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The Role Of Nahdlatul Ulama On Indonesian National Movement On 1926 - 1945 Anisatul Khoir Aprilia; Sugiyanto Sugiyanto; Sri Handayani
JURNAL HISTORICA Vol. 1 No. 2 (2017): Desember 2017
Publisher : History Education, University of Jember

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Abstract

In 1900’s there were counterwork movements which cause social restlessness in any area, and also the resurrection movement of religion which took a form of schools such as “madrasah” and organization in Indonesia. Moslem’s figures are like Ulama and Kyai were starting to collect power through Pondok Pesantren and established a religious social organization, for example, Nahdlatul Ulama in Jombang (East Java) in 1926. The problems in this research is how did the background of NU takes a role in national movement and how was the pattern of NU’s act on national movement from 1926-1945. This research aims to describe and analyze the background of NU on national movement and pattern of NU’s act fom 1926-1945. This research uses historical research method. Source of data which was gotten in the first step is from primary and secondary source. Next, in the second step, the researcher gave source’s critic which are external and internal critic. The third step is an interpretation which was done using analysis and synthesis. The final step, the researcher used historiography or presentation of the result of fact’s interpretation in written form. The result of research covers some things. First, the backgrounds or the reasons NU took part on Indonesian national movement which was affected by politics condition, social, economy and education during the Dutch and Japanese colonization. The second, the pattern of NU movement during the Dutch and Japanese colonization had been implemented. In the Dutch colonization, NU refused the idea which proposed its members be in Volksraad. Meanwhile, during Japanese colonization, NU decided to be more cooperative by using collaboration issue or be cooperative with Japanese government.
The Existence of Christian Community Hamlet Tulungrejo, Glenmore District Banyuwangi Regency in 1911-2016 Agnes Intan P.W; Kayan Swastika; Sugiyanto Sugiyanto
JURNAL HISTORICA Vol. 2 No. 1 (2018): June 2018
Publisher : History Education, University of Jember

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Abstract

Existence of the Community of Krsiten located in Tulungrejo, Glenmore Banyuwangi regency began in 1911 until the Year 2016. The formation of this Christian Community started from the Migration conducted by the Javanese in Jombang and Makung Tulungrejo Area as a regional Center for the spread of Christianity. The problems in this research are; how the background and the beginning of the formation of the Tulungrejo Community Christian Community in 1911 ?; and how is the life of Tulungrejo Community Christian Community 1912-2016 ?. The purpose of this research is To analyze the background and early formation of the Tulungrejo Community Christian Community in 1911, and To analyze the life of the Christian Community Tulungrejo Hamlet in 1912-2016. The research method used is historical research method. The conclusion of this study is the beginning of the emergence of this community started since the migration made by some Javanese Javanese who moved to the Tulungrejo area and make the area as the base of spreading the Christian religion east of East Java. Keywords: The Christian community, Tulungrejo
Chinese Cultural Revolution In 1966-1976 Fajar Harianto; Sumardi Sumardi; Sugiyanto Sugiyanto
JURNAL HISTORICA Vol. 2 No. 1 (2018): June 2018
Publisher : History Education, University of Jember

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The Cultural Revolution is a great campaign that made China suffered paralysis in 1966-1976 led by Mao. The Cultural Revolution because there are two factors, the first is the decline of public trust in Mao for policy failures leap far ahead so that Mao stepped down from government. Secondly, Mao wanted to restore China to communism, because China has been influenced by the understanding of the capitalist and liberal. The Cultural Revolution has failed and resulted in many victims, especially the peasants and workers. These conditions cause this interesting study to be carried out, because of the Cultural Revolution can paralyze China in 1966-1976. The problems of this study are; (1) how the background of the onset of the Cultural Revolution; (2) how the Cultural Revolution took place; (3) the influence of the Cultural Revolution to the Chinese community. The purpose of this study is; (1) to analyze the background of the Cultural Revolution; (2) to analyze the process of the Cultural Revolution; (3) to analyze the influence of the Cultural Revolution to the Chinese community. The method used is the method of historical study, historical method is the process of testing and critically analyze the records and relics of the past. The conclusion of this study that used Mao's Cultural Revolution to restore public confidence by doing defamation to his enemies to again be the leader. The results of the Cultural Revolution is a great famine, causing many casualties. Keywords :Revolution, Culture, Cina
The Role Of Nahdlatul Ulama On Indonesian National Movement on 1926 - 1945 Anisatul Khoir Aprilia; Sugiyanto Sugiyanto; Sri Handayani
JURNAL HISTORICA Vol. 2 No. 2 (2018): Desember 2018
Publisher : History Education, University of Jember

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Abstract

Learning material used by learners in learning have not been able to grow the ability to reveal and discover their own and construct their understanding. Different ability of understanding and limited time in implementing learning in school resulted in learners unable to learn independently and directed and learn to solve problems systematically. For that the need for the use of innovative teaching materials in the form of module-based inquiry. Through the use of this inquiry-based module, learners are expected to develop their ability to learn through their own initiative and be able to silve problems critical, logical, and analytical learning so that they can formulate their own inventions full confidence. This study indentifies the student's needs analysis of the innovative teaching materials that learners want. This type of research is development research. Expert validation inthis research is learning design expert, learning material expert and linguist. Research subjects in small group test as 10 children, big group test as 2 class in school faithful. Data collection techniques: observation, questionnaire, interview and documentation. Student needs analysis of inquiry-based module was obtained by questionnaire dispersion in three school with class selection in low learning category. The needs anaysis of learners measured through qu etionnaires produced data with a presentation of needs of 78%. The results of validation of 60% design learning experts, 82% learning material experts and 82% language validation. One to one test result is 91%, small group test in SMAN 5 Jember class XI IIS 2 get t test (2,55) and SMAN Plus Sukowono class XI IIS 1 obtained t test (2,83). Large group test in SMAN 5 Jember class XI IIS 1 obtained data t test (2,83), class XI IIS 2 obtained data t test (3,16). Large group test in SMAN Plus Sukowono clas XI IIS 1 was obtained t test (3,16) and class XI IIS 2 t test (2,91).Keywords: Learning Resources, Inquiry-Based Modules
GANDRUNG SEWU FESTIVAL IN BANYUWANGI FROM 2012 TO 2018 Ayu Trisna Dewi; Sumarjono Sumarjono; Sugiyanto Sugiyanto
JURNAL HISTORICA Vol. 3 No. 1 (2019): Desember 2019
Publisher : History Education, University of Jember

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Abstract The Gandrung Sewu Festival is a traditional celebration featuring thousands of more Gandrung dancers and performed out on the beach. The purpose of Gandrung Sewu Festival is to preserve regional culture and attract tourists to visit Banyuwangi. The results of the research obtained were that the background of the Sewu Gandrung Festival was established by: (1) socio-cultural factors, in which want to prove that Gandrung’s existence is real in Banyuwangi; (2) political factors, in order to attract tourists coming to Banyuwangi; (3) economic factors, in order to increase Domestic Income of Banyuwangi Regency by introducing Gandrung Sewu Festival. The person in charge of the Gandrung Sewu Festival was originally Paguyuban Pelatih Seni dan Tari Banyuwangi “Patih Senawangi” (Association, of Art and Dance Coaches of Banyuwangi), there by all the needs of the Gandrung Sewu Festival were completed by Patih Senawangi and there was no assistance from any party. The cost constraints made Patih Senawangi decide not to perform the Gandrung Sewu Festival in the coming year. Finally in 2014, Gandrung Sewu Festival was taken over by the Banyuwangi Regency Culture and Tourism Office. This aims to facilitate tourisme interests, and encourage tourists to Banyuwangi. Keywords: Gandrung Sewu Festival, Culture, Tourism.
Ritual Siraman Satu Suro di Air Terjun Sedudo Kabupaten Nganjuk Tahun 1992-2018 Andi Jatmiko; Sugiyanto Sugiyanto; Bambang Soepeno
JURNAL HISTORICA Vol. 4 No. 1 (2020): June 2020
Publisher : History Education, University of Jember

