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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis JOIV : International Journal on Informatics Visualization Al Ishlah Jurnal Pendidikan MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia AL-ATHFAL : JURNAL PENDIDIKAN ANAK Journal of Education Technology Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal JIAA: Journal of Islamic Art and Architecture Varia Humanika MUMTAZ: Jurnal Pendidikan Agama Islam
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Makna Kungkurung dalam Tradisi Manugal Masyarakat Dayak Meratus Kecamatan Piani Kabupaten Tapin Muhammad Najamudin; Wadiyo Wadiyo; Syahrul Syah Sinaga; Suharto Suharto
Prosiding Seminar Nasional Pascasarjana Vol. 6 No. 1 (2023)
Publisher : Pascasarjana Universitas Negeri Semarang

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Penelitian ini bertujuan untuk menganalisis kegiatan manugal terekspresikan musik kungkurung oleh masyarakat Dayak Meratus Desa Piani Kabupaten Tapin. Berladang ditanah bukit merupakan kegiatan bercocok tanam masyarakat Dayak Meratus sebagai mata pencaharian dilakukan sampai sekarang. Kegiatan manugal dalam bahasa masyarakat setempat menamam padi dibukit atau lereng gunung.. Metode penelitian adalah Kualitatif pendekatan interdisiplin, ingin mengetahui konsep yang subjek dibangun dengan fenomena atau peristiwa tertentu. Masyarakat Dayak Meratus Desa Pipitak Jaya adalah masyarakat yang harmonis dengan alam, karena alam telah memberikan penghidupan bagi mereka. Ada beberapa ritual yang mereka lakukan: mangirau memberikan sesajen kepada roh-roh hutan menunggu leluhur, tumbuh, meminta izin kepada arwah leluhur untuk membuka lahan. Upaya yang dilakukan untuk melestarikan alam dengan kearifan lokal manugal dengan mengajarkan generasi penerus, memanfaatkan lahan hutan dengan baik. Kehadiran kungkurung menyiratkan suatu hal sehingga ia konsisten digunakan masyarakat Dayak Meratus sebagai media tradisi Manugal setiap tahunnya. Kehadiran kungkurung memiliki makna simbolik dalam kegiatan manugal dapat dilihat dari; tradisi sebelum menanam padi (ritual) dan unsur bunyi (harmonis).
Tantangan dan Kesulitan dalam Mengintegrasikan Pendekatan Sosiologi Pendidikan Musik di Indonesia Sularso Sularso; Wadiyo Wadiyo; Agus Cahyono; Suharto Suharto
Prosiding Seminar Nasional Pascasarjana Vol. 6 No. 1 (2023)
Publisher : Pascasarjana Universitas Negeri Semarang

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Pendidikan musik memiliki peran penting dalam pembentukan karakter dan perkembangan kreativitas siswa. Di Indonesia pendekatan sosiologi pendidikan musik jarang digunakan untuk menjelaskan fenomena empiris praktik pembelajaran musik. Hal ini menjadi tantangan sekaligus kesulitan tersendiri karena di Indonesia belum banyak dijumpai penelitian-penelitian yang secara spesifik mengungkap persoalan tersebut. Oleh karena itu, penelitian ini bertujuan untuk mengetahui seperti apa tantangan dan kesulitan dalam menginegrasikan pendekatan sosiologi pendidikan musik. Jenis penelitian ini konseptual paper, sehingga data-data yang digunakan adalah data-data kepustakaan. Penelusuran kepustakaan dilakukan dengan menggunakan kata kunci, pendidikan musik, dan sosiologi musik. Hasil penelusuran tersebut kemudian disaring dengan menentukan konsep kunci sosiologi pendidikan musik. Hasilnya kemudian dianalisis mendasarkan pada konsep-konsep penting tersebut. Hasil penelitian ini menunjukkan bahwa perkembangan sosiologi pendidikan musik di Indonesia sangat dinamis dan terus berkembang seiring dengan perkembangan masyarakat dan teknologi. Peningkatan kesadaran masyarakat tentang pentingnya pendidikan musik dan kontribusi sosiologi pendidikan musik dalam mengatasi masalah pendidikan musik di Indonesia diharapkan dapat terus meningkatkan pengembangan bidang ini di masa depan.
The Existence of Melayu Riau Gambus Amid the Millennial Generation in Pekanbaru City Laila Fitriah; Muhammad Jazuli; Wadiyo Wadiyo; Eko Sugiarto
International Conference on Science, Education, and Technology Vol. 8 (2022)
Publisher : Universitas Negeri Semarang

