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All Journal E-Jurnal Kajian Budaya IPTEKMA HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali ATAVISME JURNAL ILMIAH KAJIAN SASTRA Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Proceeding of International Conference on Art, Language, and Culture Jurnal Ilmiah Sinus International Journal for Educational and Vocational Studies Pangkaja: Jurnal Agama Hindu Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Penelitian Agama Hindu International Journal of Social Science Soshum: Jurnal Sosial dan Humaniora International Journal of Education and Literature (IJEL) Suluh Pendidikan: Jurnal Ilmu-ilmu Pendidikan Sphatika: Jurnal Teologi Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra International Journal of Multidisciplinary Sciences International Review of Humanities Studies Subasita: Jurnal Pendidikan, Bahasa, Aksara dan Sastra Daerah Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Open Access DRIVERset
I Nyoman Suarka
Universitas Udayana, Denpasar, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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KINSHIP POLITICS AND EMBODIMENT CONCEPT OF GOOD GOVERNANCE: TABANAN DISTRICT CASE STUDY Komang Adi Sastra Wijaya; I Nyoman Suarka; I Nyoman Darma Putra; I Wayan Tagel Eddy
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p03

Abstract

This research is a neo-institutionalism analysis study to political dynasty issue in the accordance with the embodiment concept of good governance in Tabanan district. As it is known that after the reformation, Tabanan was led by the same family generation. By focusing on the health service sector, this study will look at to what extent the dynastic politics has an impact on the public policy sector and the realization of good governance. In general, the health service policy pursued by the Tabanan Regency government is a non-populist policy. The local government chose to build international hospital rather than providing free health services for the poor. All this time, the study about political dynasty and the effect to the public policy sector in Tabanan is only seen as a mere political problem without looking at the deep state structure, the normative function and culture in it. This study found that there are a conflict between sociological institution, historical institution, and rational choice institution behind the strong dynastic politics as well as the struggles in realizing good governance in Tabanan Regency. Keywords: political dynasty, good governance, neo-institutionalism, public policy, Tabanan district.
NATIONAL ANTHEM SINGING AT INTERNATIONAL SPORT COMPETITIONS: DOES THE DISCOURSE AGAINST KIMI GA YO AFFECT THE JAPANESE YOUTHS? Kumiko Shishido; I Nyoman Suarka; I Nyoman Dhana
E-Journal of Cultural Studies Vol 16 No 2 (2023): Volume 16 Number 2 May 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i02.p05

Abstract

This paper aims to discuss the view of Japanese youths on the discourse against Kimi ga Yo, especially in the setting of international sport competitions. It is a qualitative-research that uses the open model survey technique to obtain the primary data from the Japanese youths aged 20 to 22. The result of this paper shows that the discourse against Kimi ga Yo does not implicate towards the youths’ view in the present days of Japan. It also highlights the youths’ ignorance on the literal meaning of the lyrics and their emphasis on the function of Kimi ga Yo as a national anthem. Keywords: Kimi ga Yo, critical discourse analysis, Japanese youths
Asal-Usul dan Evolusi Aksara Suci Oṁ-Kāra di Bali Berdasarkan Data Prasasti Bali Kuno Abad VIII/IX Rema I Nyoman; I Gusti Ngurah Sudiana; I Nyoman Suarka
PURBAWIDYA: Jurnal Penelitian dan Pengembangan Arkeologi Vol. 13 No. 1 (2024): Vol. 13(1) Juni 2024
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2024.939

Abstract

Various questions arise in the community, whether this OṀ-kāra is a product of Balinese culture or whether this script is a derivative of OM-kāra from India. This research raises the question of how is the origin and evolution of the OṀ-kāra script in Bali? This research data was collected through a literature study and supplemented by interviews. The results of this research are in the form of the history of the script that developed in Bali, namely Pre-Nagari and Ancient Bali including Bali Lumrah which was used to write down the origin and evolution of the sacred script OṀ-kāra in Bali. Based on the results of this study, it is known that this sacred script was derived through two scripts in Bali in the VIIIth/ IXth centuries, namely Pre-Nagari and Ancient Balinese, which were derivatives of the Brahmi script. However, this sacred script has not envolved after the VIIIth century in the pre-Nagari script. Instead, what is seen in its evolution is the sacred OṀ-kāra script written using the Balinese Lumrah script, which is a derivative of the Old Balinese script, from the niskala to the birth of creation theology.  Based on the evolution of this sacred script, it is known that OṀ-kāra is a sacred script as a symbol of God/ Ida Sang Hyang Widhi Wasa who niskala, then from the niskala, evolved into the nature of niskala-sakala, Nirguna-Saguna, Paramasiwa-Sadasiwa.
Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 14 No 1 (2024): ARTICULATING IDENTITY
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.
IDEOLOGY OF DISASTER EDUCATION TRAUMA HANDLING POST-EARTHQUAKE IN PICTURE STORIES BOOK: CRITICAL DISCOURSE ANALYSIS Damayanti, Silvia; Suarka, I Nyoman; Banda, Maria Matildis; Purnawati, Ketut Widya
International Review of Humanities Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research analyzes the ideology that the author intends to instill in picture storybooks for children in Japan. The study aims to explore how the author conveys the ideology of handling trauma in children after earthquake disasters. The objects of the study are two picture storybooks titled "Yuzuchan" and "Yappari Ouchi Ga Ii Na." The research was conducted qualitatively using the documentary data search method. The analysis was carried out with van Dijk's CDA theory and Peirce's Semiotics Theory. The results of the analysis reveal that "Yuzuchan" and "Yappari Ouchi Ga Ii Na" are picture storybooks produced to help children cope with post-earthquake trauma. Disaster education handling the trauma is distributed in Macro Structure, Superstructure, and Microstructure. Although both of them deliver disaster education to overcome the same trauma, because the two authors have different backgrounds, the goals of the post-disaster ideology to be conveyed are different, the themes raised, and the topics raised are different. To convey the ideology of dealing with the trauma of death in Yuzuchan's story, the author raised the theme of loss due to catastrophic death. While at "Yappari Ouchi Ga Ii Na", from the ideology of disaster education facing trauma healing the ideology of earthquake trauma. The ideology of earthquake trauma handling is reflected in the macro and micro structures in both picture story discourses. The author uses diction and atmosphere to depict the post-earthquake trauma experienced by the characters. Meanwhile, disaster education in the form of trauma handling is conveyed through schematic elements, settings, presuppositions, diction, sentence patterns, and rhetoric in the stories. This research is not only beneficial for learners of the Japanese language and literature implementing CDA theory in discourse but also valuable for authors seeking to create stories about post-disaster trauma handling.
TRANSFORMATION OF GONDANG SABANGUNAN TRADITIONAL MUSIC INTO UNING-UNINGAN MODERN MUSIC AT THE BATAK TOBA ETHNIC TRADITIONAL CEREMONY IN DENPASAR CITY Rianti Simbolon; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p04

Abstract

The practice of using music at the Batak Toba ethnic traditional ceremony in Denpasar city has transformed. The transformation was from gondang sabangunan traditional music into uning-uningan modern music. Furthermore, uning-uningan modern music dominated or used more often rather than gondang sabangunan traditional music in Denpasar city. The main factor which causes this transformation is there are no artists who are able to use gondang sabangunan traditional ensemble music. The aims of this study are to know the causes of the transformation of gondang sabangunan traditional music into uning-uningan modern music, the forms of the transformation of gondang sabangunan traditional music into uning-uningan modern music, to figure out the implication of the transformation of gondang sabangunan traditional music into uning-uningan modern music. The results showed that the transformation occurred because of the internal factors which consist of economic factors, artists’ creativity factors, the lack of understanding of the Batak Toba gondang traditional, and the lack of cultural transmission to the young generation. Otherwise, the external factors consist of globalization factors, and pop culture factors. The transformation forms of gondang sabangunan traditional music into uning-uningan modern music such as the formation transformation of music instruments, the transformation in using repertoire types, the position transformation of the musicians, the transformation of execution time, and the musician’s identity transformation. The implications of the transformation of gondang sabangun traditional music into uning-uningan modern music are the fading of gondang traditional music, switching functions into entertainment, the artists are more concerned with material, and the young generation is less familiar with gondang traditional music. Keywords: transformation, gondang sabangunan traditional music, uning-uningan modern
THE MARKET IDEOLOGY BEHIND THE DEVELOPMENT OF KANDA PAT TEACHINGS IN BALI IN THE GLOBAL ERA Jro Made Gede Aryadi Putra; Nyoman Adiputra; I Nyoman Suarka; A.A. Ngurah Anom Kumbara
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p02

