Claim Missing Document
Check
Articles

LIFESTYLE IN KUTUH VILLAGE, SOUTH KUTA, BADUNG, BALI AS IMPLICATION OF LAND SALE Farhaeni, Mutria; Suarka, I Nyoman; Dhana, I Nyoman; Ardjani, Ni Luh
E-Journal of Cultural Studies Volume 10, Number 4, November 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (528.435 KB) | DOI: 10.24843/cs.2017.v10.i04.p02

Abstract

The purpose of this research is to find out the life style in the post-land sale in Kutuh Village, South Kuta District, Badung Regency, Bali. This research begins with an inventory of the people who sell the land and then classified into several lifestyles. The data and information reviewed the lifestyle implications of post-land sales people. This research was conducted by survey and observation method toward the lifestyle of the community after the land sale. Data collection techniques used are in the form of interviews. From the results of the study, it can be concluded that the lifestyle implications of society have been found to describe the existence of lifestyle changes: consumptive society, creative economy society, gender equality in the distribution of land sales and modern household pretext, in addition the people are unable to maintain their ancestral heritage.
THE BACKGROUND OF MARKET IDEOLOGY IN THE DEVELOPMENT OF BELADIRI AIKIDO IN BALI Nurita, Wayan; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (573.03 KB) | DOI: 10.24843/cs.2017.v10.i02.p03

Abstract

Quite a lot of Balinese people nowadays are pursuing different martial arts coming from other nations, among others is Aikido. Aikido as one of the martial arts of Japan can be accepted and is growing well in Bali which has the background of market ideology as one of the impacts of globalization. The development process of Aikidoin Bali both in addition to the number of training venues (Dojo) and improving the quality of the participants’ techniques (Aikidoka) under the supervisionof Bali Aikido Master Organization (Bari Aikikai) which has been established since 1997. By questioning what kind of ideology is working in the development of Aikido Martial Arts in Bali, this research is a qualitative research which applies the Hypereality theory of Jean Baudrillard. Result of the research shows that the development of aikido martial arts in Bali both in the development of the dojo and the aikidokaare in the process to reach certain levels. In order to reach both, the allocation of time and funds are required. Bari aikikai is a Japan subordinate of aikidomartial arts organization (Nihon Aikikai). Everything related to the development of aikido martial art in Bali is done through Bari Aikikai. The Japanese as the cultural owner and discourse producer play an important role in relation to the market ideology in it. This condition and realitycan be seen in the development process of aikido martial art in Bali. Both the dojo and aikidoka managers spend a lot of money in terms of training in the form of compulsory dues and other dues payment. This research also found a new paradigm that behind the acceptance and development of aikidomartial artsas the globalization of culture, there is market ideology behind the discourse.
POWER OF MEDIA IN INDUSTRIALIZATION OF BALINESE POP MUSIC Ardini, Ni Wayan; Wirawan, A.A Bagus; Suarka, I Nyoman; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Vol 8 No 4 (2015): Volume 8, Number 4, November 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The development of technology, the economic system, and the culture of new music, has caused the Balinese pop music to be industrialized since 1990s. The existence of many recording studios and musicians (composers, singers, and music players) and many other related products all over Bali has also contributed to this. Through the recording products, various types of direct performances and so forth have caused the Balinese pop music to be the commodity of the capitalistic pop culture which is preferred by society. Such industrialization is formed by the power of media (musicians), capitalistic power (the capital owner such as the producer/recording studio owner), and the power of media. This present study was conducted in order to identify the phenomenon of one of three powers in such industrialization, namely, the power of media, especially television. The result of the study shows that the power of television media in the industrialization of the Balinese pop music is the resource which contributes to the distribution of products which are produced for the market or the prospective market in Bali. The television studio which plays the greatest role is the Bali TV. It was established in 2002, namely, the year when the political decentralization in Indonesia started, following the reformation era which started in 1998. Through the regional autonomy, the ethnical local cultures in Indonesia, including the Balinese pop music, were empowered. The Bali TV with “Ajeg Bali” as its ideology has what is called “Klip Bali”, “Tembang Bali” (100% local)”, and “Samatra Artis Bali” programs. The viewers from all over Bali like such programs very much. The more often they are presented (viewed and listened to), the more the Balinese pop music products obtain the promotional and marketing value. A great number of products, including the Balinese pop music, are continuously introduced to the society. The power of media has developed into capitalism and the Balinese community has become the object of its consumption.
SASTRA JAWA KUNA: SEBUAH CERMIN Suarka, I Nyoman
ATAVISME Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v12i1.155.31-35

