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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis JOIV : International Journal on Informatics Visualization Al Ishlah Jurnal Pendidikan MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia AL-ATHFAL : JURNAL PENDIDIKAN ANAK Journal of Education Technology Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal JIAA: Journal of Islamic Art and Architecture Varia Humanika MUMTAZ: Jurnal Pendidikan Agama Islam
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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The Oral Literaty of Rejung Rasan-Dirasan in Musi Rawas Regency: Form Analysis of Garap Halilintar, Mark Dhaksa; Ibnan Syarif, Muh.; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.53536

Abstract

This study aims to describe the form of garap on music accompaniment of Rejung Rasan-Dirasan in Musi Rawas Regency. This study used the descriptive qualitative method. The data collection used: (1) recording technique, both audio and audiovisual; (2) notes; (3) in-depth interviews with some informants; (4) literature study and documentation analysis. The primary data source analyzed was Cikwan as the speaker and some of the public figures in Musi Rawas Regency, South Sumatra. The study results show that the garap form of oral-literary is different from the music structure of Javanese gamelan tradition in general. It submits to the techniques of Rejung Rasan-Dirasan in Musi Rawas Regency. ------- This study aims to describe the form of working on the musical accompaniment of Rejung Rasan-Drasan in Musi Rawas Regency. This study used descriptive qualitative method. Data collection techniques in this study used: (1) recording techniques, both audio and audiovisual, (2) recording, (3) in-depth interviews, (4) literature study and documentation analysis. The main data sources analyzed were Cikwan as a speaker and several community leaders in Musi Rawas Regency, South Sumatra. The results of this study indicate that the form of working on the oral literary art of Rejung Rasan-Dirasan is out of the structure of the rules of Javanese gamelan music which is certainly different from the structure of Javanese music in general but is subject to the technique in the musical Rejung Rasan-Drasan in Musi Rawas Regency.
The Value of Character Education in Tembang Dolanan Jawa and Its Implementation in The Cultural Art Learning Process Lathifasari, Meisera Fika; Widodo, Widodo; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.53923

Abstract

One of the arts that is very full of Islamic nuance with the Kikim Tribe is the art of “Arakan” or "Ngarak" (parade) or better known as the Kikim bridal parade. The problem raised in this study aims to analyze the music of the Kikim bridal parade as a cultural expression of the Kikim Tribe in Lahat Regency. This research used a qualitative method with a case study research design. Data collection techniques involved observation, interviews and document studies. The results showed that the Arakan which was staged in Kikim District, Padang Bindu Village, was a form of cultural expression for the Kikim community living in Lahat Regency. The performance is often staged for accompanying the bride and groom from Kikim Tribe In the organological framework, Ngarak or Arakan music consists of compositions of poetry (vocals), tambourines (rhythm), tambourines/terbangan genjring (rhythm), and gongs (rhythm). Meanwhile, if they are classified based on the characteristics of instruments used, they fall into the category of percussion instruments. The songs in Arakan use sholawat and berzanji lyrics (prays and praises for Prophet Muhammad SAW) and they are performed by dancers (as well as vocals). Therefore, the role of vocals in Arakan is to play the melody of the song sung by the dancers to clarify the meaning of the song through poetry in addition to providing an element of aesthetic variation.
IBM KKG SD GUGUS DIPAYUDA BANJARNEGARA Wadiyo, Wadiyo; Haryono, Slamet
Rekayasa : Jurnal Penerapan Teknologi dan Pembelajaran Vol 16, No 2 (2018): Desember 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/rekayasa.v16i2.17505