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Looking at the current phenomenon, the influence of foreign culture in millennial period is increasing significantly. In this era, entertainment exposure from social media is rising rapidly which creates direct and indirect marginalized effect on traditional art. Melayu Riau Gambus is one of Melayu society traditional arts characteristic which its development is quite exist among any other traditional arts in Pekanbaru city. This condition is due to the active young generation who constantly creates innovation to gambus art. this research aims to discuss how is the existence of gambus art and what are the innovations done by gambus artist in order to keep its existence and interest of millennial generation. This research used qualitative method, the data are collected by observation, in-depth interview with gambus artist and its aesthete, and documentation that become the supporting data to this writing. Descriptive qualitative analysis is used by the application of social change and art communication theory. The result of this research shows that the innovation of gambus melayu has increasing through its musician regeneration, function development, the changing of show rapporteur, the utilization of digital technology that appeals the millennial generation to strengthen, study and promote melayu riau gambus in international level.
Inheritance of Local Cultural Values through Balahak Performances: A Case Study of Music in a Bridal Procession Performance in Siulak Mukai Alrizka Hairi Dilfa; Agus Cahyono; Wadiyo Wadiyo; Udi Utomo
International Conference on Science, Education, and Technology Vol. 8 (2022)
Publisher : Universitas Negeri Semarang

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The purpose of this study is to analyze Local Cultural Values ​​in Balahak Performances and how the form of inheritance of Local Cultural Values ​​through Balahak performances in Siulak Mukai. This research is qualitative with data collected through document study, observation, in-depth interviews, and FGD. Then the stages of data analysis through: data reduction, data display, drawing conclusions, for the validity of the data using triangulation techniques and discussions with colleagues. The findings of the study indicate that the Balahak Performance (Bride Procession) is an art performance that contains local cultural values, which then the process of the Balahak performance becomes a means of socializing and internalizing local culture which can be said to be cultural inheritance. There is a synergy between organisms and the environment in forming a Balahak show so that it can be said subtantively that Balahak is an Environmental-Based Performance. Therefore, the cultural values of ecological wisdom are inherited through elements in the Balahak Performance including Music, Song Verses, Pantun, Costum, Arena, Participants, Audience.
Senyawa Music Exploration In The “Membaladakan Keselamatan” Album Dadang Dwi Septiyan; Wadiyo Wadiyo; Slamet Haryono; Yudi Sukmayadi
International Conference on Science, Education, and Technology Vol. 8 (2022)
Publisher : Universitas Negeri Semarang

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Abstract

Abstrak. Senyawa is a place for sound experimentation by two of its personnel, namely Rully Shabara and Wukir Suryadi. Senyawa fans always look forward to exploration, both in every show and in every album. This study aims to identify, analyze, and describe the musical exploration carried out by Senyawa in the Membaladakan Keselamatan album. The research method used is a qualitative method. The focus in this research is the description of the exploration practices carried out by the two Senyawa personnel in the Membaladakan Keselamatan Album. Based on the results of the study, it was obtained data that in the making of the Membaladakan Keselamatan Album a plan was not carried out, but only the result of practice behavior that occurred organically. However, even though Senyawa is an experimental musical group, for Senyawa, practice is the most important thing in a creative process. Especially in the Membaladakan Keselamatan Album, this album is a very experimental album for Senyawa, because making normal songs as usual for Senyawa is something out of the ordinary. Especially in the Membaladakan Keselamatan Album, Senyawa is challenged in the genre that is presented, namely Ballads. The vocal and acoustic guitar explorations in the Membaladakan Keselamatan Album seem simple but the purpose of this album is to reinforce the public's definition of Senyawa, especially to appreciators who often define the strangeness of Senyawa exploration as well as with the use of obscure lyrics. The implication of this research is to provide information about the importance of independence in working in order to become a more complete entity.
Festival Lima Gunung Magelang Performances in the Covid-19 Pandemic Era Bahtiar Arbi; Muhammad Jazuli; Wadiyo Wadiyo; Agus Cahyono
International Conference on Science, Education, and Technology Vol. 7 (2021)
Publisher : Universitas Negeri Semarang

