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SURVIVE STRATEGY AND STRUGGLE OF MARAPU ADHERENTS IN TARUNG VILLAGE, WEST SUMBA Ida Bagus Oka Wedasantara; A.A. Ngurah Anom Kumbara; I Nyoman Suarka
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p01

Abstract

Marapu is the indigenous religion of community in Tarung Village and Sumba Island in general. Marapu adherents experience hegemony including state discrimination and the spread of religion by the church elite. This study aims to reveal the hegemony process experienced and the survive strategies and struggles of Marapu adherents. Data were analyzed using hegemony theory and practice with qualitative research methods. The results showed Marapu adherents experience state hegemony in the aspect of their religious legality. This condition was used by church elite to spread their religion. The people of Tarung Village accept Christian/Catholicism, but still maintain the Marapu ideology as their religion, so that the reality that occurs in the local community is the practice of religious dualism as strategy of survive and negotiation. The struggle of Marapu followers continues after the Decision of Constitutional Court Number 97/PUU-XIV/2016 by trying to obtain a determination as Marapu customary law community. Keywords: Hegemony, Survive Strategy, Struggle, Marapu, Indigenous Religion
RESISTENSI PANGERAN SUTASOMA TERHADAP HEGEMONI RAJA PURUSADHA DALAM CERITA KEKAWIN SUTASOMA I Gusti Ayu Sri Widiantari; I Made Suastika; I Nyoman Suarka
E-Journal of Cultural Studies Volume 12, Number 4, November 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (635.584 KB) | DOI: 10.24843/cs.2019.v12.i04.p01

Abstract

The purpose of this research is to uncover the inherent values contained in the marriage of Sutasoma, which focuses on the backdrop of Sutasoma's resistance to his father, the king of Parusadha, and reveals the values contained in the The story. The study used an interpretive approach to cultural studies from the qualitative data sources in the text and translations. The foundation of the theory used to analyze data is the theory of power of knowledge and hegemony. With this approach and theory the study found that the reasons and ways of Prince Sutasoma to fight the attitude and behavior of King Purusadha were very arrogant and authoritarian towards the people and the Ministers and The feeders are (1) straightening and redefining the king to return to the path of righteousness (2) performing obligations and responsibilities as a wise prince who must favor his people, (3) make the King aware of the meaning and Responsibility to be leaders, and (4) to commit partiality towards the weak, (5) The alignment of the meaning and leadership of a King (6) restores the authority of a king. The opponents performed by Sutasoma were not violent or physical, but through ideas and initiatives that were delivered subtly so as to evoke a sense of compassion and consciousness of King Parusadha How to be a king Wise. Keywords: resistance, hegemony, leadership value, roles and responsibilities
The Evolution Of Japanese Haiku: From Paper To Digital Ni Luh Gede Meilantari; I Nyoman Suarka; I Ketut Sudewa; Igaa Mas Triadnyani
International Journal of Education and Literature Vol. 3 No. 2 (2024): August : International Journal of Education and Literature
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/ijel.v3i2.118

Abstract

Haiku is a type of traditional Japanese poetry that originated in the Muromachi era (13th-15th centuries) and evolved further throughout the Edo era (17th century). Haiku, along with Ninja, Manga, Samurai, and Karaoke, has become a prominent Japanese vocabulary word around the world. Haiku is a form of poetry that can be found in both Japanese and international literature. Haiku has grown in popularity as a result of technological advancements in the twenty-first century, particularly through the internet and social media. This study attempts to summarize the evolution of haiku from paper to digital media as it exists today. Digital platforms have changed the classic haiku structure by allowing for syllable count experimentation, multimedia incorporation, and worldwide cultural interaction. These innovations have enhanced the haiku tradition while preserving its core and depth.
Usability Testing Pada Aplikasi Mobile E-Ganesha Undiksha Mengunakan Metode System Usability Scale Kusuma Wardana, Kadek; Erna Supriathi, Ni Kadek; Suarka, I Nyoman; Parahita Nugraha, Gemara Adhiyasa; Oka Gunawan, I Made Agus; Indrawan, Gede
Jurnal Ilmiah SINUS Vol 22, No 1 (2024): Volume 22 No. 1, Januari 2024
Publisher : STMIK Sinar Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30646/sinus.v22i1.765

Abstract

E-Ganesha is a system built for all academic activities in Ganesha Singaraja University. User satisfaction with the application is a crucial factor in retaining users and the program's existence.  The aim of this research is to determine the level of satisfaction of E-Ganesha users using the System Usability Scale (SUS) method. One of the benefits of using the System Usability Scale (SUS) is its simplicity to apply and the method is well-received by responders due to its easily understandable questions. This research used descriptive and survey methods, with 20 respondents from undergraduate and master's program students in Undiksha. By using the System Usability Scale (SUS) method, this research produced its score with an average of 87.5. E-Ganesha application is included in the 'ACCEPTABLE' category on the Grade Scale, indicating that users can accept it. This is indicated by the application's placement in the Acceptability Ranges ‘B', where the term "Excellent" appears in the ranking.  
Konservasi Tumbuh-Tumbuhan Berbasis Kearifan Lokal Dalam Sastra Tutur Jawa Kuna: Pendekatan Teologi Hindu-Botani Sastra Suarka, I Nyoman; Bawa, Anak Agung Gde
Jurnal Penelitian Agama Hindu Vol 7 No 1 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (281.47 KB) | DOI: 10.37329/jpah.v7i1.1986

Abstract

This research aims to examine the concept of plant conservation based on local wisdom in Old Javanese literature. The issue of nature conservation, including plant conservation, has so far been dominated by a scientific approach and tends to deny cultural or literary approaches. The data of this research is sourced from Old Javanese literary texts. Data were collected using reading methods, both heuristic and hermeneutic, and data were analyzed using descriptive analytic methods based on semiotic theory. The results of the study show that Old Javanese literature has the concept of nature conservation in the form of efforts to protect nature (bhuwanaraksana) and maintain the purity and sanctity of nature, including plants (úudhabhumi). Conservation of plants in Old Javanese literature is oriented towards world welfare (jagadhita). The harmonious relationship between man and God, man and man, and man and nature are the three sources of prosperity (trihitakarana). Conservation of plants according to Old Javanese literary texts puts forward the treatment of plants as creatures created by God and humans have a very close relationship, even in meeting the needs of human life, it is very dependent on plants. Therefore, the conservation of plants must be done by humans for the welfare of the world.
Laut Dalam Perspektif Teologi Hindu Pada Susastra Jawa Kuno Suarka, I Nyoman; Pratama, Putu Ari Suprapta; Suastika, I Made; Diah Savitri, Putu
Jurnal Penelitian Agama Hindu Vol 8 No 1 (2024)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v8i1.2678

Abstract

The ocean is in an increasingly severe ecological crisis, which has an impact on the crisis of the universe at large. The attitude of people who are increasingly moving away from tradition and traditional sources of reference and prioritizing worldliness is thought to be one of the causes of the marine crisis. Therefore, efforts to encourage people to manage the sea more wisely must continue to be encouraged. This article aims to examine the local wisdom of the sea in ancient Javanese literature from the perspective of Hindu theology and to contribute to raising public awareness through a more complete and comprehensive understanding of the sea. The method used in the research is a qualitative method using Old Javanese literary texts as the main data source. The reading method was used in data collection assisted by the techniques of script transfer, language transfer, and recording. Data analysis was carried out by applying the content analysis method based on the working principles of semiotic theory. The result found is that the narrative of the sea in Old Javanese literature has a Hindu theological dimension. The sea is understood in a cross-section of Hindu theology starting with the awareness of the Impersonal God (Nirguna Brahman) by calling God Sang Hyang Adisuksma, towards the awareness of the Personal God (Saguna Brahman) by calling God as Lord Baruna, worshiped as an istadewata whose role is to control the laws of the universe (rta). The sea (segara) is glorified as a pair of mountains (giri) in the conception of segara-giri is a sacred axis in Hindu life, both as a source of life, a source of disaster and disease and a source of liberation. The theological construction of Old Javanese literature is imbued with Hindu theology as mandated by the Vedas.
IMPLEMENTASI MODEL BATU PIJAR DALAM PEMBELAJARAN MATEMATIKA UNTUK MENINGKATKAN AKTIVITAS DAN HASIL BELAJAR SISWA SMP NEGERI 2 UBUD Suarka, I Nyoman; OJSIkip, Admin
Suluh Pendidikan : Jurnal Ilmu-Ilmu Pendidikan Vol 16 No 2 (2018)
Publisher : IKIP SARASWATI TABANAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (380.528 KB)

