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All Journal E-Journal Of Cultural Studies Linguistika Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Sosial dan Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA MUDRA Jurnal Seni Budaya Panggung Aksara International Journal of Applied Sciences in Tourism and Events SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] GERAM (GERAKAN AKTIF MENULIS) Jurnal Penelitian Agama Hindu Devotion: Journal of Research and Community Service International Journal of Social Service and Research International Journal of Educational Review, Law And Social Sciences (IJERLAS) Humantech : Jurnal Ilmiah Multidisiplin Indonesia Journal Of World Science East Asian Journal of Multidisciplinary Research (EAJMR) Soshum: Jurnal Sosial dan Humaniora Pusaka : Journal of Tourism, Hospitality, Travel and Business Event Stilistika: Journal of Indonesian Language and Literature Journal of Social Science Jumantara: Jurnal Manuskrip Nusantara Eduvest - Journal of Universal Studies International Journal of Multidisciplinary Sciences Journal of Mandalika Literature Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Panggung Aksara Journal of Hotel Management Open Access DRIVERset Aksara
I Nyoman Darma Putra
Fakultas Ilmu Budaya, Universitas Udayana
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Neuroscience Public Health Social Sciences Other

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IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI Putra, I Nyoman Darma; Pidada, Ida Bagus Jelantik Sutanegara; Sari, Ida Ayu Laksmita
PANGGUNG Vol 33 No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2334

Abstract

The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan
MORE THAN JUST ENTERTAINMENT: "UPIN IPIN" ANIMATION OFFERS MALAYSIA'S INTERETHNIC MULTICULTURAL SPIRIT TO INDONESIAN AUDIENCES Gede Pasek Putra Adnyana Yasa; I Nyoman Darma Putra; I B Gde Pujaastawa; I Nyoman Larry Julianto
International Journal of Educational Review, Law And Social Sciences (IJERLAS) Vol. 3 No. 5 (2023): September
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijerlas.v3i5.1060

Abstract

The animation "Upin Ipin" is a popular children's movie series in Indonesian audiences, including Denpasar, from 2010-2023. In the story, interethnic harmony and peace are reflected through the characters who play a role. This article analyzes how the animated series "Upin Ipin" represents the multicultural spirit in interethnic relations in Malaysia for Indonesian audiences. The effort to show interethnic harmony in Upin Ipin's animation is evident, although, in reality, multicultural problems still occur in society. This research uses a qualitative method; the data is studied using discourse analysis theory and ideology theory. The results show that Upin Ipin animation is one of the media that can be used as a means to shape, educate and neutralize issues related to ethnic stereotypes that exist in Malaysia. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce multicultural life in Malaysia and encourage the spirit of interethnic multicultural.
KONFLIK DAN KOMPROMI DALAM CERPEN-CERPEN BERLATAR KELUARGA DARI ASIA TENGGARA I Nyoman Darma Putra
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v28i1.23.1-14

Abstract

Selain isu-isu makro tentang bangsa, masalah-masalah mikro dalam kehidupan keluarga jugabanyak diangkat menjadi latar sekaligus tema cerita oleh kalangan cerpenis negeri serumpunAsia Tenggara, yaitu Singapura, Malaysia, Brunei, dan Indonesia. Penelitian ini bertujuanuntuk menganalisis konflik dan kompromi antaranggota keluarga dalam karya cerpenisnegeri serumpun. Data diambil dari cerpen karya penulis negeri serumpun yang terkumpuldalam antologi Matahari di Nusantara (2010) yang diterbitkan oleh Majelis Sastera AsiaTenggara (Mastera). Pengumpulan data menggunakan metode pustaka dan teknik catat,sedangkan metode analisis data menggunakan metode analisis kritis interpretatif denganteori intertekstualitas. Hasil pembahasaan menunjukkan bahwa tema yang sama dalamantologi cerpen Matahari di Nusantara memberikan gambaran tentang pentingnya kedudukankeluarga sebagai institusi pendidikan anak, penanaman adat, dan tradisi pengembangan diri dimasyarakat. Konflik dan kompromi dalam keluarga yang disuguhkan dalam cerpen tersebutdibiarkan menggantung sehingga pembaca tertantang untuk menemukan maknanya.
BENTUK DEKONSTRUKSI IDEOLOGI GENDER DALAM NOVEL OUT DAN GROTESQUE KARYA NATSUO KIRINO I Gusti Ayu Andani Pertiwi; I Nyoman Darma Putra; Ida Ayu Laksmita Sari
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i1.487.15-30