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Lima Gunung Community is a forum for traditional artists in the five mountains of Magelang, Central Java, Indonesia. The five mountains are Mount Merapi, Merbabu, Andong, Sumbing, and Menoreh. Sutanto Mendut founded the Lima Gunung Community to preserve traditional arts, especially those in the Lima Gunung area. Almost all of the arts in the villages are an integral part of the implementation of local rituals. Traditional arts that are ritualistic are preserved in their original form, while other arts that are entertainment are modified in such a way as to be contemporary. This contemporary art tradition is expected to exist and not become extinct like other traditional arts that do not adapt to the present. Lima Gunung Festival is a place for artistic expression for village artists and suggests contemporary traditional arts. Lima Gunung Festival 2020 and 2021 will be held online due to the COVID-19 pandemic. Lima Gunung Festival is broadcast through the youtube channel where the event is held suddenly to avoid crowds. The research method used is qualitative with an interdisciplinary approach using ethnomusicology, sociology, education, and philosophy. The results of this study are expected to provide local wisdom values, educational values, and cultural values ​​during the COVID-19 pandemic situation in Indonesia.
The Phenomenon of Dolanan Song in the Life of Modern Javanese ChildrenRunning head: Dolanan Song for Modern Javanese Children Wadiyo Wadiyo; Slamet Haryono; Joko Wiyoso
International Conference on Science, Education, and Technology Vol. 7 (2021)
Publisher : Universitas Negeri Semarang

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The development of community civilization seems to have an effect on the artistic life of the community. A phenomenon that can clearly be seen is the emergence of an artistic life that continues to develop from time to time, including children's songs that were used as a play song. The purpose of this study is to provide a concrete picture of the existence of the dolanan song for children who lived in the world of Javanese environment nowadays. The research method applied is descriptive qualitative. The research location was in Central Java, especially Surakarta, Banyumas, and the northern coast of Java. Data collection techniques were taken by using interview techniques, document studies and observation. The analytical technique applied is descriptive qualitative analysis using source data triangulation. The results of the study indicated that the phenomenon of the existence of Tembang Dolanan for children prominently developed in the form of children's songs in general as a form of individual expression that is not used as a means of playing with peers. Children are more familiar with popular Javanese songs which are widely used as a means of art by adults in various forms which are widely spread through various media. Likewise, what is used in any form that develops in the family, school, and community. Children's songs in Javanese language namely tembang dolanan in particular do not develop as Javanese songs which are consumed by adults.
Magic Ritual Saluang Dendang Sarisompak in Nagari Taeh Baruah Delvia Mona; Wadiyo Wadiyo; Suharto Suharto; Ardipal Ardipal
International Conference on Science, Education, and Technology Vol. 9 (2023)
Publisher : Universitas Negeri Semarang