Abstract

Penelitian ini dilaksanakan di SMP Negeri 2 Ubud kelas VIII B semester genap tahun pelajaran 2014/2015. Tujuan penelitian ini adalah untuk mengetahui dan mendeskripsikan peningkatan aktivitas dan hasil belajar Matematika Siswa Kelas VIIIB SMP Negeri 2 Ubud Tahun Pelajaran 2014/2015. Data dikumpulkan dengan cara observasi dan tes prestasi belajar. Data dianalisis secara deskriptif kuantitatif. Hasil yang diperoleh adalah model pembelajaran Batu Pijar dapat meningkatkan prestasi belajar siswa. Ini terbukti dari rata-rata hasil yang diperoleh pada Siklus Awal sebesar 67,3 dengan ketuntasan sebesar 40% dari KKM yang ditetapkan sebesar 70. Kemudian rata-rata meningkat pada siklus I menjadi sebesar 79,2 dengan ketuntasan belajar sebesar 92%. Peningkatan rata-rata yang sangat signifikan pada Siklus II menjadi sebesar 85,0 dengan ketuntasan sebesar 100%. Berdasarkan hasil dimaksud, penulis menyimpulkan, bahwa tindakan melalui model pembelajaran Batu Pijar dapat meningkatkan aktivitas dan kemampuan siswa dalam pelajaran matematika.
The DISCOURSE OF SEWAKA DHARMA IN THE TEXT OF KAKAWIN NĀGARAKṚTĀGAMA Ni'mah, Mamluatun; I Nyoman Suarka; I Gede Oeinada
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol.15 No. 1 Tahun 2025
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.vi.4338

Abstract

This research aims to determine the form of Mpu Prapañca's sewaka dharma discourse towards King Hayam Wuruk and the Majapahit Kingdom in the Kakawin Nāgarakṛtāgama text. Sewaka dharma discourse is a discourse about devotion or service on the path of truth towards something. This research uses Ferdinand de Saussure's semiotic theory to determine the signifying and signified aspects of Mpu Prapañca's sewaka dharma discourse towards King Hayam Wuruk and the Majapahit Kingdom in the Kakawin Nāgarakṛtāgama text. Next, at the stage of analyzing the data using descriptive analysis methods with content analysis techniques. Then, at the stage of presenting the results of data analysis using informal methods with inductive deductive techniques. The data source for this research is the Kakawin Nāgarakṛtāgama text. The results of this research are Mpu Prapañca's journey in dedicating himself to King Hayam Wuruk by following wherever King Hayam Wuruk went and dedicating himself to the Majapahit Kingdom by writing about its beauty and splendor in a literary work, especially the Kakawin Nāgarakṛtāgama text.  So you can find out about Mpu Prapañca's sewaka dharma discourse to King Hayam Wuruk and the Majapahit Kingdom.
The Concept of Sura in Kakawin Surantaka: Matrix and Models Analysis Based on Riffaterre's Semiotic Approach Pujana, Ida Bagus Anom Wisnu; Suarka, I Nyoman; Mulyawan, I Wayan
Soshum: Jurnal Sosial dan Humaniora Vol. 15 No. 1 (2025): March 2025
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v15i1.79-88

Abstract

Kakawin Surantaka is an Old Javanese poetic work composed in Bali, depicting a fragment of the Mahabharata during the Pandavas' exile in the forest. The narrative centres on Arjuna, who encounters and triumphs over various adversaries throughout his journey. This study explores the concept of sura (heroism) in the text, as it embodies significant heroic values that remain relevant in fostering patriotism today. Using a qualitative approach, this research employs descriptive analysis and Riffaterre’s semiotic framework, focusing on the matrix, models, and variants within the literary structure. The study identifies key first-level models representing sura, including pĕjah (death), wira (bravery), anugraha (blessing), and śakta (devotion or abandonment). These concepts are then re-actualized through their variants in the text. The findings reveal that sura in Kakawin Surantaka represents a heroic figure characterized by courage, strength, inner harmony, and spiritual blessings. Such a hero must overcome both external and internal adversaries to achieve physical and spiritual fulfilment, ultimately attaining true peace. Through the semiotic analysis of matrix, model, and variant elements, the kakawin conveys a profound moral and spiritual message: true heroism is rooted in perseverance and wisdom, leading to victory in life’s challenges.
Reclaiming Female Subjectivity: Intertextual Transformation from Balinese Kidung Jerum Kundangdia to Novel Jerum Juliana, I Wayan; Suarka, I Nyoman; Darma Putra, I Nyoman; Suardiana, I Wayan
International Journal of Multidisciplinary Sciences Vol. 3 No. 2 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i2.4395

