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Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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FROM SUFFERING TO STRENGTH: A NIETZSCHEAN ANALYSIS OF AMOR FATI IN MENTAL HEALTH Lucida Ataya Erly; Rio Pratama Ramadan; Qurrota A’yunin; Vio Tsaniya Dian Faza; Rommel Utungga Pasopati; Anicleta Yuliastuti
Seminar Nasional Hasil Riset dan Pengabdian Vol. 8 (2026): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 8 Tahun 2026
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This paper examines the concept of amor fati through the philosophy of Friedrich Nietzsche and its implications for mental health. Moving beyond passive acceptance, Nietzsche’s formulation demands a radical affirmation of life, including suffering, failure, and uncertainty. The study explores how this perspective reframes psychological distress as a necessary condition for growth and self-overcoming. By rejecting resentment and embracing adversity as meaningful, amor fati offers a framework for cultivating resilience and personal agency. The paper also engages with Nietzsche’s idea of eternal recurrence, highlighting its role in encouraging individuals to evaluate and affirm their lives argumentatively. In conclusion, while acknowledging the challenges of adopting such a demanding outlook, this analysis argues that amor fati provides a powerful philosophical lens for transforming suffering into strength, contributing to contemporary discussions on meaning-making, emotional endurance, and long-term psychological well-being.
THE ROLE OF CHUNKING IN ENHANCING INTERPRETING PERFORMANCE Anggraeni Ramadhani; Dzil Fikris Shamad; Bintang Ryan Ananta; Dimas Rakhmat Sasmita; Agischa Putri Agil; Anggoro Cahyo Wicaksono; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 8 (2026): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 8 Tahun 2026
Publisher : LPPM Universitas PGRI Adi Buana

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This study examines the role of chunking in enhancing interpreting performance through a library-based research approach. Chunking, defined as the cognitive process of grouping linguistic input into meaningful units, has been widely discussed in psycholinguistics and translation studies as a key strategy for managing working memory limitations. By reviewing existing literature on interpreting theory, cognitive processing, and language comprehension, this research highlights how chunking facilitates more efficient information processing during interpreting tasks. The findings suggest that chunking enables interpreters to segment continuous speech into manageable units, thereby improving accuracy, fluency, and retention. It is also allowing them to anticipate meaning and reduce cognitive overload. This paper synthesizes insights from books, journal articles, and previous empirical studies to demonstrate that chunking is not only a fundamental cognitive mechanism but also a trainable skill in interpreter education. In conclusion, the research underscores the importance of incorporating chunking strategies into interpreting training programs to enhance overall performance and comprehension.
UNDERLINING SHADOWING TECHNIQUE TO IMPROVE INTERPRETING PRACTICE Anindya Thalita Salsabila; Raffi Achmad Zaky; Machfianita Mirza Ayu Rosyadi; Farham Nazhib Hamdani; Ananda Syahromi Putra; Alvina Salshabilla Linjani Putri; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 8 (2026): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 8 Tahun 2026
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This study examines the role of shadowing in improving interpreting performance through a library research approach. Shadowing, defined as the immediate repetition of spoken language, is widely recognized as a fundamental training technique in interpreting studies. By reviewing written sources, this research analyzes the theoretical foundations and practical applications of shadowing in interpreter training. The findings indicate that shadowing enhances key interpreting skills, particularly listening accuracy, speech coordination, and processing speed. It allows learners to develop the ability to follow continuous speech while maintaining fluency and proper pronunciation. These skills are essential for ensuring effective and accurate communication in interpreting contexts. Furthermore, shadowing helps interpreters become more familiar with different speech patterns, accents, and intonation, which are essential in real interpreting contexts. Shadowing also serves as a preparatory stage that strengthens cognitive readiness before engaging in more complex interpreting tasks. In conclusion, this study highlights that shadowing is an effective technique that supports the development of interpreting skills and can significantly contribute to improving interpreting service quality when systematically integrated into training programs.
EMPHASIZING EMOTIONAL APPEALS IN PERSUASIVE AUDIO AND VIDEO MATERIALS Azzahra Nazwa Syahirah; Muhammad Ihsan Aryo Prakoso; Astika R. Pratiwi; Emilia Areq; Rommel Utungga Pasopati; Anicleta Yuliastuti
Seminar Nasional Hasil Riset dan Pengabdian Vol. 8 (2026): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 8 Tahun 2026
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This study explores the role of emotional appeals in persuasive audio-visual communication, emphasizing how specific emotional strategies influence audience perception, engagement, and behavioral response. Audio and video media possess a unique capacity to combine visual imagery, sound, and narrative, making them highly effective tools for evoking emotions such as fear, happiness, sadness, hope, love, guilt, pride, anger, nostalgia, and curiosity. Each of these appeals serves a distinct persuasive function: fear creates urgency, happiness builds positive association, sadness and guilt foster empathy and responsibility, while hope and pride inspire motivation and self-affirmation. The paper examines how these emotional triggers are strategically integrated into storytelling, advertising, and public messaging to shape audience attitudes. It also highlights the importance of balance, as excessive or manipulative use of emotional appeals may reduce credibility or lead to audience resistance. By analyzing the psychological mechanisms underlying emotional engagement, this study demonstrates that effective persuasion relies not only on logical argumentation but also on the careful orchestration of emotional experiences. In conclusion, the findings suggest that emotional appeals, when used ethically and thoughtfully, significantly enhance the persuasive power of audio-visual media.
Kronik Nilai Etika Orang Jawa Bagi Pertimbangan Moral Orang Indonesia Rommel Utungga Pasopati; Indri Djanarko; Anicleta Yuliastuti
Inspirasi : Jurnal Pendidikan dan Kebudayaan Vol 2 No 2 (2025): Inspirasi : Jurnal Pendidikan dan Kebudayaan
Publisher : Yayasan Penelitian Dan Pengabdian Masyarakat Sisi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69836/inspirasi-jpk.v2i2.288