Abstract

Tourism as an introduction to Balinese culture in the era of globalization with the development of the global tourism business. On the other hand, the emergence of a spiritual school of kebatinan which is proficient with Kanda Pat's style, grows, exists and develops in Bali. Local adaptation causes variation or diversity in responding to a culture. In globalization there is a local response or adaptation to the globalization uniformity project. This response made Kanda Pat's teachings globalized, as a genius local science that began to globalize. Based on these ideas, in this research there are several things to be examined related to the existence of Kanda Pat's teachings in the Balinese social environment. From the description of the background, it generally aims to reveal the phenomenon of the market ideology behind the development of Kanda Pat's teachings in Bali in the global era. In addition to general objectives it also has specific objectives, the specific objectives of this study are (1) knowing the shape of Kanda Pat in Balinese culture, (2) knowing the social and economic benefits of developing Kanda Pat's teachings as a healing tourism. Based on the discussion of this research, it is found that the existence of Kanda Pat is a great cultural wealth of Balinese people, which is commodified as tourism healing to have socio-economic, spiritual and health functions in line with tourism developments and postmodern lifestyle trends. Keywords: market ideology, kanda pat teachings, tourism, healig. glucasization
RELATION OF POWER-KNOWLEDGE IN BALI MANDARA DISCOURSE Fauzan Al Jundi; I Ketut Ardhana; I Nyoman Suarka
E-Journal of Cultural Studies Vol 15 No 2 (2022): Volume 15, Number 2, May 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i02.p01

Abstract

Bali has great potentials in its beautiful nature and unique culture, which the government uses as an opportunity to implement regional development using the concept of Bali Mandara. This study aims to find out why the development of Bali province applying the concepts of Bali Mandara becomes a polemic for some Balinese, the existence of a power-knowledge relation in the concept of Bali Mandara discourse, and the implications of the development process implementing the Bali Mandara program. The data were analyzed using power-knowledge relation theory and generative structure. The results showed pros and cons in the planning and implementation of the development of the Bali Province. The rules and policies arranged in Regional Regulations (Perda) to support Bali's development are power-knowledge relations that the government applies to achieve the goals. Bali Mandara program has been implemented in less than a decade. Various benefits are the fundamental basis for the readiness of the Balinese to face a better future. Keywords: Bali Mandara, Discourse, Relation, Power-Knowledge.
UNDERSTANDING THE IDEOLOGY OF CULTURAL DUALISM IN THE CAR-SHAPE SHRINE ARCHITECTURE AT PALUANG TEMPLE, NUSA PENIDA, BALI I Putu Gede Suyoga; I Nyoman Suarka; I Ketut Ardhana; I Wayan Suwena
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p05

Abstract

This study focuses on the ideology of cultural dualism in the VW Beetle and Jeep Jimny as two car-shape shrines at Pura Paluang Nusa Penida, Bali. These two worship altars are to worship Ida Ratu Gede Ngurah Sakti and Hyang Mami or called Shiva-Durga in the pantheon of the gods of Hinduism. The architectural design of the two car-shape shrines are unique and different from most mainstream Balinese Hinduism. This shows the existence of a collective view that has ideological nuances. This qualitative study with descriptive analysis, obtained data through observation, interviews, library research and documentary techniques. The informants were determined using the purposive and snowball technique. All the data were analyzed in order to draw conclusions. The result of the study shows that the dualism of cultural ideology has inspired the development of worship altars in the form of the car-shape shrine. Primarily representing the two poles of culture. East-traditional culture is the most intense-sacred, with the profane on the side of modern-western culture. The mimicry strategy and the hybrid mechanism are very dominant in shaping the ultimate architectural identity. Socially, it legitimizes the dominant political power, identity, belief, orientation of the collective action of the people of Nusa Penida. Keywords: ideology of cultural dualism, car-shape shrine, Paluang Temple Nusa Penida Bali
PATRIARCHAL CULTURAL REPRESENTATION IN THE PROTESTANT CHRISTIAN CHURCH COMMUNITY IN BALI (GKPB) Made Narawati; I Nyoman Suarka; Ni Made Wiasti
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p03

Abstract

The Protestant Christian Church in Bali (GKPB) is the largest Protestant Church in Bali. The Protestant Christian Church in Bali (GKPB), in determining the number of strategic officials, refers to the 2014 Church Order regarding membership in Article 107 paragraph 1, 8 (eight) people elected at the Synod session must consist of at least 2 female elements and 1 youth element . Complete Synod Council Personnel (MSL-GKPB) Head of Departments and Chair of Special Institutions, 2016-2020 period, totaling 30 people; 27 men (90%), while only three women (10%). The patriarchal culture is very strong in determining strategic positions in GKPB resulting in male domination in leadership structures and policies that tend to be gender biased. With qualitative methods and using the Theory of Power-Knowledge Relationships Michel Foucault, According to Foucault, knowledge and power have a reciprocal relationship. Continuous violation of power will create a form of knowledge, and vice versa, the administration of knowledge will have an effect on power. The second is Pierre Bourdieu's Structural theory, which describes how symbolic violence and the division of roles in society shape habitus. Keywords: Representation, Patriarchy, Symbolic Violence
Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Gede Bawa A.A. Kade Sri Yudari A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kumbara AA. Gede Bawa Admin OJSIkip Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Anak Agung Raka Asmariani Ardjani, Ni Luh Artayani, Ida Ayu Gede Bagus Wahyu Sudhyatmika Bawa, Anak Agung Gde Cerita, I Nyoman Desak Putu Andi Suarmini Dewa Gede Bambang Erawan Diah Savitri, Putu Dian Saputra, I Made Dr Pudentia Dra Dafirah Duija, I Nengah Dwi Mahendra Putra Erna Supriathi, Ni Kadek Farhaeni, Mutria Fauzan Al Jundi Fransiscus Bustan Gde Artawan Gede Indrawan Gede Yoga Kharisma Pradana George Mentansan Gitananda, W.A. Sindhu Gusti Ayu Novaeni Hamiruddin Udu I Gde Parimartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Oeinada I Gusti Ayu Andani Pertiwi I Gusti Ayu Sri Widiantari I Gusti Ngurah Seramasara, I Gusti Ngurah I Gusti Ngurah Sudiana I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Darmana I Ketut Jirnaya I Ketut Muka I Ketut Setiawan I Ketut Sudewa I Made Agus Oka Gunawan I Made Arik Wira Putra I Made Arik Wira Putra I Made Dian Saputra I Made Dian Saputra I Made Gede Anadhi I Made Suastika I Made Sukma Manggala I Made Suyasa I Made Wijana . I Nengah Duija I Nengah Duija, I Nengah I Nengah Sudipa I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman sukiada I Nyoman Suwana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Nyoman Winyana, I Nyoman I Nyoman, Rema I Putu Gede Suyoga I Wayan Ardika I Wayan Cika I Wayan Mulyawan I Wayan Nuriarta I Wayan P. Windia I Wayan Suardiana I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Suwena I Wayan Suwena I Wayan Tagel Eddy Ida Ayu Gede Artayani Ida Ayu Istri Agung Dharmayanti Ida Ayu Kade Sri Sukmadewi, Ida Ayu Kade Ida Ayu Laksmita Sari Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gde Putra Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Nyoman Mantra Ida Bagus Oka Wedasantara Ida Bagus Rai Putra Igaa Mas Triadnyani Jro Made Gede Aryadi Putra Juliana, I Wayan Kamidjan Kamidjan Ketut Widya Purnawati Komang Adi Sastra Wijaya Komang Paramartha Kumiko Shishido Kusuma Wardana, Kadek Lilik Rita Lindayani Made Dian Saputra Made Narawati Made Paramasuta Wijaya Maliudin, Maliudin Maria Matildis Banda MPSS, Pudentia Muh Alifuddin Muhammad Badaruddin Ni Ketut Ratna Erawati Ni Luh Gede Meilantari Ni Luh Nyoman Kebayantini Ni Made Indiani Ni Made Ruastiti Ni Made Wiasti Ni Nyoman Karmini Ni Nyoman Kartini Ni Nyoman Seri Astini Ni Putu Diah Astriningsih Ni Wayan Ardini, Ni Wayan Ni Wayan Sumitri Ni'mah, Mamluatun Novena Ade Fredyarini Soedjiwo Nyoman Adiputra Nyoman Kutha Ratna OJSIkip, Admin Parahita Nugraha, Gemara Adhiyasa Paramita, Ida Bagus Gede Pujaastawa, Ida Bagus Gde Pujana, Ida Bagus Anom Wisnu Putra, Ansor Putu Ari Suprapta Pratama Putu Eka Maharani Putu Gede Sridana Putu Sanjaya Putu Titah Kawitri Resen Rahmat Sewa Suraya Raka Asmariani, Anak Agung Rema I Nyoman Rianti Simbolon Rudi Irawanto Rustiani, Komang Wahyu S, Aswandikari Sachiko Takasaki Samsul Samsul Sanjaya, Putu Savitri, Putu Diah Setya Yuawana Setya Yuwana Silvia Damayanti Sri Marheni, Komang Sri Martini Subrahmaniam Saitya, Ida Bagus Sugiarta, I Gde Arya Suka Yasa, I Wayan Suroyo Suroyo Suryadi Suryadi Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Wayan Nurita