Abstract

Artikel ini bertujuan menjelaskan keberadaan sastra Jawa Kuna, kontribusinya, dan juga keterkaitannya dengan kehidupan Indonesia. Para pendiri Indonesia telah menemukan nilai-nilai di dalamnya dan menggunakannya sebagai nama ideologi, semboyan, dan simbol negara. Sastra Jawa Kuna bisa digunakan sebagai sumber untuk memahami kehidupan masyarakat di masa lalu. Selain itu, nilai-nilai tersebut bisa digunakan sebagai panduan hidup. Abstract: This writing is aimed to explain the existence of old Java literature, its contribution and also its relevance for Indonesian?s live. The Indonesian founders have discovered the values in it and used it as a name of state ideology, country motto, and state symbol. Old Java literature can be used as a source to understand society life in the past. In addition, the values can be used as life guidance. Keywords: old Java literature, relevance, value
CHARACTER VALUE DISCOURSE IN BALI'S POP SONG AND DENPASAR CITY’S PUBLIC RECEPTION Sri Marheni, Komang; Wirawan, A.A. Bagus; Anom Kumbara, A.A. Ngurah; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (792.369 KB) | DOI: 10.24843/cs.2019.v12.i01.p05

Abstract

Character discourse surfaced in response to globalization. Balinese pop songs also contribute to discourse of character values ??in the context of the mass culture industry. This study reveals the ideology, form, and reception of people in Denpasar on the discourse of character values ??in Balinese pop songs. Through a qualitative method with a critical discourse analysis approach based on the semiotic theory, deconstruction, and reception aesthetics, it was concluded that the ideology that constructs the discourse of character values ??in Balinese pop songs includes religious ideology, Ajeg Bali, capitalists, and mass media within the scope of industrialization of mass culture. Forms of character value discourse in Balinese pop songs include the value of religious, nationalist, independent, mutual cooperation, and integrity in various song themes. The public reception in Denpasar on the discourse of character values ??is relatively diverse and ambiguous, both to the meaning of song, capitalist power, producer power, and to the power of the mass media. This study found that the discourse of character values ??in Balinese pop songs reflects ideological construction in the mass culture industry. There is a tendency to shift from the meaning of the song to the aesthetic and artistic realm in accordance with consumer responses. The theory of moral criticism of mass culture is confirmed that the discourse of character values ??in Balinese pop songs can be developed by negotiating meaning, aesthetics, and artistic. Keywords: discourse, character values, Balinese pop song, reception of community
PHILOSOPHICAL MEANING BEHIND THE CHINESE CUISINE IN MANADO CITY Martini, Sri; Suarka, I Nyoman; Cika, I Wayan; Setiawan, I Ketut
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1346.376 KB) | DOI: 10.24843/cs.2019.v12.i02.p04

Abstract

The type of food served at lunar celebrations in Manado city has a distinctive flavor, color color, is seen to contain the meaning of Filososfis for the life of Chinese people. That is, which later became a fascination in this study. The purpose of this research is to uncover the Filofis meaning of the food sundries served in lunar celebrations. Data collection methods are performed with observations of participation and interviews in depth. Data analysis techniques are done qualitatively. The research conclusion that the type of food presented in the lunar celebration contains philosophical meaning for the human life of matching and related to the hope for goodness, the coming of fortune, prosperity, and health that is to be achieved by In the celebration, both individually and in the family. Keywords: Lunar celebrations, food offerings, philosophical meanings, good wishes
PEMALI MARRIAGE DECONSTRUCTION IN THE COMMUNITY OF BUSUNGBIU, BULELENG, BALI Rustiani, Komang Wahyu; Suarka, I Nyoman; Mudana, I Gede
E-Journal of Cultural Studies Volume 12, Number 3, August 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (708.335 KB) | DOI: 10.24843/cs.2019.v12.i03.p04

Abstract

Forwarding pemali marriage expressions essentially are constituted by the myth, so they are essential to be analyzed since a lot of societies’ misinterpretation in creating meaning. The problems analyzed in this research are the form of pemali marriage, the deconstruction process on pemali marriage, and the relationship between pemali marriage in Busungbiu societies and local life. This is a qualitative research which used cultural studies paradigm. The data collection method utilizes observation, interview, and reviewing documents. The data were analyzed eclectically by utilizing deconstruction theory, cultural materialism theory, social semiotic theory, and encoding decoding theory. The research result shows that the forms of pemali marriage are related to kinship, physical features, social stratification, and time. The process of deconstruction on pemali marriage is done through three steps, they are deconstruction on the structure and the language code; reinterpretation on the meaning of pemali marriage; and representation on pemaliin the marriage ritual in order to rationalize those pemali. The deconstruction on the relation between pemali marriage and the position of the subject is found in three positions; they are hegemony dominant positions, negotiation positions, and opposition position. Keywords: pemali marriage, misinterprets, deconstruction, representation
Marginalization of Genggong Art in Batuan Villages in the Global Era Winyana, I Nyoman; Suarka, I Nyoman; Sugiarta, I Gde Arya
International Journal for Educational and Vocational Studies Vol 2, No 4 (2020): April 2020
Publisher : Universitas Malikussaleh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29103/ijevs.v2i4.2553

Abstract

Genggong performance art is a form of art in Batuan Village. Its existence in the midst of community life is closely related to the tourism industry. Its presence is currently increasingly squeezed by the Golbal culture which is not only present from modern (calcic) traditional arts but also contemporary culture. If it is left out it is not impossible that Genggong art will disappear. It can also erase the local cultural identity in Batuan Village. Efforts to optimize Genggong's art at this time are a problem. This not only arises because of internal problems from the Genggong actors themselves, but also externally the network that was cut off was often caused by factors playing in it. The importance of making this Genggong art present in Batuan is none other than the icon of the Batuan Culture village which has become a tourist village, worth fighting for given that cultural richness is a hallmark of genius society. In addition to optimizing the Genggong art, it has the opportunity to be a more useful touristic spectacle. The impact of the Genggong art problem in Batuan Village will also be a pilot project for the arts of the same fortune in the global era. In addition, financially the actors involved in it feel they have the opportunity to earn a fortune and protection. This study uses a cultural study approach that is more focused on solving problems to raise the issue of marginalization with cultural theories. It seems that through qualitative methods explanations can find a deeper analysis. Resolving the Genggong art problem can be a model for other traditional arts that also suffer a similar fate. The findings of this study at least give rise to a new awareness to jointly provide a way out of traditional Balinese art so that it can be enjoyed more broadly over time.
KONTEKSTUALISASI TEOLOGI HINDU TEKS ĀDIPARWA DI UPT TAMAN BUDAYA PROVINSI BALI Subrahmaniam Saitya, Ida Bagus; Suarka, I Nyoman; Duija, I Nengah
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 2 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ādiparwa is an early part of aṣṭadaśaparwa that forms the Mahābhārata, consisting of 2 (two) separate sections. The first part presents the framework of the Bhārata epic, the story of the sacrificial rites on the orders of King Janamejaya in order to destroy the dragons because King Parikṣit who was the father of King Janamejaya was killed by the Taksaka dragon. The second part, contains the genealogy of the Pāṇḍawa and Korawa, their birth and youth to Arjuna's marriage to Subhadrā. In the Ādiparwa text there is also another story, the story of the rotation of Mount Mandara, which fighting between the gods and the daitya. In the story of the rotation of Mount Mandara transformed into the form of existing buildings at UPT Taman Budaya Provinsi Bali.
KONTEKSTUALISASI TEOLOGI HINDU TEKS ĀDIPARWA DI UPT TAMAN BUDAYA PROVINSI BALI Subrahmaniam Saitya, Ida Bagus; Suarka, I Nyoman; Duija, I Nengah
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 2 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i2.1689

Abstract

Ādiparwa is an early part of aṣṭadaśaparwa that forms the Mahābhārata, consisting of 2 (two) separate sections. The first part presents the framework of the Bhārata epic, the story of the sacrificial rites on the orders of King Janamejaya in order to destroy the dragons because King Parikṣit who was the father of King Janamejaya was killed by the Taksaka dragon. The second part, contains the genealogy of the Pāṇḍawa and Korawa, their birth and youth to Arjuna's marriage to Subhadrā. In the Ādiparwa text there is also another story, the story of the rotation of Mount Mandara, which fighting between the gods and the daitya. In the story of the rotation of Mount Mandara transformed into the form of existing buildings at UPT Taman Budaya Provinsi Bali.
Co-Authors , I Made Surada A.A. Gde Alit Geria Alit Geria A.A. Gede Bawa A.A. Gede Bawa A.A. Kade Sri Yudari A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kumbara AA. Gede Bawa AA. Gede Bawa Admin OJSIkip Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Anak Agung Raka Asmariani Ardjani, Ni Luh Bagus Wahyu Sudhyatmika Bawa, Anak Agung Gde Cerita, I Nyoman Desak Putu Andi Suarmini Dewa Gede Bambang Erawan Diah Savitri, Putu Dian Saputra, I Made Dr Pudentia Dra Dafirah Duija, I Nengah Dwi Mahendra Putra Erna Supriathi, Ni Kadek Farhaeni, Mutria Fauzan Al Jundi Fransiscus Bustan Gde Artawan Gede Indrawan Gede Yoga Kharisma Pradana George Mentansan Gitananda, W.A. Sindhu Gusti Ayu Novaeni Hamiruddin Udu, Hamiruddin I Gde Parimartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Oeinada I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Sri Widiantari I Gusti Ngurah Ananjaya I Gusti Ngurah Seramasara, I Gusti Ngurah I Gusti Ngurah Sudiana I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Darmana I Ketut Jirnaya I Ketut Muka I Ketut Setiawan I Ketut Sudewa I Made Agus Oka Gunawan I Made Arik Wira Putra I Made Arik Wira Putra I Made Dian Saputra I Made Dian Saputra I Made Dian Saputra I Made Gede Anadhi I Made Suastika I Made Sukma Manggala I Made Suyasa I Made Wijana . I Nengah Duija I Nengah Duija, I Nengah I Nengah Sudipa I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman Linggih I Nyoman sukiada I Nyoman Suwana I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Nyoman Winyana, I Nyoman I Nyoman, Rema I Putu Gede Sridana I Putu Gede Suyoga I Wayan Ardika I Wayan Cika I Wayan Mulyawan I Wayan Nuriarta I Wayan P. Windia I Wayan Suardiana I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Suwena I Wayan Suwena I Wayan Tagel Eddy Ida Ayu Gede Artayani Ida Ayu Istri Agung Dharmayanti Ida Ayu Kade Sri Sukmadewi, Ida Ayu Kade Ida Ayu Laksmita Sari Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gde Putra Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Nyoman Mantra Ida Bagus Oka Wedasantara Ida Bagus Rai Putra Igaa Mas Triadnyani Jro Made Gede Aryadi Putra Juliana, I Wayan Kamidjan Kamidjan Ketut Widya Purnawati Komang Adi Sastra Wijaya Komang Paramartha Kumiko Shishido Kurniawan, Putu Widhi Kusuma Wardana, Kadek Lilik Rita Lindayani Made Dian Saputra Made Narawati Made Paramasuta Wijaya Maliudin, Maliudin Maria Matildis Banda MPSS, Pudentia Muh Alifuddin Muhammad Badaruddin Ni Ketut Ratna Erawati Ni Ketut Riska Dewi Prawita Ni Luh Gede Meilantari Ni Luh Nyoman Kebayantini Ni Luh Sutjiati Beratha Ni Made Ari Dwijayanthi Ni Made Indiani Ni Made Ruastiti Ni Made Wiasti Ni Nyoman Karmini Ni Nyoman Kartini Ni Nyoman Seri Astini Ni Nyoman Suryani Ni Putu Diah Astriningsih Ni Putu Diah Astriningsih Ni Wayan Ardini, Ni Wayan Ni Wayan Sumitri Ni'mah, Mamluatun Novena Ade Fredyarini Soedjiwo Nyoman Adiputra Nyoman Kutha Ratna OJSIkip, Admin Parahita Nugraha, Gemara Adhiyasa Paramita, Ida Bagus Gede Pradnyawati, Ni Ketut Sukma Pujaastawa, Ida Bagus Gde Pujana, Ida Bagus Anom Wisnu Putra, Ansor Putu Ari Suprapta Pratama Putu Eka Maharani Putu Eka Sura Adnyana Putu Gede Sridana Putu Sanjaya Putu Titah Kawitri Resen Rahmat Sewa Suraya Raka Asmariani, Anak Agung Relin D.E Rema I Nyoman Rianti Simbolon Rudi Irawanto Rustiani, Komang Wahyu S, Aswandikari Sachiko Takasaki Samsul Samsul Sanjaya, Putu Savitri, Putu Diah Setya Yuawana Setya Yuwana Silvia Damayanti Sri Marheni, Komang Sri Martini Subrahmaniam Saitya, Ida Bagus Sugiarta, I Gde Arya Suka Yasa, I Wayan Suroyo Suroyo Suryadi Suryadi Suryadi Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Wayan Nurita