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Abstract

The One Suro Siraman Ritual at Sedudo Waterfall is one of the traditional ceremonies performed every month Suro by the Ngliman Village people who take place at the Sedudo Waterfall tour. The main purpose of the Suro watering ceremony held at the Sedudo waterfall is as a tribute and respect for Mbah Ageng Wali Ngaliman who is considered to be the forerunner of Ngliman Village and as a thanksgiving to God for the blessings given to the people of Ngliman Village. Discussing the changes in the Suro splash ritual at Sedudo Waterfall has never changed in the core of its ritual activities because it is a tradition for the people of Ngliman Village who do not dare to change the core procession of the Suro splash ritual in the Sedudo waterfall, but the changes are seen in the transition of the waterfall manager Sedudo from the Ngliman Village Government to the Nganjuk District Government and the changes were also seen in terms of the costumes of dancers used in the splash ritual every year the costume changes were intended to attract the attention of tourists to come to see the Suro watering ritual at the Sedudo Waterfall.
The Socio-Cultural System of Banjar Migrants' Marriage in Tulungagung from 1980 to 2018: Sistem Sosial Budaya Perkawinan Masyarakat Migran Banjar di Tulungagung Tahun 1980-2018 Tri Sakti Tunggal Dewi; bambang soepeno; sugiyanto sugiyanto; kayan swastika
JURNAL HISTORICA Vol. 3 No. 2 (2019): June 2019
Publisher : History Education, University of Jember

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Abstract

In 1920, many Banjar people migrated to Tulungagung. Banjar community gradually grew more and more to the end of the interaction with the indigenous peoples of Tulungagung the majority of Javanese people. Therefore, from the interaction, in the year 1980 Banjar Migrant society is doing marriage with the people of Tulungagung who are aiming to establish their lives. At first the implementation of the marriage still follows the customs of the Banjar people, so it has not seen the function of marriage between Banjar and Java. Therefore, the existence of the marriage has emerged cultural influences and occurred accultutation. In the year 1987 when there began to be many who did the marriage between the two tribes, began to see a change of function in the marriage by looking at the customary clothing used and in the provision of Mahar. Then there is also a function of marriage that appears, judging by the use of customary marriage used based on the customary origin of the bride candidate. So that in the year 1991 to 2018 Acculturation is seen from the customary marriage that is used based on the origin of the bride candidate. Keywords: Banjar Community, Banjar and Javanese Marriages, Tulungagung.
Reyog Kendang Art Studio Dhodhog Sadjiwo Djati in Gendingan Village Kedungwaru District Tulungagung Regency 1984-2009 huldan Aulia afandi; sugiyanto sugiyanto; sumarno sumarno
JURNAL HISTORICA Vol. 3 No. 2 (2019): June 2019
Publisher : History Education, University of Jember

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Abstract

Reyog kendang is a unique art in Tulungagung. In the village of Gendingan there is an art studio founded by Siswoyo since 1984. The problem that will be examined inthis study is how the background of the establishment and development of reyogkendang art studio Dhodhog Sadjiwo Djati from 1984 to 2009. This study useshistorical research methods consisting of stages of the process consisting of 4 steps,namely: 1. Heuristics; 2. Criticism; 3. interpretation; and 4. Historiography. Theresults of this study are the development of the studios studied mainly in costumesand dance moves. Costumes include the addition of supporting accessories while inthe movement there are added creative movements aside from the standard motion.In 2009 the reyog kendang art got a copyright from IPR. Suggestions in this studyare expected to be a reference in the development of cultural history writing,especially traditional arts and provide information about reyog kendang dhodhogart.
THE DYNAMICS OF INDONESIA LUMAJANG FOOTBALL CLUB IN 1947-2018 Finsa Zainal; Kayan Swatika; Sugiyanto Sugiyanto
JURNAL HISTORICA Vol. 4 No. 1 (2020): June 2020
Publisher : History Education, University of Jember

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Abstract

Abstract Football is the most beloved sport in Indonesia, not only by adults, children, even women play it. Football clubs are also an expression of identity for regional and. Almost every region has a football club, no exception in Lumajang district. The Lumajang Indonesian Football Association (PSIL) has a long history of National Association. But the history of the establishment until the competition in Indonesia is still a junction. Prolonged internal problems have an impact on achievement in competitions. The highest achievement by PSIL Lumajang was able to pass the Division I in 2001 and then Fakum participated in the competition. In 2012 PSIL Lumajang was able to penetrate the division I again until the competition system changed in the year 2017 to Liga 3. During the 1947 to 2018 period, PSIL Lumajang experienced a rise in progress and achievement. Keywords: Sepak bola, PSIL, Lumajang.
The Existence of The Art of Jaran Bodhag in Probolinggo During 2004-2017 Harits Al Ayyubih; Sugiyanto Sugiyanto; Bambang Soepeno
JURNAL HISTORICA Vol. 4 No. 1 (2020): June 2020
Publisher : History Education, University of Jember

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Abstract

The art of Jaran Bodhag is an interesting traditional art and has it’s own uniquenesscompared to the other form of the art of Jaranan. Jaran Bodhag is the result of the inovationof people in Probolinggo, because they can’t perfom Jaran Kencak. This art became theicon of Probolinggo that shows the Pandhalungan culture of Probolinggo. The problems inthis research are: What is the reason behind the creation of Jaran Bodhag?; How is theexistence of the art of Jaran Bodhag during 2004-2017 in Probolinggo? ; What is the artist,people, and the government of Probolingo effort to preserve the existence of the art ofJaran Bodhag in Probolinggo? The purpose of this research is to describe the existence ofthe art of Jaran Bodhag during 2004-2017. The research method that being used is hitoricalresearch method with the cultural anthropology approach and functionalism theory. Thisresearch is expected to give a contribution and information about the connection ofPendhalungan culture and the existence of Jaran Bodhag. The conclusion of this research isthe the reason behind the creation of Jaran Bodhag and it’s existential form during 20042017,and the artist, people, and the government of Probolingo effort to preserve theexistence of the art of Jaran Bodhag.
Co-Authors Aang Gunawan Abdul Gofir Abdullah Ade Suryo Adinda Adinda Ag Yuswanto Ag. Yuswanto Agnes Dwi Wulan Mahardika Agnes Intan P.W Agung Mike Wijaya Agus Kristiyanto Agustin Tri Hastuti Agustina P. F. Seran Agustina Shinta Ahmad Ahmad Ainun Ganisia Akhmad Rizal Arifudin Alexander Candra Ali Maddinsyah Ambyah Atas Aji Aminudin Aminudin Anak Agung Aris Diartama Andi Jatmiko Andi Zulfa Majida Ani Riani Hasana Anisa Matinu Saifullah Anisatul Khoir Aprilia Anisyah Fadhillah Annas Marzuki Sulaiman Anzy Indrashanty Ardina Nilam Prawastyorini Arga Safitri Aris Santjaka Ary Kurniati Ary Kurniawati Asim Asim Ayu Trisna Dewi Az Zahro Miftakhuljanah Bambang Soepeno Bambang Supriyanto BAYU KURNIAWAN Belgiawan, Prawira Fajarindra Budi Setiyana Budy Wiryawan Cecep Pahrudin, Cecep Chatarina Muryani Dadang Agus Suryanto Dedy Cahyadi Denny Saputra Desyandri Desyandri dewi, fretika utami DIAN LESTARI Dikpride Despa Dina Dwi Aprilia Disman Disman Diyah Pratiwi djoko subandriyo Doddy Irawansyah Donny Kristanto Mulyantoro Dzakiyya Alya Maharani Eko Muhammad Arif Budiono Elviana R. Simbolon Emi Murniati Endra Yuliawan Endriatmo Soetarto erna wati Erti Hamimi Esensia Azama Bioasa Evy Indriasari Fadila Fitria Wulandari Fahmi Ardiansyah Faisal Amri Fajar Harianto FATIMAH FATIMAH Fatimah Fatimah Fazal Hamdan Fetty Dwi Rahmayanti Fianti Fianti Finsa Zainal Fitri Fatonah Fitria Adhi Geha Nusa Frizal Didin Mardyansyah Andita Gatot Murti Wibowo Godham Eko Saputro Gultom, Henry Casandra Guruh Prasetyo Handoko Hanik Liskustyawati, Hanik Harimukti Wandebori Harits Al Ayyubih Harlina Kusuma Tuti Hasriwan Putra Hendri Hermawan Adinugraha Hendri Noviyanto Heni Ruspitasari Herawati Herawati Heri Prabowo Herma Juniati Hermanto Siregar huldan Aulia afandi Husman Husman Ibrahim, Fauzi Ida Ayu Preharsini Kusuma Iftitah Dian Humairoh Ignatius Bayu Atmoko Iis Wahyuningsih Iis Wahyuningsih Ika Putera Waspada Ilham Maulana Prihutama Ilham Wahyu Siadi Indra Iman Sumantri Inggris Yossi Pranatika Irawati Andriani Isnanik Juni Fitriyah iti Amri Alimatul Muflikhah Iwan Nurhadi Jefri Rieski Triyanto Joy Rizki Pangestu Djuansjah Kadim Kadim Kanti Rahayu Karmanis, Karmanis Karningsih Karningsih Kayan Swastika Kayan Swatika Keppi Sukesi Kirara Lena Siswanti Krisma Abeltino Kusfriyadi, Mars Khendra Leny Latifah Lia Meilianingsih Liane Okdinawati Lintar Brillian Pintakami Lintar Brillian Pintakami lis Wahyuningsih Lisa Andrianti Listantari Listantari Luh Putu Ratna Sundari Luthfi Ramdhansyah Lutviyah Dwi Nurfadhilah M. Choiroel Anwar Made Wena Maria Magdalena Marjono Marjono Marlia Herwening Megawati Parmasari Moh Khamim Moh Sutoro Moh Taufik Moh. Abdul Kholik MOH. TAUFIK Moh. Wildan Moh.Taufik Mohammad Syafrizal Affandi Muchsin Doewes Mudasir Mudasir MUHAMAD RIZKI Muhammad Ba’tradiansar Muhammad Fajar Marsuki Muhammad Hanif Muhammad Reza Firmansyah Muhammad Tohir Mujiyanto Mujiyanto Nailul Himam Nana Krisdianti Nanang Sugiarto Novaria Fajar Prasetya Novie Dewi Kustiani Nugraha Nugraha Nur rohman Nuri Suryani NURULIA HIDAYAH Olfebri Ony Widiarto Pamungkas Pamungkas Parno Pipit Wijayanti Pranoto Pranoto Prasadja Ricardianto Pratiwi, Hasih Pravasta Wahyu Satriawan Primadi Candra Susanto Priskila Kurniawati Priyono Priyono Putra, Bela Putri Cahyo Utami Rachmat Kartolo Reslyana Dwitasari Ridho Rosmansyah Rismi Fatoni Risna Endah Budiati Riswandi Riswandi Riszal, Akhmad Rita Noviani Rita Pasaribu Romadi, Ugik Ronny Martein Ronny Martien RR. Ella Evrita Hestiandari Rubyah Hutomo Ruknan Ruknan Rully Putri Nirmala Puji Saiful Bahriyanto Sajidan Sajidan Salsabila, Unik Hanifah Santoso, Chiara Nathalie SANUSI SANUSI Sapta Kunta Purnama Sarwono Sarwono Septina Putri Bintari Singgih Prihadi Singgih Prihadi Singgih Subiyantoro Siswandari Siswandari Sitarina Widyarini Siti Amri Alimatul Muflikhah Siti Wahyuni Soesi Idayanti Sri Handayani Sri Purnami Subiakto Soekarno Suci Susanti Sudarti . Sudiyono Sudiyono Sudrajad, Oktofa Yudha Sulhadi Sulhadi Sumardi Sumardi Sumarjono Sumarjono Sumarno Sumarno Supriyono Supriyono Suryono Suryono Sushandoyo, Dedy Susy Suswaty Suwidjiyo Pramono Syafrizal Syafrizal Tarkono Tarkono Trapsilo Prihandono Tri Asih Budiati Tri Murti Andayani Tri Sakti Tunggal Dewi Tya Nur Febriana Ugeng Budi Haryoko Ujang Efendi Umiyatun hayati Triastuti Wahyu Widiyaningsih Win Akustia Win Priantoro Wira Citerawati SY, Yetti Yayan Sudaryana Yenny Puspitasari Yessi Affriyenni Yessi Gusleni Yulianti, Erni Yuswanto Yuswanto yuveline aurora zulhelmi zulhelmi