Abstract

KKG SD gugus Dipayuda merupakan salah gugus yang ada di Banjarnegara. KKG SD untuk setiap gugus di Kabupaten Banjarnegara semuanya aktif menjalankan tugas kegugusannya, termasuk gugus Dipayuda. Banyak hal yang dilakukakan dalam upaya meningkatkan keprofesionalan guru itu termasuk keinginan untuk dapat menciptakan lagu-lagu yang bertema pendidikan. Permasalahan yang muncul dalam pengabdian ini adalah “bagaimana para guru gugus Dipayuda dapat membuahkan karya cipta lagu yang sesuai dengan tema pembelajaran?”. Metode kegiatan pada pengabdian kepada masyarakat dijalankan dengan cara pelatihan pembuatan lagu secara klasikal. Hasil pengabdian kepada masyarakat menujukkan, keantosiasan para peserta pengabdian sebagai insan gugus Diayuda untuk dapat mencipta lagu sesuai tema pembelajaran  sangat tinggi terlihat dari usaha-usaha mereka dalam proses pelatihan. Sekalipun demikian para peserta masih perlu belajar keras agar karya ciptanya dapat mudah diterima oleh para murid dengan sekali dinyanyikan merangsang siswa untuk menirukan.
Creativity and Aesthetics of Keychain Carving At The Jati Nugroho Business Unit in Tahunan Village Jepara rohman, fadlur; Cahyono, Agus; Wadiyo, Wadiyo
Catharsis Vol 10 No 3 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i3.55840

Abstract

Keychain carving is a form of carving that is produced by the young generation at the Jati Nugroho Business Unit in Tahunan Village, Jepara. This study aims to provide an overview of the aesthetic and creative form of keychain crafts. The research was conducted using qualitative analysis research methods with the research location in the Jati Nugroho Business Unit, Tahunan Village, Jepara. The instruments and data collection techniques used observation, interviews and document studies. The data validity technique used data triangulation techniques. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, presenting and verifying data.The aesthetic form produced in the keychain craft is expected to instill values in the daily life of community. The value given is also an added value for the young generation because it has been given earlier by the family (parents) and the environment surrounds them. The value instilled in the young generation is a good effort because it makes craftsmen have knowledge, especially through the keychain carving.The data were analyzed using aesthetic form and creativity theory. The results show the following things. First, the keychain carving has a variety of shapes and aesthetic form. Second, the craftsmen have creativity in developing the latest design ideas.
Pengembangan Materi Ajar Seni Budaya Sub Materi Musik pada Sekolah Umum Jenjang Pendidikan Dasar Wadiyo Wadiyo; Udi Utomo
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 17, No 2 (2016): Agustus 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (222.732 KB) | DOI: 10.24821/resital.v17i2.2221

Abstract

Pendidikan Dasar di Indonesia memberikan mata pelajaran seni budaya yang di dalamnya tercakup materi  musik. Pendidikan Dasar tingkat Sekolah Dasar pada kurikulum 2013 edisi revisi 2016 pembelajarannya diubah dalam bentuk pembelajaran tematik namun demikian  musik tetap digunakan sebagai alat pendidikan. Untuk tingkatan Sekolah Menengah Pertama tetap menggunakan nama mata pelajaran seni budaya yang di dalamnya tercakup materi musik.Tujuan penelitian ini adalah untuk mengetahui bagaimana kebutuhan dan pengembangan materi ajar seni budaya sub materi musik untuk Pendidikan Dasar SD dan SMP.  Metode penelitian yang diterapkan adalah research development.  Lokasi penelitian, Kota dan Kabupaten Semarang. Teknik pengumpulan data dilakukan melalui observasi, wawancara, dan studi dokumentasi. Teknik keabsahan data menggunakan treangulasi data. Teknik analisis data menggunakan alur analisis interaktif. Hasil penelitian menunjukkan, materi ajar seni budaya sub materi musik dalam praktik pembelajarannya dikembangkan oleh setiap guru. Secara menonjol para guru Sekolah Dasar selalu mengganti lirik lagu yang sudah ada diganti dengan lirik materi pelajaran untuk memasukkan pesan pendidikan yang diinginkan oleh guru. Untuk Sekolah Menengah Pertama membutuhkan media-media tentang musik lokal dan atau daerah serta media-media yang berhubungan dengan musik diatonis, baik untuk teknik vokal atau permainan instrumen. 
Uji Coba Produk Lagu Anak-Anak Bertema Pendidikan Wadiyo Wadiyo; Slamet Haryono
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 17, No 3 (2016): Desember, 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (616.146 KB) | DOI: 10.24821/resital.v17i3.2226

Abstract

Media ajar berupa nyanyian atau lagu dipandang sangat penting untuk membantu pencapaian tujuan pendidikan yang dilakukan dalam suatu proses belajar mengajar baik formal maupun nonformal. Salah satu media ajar yang dapat digunakan untuk membantu anak-anak prasekolah dalam memahami pesan pendidikan adalah lagu anak-anak. Tujuan pokok penelitian ini adalah menguji penciptaan lagu anak-anak  dikaitkan dengan daya gunanya  untuk menyampaikan pesan pendidikan. Metode yang digunakan dalam penelitian ini adalah metode terapan. Subjek penelitian adalah para guru prasekolah. Langkah uji dilakukan dengan mengambil cara yang paling sederhana, yakni pertama, memperdengarkan lagu. Kedua, menirukan lagu yang diperdengarkan dan disampaikan pesan lagu dalam bentuk nyanyian. Hasil penelitian menunjukkan bahwa para guru tampak tertarik dengan lagu yang diperdengarkan. Selain itu, guru dapat dengan mudah menirukan lagu yang diperdengarkan dan menangkap isi atau pesan lagu. Learning material in a form of songs is considered essential to support educational purposes of a certain teaching and learning process in formal, non-formal, and informal educations. Children song is one of several types of learning material which is used to help students in understanding educational messages. The main aim of this study is to deeply examine the creation of children song and to confirm whether the children song creation has been in line with its usability− which is to deliver educational messages to children. Method implemented in this research was developmental research, while the research subjects were preschool teachers. Stages in trying out the songs to the research subjects comprised three steps. First, subjects listened to the songs. Second, subjects imitated the songs and captured the meaning behind it. Third, subjects understood and analyzed the songs. Results showed that the teachers, first, were interested to the songs. Second, teachers found no difficulties in imitating the songs. Lastly, teachers were able to easily understand the message delivered through the songs.
Evaluasi Pelatihan Sangkakala di Gereja Higher Than Ever sebagai Media Pendidikan Seni Septian Cipto Nugroho; Wadiyo Wadiyo; Agus Cahyono; Wahyu Lestari
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 4 No 1 (2021): Volume 4 Nomor 1 Tahun 2021
Publisher : Sekolah Tinggi Theologia Abdiel

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Perkembangan musik ibadah di Gereja yang begitu dinamis, terus bergerak, dan menciptakan hal-hal baru menjadikan musik ibadah di Gereja perlu mendapat perhatian. Evaluasi terhadap musik ibadah di Gereja menjadi penting untuk membentuk musik ibadah di Gereja semakin baik. Demikian juga pentingnya evaluasi terhadap pelatihan sangkakala di Gereja Higher Than Ever yang dilaksanakan seminggu sekali, supaya pelatihan sangkakala di Gereja Higher Than Ever terlaksana dengan maksimal dan memperoleh hasil yang maksimal. Teori utama yang digunakan untuk membedah masalah yaitu teori evaluasi. Metode yang digunakan dalam penelitian ini yaitu metode kualitatif. Hasil penelitian menunjukkan adanya materi yang masih kurang diajarkan dalam pelatihan sangkakala di Gereja Higher Than Ever yaitu materi pernafasan. Begitu pentingnya materi pernafasan dalam instrumen tiup yaitu untuk tetap menjaga kesehatan. Saran yang diberikan peneliti yaitu dengan memberikan materi pernafasan diafragma sebagai pernafasan yang tepat untuk meniup sangkakala. Sehingga akan membantu pemain sangkakala untuk menghasilkan tiupan yang baik, dan menjaga kesehatan peniup sangkakala agar tidak terkena penyakit hernia atau turun berok.
The Symbolic Interaction in Trumpets Playing During Worship Ceremony at Higher Than Ever Church Agus Cahyono; Septian Cipto Nugroho; Wadiyo Wadiyo
Mudra Jurnal Seni Budaya Vol 38 No 3 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i3.2334

Abstract

The trumpet is an ancient instrument made of a sheep’s horn that is found in the Bible. In worship at the Higher Than Ever Church, the trumpet instrument is combined with modern musical instruments. Dealing with the background, the main focus of this study is related to symbolic interaction in the playing of Trumpet. The qualitative method using a research approach to the sociology of art approach was used in this research. The data obtained through observation, interviews, and documentation. Checking the validity of the data used source triangulation and data analysis used the contextualization of the synthesis model. The finding indicated that the symbolic interaction of playing the Trumpet started with Bible study activities, then it was conveyed to the congregation through the activity of Family Altar and other congregational activities, then after that the Trumpet instrument was played in the main worship ceremony. The conclusion has showed that symbolic interaction occurs between the Pastoral team and God through Bible study. Further, it is also between the Pastoral team and the leaders of the Family Altar, between the head of the Family Altar and church members, between the Trumpet players. Congregation and God when the worship ceremony is taking place.
System of Inheritance as a Preservation Effort of Kuriding In South Kalimantan Muhammad Najamudin; Wadiyo Wadiyo; Syahrul Syah Sinaga
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p68-80

Abstract

This research generally aims to look at the inheritance system as an effort to preserve kuriding music in South Kalimantan. The method used is a qualitative method with an ethnomusicological approach, namely kuriding instrument craftsmen, academics, and the community in South Kalimantan. The main data collection tool in this study is the researcher himself as the key instrument. Based on the results of research on inheritance systems (1) History, (2) Concept of Inheritance, (3) Performance Presentation, (4) How to Play, and (5) Conservative Ideological Values. The research is expected to provide knowledge about South Kalimantan kuriding music to the community as the owner of the art.
Presentation Form of Candei Music Group in Sendari Song in Muara Enim Indah Rizky Heryana; Wadiyo Wadiyo; Udi Utomo
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.72015

Abstract

This research aims to analyze the changes in the performance of Rejung Music and interpret the changes in the sociology of Rejung Music. This research uses qualitative research methods with an interdisciplinary approach, namely ethnomusicology and sociology. The research design used is a case study with a research focus on the form of performance, sociocultural changes in Rejung Music. The data in this study are primary and secondary data obtained from observations, interviews and document studies. Data validation is carried out by triangualation techniques, data sources and theories. Data analysis techniques include; data collection, data reduction, data presentation and data verification. The results of this study show that the art of Rejung Music has experienced changes in socio-cultural behavior both in presentation including the form of presentation of Rejung Music has changed from the time of its creation until now. The form of presentation of Rejung Music that has undergone changes includes the following components, 1) Rejung music is no longer just sung in the yard or in love, rejung music has evolved into contemporary music with traditional wraps that are often held at major events. 2) Rejung music used to only use a single guitar and now uses modern music ensembles 3) The musical instruments used are not only single Guitars, but are already diverse. 4) not having to use traditional costumes (shirt of Kurung).
Co-Authors A Sayuti, Suminto A, Heryanto A. Heryanto Abdul Rachman Adi, Brian Trinanda Kusuma Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Andri Pranolo Apriadi, Sugeng Arbi, Bahtiar Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Dhani Windra Guspa Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Girindra Putri Dewi Saraswati, Girindra Putri Dewi Girmaw Ashebir Sinshaw Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hasanah, Noviatun Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kamis, Arasinah Kusrina Widjayantie Kwidura, Nugroho Laila Fitriah Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M Okta Dwi Sastra FM Marijo M. Jazuli M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Kunta Biddinika Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nugroho Notosutanto Arhon Dhony Nur Rokhmat Nur Sahid Nur Sahid Nur Sahid Nuswantara, Deu Aditama Opwora, Meshack Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut Puspita, Sovie Kresnadayanti putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rokhmah, Na'ilir Rosyidi, Mohamad Ikhwan Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Sayuti, Muhammad Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sularso Sularso, Sularso Sumaryanto. F, Totok Suminto A. Sayuti Suminto A. Sayuti Sunarto Sunarto Susanto, Harry Agus Suwardi Endraswara Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi