketut Setiawan I Ketut Sudewa I Made Agus Oka Gunawan I Made Arik Wira Putra I Made Arik Wira Putra I Made Dian Saputra I Made Dian Saputra I Made Gede Anadhi I Made Suastika I Made Sukma Manggala I Made Suyasa I Made Wijana . I Nengah Duija I Nengah Duija, I Nengah I Nengah Sudipa I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman sukiada I Nyoman Suwana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Nyoman Winyana, I Nyoman I Nyoman, Rema I Putu Gede Sridana I Putu Gede Suyoga I Wayan Ardika I Wayan Cika I Wayan Mulyawan I Wayan Nuriarta I Wayan P. Windia I Wayan Suardiana I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Suwena I Wayan Suwena I Wayan Tagel Eddy Ida Ayu Gede Artayani Ida Ayu Istri Agung Dharmayanti Ida Ayu Kade Sri Sukmadewi, Ida Ayu Kade Ida Ayu Laksmita Sari Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gde Putra Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Nyoman Mantra Ida Bagus Oka Wedasantara Ida Bagus Rai Putra Igaa Mas Triadnyani Jro Made Gede Aryadi Putra Juliana, I Wayan Kamidjan Kamidjan Ketut Widya Purnawati Komang Adi Sastra Wijaya Komang Paramartha Kumiko Shishido Kurniawan, Putu Widhi Kusuma Wardana, Kadek Lilik Rita Lindayani Made Dian Saputra Made Narawati Made Paramasuta Wijaya Maliudin, Maliudin Maria Matildis Banda MPSS, Pudentia Muh Alifuddin Muhammad Badaruddin Ni Ketut Ratna Erawati Ni Luh Gede Meilantari Ni Luh Nyoman Kebayantini Ni Luh Sutjiati Beratha Ni Made Ari Dwijayanthi Ni Made Indiani Ni Made Ruastiti Ni Made Wiasti Ni Nyoman Karmini Ni Nyoman Kartini Ni Nyoman Seri Astini Ni Putu Diah Astriningsih Ni Putu Diah Astriningsih Ni Wayan Ardini, Ni Wayan Ni Wayan Sumitri Ni'mah, Mamluatun Novena Ade Fredyarini Soedjiwo Nyoman Adiputra Nyoman Kutha Ratna OJSIkip, Admin Parahita Nugraha, Gemara Adhiyasa Paramita, Ida Bagus Gede Pradnyawati, Ni Ketut Sukma Pujaastawa, Ida Bagus Gde Pujana, Ida Bagus Anom Wisnu Putra, Ansor Putu Ari Suprapta Pratama Putu Eka Maharani Putu Gede Sridana Putu Sanjaya Putu Titah Kawitri Resen Rahmat Sewa Suraya Raka Asmariani, Anak Agung Rema I Nyoman Rianti Simbolon Rudi Irawanto Rustiani, Komang Wahyu S, Aswandikari Sachiko Takasaki Samsul Samsul Sanjaya, Putu Savitri, Putu Diah Setya Yuawana Setya Yuwana Silvia Damayanti Sri Marheni, Komang Sri Martini Subrahmaniam Saitya, Ida Bagus Sugiarta, I Gde Arya Suka Yasa, I Wayan Suroyo Suroyo Suryadi Suryadi Suryadi Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Wayan Nurita