Abstract

This article exposes the cruciality of Javanese ethical values regarding Indonesian moral considerations. Javanese people always seek for peace in the concept of slamet through conceptions of jagad ageng and jagad alit in Serat Wulangreh and Serat Tripama. The article would like to ask the question whether traditional values contain philosophical understandings especially in Javanese culture. In analysis through qualitative methods through literature study approach, Javanese culture underlines that others are not objects but knowledge of human beings; to consider oneself is to consider others. There is no distance between knowledge and understanding as both are appraised and lived. Humanity is both for oneself individually and for others socially. In conclusion, Javanese values see people to be respected equally in the universe. The main idea is not power or even money, but necessary individual conditions and good social interactions. By stating so, this paper finds its significance especially in how traditional values, especially Javanese, will always exist as a guidance of moral, philosophical, and everyday understandings of human’s life
The Representations of Socialist Feminism on Lesley Gore’s You Don't Own Me Rommel Utungga Pasopati; Dian Oktavia; Evangelin Rambu Ayu; Raddine Salsabiyla; Devito Andharu
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 6 No. 2 (2023): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v6i2.9236

Abstract

This article exposes analysis of socialist feminism through the song of Lesley Gore entitled You Don't Own Me. Popularized in the 1960s, this song conveys the strength of a woman to fight against any dictation and to reject the wishes of men. This is in line with Clara Zetkin’s socialist feminism in which a woman must always be free from any man’s possession. Zetkin bases her thoughts on socialist concepts that emphasize equality between men and women out of any capital accumulation. By using qualitative methods, in the analysis, Gore uplifts women's dignity by rejecting any domestication and dictation done by men. Women must sound their own voices and stand up for their own rights. In conclusion, women are full of uniqueness that must not be reduced as a toy for men. Women are human beings that are never parts of the capital accumulation of men.
The Significance of Socially Constructed Behaviors to Modern Identities on Em Beihold’s "City of Angels" Cahyaningsih Pujimahanani; Firdausy Alya Hasana; Rizal Rafiuddin; Brillyan Luhur Pakerti; Rommel Utungga Pasopati
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 6 No. 2 (2023): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v6i2.9512

Abstract

This article examines perspectives of modern identities in matters of socially constructed behaviors in the song of Em Beihold entitled City of Angels. People recently are attempting to attain a similar level of status and recognition by imitating these figures in appearances, behaviors, and lifestyles. This idea is also reflected on City of Angels is a song by Em Beihold released in 2020 that tells many people faking themselves by trying to imitate other people's attitude and behavior when she working in Los Angeles. Through qualitative method and explorative approach in cultural studies, this journal analyzes modern people shaping their identities by imitating other people's lifestyle and behavior. It is since people are told to always follow the trends to be more modern. In conclusion, in today’s world there is no more original identity, but constructed by imitating any preferred figure or condition with a certain attitude. Modern identities never stand alone, but are supported by socially constructed behaviors.
Pemberdayaan Spot kepada Arlo dalam film The Good Dinosaur Na’ilah Farashifah; Alvina Salshabilla Linjani Putri; Rommel Utungga Pasopati; Kusuma Wijaya; Hariyono Hariyono
EL2J (English Language and Literature Journal) Vol 4 No 1 (2025): ENGLISH LANGUAGE AND LITERATURE JOURNAL
Publisher : Fakultas Bahasa & Sastra Universitas Wijaya Putra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38156/el2j.v4i1.72

Abstract

This research explores about Spot, a human child living in the midst of dinosaurs, shows the ability to overcome limitations and face different challenges. Spot, a fearless and instinct-driven human boy, serves as a catalyst for Arlo’s transformation from a timid and insecure dinosaur into a confident individual capable of overcoming adversity. The purpose of researching Spot's character in the movie The Good Dinosaur is to understand how Spot's character plays a role in increasing Arlo's courage and potential, and how the friendship between Arlo and Spot can provide empowerment to Arlo. Through a qualitative method, this research analyzes key scenes of the movie using Empowerment Theory by Barbara Salomon, Empowerment Theory is applied to understand how Spot helps Arlo overcome his fears and discover his potential. Using qualitative method, Spot’s character is seen as an example of empowerment because of his role in helping Arlo overcome fears and develop courage. Through their interactions, in conclusion, Spot shows that with help and support, one can overcome challenges and achieve the great potential hidden within themselves, building a strong sense of confidence and friendship and underscoring the significance of mentorship and emotional connection in animated storytelling of children’s films.
Keberanian Tramp dalam Film Lady and the Tramp Yasmine Azzah Adillah Wirnoto; Yoshua Veron Handika Putra Siadari; Rommel Utungga Pasopati; Muhammad Reza Ishadi Fadillah; Devito Andharu
EL2J (English Language and Literature Journal) Vol 5 No 1 (2026): ENGLISH LANGUAGE AND LITERATURE JOURNAL
Publisher : Fakultas Bahasa & Sastra Universitas Wijaya Putra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38156/el2j.v5i1.80

Abstract

The movie Lady and the Tramp is one of the Disney classics that has captured the attention of audiences for decades. The main character, Tramp, is a street dog who is intelligent and has an interesting nature. In this study, the researchers investigates Tramp’s courage and intelligence in his way to face life challenges in the movie. The purpose of this study is to analyze Tramp's nature as a smart street dog and his courage in facing various challenges. This research uses qualitative analysis of the movie Lady and the Tramp and bravery theory. The results show that Tramp has a strong courageous nature. He is always ready to face challenges and protect his friends. With his intelligence, Tramp manages to help Lady to feel free and get involved in various adventures. Tramp’s efforts even also help Lady to leave the limitations of her luxurious life. In conclusion, this movie is not merely entertainment, but full of moral lessons, especially in the character of Tramp who is courageous to face various challenges, becomes a very iconic character, and is loved by the audience.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Achmad Maulana Marharendra Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alvina Salshabilla Linjani Putri Alvina Salshabilla Linjani Putri Alvina Salshabilla Linjani Putri Alyanto, Jihan Nurul Savira Amirul Mustofa Ana Mikhaela Refaya Ananda Firda Pratama Ananda Firda Pratama Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Angelina Merici Wua Reku Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Arditha, Lisma Ayu Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Astika R. Pratiwi Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Azzahra Nazwa Syahirah Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Bintang Ryan Ananta Brillyan Luhur Pakerti Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Dian Oktavia Dimas Eko Saputro Dimas Rakhmat Sasmita Djanarko, Indri Dwi Ainur Riza Dwi Ainur Riza Dwiky Jibril Aulia Baskara Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Emilia Areq Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Farham Nazhib Hamdani Farham Nazhib Hamdani Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gladys Fortuna Idealis Gunawan Tjokro Hadi Saputra Hakim, Novanda Lukwita Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Happy Julia Rahmadianti Happy Julia Rahmadianti Happy Julia Rahmadianti Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Izzaditya Dharmaputra Mikail Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Lisma Ayu Arditha Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Lucida Ataya Erly Luh Putu Ratna Sundari Luke Zefranezra Mulyanto Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Machfianita Mirza Ayu Rosyadi Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle Michelle Mikail, Izzaditya Dharmaputra Moch Ivan Ramadhani Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ihsan Aryo Prakoso Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Nasywa Nuzula Ramadhani Nasywa Nuzula Ramadhani Nasywa Nuzula Ramadhani Naufal Nafis Na’ilah Farashifah Na’ilah Farashifah Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Novanda Lukwita Hakim Novanda Lukwita Hakim Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Nyoman Sarmi Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Pratama, Ananda Firda Pratiwi, Astika R. Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Qurrota A'yunin Qurrota A’yunin Raddine Salsabiyla Raddine Salsabiyla Raffi Achmad Zaky Rafiuddin, Rizal Rahmadianti, Happy Julia Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Nasywa Nuzula Ramadhani, Riska Dewi Ramadhani, Sayla Nur Syahfah Raydzal Wibowo Sabandar Putra Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Rindrah Kartiningsih Rio Pratama Ramadan Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rizal Rafiuddin Rizal Rafiuddin Rizal Rafsanjani Romadhona Resa Ayu Sari Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Sayla Nur Syahfah Ramadhani Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon Siti Maylanie Atina Siti Nur Jazila Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tabi’in, Uais Alqarnie Sayyidut Tasya Aulia Kuni Masrokhati Tobing, Victor Maruli Tua L. Toto Indra Wijaya Uais Alqarnie Sayyidut Tabi’in Vio Tsaniya Dian Faza Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Wiwin Anggraeni Kurniawati Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra Pramatatya Soenarko Zahra, Shellamita Zahwa Amelia Putri Dermawan Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu