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Tantangan dan Peluang Peningkatan Penerbitan Buku Sastra Bali Modern I Nyoman Darma Putra; I Gde Nala Antara
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 9 No. 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2019.v09.i02.p10

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Over the last ten years (2009-2018), the average number of modern Balinese literary books published reached 10.9 titles per year. This data is derived from the number of books nominated for the annual Rancage Literary Award over the last ten years. This research identifies and discusses opportunities and challenges in the development of the publication of modern Balinese literary books nowadays. The research focuses on identifying the supporting factors and challenges of the publication of modern Balinese literary books. Research methods applied in this study were library studies and limited ethnographic research through interviews, especially with stakeholders of modern Balinese literature including writers, readers and book agencies. Data were analyzed by Escarpit’s theory of sociology of literature that proposes the study of literature in the entire environment of literary creation, distribution and consumption. This study concludes that the provincial government of Bali, publishers, literary communities and authors all play an important role in overcoming challenges and taking advantage of opportunities for increasing the publication of modern Balinese literature.
Kebijakan Pendidikan Bermotif Politik: Pengembangan Pendidikan Dasar Melalui Pembagian Laptop Gratis di Kabupaten Badung, Bali Agus Putra Mahendra; I Nyoman Darma Putra; Ida Bagus Gede Pujaastawa
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 1 (2020): BALI DIASPORA
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i01.p15

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This paper analyzes the policy of distributing free laptops by the Badung Regency Government, Bali, to all 5th and 6th grade students at the public elementary school, but not to students at private school, in Badung Regency, Bali, since 2016 to develop basic education in the region. This topic is researched because it is a public policy development of basic education that was first implemented in Bali. The problem studied is how the response of stakeholders in the public elementary and private elementary schools to the policy. Data was obtained based on the results of interviews, document studies, and observations which were then analyzed by Hermeneutics theory and the Power of Knowledge. The analysis produced three conclusions. First, the policy was responded positively by supporters of the interests of public elementary schools. Second, the policy was responded to as a discriminatory policy by private elementary school stakeholders. Third, education policy is political sense for the interests of the authorities.
“The Legend of Balinese Goddesses”: Komodifikasi Seni Pertunjukan Hibrid dalam Pariwisata Bali Gede Suardana; I Nyoman Darma Putra; Nengah Bawa Atmaja
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 8 No. 1 (2018): MODAL BUDAYA PARIWISATA BALI
Publisher : Universitas Udayana

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Abstract

This article examines the commodification of hybrid performing arts in Bali tourism, especially the “Bali Agung - The Legend of Balinese Goddesses” performed regularly at Bali Safari and Marine Park, Gianyar. Data were collected by observation techniques, interviews, and literature review, then discussed with commodity theory and cultural tourism ideology.The study shos that hybridity in this performance is evident from the blended of cultural elements of Bali, China, and Western technology. Hybrid tourism performing arts produced can be communal and institutional in ownership. The hybrid tourism performing art is communal because it is created without copyright so it belongs to the people of Bali, while the hybrid performing arts is institutional because it is created with copyright so that ownership and pro t is only enjoyed by the industry that ‘recreated dan performed’ it. Although di erent, communal and institutional hybrid tourism performing arts have been able to become arts that give new color to the rich variety of Balinese art and culture.
Denpasar heritage track: Revitalisasi paket wisata ‘Denpasar city tour’ I Nyoman Darma Putra; Syamsul Alam Paturusi; Widiastuti .
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

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Abstract

Bali’s capital city of Denpasar has a number of heritage sites, including several buildings, museums and monuments. These sites have yet to be developed optimally as tourist attractions, as evidenced by their small number of annual visitors. This study explores the potential in reutilizing those cultural heritage sites for the development of heritage tourism, and to support the city government’s tour programme. Two interrelated issues discussed here include how the government of Denpasar preserves its cultural heritage, and how it promotes these sites as heritage tourism. Data were collected through observation, interviews, and a literature review employing heritage tourism theory and framing theory. The study presents two packages of heritage tourism tours with a duration of approximately three hours each: the Denpasar Heritage Track (DHT), which starts and finishes at the Bali Hotel, taking in the Puputan Badung Monument, Bali Museum, Jero Kuta Palace, and Maospait Temple; and the Sanur Heritage Track (SHT), which begins and concludes at the Grand Bali Beach Hotel, visiting the Belanjong Heritage, Intaran Market, Bajra Sandhi Monument, and Museum Le Mayeur. The DHTs are expected to increase the number of tourist attractions in Denpasar, contributing to more tourist visits to Bali, especially in its capital city.
Bali: Between Cultural and Marine Tourism I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 4 No. 1 (2014): TEKS SEBAGAI REPRESENTASI SOSIAL BUDAYA
Publisher : Universitas Udayana

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Abstract

This paper discusses the potential of marine tourism in Baliand its contribution toward the development of sustainabletourism. While marine and cultural tourism form twodistinct categories, in Bali there are many cultural activitiesthat take place on beaches, or coastal areas that becomeunique tourist attractions. Therefore, in this paper, I willalso introduce an expanded view of marine tourism thatwould include, for instance, the observation of processionsand rituals on beaches. Exploring the interconnectionsbetween marine and cultural tourism may help us come upwith new strategies for the sustainability of tourism in Balias a whole. In addition to aiming at sharing the experiencesof Bali in managing and promoting its marine tourismpotential, this paper also seeks feedback on better waysto manage marine tourism in order to achieve tourismsustainability for the island.
Localizing the Global and Globalizing the Local: Opportunities and Challenges in Bali Island Tourism Development I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 3 No. 2 (2013): PARIWISATA BALI DAN WARISAN BUDAYA
Publisher : Universitas Udayana

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In September and October 2013, only one week apart,Bali hosted two global events in the upper class markettourism resort Nusa Dua. The first event was the MissWorld beauty pageant, and the other one was the APECSummit. Thousands of journalists from all over the worldcovered these events. From a tourism marketing point ofview, these two prestigious events helped Bali boost itspopularity through global mass media. Historically, sincethe early phase of its development, Bali’s tourism industryhas received many benefits from global forces initiallychanneled out through the Dutch colonial power in the firstdecade of the twentieth century and later through nationaland multinational corporations. The recent enlisting byUNESCO of Bali’s cultural landscape as a world heritagesite (2012) provides yet another great example of how Balicontinues to receive global endorsement by world institutions as a unique tourism destination. This paper discusesopportunities and challenges caused by globalizationand localization phenomena in the management of Bali’stourism island destination. Bali’s experiences provide aninteresting example of how global and local stakeholdersdevelop the island tourism in a sustainable manner whileat the same time continuing to preserve its local arts andculture as one of its main attractions. While there aremany examples how both forces contribute to numerousopportunities toward the development of Bali’s tourism,it is also true to state that impacts of globalization causesvarious forms of distraction for the island’s ability to takefull control of its vast move of development.
Perkembangan Teater di Bali melalui Sosok Dramawan Abu Bakar I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 3 No. 1 (2013): PENULISAN SEJARAH BALI
Publisher : Universitas Udayana

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Abstract

A Western-style of theatre has developed in Bali since the turnof the twentieth century, but it has rarely attracted scholarlyattention. Studies on the performing arts in Bali have mainlyfocused on Balinese (traditional) dance and drama. This shouldcome as no surprise given that Balinese dance and dramahave developed as a broad and inseparable part of Balinesecustom and religious practice. Against this phenomena, thisarticle traces the development of Western-style theatre in Balithrough the artistic activities of the prominent playwright,performer and director, Abu Bakar. From the 1960s until thepresent, Abu Bakar has been an active promoter of Westernstyletheatre in Bali as well as in the main cities of Java andeven in Singapore. He has also has helped students and theatregroups around Bali to study and perform theatre. Initially, AbuBakar established his own theatre group, Poliklinik, which hascontinued to stage performances as well as collaborating withyoung people or student theatre study clubs. His extensiverecord of artistic activity has been recorded in newspaperreports and reviews and these form the main source ofdocumentation in this article. By examining qualitative datacollected from newspaper archives and interviews, includingwith Abu Bakar, this article proposes a contemporary historyof theatre or modern drama in Bali.
Novel ‘Tantri’, Daur Ulang Nilai-nilai untuk Pembentukan Karakter Bangsa I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 2 No. 1 (2012): TANTANGAN TATA RUANG BALI
Publisher : Universitas Udayana

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Politik Identitas dalam Teks Sastrawan Bali I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 1 No. 1 (2011): BALI DALAM MIKRO DAN MAKRO POLITIK
Publisher : Universitas Udayana

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Abstract

This article examines short stories and novels by Balinese writers that depictmeetings, friendships and love affairs between Balinese and Western characters.The works discussed were written either in the national or the Balinese languageand were published between the 1960s and 2000s, coinciding with the developmentof mass tourism in Bali. One distinctive feature of the works is that narrators avoidmixed marriages between Balinese and Westerners despite the love between them.This recurrent theme goes against reality in which mixed marriage is common andaccepted in the Balinese community. During the period in which these works werepublished, the discourse on Balinese cultural identity has been very important andhighly debated in the mass media against the backdrop of the tourism industryand its potential negative impacts. This article argues that Balinese writers useliterary works to articulate their opinion about the importance of Balinese peoplemaintaining their Balineseness or cultural identity. Their works are meaningfulwhen viewed as an expression of Balinese identity politics in facing what isconsidered to be the growing threat of tourism.
Mungkinkah Menganggap Akhir Abad ke-20 Sastra Bali Memasuki Sebuah Era Keemasan? I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 1 No. 2 (2011): BALI DALAM GLOBALISASI DAN GLOKALISASI
Publisher : Universitas Udayana

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Abstract

In the last two decades there have been pessimistic views on the futureof Balinese language and literature. These views hold that the youngBalinese generation is not interested in Balinese literature anymore and isreluctant to speak their mother tongue; hence the argument is that soonthis language and literature will be extinct. Close observation, however,shows that there is much evidence to indicate that toward the end ofthe twentieth century or early twenty first century the life of Balineseliterature has been lively, making it possible to argue that this literaturehas entered a new golden era. This article examines and discusses howvigorous Balinese literature has been by showing the lively literary readingand appreciation activities, the growing number of literary writing andpublication, and the emergence of literary appreciation through electronicmass media, especially ‘kidung interaktif’ programs on radio andtelevision stations. This study also discusses the contribution of Balineseliterature to the process of knowledge production and application ofsocial and critical theories.
Co-Authors A A Gde Sutrisna Wijaya Putra A.A. Anom Kumbara A.A. Ngr. Anom Kumbara A.A. Ngurah Anom Kumbara Ade Prameswari Angelita Agus Putra Mahendra Agus Putra Mahendra Alicia Agustina Ginting Anak Agung Ngurah Anom Kumbara Anak Agung Putu Agung Suryawan Wiranatha Aron Meko Mbete Asmyta Surbakti Astawa, Ida Bagus Gde Puja Bertova Simanihuruk Bestari, Ni Made Prasiwi Desi Dwi Prianti Diana Rosca Apria Eddy Setia Eddy Setia Eva Lailatur Riska Gede Ginaya Gede Pasek Putra Adnyana Yasa Gede Suardana Gede Suardana Hardiman Hardiman Hardiman Hardiman Husen Hendriyana I B Gde Pujaastawa I B Gde Pujaastawa I Gde Nala Antara I Gde Pitana, I Gde I Gede Adi Sudi Anggara I Gede Girinatha Surya I Gede Mudana I Gst. Bagus Suka Arjawa I Gusti Agung Dyah Maheswari I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Oka Suryawardani I Gusti Putu Bagus Suka Arjawa I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sudewa I Komang Gde Bendesa I Made Agus Asta Panca I Made Antara I Made Marthana Yusa I Made Suyasa I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Larry Julianto I Nyoman Suarka I Nyoman Sudiarta I Nyoman sukiada I Nyoman Sunarta I Nyoman Wahyu Angga Budi Santosa I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Wayan Ardika I Wayan Artika I Wayan Nuriarta I Wayan P. Windia I Wayan Pantiyasa I WAYAN PASTIKA I Wayan Resen I Wayan Restu Suarmana I Wayan Suardana I Wayan Suardana I Wayan Suardiana I Wayan Suyadnya I Wayan Tagel Eddy I.A. Etsa Pracintya Ida Ayu Etsa Pracintya Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Ayu Trisna Adiwulandari Ida Ayu Trisna Adiwulandari Ida Ayu Trisna Ida Bagus Gde Pujaastawa Ida Bagus Gde Pujaastawa Ida Bagus Gede Pujaastawa Ida Bagus Jelantik Sutanegara Pidada Ida Bagus Rai Putra Indra Bhaskara, Gde Iola Astried Karisma Isvari Ayu Pitanatri Juliana, I Wayan Kanto, Sanggar Ketut Antara Komang Adi Sastra Wijaya Kristiana, Nina Indra Kumbara, Ngr. Anom Luh Putu Puspawati Made Antara Made Heny Urmila Dewi Made Hery Santosa Mananda, I Gusti Putu Bagus Sasrawan Margaretta Andini Nugroho Maria Matildis Banda Michael Hitchcock Mozes, Getruida Nita Nanang Sutrisno Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmaja Nengah Bawa Atmaja Ngakan Putu Darma Yasa Ni Kadek Dea Adelia Putri Ni Ketut Ratna Erawati Ni Luh Arjani Ni Luh Gede Eni Laksmi Ni Luh Kade Yuliani Giri Ni Luh Putu Aryasi Antari Ni Luh Ramaswati Purnawan Ni Made Ari Yanti Putri Negara Ni Made Eka Mahadewi Ni Made Ras Amanda Gelgel Ni Made Sri Purnami Ni Made Wiasti Ni Nyoman Arini Ni Putu Evi Wijayanti Ni Putu Ratna Sari Ni Putu Rika Sukmadewi Nonny Aji Sunaryo Nyoman Kutha Ratna Pande Putu Abdi Jaya Prawira Pidada, Ida Bagus Jelantik Sutanegara Prameswari, Ni Putu Laksmi Mutiara Prayoga, I Putu Satria Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Putu Ayu Mira Maharani Putu Gede Sridana Putu Sucita Yanthy Putu Sucita Yathy Putu Titah Kawitri Resen Rahmat Sewa Suraya Ramanda Dimas Surya Dinata Renata Lusilaora Siringo Ringo Rimalinda Lukitasari Rinestu, Tyas Rosvita Flaviana Osin Rustiani, Komang Wahyu Sanjaya, I Wayan Kiki Saortua Marbun Saroha Manulang Sri Jumadiah Sudiksa, I Nyoman Sukariyanto, I Gede Made Surbakti, Asmyta Sutanegara Pidada Ida Bagus Jelantik Sutarwiyasa, I Ketut Syairal Fahmy Dalimunthe Syamsul Alam Paturusi Tjok Istri Priti Mahendradevi Tyas Rinestu Vanesia Amelia Sebayang Westerlaken, Rodney Widiastuti . Widiastuti . Yan Yan Sunarya Yan Yan Sunarya Yogi, Ida Bagus Putu Prajna Yohanes Kristianto Yohanis Umbu Roru Yongki Darmawan Yosep Kupertino Ilang Yovanca Koondoko Yuliani Giri, Ni Luh Kade Yuniarto Putri, Aghnia