Abstract

This study critically examines the intertextual transformation from the Balinese Kidung Jerum Kundangdia to Oka Rusmini's Novel Jerum (2019), focusing on how this dialogue articulates women's emotional resistance against patriarchal constraints. It addresses a gap in understanding how traditional Nusantara narratives can be dynamically reinterpreted to foreground female subjectivity and agency. Employing a qualitative approach grounded in Riffaterre's semiotics, the research identifies the kidung as the generative hypogram. It traces how Rusmini's novel utilizes the shared matrix of satya (loyalty) while foregrounding semara (passionate love) as a model for emotional expression and resistance. Data, derived from close textual analysis and archival documentation of both primary sources, were analyzed through thematic content analysis and feminist discourse analysis. The findings demonstrate that Jerum critically reorients reader empathy towards the protagonist Ni Jerum's suppressed inner life, repositioning her as an active agent challenging societal norms. Simultaneously, the novel revitalizes core motifs from the kidung tradition for contemporary gender discourse. This research significantly contributes to Nusantara literary and gender studies by illustrating the dynamic reciprocity between source text and adaptation. It affirms the power of intertextual strategies within local traditions to advocate for women's emotional legitimacy and resistance, enriching the treasury of text-based gender analysis in the region.
Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Gede Bawa A.A. Kade Sri Yudari A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kumbara AA. Gede Bawa Admin OJSIkip Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Anak Agung Raka Asmariani Ardjani, Ni Luh Artayani, Ida Ayu Gede Bagus Wahyu Sudhyatmika Bawa, Anak Agung Gde Cerita, I Nyoman Desak Putu Andi Suarmini Dewa Gede Bambang Erawan Diah Savitri, Putu Dian Saputra, I Made Dr Pudentia Dra Dafirah Duija, I Nengah Dwi Mahendra Putra Erna Supriathi, Ni Kadek Farhaeni, Mutria Fauzan Al Jundi Fransiscus Bustan Gde Artawan Gede Indrawan Gede Yoga Kharisma Pradana George Mentansan Gitananda, W.A. Sindhu Gusti Ayu Novaeni Hamiruddin Udu, Hamiruddin I Gde Parimartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Oeinada I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Sri Widiantari I Gusti Ngurah Seramasara, I Gusti Ngurah I Gusti Ngurah Sudiana I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Darmana I Ketut Jirnaya I Ketut Muka I Ketut Setiawan I Ketut Sudewa I Made Agus Oka Gunawan I Made Arik Wira Putra I Made Arik Wira Putra I Made Dian Saputra I Made Dian Saputra I Made Gede Anadhi I Made Suastika I Made Sukma Manggala I Made Suyasa I Made Wijana . I Nengah Duija I Nengah Duija, I Nengah I Nengah Sudipa I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman sukiada I Nyoman Suwana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Nyoman Winyana, I Nyoman I Nyoman, Rema I Putu Gede Sridana I Putu Gede Suyoga I Wayan Ardika I Wayan Cika I Wayan Mulyawan I Wayan Nuriarta I Wayan P. Windia I Wayan Suardiana I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Suwena I Wayan Suwena I Wayan Tagel Eddy Ida Ayu Gede Artayani Ida Ayu Istri Agung Dharmayanti Ida Ayu Kade Sri Sukmadewi, Ida Ayu Kade Ida Ayu Laksmita Sari Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gde Putra Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Nyoman Mantra Ida Bagus Oka Wedasantara Ida Bagus Rai Putra Igaa Mas Triadnyani Jro Made Gede Aryadi Putra Juliana, I Wayan Kamidjan Kamidjan Ketut Widya Purnawati Komang Adi Sastra Wijaya Komang Paramartha Kumiko Shishido Kurniawan, Putu Widhi Kusuma Wardana, Kadek Lilik Rita Lindayani Made Dian Saputra Made Narawati Made Paramasuta Wijaya Maliudin, Maliudin Maria Matildis Banda MPSS, Pudentia Muh Alifuddin Muhammad Badaruddin Ni Ketut Ratna Erawati Ni Luh Gede Meilantari Ni Luh Nyoman Kebayantini Ni Luh Sutjiati Beratha Ni Made Ari Dwijayanthi Ni Made Indiani Ni Made Ruastiti Ni Made Wiasti Ni Nyoman Karmini Ni Nyoman Kartini Ni Nyoman Seri Astini Ni Putu Diah Astriningsih Ni Putu Diah Astriningsih Ni Wayan Ardini, Ni Wayan Ni Wayan Sumitri Ni'mah, Mamluatun Novena Ade Fredyarini Soedjiwo Nyoman Adiputra Nyoman Kutha Ratna OJSIkip, Admin Parahita Nugraha, Gemara Adhiyasa Paramita, Ida Bagus Gede Pradnyawati, Ni Ketut Sukma Pujaastawa, Ida Bagus Gde Pujana, Ida Bagus Anom Wisnu Putra, Ansor Putu Ari Suprapta Pratama Putu Eka Maharani Putu Gede Sridana Putu Sanjaya Putu Titah Kawitri Resen Rahmat Sewa Suraya Raka Asmariani, Anak Agung Rema I Nyoman Rianti Simbolon Rudi Irawanto Rustiani, Komang Wahyu S, Aswandikari Sachiko Takasaki Samsul Samsul Sanjaya, Putu Savitri, Putu Diah Setya Yuawana Setya Yuwana Silvia Damayanti Sri Marheni, Komang Sri Martini Subrahmaniam Saitya, Ida Bagus Sugiarta, I Gde Arya Suka Yasa, I Wayan Suroyo Suroyo Suryadi Suryadi Suryadi Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Wayan Nurita