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All Journal Jurnal Ekonomi Kuantitatif Terapan E-Journal of Tourism E-Journal Of Cultural Studies Linguistika Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Sosial dan Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA MUDRA Jurnal Seni Budaya Panggung Aksara International Journal of Applied Sciences in Tourism and Events SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] GERAM (GERAKAN AKTIF MENULIS) Devotion: Journal of Research and Community Service International Journal of Social Service and Research International Journal of Educational Review, Law And Social Sciences (IJERLAS) Humantech : Jurnal Ilmiah Multidisiplin Indonesia Journal Of World Science East Asian Journal of Multidisciplinary Research (EAJMR) Pusaka : Journal of Tourism, Hospitality, Travel and Business Event Stilistika: Journal of Indonesian Language and Literature Journal of Social Science Jumantara: Jurnal Manuskrip Nusantara Eduvest - Journal of Universal Studies International Journal of Multidisciplinary Sciences Journal of Mandalika Literature Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Panggung Aksara Journal of Hotel Management Aksara
I Nyoman Darma Putra
Fakultas Ilmu Budaya, Universitas Udayana
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Neuroscience Public Health Social Sciences Other

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Jejak Citra Kuno Orang Tenganan dalam Foto Masa Kolonial 1920-1940 I Wayan Suyadnya; Sanggar Kanto; I Nyoman Darma Putra; Desi Dwi Prianti
Jurnal Ilmu Sosial dan Humaniora Vol 12 No 1 (2023)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jish.v12i1.53900

Abstract

Artikel ini mengungkapkan pesan khas dari gambar fotografi pada masa kolonial tentang primitivisme melalui Tenganan Pegringsingan masa kolonial sebagai studi kasus. Beberapa foto terbatas tentang Tenganan yang diperkirakan diambil pada tahun 1920-1940 menggambarkan orang dan kehidupan masyarakat masa itu. Tiga kategori utama dari gambar dianalisis, yaitu lanskap dan arsitektur pemukiman, manusia Tenganan, dan aktivitas dan budaya material. Ketiga kategori menampilkan diri dengan gambaran kesan publik mengenai konsep kuno atau primitif. Penelitian ini memanfaatkan data visual (fotografi) melalui analisis citra fotografi. Hasil penelitian mengungkapkan bahwa gambar fotografi kolonial memberikan ide pembekuan citra dan kesan primitif pada orang Tenganan. Gagasan yang hadir melalui gambar fotografi itu adalah  cara-cara mereka dibedakan dengan orang luar, misalnya melalui pakaian dan cara kontak mata dengan orang luar (Belanda). Ide tentang lingkungan ideal dan figuratif bagi orang Tenganan dan publik umum, berupa autentik, kuno, dan seragam, dihadirkan sebagai lanskap yang harus dipertahankan secara kokoh. Pada akhirnya proyeksi kolonial tentang Tenganan melalui fotografi berintegrasi dengan dunia imajinasi lokal orang Tenganan.
IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI I Nyoman Darma Putra; Ida Bagus Jelantik Sutanegara Pidada; Ida Ayu Laksmita Sari
PANGGUNG Vol 33, No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2334

Abstract

The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan
Literary Tourism: Maintaining Balinese Identity in 'Host-Guest' Interaction in Short Stories by Balinese Writers I Nyoman Darma Putra; Sutanegara Pidada Ida Bagus Jelantik
Mudra Jurnal Seni Budaya Vol 38 No 4 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i4.2471

Abstract

The development of tourism in Bali with strong socio-cultural influences has inspired Balinese writers to create literary works about the interaction between Balinese people  (hosts) and tourists (guests), both in Indonesian and Balinese language. This study examines how Balinese authors maintain Balinese identity in host-guest interactions  featured in short stories by Balinese writers. The main object of research is the anthology of Balinese short stories Mekel Paris (Madame Paris, 2012) by IBW Keniten because all short stories in this anthology contain stories of interactions between Balinese and foreigners. Data from the short stories and interviews with authors were analyzed qualitatively using a tourism literary approach, an approach that uses anthropological tourism theory of host-guest contact  introduced by Valene Smith. The results showed that there are various forms of host-guest interaction expressed in the Mekel Paris anthology, namely harmonious, conflict, mutualistic, and transactional interactions. Although there are various forms of interaction, all of them have one goal, which is to convey the message so that the Balinese people are not carried away by foreign influences, but are firm in maintaining Balinese identity. In addition to enriching the discussion on how Balinese people maintain their identity, this article also contributes to the development of the study of tourism literature that is growing rapidly in Indonesia.
INTERPRETING BALINESE MYTHOLOGY-THEMED CHARACTER DESIGN SIGNIFICATION AS A VIRTUAL ENTITY IN ANIMATION I Made Marthana Yusa; I Ketut Ardhana; I Nyoman Darma Putra; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p05

Abstract

This article explores the significance of Balinese mythology-themed character design in animation as virtual entities, providing an in-depth analysis of their cultural signification and cultural implications, and their role in promoting social commentary and cultural preservation. Through the use of case studies, literature reviews and survey, the articles examines how various Balinese mythological figures including (Hanoman, Garuda, Barong, and Rangda) are portrayed in popular animated works and what cultural meanings are conveyed through their design choices. The article analysis reveals that Balinese mythology-themed character design in animation can reflect Bali cultural values, promote social commentary, beliefs, and traditions, serving as a means of preserving Balinese cultural heritage. Furthermore, the results demonstrate the importance of considering the cultural context in which mythology is presented in animation, as it can shape the interpretation of these virtual entities. Keywords: Balinese mythology-themed, character design, signification, virtual entity
UPIN IPIN ANIMATION: THE MEDIA OF MALAYSIA'S IDENTITY POLITICS Gede Pasek Putra Adnyana Yasa; I Nyoman Darma Putra; I B Gde Pujaastawa; I Nyoman Larry Julianto
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p04

Abstract

"Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the characters in the story, along with the environment that considers the socio-cultural background of the local Malaysian community. The construction of the environment, socio-cultural life, religion and culture, and language represent the Malaysian identity. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce the Malay-Malaysian cultural identity. Keywords: animation, Upin Ipin, identity politics, Malaysia
KINSHIP POLITICS AND EMBODIMENT CONCEPT OF GOOD GOVERNANCE: TABANAN DISTRICT CASE STUDY Komang Adi Sastra Wijaya; I Nyoman Suarka; I Nyoman Darma Putra; I Wayan Tagel Eddy
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p03

Abstract

This research is a neo-institutionalism analysis study to political dynasty issue in the accordance with the embodiment concept of good governance in Tabanan district. As it is known that after the reformation, Tabanan was led by the same family generation. By focusing on the health service sector, this study will look at to what extent the dynastic politics has an impact on the public policy sector and the realization of good governance. In general, the health service policy pursued by the Tabanan Regency government is a non-populist policy. The local government chose to build international hospital rather than providing free health services for the poor. All this time, the study about political dynasty and the effect to the public policy sector in Tabanan is only seen as a mere political problem without looking at the deep state structure, the normative function and culture in it. This study found that there are a conflict between sociological institution, historical institution, and rational choice institution behind the strong dynastic politics as well as the struggles in realizing good governance in Tabanan Regency. Keywords: political dynasty, good governance, neo-institutionalism, public policy, Tabanan district.
Investigation Of Ecotourism Development Based On Collaboration Between Tinggan Indigenous Peoples And Stakeholders In The Pucak Tinggan Area Of Bali I Wayan Pantiyasa; I Nyoman Darma Putra; Made Antara; I Wayan Suardana; Ketut Antara
Journal Of Social Science (JoSS) Vol 3 No 1 (2024): JOSS : Journal of Social Science
Publisher : Al-Makki Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57185/joss.v3i1.275

Abstract

This study aims to investigate the response of the Tinggan Indigenous Village community and other stakeholders to the development of collaboration-based ecotourism in the Pucak Tinggan Area. This research adopts an exploratory qualitative approach. Data collection method through distributing questionnaires to the public totaling 120 (purposive sampling) respondents, interviews, documentation, observation, and Focus Group Discussion. The data analysis method used is mixed-methods sequential explanatory analysis to determine community response, and qualitative analysis is used to determine the response of other stakeholders. The results showed that the response of the people of Tinggan Traditional Village strongly agreed with the development of collaboration-based ecotourism in the Pucak Tinggan Area, the Government recognized the importance of collaboration-based ecotourism as an important breakthrough, Entrepreneurs in the region also contributed by creating jobs for the community, academics also support ecotourism planning by considering the need for continuous research and innovation, support from media crews will help in promoting or introducing the Pucak Tinggan area to the wider community, tourists respond positively about the condition of the Pucak Tinggan area which is still natural socio-cultural that is still maintained hospitality. The Desa Adat Tinggan community supports a cooperative economy in the Pucak Tinggan area, benefiting local communities, the government, and the community. They encourage research and innovation, and media support can influence Bali's vision, promoting benefits for society, the environment, and governance.
PRACTICE OF TEMPLE DEVELOPMENT GRANTS’ DISCOURSE OF BADUNG DISTRICT GOVERNMENT, BALI I Gusti Agung Dyah Maheswari; I Nyoman Darma Putra; I Wayan Suardiana
E-Journal of Cultural Studies Vol 14 No 4 (2021): Volume 14, Number 4, November 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i04.p02

Abstract

This paper analyzes the policy of development grants in the cultural and religious sector of the Badung Regency Government in Bali with the realization of assistance targeting community groups in the construction of the physical infrastructure of the temple as a Hindu holy place that has political tendencies and power. This topic is researched because it is one of the public policies that is sentimental and very intimate because it directly touches social life and previous cultural values. The problem examined in this study is how the mechanism, strategy, which is carried out by the agent in exercising power. The power in question is not the power of a person but the power is everywhere and intertwined with knowledge. This research data was obtained based on the results of interviews, observations, and documentation studies which were then analyzed with the theory of power and knowledge by Foucault, and practical theory by Pierre Bourdieu. The analysis in is first indicated a mutually beneficial process between the lead district government, legislative members who became facilitators and the community, the application of religious, customary, and cultural concepts in perpetuating power and pragmatism and lack of education. Keywords: temple development grant, public policy, power relations
DANCE PERFORMANCE TO ACHIEVE MURI: STUDY OF REJANG SANDAT RATU SEGARA DANCE PERFORMANCE IN TANAH LOT, TABANAN, BALI Ni Made Ari Yanti Putri Negara; I Nyoman Darma Putra; Ni Luh Arjani
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p01

Abstract

Rejang is a sacred dance that has certain standards in its creation and performance. This sacred dance is performed during the Dewa Yadnya ceremony by taking into account the place, time, and means of offerings that have been determined. However, recently a new creation of Rejang dance has emerged which has a function not for religious ceremonies, but for other purposes such as entertainment to achieve a MURI (Indonesian Record Museum) record. This type of Rejang Dance is the Rejang Sandat Ratu Segara Dance which was staged on August 18, 2018 in Tanah Lot, Tabanan, Bali. This certainly attracts the attention of the people of Tabanan and causes this dance to be widely discussed on social media and in real life. This article examines the form of the Rejang Sandat Ratu Segara Dance and finds out how it differs from the Rejang dance in Bali. The research method used is qualitative research with descriptive and explanatory exposure. In this study, there are several differences in the form of the Rejang Sandat Ratu Segara dance with the Rejang dance that developed in Bali such as movement, dancers, clothing, and settings. Keywords: Rejang Sandat Ratu Segara Dance, Tanah Lot Tabanan, MURI record, sacred art
GOVERNMENT HEGEMONY VS. DESA ADAT RESISTANCE: DYNAMICS OF REGULATING DESA ADAT IN BALI Putu Gede Sridana; I Wayan P. Windia; I Nyoman Darma Putra; I Nyoman Suarka
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p04

Abstract

The government's strategy to promote desa adat (customary village) materialized through the implementation of Regional Regulation Number 4 of 2019 in Bali, fostering a dynamic interaction aimed at enhancing desa adat resilience. This study examines the dynamic forms of interaction between these institutions. Data were obtained utilizing a qualitative approach, including literature reviews, observations, and interviews. The data analysis results are described using theories of hegemony, ideology, discourse, and the power of knowledge. The research concludes that diverse forms of interaction between the government and desa adat encompass involvement in the formulation of desa adat regulations; participation in religious rituals and cultural activities; and relevance in financial governance. Theoretical findings suggest that power operates through interactions to assert dominance over desa adat by spreading discourse, knowledge, and ideological strategies. This article provides valuable insights for shaping regulations that better align with the identity and autonomy of desa adat. Keywords: dynamic interactions, desa adats, Regional Regulation Number 4/2019
Co-Authors A.A. Anom Kumbara A.A. Ngr. Anom Kumbara A.A. Ngurah Anom Kumbara Agus Putra Mahendra Alicia Agustina Ginting ANAK AGUNG GDE SUTRISNA WIJAYA PUTRA Anak Agung Ngurah Anom Kumbara Anak Agung Putu Agung Suryawan Wiranatha Antari, Ni Luh Putu Aryasi Aron Meko Mbete Asmyta Surbakti Astawa, Ida Bagus Gde Puja Bertova Simanihuruk Bestari, Ni Made Prasiwi Desi Dwi Prianti Diana Rosca Apria Eddy Setia Eddy Setia Eva Lailatur Riska Gede Ginaya Gede Pasek Putra Adnyana Yasa Gede Suardana Hardiman Hardiman Hardiman Hardiman Husen Hendriyana I B Gde Pujaastawa I B Gde Pujaastawa I Gde Nala Antara I Gde Pitana, I Gde I Gede Adi Sudi Anggara I Gede Girinatha Surya I Gede Mudana I Gst. Bagus Suka Arjawa I Gusti Agung Dyah Maheswari I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Oka Suryawardani I Gusti Putu Bagus Suka Arjawa I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sudewa I Komang Gde Bendesa I Made Agus Asta Panca I Made Antara I Made Marthana Yusa I Made Suyasa I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Larry Julianto I Nyoman Suarka I Nyoman Sudiarta I Nyoman sukiada I Nyoman Sunarta I Nyoman Wahyu Angga Budi Santosa I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Wayan Ardika I Wayan Artika I Wayan Nuriarta I Wayan P. Windia I Wayan Pantiyasa I WAYAN PASTIKA I Wayan Resen I Wayan Restu Suarmana I Wayan Suardana I Wayan Suardana I Wayan Suardiana I Wayan Suyadnya I Wayan Tagel Eddy I.A. Etsa Pracintya Ida Ayu Etsa Pracintya Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Bagus Gde Pujaastawa Ida Bagus Gde Pujaastawa Ida Bagus Jelantik Sutanegara Pidada Ida Bagus Rai Putra Indra Bhaskara, Gde Iola Astried Karisma Isvari Ayu Pitanatri Juliana, I Wayan Kanto, Sanggar Ketut Antara Komang Adi Sastra Wijaya Kristiana, Nina Indra Kumbara, Ngr. Anom Luh Putu Puspawati, Luh Putu Made Antara Made Heny Urmila Dewi Made Hery Santosa Mananda, I Gusti Putu Bagus Sasrawan Margaretta Andini Nugroho Maria Matildis Banda Michael Hitchcock Mozes, Getruida Nita Nanang Sutrisno Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmaja Ngakan Putu Darma Yasa Ni Kadek Dea Adelia Putri Ni Luh Arjani Ni Luh Gede Eni Laksmi Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Made Ari Yanti Putri Negara Ni Made Eka Mahadewi Ni Made Ras Amanda Gelgel Ni Made Sri Purnami Ni Made Wiasti Ni Nyoman Arini Ni Putu Evi Wijayanti Ni Putu Ratna Sari Ni Putu Rika Sukmadewi Nonny Aji Sunaryo Nyoman Kutha Ratna Pande Putu Abdi Jaya Prawira Pidada, Ida Bagus Jelantik Sutanegara Prameswari, Ni Putu Laksmi Mutiara Prayoga, I Putu Satria Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Putu Ayu Mira Maharani Putu Gede Sridana Putu Sucita Yanthy Putu Sucita Yathy Putu Titah Kawitri Resen Rahmat Sewa Suraya Ramanda Dimas Surya Dinata Renata Lusilaora Siringo Ringo Rimalinda Lukitasari Rinestu, Tyas Rosvita Flaviana Osin Rustiani, Komang Wahyu Sanjaya, I Wayan Kiki Saortua Marbun Saroha Manulang Sri Jumadiah Sudiksa, I Nyoman Sukariyanto, I Gede Made Surbakti, Asmyta Sutanegara Pidada Ida Bagus Jelantik Sutarwiyasa, I Ketut Syairal Fahmy Dalimunthe Syamsul Alam Paturusi Tjok Istri Priti Mahendradevi Tyas Rinestu Vanesia Amelia Sebayang Westerlaken, Rodney Widiastuti . Yan Yan Sunarya Yan Yan Sunarya Yogi, Ida Bagus Putu Prajna Yohanes Kristianto Yohanis Umbu Roru Yongki Darmawan Yosep Kupertino Ilang Yovanca Koondoko Yuliani Giri, Ni Luh Kade Yuniarto Putri, Aghnia