Abstract

Novel Bebas dan Grotesque: Gaib adalah karya sastra Natsuo Kirino yang mengangkat topik mengenai realita sosial di Jepang. Isu-isu yang diangkat di dalam novel tidak jauh dari bahasan mengenai gender di Jepang serta narasi seksualitas yang dihadirkan melalui isu enjokousai (prostitusi). Penelitian ini berusaha mengungkap bentuk-bentuk dekonstruksi ideologi gender yang dilakukan oleh pengarang dalam novel tersebut. Penelitian ini merupakan penelitian kualitatif dengan metode pengumpulan data studi pustaka. Data-data dikumpulkan dari kedua novel dan selanjutnya dianalisis dengan menggunakan teori dekonstruksi dan teori feminisme. Hasil dari penelitian menunjukkan bahwa pengarang mendekonstruksi wacana-wacana ketimpangan gender dan seksualitas di Jepang kemudian menuangkannya ke dalam bentuk teks-teks sastra. Bentuk-bentuk dekonstruksi ideologi gender yang ditampilkan pengarang dalam kedua novel tersebut yaitu ideologi gender yang memertahankan peran gender konvensional dan ideologi gender yang mengikuti perkembangan zaman. Natsuo Kirino’s Out and Grotesque raises the topic of social reality in Japan. The issues raised in the novel are not far from the discussion of gender and the narrative of sexuality, which is presented through the issue of enjokousai (prostitution). This research attempts to uncover the forms of gender ideology deconstruction carried out by the author in the novel. This research is a qualitative research with literature study method. Data is collected from both novels and then analyzed using deconstruction theory and feminism theory. The results of the study show that the author deconstructed the discourse of gender inequality and sexuality in Japan and then poured it into the form of literary texts. The form of gender ideology deconstruction is gender ideology that follows the passage of time. Each character depicted is no longer influenced by the conventional order of Japanese society regarding how men and women should be. Instead, they choose to go by their own rules of life.Keywords: deconstruction, ideology, gender, Natsuo Kirino   
OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970—2016/THE AUTHORITY OF THE BODY BETWEEN SACRED AND PROFANE IN SOME POEMS BY BALINESE POETS IN 1970--2016 Puji Retno Hardiningtyas; I Nyoman Darma Putra; I Nyoman Weda Kusuma; I Gusti Ayu Agung Mas Triadnyani
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v30i1.238.17-41

Abstract

Abstrak Eksploitasi citra tubuh muncul berulang sebagai tema dalam puisi Indonesia dalam rentang waktu enam dekade, 1970—2016. Dalam penelitian ini dianalisis citra tubuh dalam puisi Indonesia dengan fokus pembahasa pada dua hal, yaitu wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata. Kata kunci: puisi, ruang tubuh, konstruksi, profan sakral Abstract Exploitation of body image appeared repeatedly as theme in Indonesian poem in six decades, 1970—2016. In this research body image on Indonesian poems were analized focused on two points, the discourse of body authority, both sacred and profane as representation of human space image; the concept of space and body construction in the battle of life in poems in Bali. Method of this research is literary study by noting and reading technique. Data analysis method of this research is descriptive analytics by hermeneutic techniques and interpretative. This research used postcolonial of Sara Upstone theory by practicing the physical space and construction of body space and the existence of human itself. The results and discussion of this research prove that the authority of the body has irony with the events experienced by humans, namely the body as body, the body as religious simbol, and the body as a force of women in the face of the battle of life. The construction that takes place in the body eventually becomes a self dismantled by the poet who is ontologically skinned on his own. The body is destroyed in culture, inhumanity, while the soul as God is idealized in wholeness. Thus, the construction and the space between the profane and the sacred is the paradoxical space between the physical and the spiritual that the poet deconstructs to be a mere irony. Keywords: poem, body space, construction, sacred profane 
Contestation of Power and Identity in the Dayak Tomun Indigenous Community in Central Kalimantan, Indonesia Yogi, Ida Bagus Putu Prajna; Wijaya, I Nyoman; Darma Putra, I Nyoman; Suardiana, I Wayan
International Journal of Multidisciplinary Sciences Vol. 3 No. 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i4.4995

Abstract

This study addresses the problem of identity ambivalence experienced by the Dayak Tomun community in Central Kalimantan as a result of interactions between customary tradition, Protestant Christianity, and state cultural policy. The research aims to explain how indigenous identity is shaped, contested, and negotiated within these intersecting power frameworks. Using a qualitative approach and cultural studies perspective, the analysis integrates Michel Foucault’s concept of disciplinary power, Pierre Bourdieu’s habitus and symbolic capital, and Anthony Giddens’ structuration theory. The findings show that Hidup Baadat and Mati Bapati (Living by Custom and Dying by Custom) are not merely ancestral customs, but disciplinary cultural practices that shape subjectivity and social conduct. The spread of Christianity introduced new moral and ritual regimes, generating tensions in the continuity of customary authority. Meanwhile, state intervention through Law No. 5/2017 on the Advancement of Culture redefined customary practices as cultural resources for development and tourism. This process results in identity ambivalence: traditional rituals continue to be performed, yet are simultaneously reframed as cultural commodities. The study offers a multi-theoretical interpretation of indigenous identity formation by demonstrating how disciplinary power, habitus, and structuration operate together in shaping the contemporary dynamics of Tomun cultural life.
Representasi Religiositas (Parahyangan) Dalam Cerpen Pintu dan Pekak Gede Karya IBW Widiasa Keniten Ida Ayu Trisna Adiwulandari; I Nyoman Darma Putra; Ni Ketut Ratna Erawati
Jurnal Penelitian Agama Hindu Vol 10 No 2 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i2.5179

Abstract

Previous studies on tri hita karana in modern Balinese literature have largely emphasized normative and descriptive perspectives, while analyses that approach literary texts as spaces for the production and negotiation of religiosity remain limited. This study aims to examine the representation of parahyangan religiosity in the short stories Pintu and Pekak Gede by IBW Widiasa Keniten. Employing a qualitative descriptive design, this research conducts close textual analysis of narrative passages, dialogues, symbols, characters, and settings that articulate the relationship between humans and God. Data were collected through intensive reading, then selected and thematically classified before being interpreted in relation to cultural meaning-making processes. The findings indicate that parahyangan religiosity in both short stories is represented a reflective cultural practice that is continuously reconfigured rather than a static normative doctrine. Religious symbols function as media for the production of meaning that articulate and legitimize the characters’ spiritual experiences. The characters are constructed as religious subjects who continuously negotiate tradition, personal experience, and social change, thereby revealing the shifting transformative of religious subjectivity in contemporary Balinese society. Furthermore, the settings operate as discursive spaces that integrate sacred and social dimensions, showing how religiosity is embedded in ordinary social practices.This study demonstrates that modern Balinese short stories do not merely symbolically represent religious values but also produce new meanings of parahyangan within the context of contemporary Balinese culture. These findings confirm that literature serves as a reflective and critical space for reinterpreting local religiosity amid ongoing social and cultural change.
Denpasar heritage track: Revitalisasi paket wisata ‘Denpasar city tour’ I Nyoman Darma Putra; Syamsul Alam Paturusi; Widiastuti .
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bali’s capital city of Denpasar has a number of heritage sites, including several buildings, museums and monuments. These sites have yet to be developed optimally as tourist attractions, as evidenced by their small number of annual visitors. This study explores the potential in reutilizing those cultural heritage sites for the development of heritage tourism, and to support the city government’s tour programme. Two interrelated issues discussed here include how the government of Denpasar preserves its cultural heritage, and how it promotes these sites as heritage tourism. Data were collected through observation, interviews, and a literature review employing heritage tourism theory and framing theory. The study presents two packages of heritage tourism tours with a duration of approximately three hours each: the Denpasar Heritage Track (DHT), which starts and finishes at the Bali Hotel, taking in the Puputan Badung Monument, Bali Museum, Jero Kuta Palace, and Maospait Temple; and the Sanur Heritage Track (SHT), which begins and concludes at the Grand Bali Beach Hotel, visiting the Belanjong Heritage, Intaran Market, Bajra Sandhi Monument, and Museum Le Mayeur. The DHTs are expected to increase the number of tourist attractions in Denpasar, contributing to more tourist visits to Bali, especially in its capital city.
The Image of Pura Geger and Its Surroundings in Gita Rasmi Sancaya: A Tourism Literature Study Ni Luh Putu Aryasi Antari; I Nyoman Darma Putra; Luh Putu Puspawati
Eduvest - Journal of Universal Studies Vol. 5 No. 6 (2025): Eduvest - Journal of Universal Studies
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/eduvest.v5i6.51312

Abstract

This study examines the depiction of the Pura Geger temple and its surrounding areas as a tourist destination, as well as the portrayal of Dang Hyang Nirartha's role as a writer in the Geguritan Rasmi Sancaya. The temple holds significant potential to be developed as a tourist destination, and this research aims to explore how these places are represented in the literary text. Data were collected using qualitative methods, including observation, interviews, and literature study, and were presented descriptively. The study focuses on the literary portrayal of various locations mentioned in Geguritan Rasmi Sancaya, particularly those visited by Dang Hyang Nirartha. The research aims to identify and compare the textual and contextual descriptions of these sites, such as Gunung Payung, Pura Geger, Pura Bias Tugel, and Waterblow Nusa Dua. The findings reveal how these locations are depicted in the text and how this depiction contributes to the understanding of cultural and historical contexts of the area. The implications of this study suggest that literature, particularly Geguritan Rasmi Sancaya, can serve as an important tool for promoting the cultural significance of tourist destinations, offering insights into their historical value while encouraging tourism development.
Resisting Patriarchy through Language: A Faircloughian Critical Discourse Analysis of Melawan Bahasa Patriarki Ida Ayu Trisna Adiwulandari Ida Ayu Trisna; I Nyoman Darma Putra; Ade Prameswari Angelita
Soshum: Jurnal Sosial dan Humaniora Vol. 16 No. 1 (2026): March 2026
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v16i1.38-47

Abstract

Language functions not only as a medium of communication but also as a site where ideology and power relations are produced and contested. This study examines how patriarchal ideology is both constructed and resisted in Chapter V of Putu Pratiwi’s Melawan Bahasa Patriarki, entitled “Liberation of Women from Patriarchal Language Today.” Drawing on Norman Fairclough’s three-dimensional model of Critical Discourse Analysis, the research analyses the text at the levels of textual features, discursive practice, and socio-cultural practice. Using a qualitative approach, selected excerpts are examined with attention to lexical choices, transitivity, sentence mood (affirmative and imperative constructions), modality, and intertextuality. The findings indicate that patriarchal ideology is embedded in gender-marked vocabulary and epistemic modalities that normalise male-centred perspectives. At the same time, the text constructs resistance through imperative appeals, the redefinition of feminine identity, and the introduction of alternative terminology. Discursively, readers—particularly women—are positioned as active agents of resistance. Socio-culturally, the analysis shows how linguistic practices both reflect and challenge broader patriarchal structures. This study contributes to Critical Discourse Analysis and feminist linguistics by demonstrating how linguistic microstructures interact with social contexts to sustain and resist patriarchal power in contemporary Indonesian discourse.
Co-Authors A A Gde Sutrisna Wijaya Putra A.A. Anom Kumbara A.A. Ngr. Anom Kumbara A.A. Ngurah Anom Kumbara Ade Prameswari Angelita Agus Putra Mahendra Agus Putra Mahendra Alicia Agustina Ginting Anak Agung Ngurah Anom Kumbara Anak Agung Putu Agung Suryawan Wiranatha Aron Meko Mbete Asmyta Surbakti Astawa, Ida Bagus Gde Puja Bertova Simanihuruk Bestari, Ni Made Prasiwi Desi Dwi Prianti Diana Rosca Apria Eddy Setia Eddy Setia Eva Lailatur Riska Gede Ginaya Gede Pasek Putra Adnyana Yasa Gede Suardana Gede Suardana Hardiman Hardiman Hardiman Hardiman Husen Hendriyana I B Gde Pujaastawa I B Gde Pujaastawa I Gde Nala Antara I Gde Pitana, I Gde I Gede Adi Sudi Anggara I Gede Girinatha Surya I Gede Mudana I Gst. Bagus Suka Arjawa I Gusti Agung Dyah Maheswari I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Oka Suryawardani I Gusti Putu Bagus Suka Arjawa I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sudewa I Komang Gde Bendesa I Made Agus Asta Panca I Made Antara I Made Marthana Yusa I Made Suyasa I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Larry Julianto I Nyoman Suarka I Nyoman Sudiarta I Nyoman sukiada I Nyoman Sunarta I Nyoman Wahyu Angga Budi Santosa I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Wayan Ardika I Wayan Artika I Wayan Nuriarta I Wayan P. Windia I Wayan Pantiyasa I WAYAN PASTIKA I Wayan Resen I Wayan Restu Suarmana I Wayan Suardana I Wayan Suardana I Wayan Suardiana I Wayan Suyadnya I Wayan Tagel Eddy I.A. Etsa Pracintya Ida Ayu Etsa Pracintya Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Ayu Trisna Adiwulandari Ida Ayu Trisna Adiwulandari Ida Ayu Trisna Ida Bagus Gde Pujaastawa Ida Bagus Gde Pujaastawa Ida Bagus Gede Pujaastawa Ida Bagus Jelantik Sutanegara Pidada Ida Bagus Rai Putra Indra Bhaskara, Gde Iola Astried Karisma Isvari Ayu Pitanatri Juliana, I Wayan Kanto, Sanggar Ketut Antara Komang Adi Sastra Wijaya Kristiana, Nina Indra Kumbara, Ngr. Anom Luh Putu Puspawati Made Antara Made Heny Urmila Dewi Made Hery Santosa Mananda, I Gusti Putu Bagus Sasrawan Margaretta Andini Nugroho Maria Matildis Banda Michael Hitchcock Mozes, Getruida Nita Nanang Sutrisno Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmaja Nengah Bawa Atmaja Ngakan Putu Darma Yasa Ni Kadek Dea Adelia Putri Ni Ketut Ratna Erawati Ni Luh Arjani Ni Luh Gede Eni Laksmi Ni Luh Kade Yuliani Giri Ni Luh Putu Aryasi Antari Ni Luh Ramaswati Purnawan Ni Made Ari Yanti Putri Negara Ni Made Eka Mahadewi Ni Made Ras Amanda Gelgel Ni Made Sri Purnami Ni Made Wiasti Ni Nyoman Arini Ni Putu Evi Wijayanti Ni Putu Ratna Sari Ni Putu Rika Sukmadewi Nonny Aji Sunaryo Nyoman Kutha Ratna Pande Putu Abdi Jaya Prawira Pidada, Ida Bagus Jelantik Sutanegara Prameswari, Ni Putu Laksmi Mutiara Prayoga, I Putu Satria Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Putu Ayu Mira Maharani Putu Gede Sridana Putu Sucita Yanthy Putu Sucita Yathy Putu Titah Kawitri Resen Rahmat Sewa Suraya Ramanda Dimas Surya Dinata Renata Lusilaora Siringo Ringo Rimalinda Lukitasari Rinestu, Tyas Rosvita Flaviana Osin Rustiani, Komang Wahyu Sanjaya, I Wayan Kiki Saortua Marbun Saroha Manulang Sri Jumadiah Sudiksa, I Nyoman Sukariyanto, I Gede Made Surbakti, Asmyta Sutanegara Pidada Ida Bagus Jelantik Sutarwiyasa, I Ketut Syairal Fahmy Dalimunthe Syamsul Alam Paturusi Tjok Istri Priti Mahendradevi Tyas Rinestu Vanesia Amelia Sebayang Westerlaken, Rodney Widiastuti . Widiastuti . Yan Yan Sunarya Yan Yan Sunarya Yogi, Ida Bagus Putu Prajna Yohanes Kristianto Yohanis Umbu Roru Yongki Darmawan Yosep Kupertino Ilang Yovanca Koondoko Yuliani Giri, Ni Luh Kade Yuniarto Putri, Aghnia