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Saluang dendang Sirompak lives and develops in the Taeh community, Fifty Cities District, which is considered a musical art that is a magical ritual. If we reflect on Islamic teachings, this Sirompak has greatly deviated from Islamic teachings, but until now there are still people who defend it, and conversely there are quite a lot of people who oppose the Sirompak tradition. Saluang dendang Sirompak has several musical elements such as rhythm, poetry, melody, and scales. Saluang Sirompak has a loose rhythm and very rarely puts pressure on the rhythm, while the lyrics contain spells to function to cast spells on the target person who will be assisted by spirits, and the resulting melodies are accompaniment to chants or spells sung by the performer, ladder the tone used is a minor scale that seems mystical, this is what causes Saluang Sirompak to seem mystical and many people are afraid to hear this Saluang Sirompak melody. The beauty of Sirompak's melodies with a magical background has always been positioned as a sound aesthetic that is still considered taboo to be developed beyond the mystical function it carried in the past. Currently sirompak has begun to be developed as an art form with the format of folk performing arts.
Lombok Cultural Values in Amaq Abir Traditional Theatre M. Okta Dwi Sastra F.M. Marijo; Wadiyo Wadiyo; Agus Cahyono; Suwardi Endraswara
International Conference on Science, Education, and Technology Vol. 9 (2023)
Publisher : Universitas Negeri Semarang

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Traditional theater is part of a culture that is deeply rooted and needs to be preserved. As a manifestation of culture, traditional theatrical arts certainly have characteristics that reflect the traditions, customs, and norms of the local community. Theater is an effective medium for providing information, teaching, educational facilities, and an understanding of the values that are believed by the community. The Amaq Abir Theater, which is a traditional theater for the Sasak tribe, certainly has cultural values that contain the life norms of the supporting community. Therefore, exploring the cultural values contained in the Amaq Abir traditional theater needs to be investigated. The benefits obtained will be in the form of community understanding of the personal value of the Sasak tribe in living their social life, which is built from several Amaq Abir theatrical sign systems, as well as efforts to preserve this traditional theater. This study uses a qualitative-descriptive approach using the semiotic analysis method of Tedeusz Kowzan theater. Data analysis in this study includes data reduction, data presentation, and drawing conclusions. The result of this study is the discovery of cultural values related to the personality of the Sasak people, including Tindih, Maliq, and Merang values, from the results of semiotic analysis based on the Tedeuz Kowzan sign system.
The Pattern of Inheriting Expertise in the Aligo Nasheed Group Muh. Kurniawan Adi Kusuma Wiharja; Wadiyo Wadiyo; Yudi Sukmayadi; Slamet Haryono
International Conference on Science, Education, and Technology Vol. 9 (2023)
Publisher : Universitas Negeri Semarang

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Nasheed music is a type of music that is rich in Islamic values conveyed through its lyrics. One of the nasheed groups in Makassar City is the Aligo nasheed group. This group has been active for approximately 16 years and is influential in Makassar City. This research aims to gain an understanding of the cultural inheritance process within the Aligo nasheed group, using the Cavalli Sforza and Feldman cultural inheritance framework and qualitative methods. The research findings indicate that there is a cultural inheritance process in the learning activities conducted by the Aligo nasheed group. This inheritance process occurs horizontally among group members during weekly practice sessions. The exchange of information and nasheed knowledge takes place during these group practice sessions.
Co-Authors A Sayuti, Suminto A, Heryanto A. Heryanto Abdul Rachman Adi, Brian Trinanda Kusuma Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Andri Pranolo Apriadi, Sugeng Arbi, Bahtiar Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Dhani Windra Guspa Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Girindra Putri Dewi Saraswati, Girindra Putri Dewi Girmaw Ashebir Sinshaw Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hasanah, Noviatun Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kamis, Arasinah Kusrina Widjayantie Kwidura, Nugroho Laila Fitriah Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M Okta Dwi Sastra FM Marijo M. Jazuli M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Kunta Biddinika Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nugroho Notosutanto Arhon Dhony Nur Rokhmat Nur Sahid Nur Sahid Nur Sahid Nuswantara, Deu Aditama Opwora, Meshack Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut Puspita, Sovie Kresnadayanti putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rokhmah, Na'ilir Rosyidi, Mohamad Ikhwan Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Sayuti, Muhammad Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sularso Sularso, Sularso Sumaryanto. F, Totok Suminto A. Sayuti Suminto A. Sayuti Sunarto Sunarto Susanto, Harry Agus Suwardi Endraswara Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi