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Sunarmi Sunarmi
Semarang State University
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Journal : Journal of Social Research

 1 
Nusantara Aesthetics: The Beauty of Traditional Javanese Houses as A Foundation For Social Harmony and Respect Sunarmi, Sunarmi
Journal of Social Research Vol. 4 No. 4 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i4.2504

Abstract

This study seeks to find the concept of Nusantara Aesthetics in Javanese traditional houses, its correlation with the value of the Javanese people. The research is positioned in a critical thinking system, using the semiotic critical theory of visual communication. The location of the research is in Java. The study uses qualitative methods and interpretive analysis techniques that use a qualitative approach. Broadly speaking, the findings in the study are that the concept of Nusantara Aesthetics found in Javanese Traditional Houses is realized to maintain harmony. Harmony in social life can be achieved with the pillars including attitudes: aruh, gupuh, lungguh, and suruh. Aruh is a grapyak or friendly attitude to maintain safety and harmony with the environment. The representation of the attitude of the Aruh is that the Javanese traditional house has a Regol which is located at the front as a barrier with a road in the form of a small open house. Gupuh is an age-age attitude, Javanese people respect guests with an age-age attitude when they come out of the house to welcome guests in masks. The mask of the front building in the configuration of the Javanese house as a face, making the shade house a representation of the value of shade in accepting the presence of people. Lungguh is sitting, Javanese people receive guests to talk about something by sitting, therefore the house has a pendapa in the form of a spacious open house, a representation of a loose heart/freely accepting the presence of people.
Revitalization of Nusantara Traditional Fashion: Integration of Sanggit Aesthetics and Design Thinking for the Preservation of Nusantara Culture Sunarmi, Sunarmi; Dawami, Angga Kusuma; Utami, Linda
Journal of Social Research Vol. 4 No. 10 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i9.2769

Abstract

The challenge of preserving traditional clothing such as jarik, kebaya, sarong, batik, songket, and weaving is increasingly marginalized by modernity and globalization. The main goal of this paper is to design and realize traditional fashion works based on virtual technology that are adaptive and contextual without losing their philosophical meaning and cultural value. The aesthetic approach of the archipelago in this study uses the concept of Sanggit work—a creative principle in traditional art that emphasizes the revitalization and adaptation of cultural values—as a strategy for revitalizing traditional clothing. This research also employs the Design Thinking method in five stages (Empathize, Define, Ideate, Prototype, and Test), strengthened by the Sanggit aesthetic approach, which emphasizes cultural revitalization in a contemporary form. The beauty of traditional fashion forms full of religious values is summed up as a concept of beauty that not only preserves visual heritage but also transforms it into ethical values and cultural identity. Five samples of traditional clothing from various regions—Central Java, Minangkabau, Maluku, Osing Banyuwangi, and Dayak Ngaju—formed the basis for the creation of the work. The results of the research, which went through the Sanggit process, produced traditional clothing originally used for ceremonial purposes, revitalized as work clothes and party clothes without eliminating the nuances and symbols of the archipelago's culture.
The Aestheticization of Saung: Sundanese Vernacular Space in Contemporary Traditional Restaurants, Bandung Widia, Edwin; Sunarmi, Sunarmi; Badriyah, Siti
Journal of Social Research Vol. 4 No. 11 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i10.2817

Abstract

This paper explores the aestheticization of the Saung, a traditional Sundanese hut, as a vernacular cultural object that has undergone transformation in the contemporary urban context of Bandung, Indonesia. Originally a functional agrarian dwelling, the Saung has been recontextualized in restaurants and public cultural events, where its meaning oscillates between tradition and modernity, symbolism and function. Drawing on phenomenology and Bourdieu’s practice theory, particularly cultural capital and symbolic negotiation, this study employs field observations and in-depth interviews to reveal lived experiences of waas (nostalgic memory), nineung (longing), and nyawang (contemplative gaze), which collectively shape the aesthetics of rarasaan. These affective and sensory dimensions position the Saung not only as architecture but also as an inter-collective space that mediates cultural identity, memory, and imagination. By situating the Saung within the Traditional–Modern and Symbolic–Functional quadrants, this paper demonstrates how processes of restructuring, reconstruction, deconstruction, and replication function as adaptive design strategies. The findings highlight the Saung as a site of cultural oscillation and a resilient vernacular form, offering insights into how vernacular settlements can endure and transform under conditions of globalization.
The Pendok of the Surakarta Keris of Paku Buwono X: Art, Symbolism, and Social Status Darmojo, Kuntadi Wasi; Sunarmi, Sunarmi; Sarwanto, Sarwanto; Indrayana, Bagus
Journal of Social Research Vol. 4 No. 11 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i10.2832

Abstract

The pendok of the keris is one of the essential components of keris material culture, especially during the reign of Paku Buwono X in Surakarta. As an integral part of the keris, the pendok not only serves as a protective cover for the gandar, but also carries a symbolic role representing the aesthetics, social status, and spiritual values of the Javanese nobility. The presence of the pendok reflects refined artistic taste and serves as part of the identity marker system within the social structure of the royal court society. This article employs a qualitative approach using literature study methods to analyze the role, function, and meaning of the pendok keris within the cultural context of the Surakarta royal court, particularly during the golden era of art and metal craftsmanship under the reign of Paku Buwono X. This study shows that the pendok keris is not merely understood as a visual ornament, but also as a medium of cultural communication rich in symbols, life philosophy, and the social identity of its owner within traditional Javanese society.
Concept of Decorative Variety of Wood Carvings in the Princely Within the Framework of Functional Aesthetic Theory Prabowo, Rahayu Adi; Guntur, Guntur; Sunarmi, Sunarmi
Journal of Social Research Vol. 4 No. 12 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i11.2871

Abstract

This study examines the concept of the application of a variety of decorative wood carvings in the Ndalem Keprieranan through the perspective of functional aesthetic theory. This study aims to identify the connection between aesthetic aspects, functions, and philosophical values contained in wood carving elements in traditional Javanese architecture. The variety of ornaments on the ndalem building acts as a decorative motif that contains symbolic meaning that represents the value system, social structure, and life view of the Javanese people about the relationship between humans, nature, and God. The research method uses a descriptive qualitative approach through visual observation, documentation, and literature studies, with analysis focused on the shape, motif, composition, and symbolic function of carving. The results of the study suggest that the application of functional aesthetics in the variety of decorative wood carvings in the palace displays a harmonious harmony between visual beauty and constructive function. The value of Tata-Titi-Teges is reflected in the regularity of form, the accuracy of proportion, and the firmness of symbolic meaning, while the value of Nata-Niti-Natas shows a reflective and spiritual dimension that directs human consciousness towards the order of the cosmos. Overall, this study emphasizes that traditional Javanese aesthetics are oriented towards the beauty of appearance which is a value system that combines visual, functional, and spiritual principles in an integrated manner, which makes the variety of wood carvings as an expression of harmony between material and immaterial aspects in the life of the Javanese people.
Cultural Aesthetic Mediation as a Resilience Strategy: A Study of Representational Communication in the Betawi Cultural Village of Setu Babakan Ali, Ferdiansyah; Sunarmi, Sunarmi; Pitana, Titis Srimuda; Setiyono, Budi
Journal of Social Research Vol. 5 No. 1 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v5i1.2952

Abstract

Urbanization, globalization, and the intensification of cultural tourism have placed Betawi cultural arts in a vulnerable position amid changes in meaning, commodification, and shifts in aesthetic values. This study aims to explain how cultural aesthetics are mediated as a resilience strategy through representational practices in the Betawi Cultural Village (PBB) Setu Babakan. Using a phenomenological approach and representation theory, it examines how aesthetic experiences—in visual, narrative, and ritual forms—are created, negotiated, and interpreted by cultural actors, including government officials, local communities, and tourists. The analysis was conducted through field observations, in-depth interviews, visual documentation, and hermeneutic interpretations based on Bourdieu's theory of habitus, cultural capital, and the arena of cultural production. The results show that aesthetic mediation functions as a connecting mechanism between traditional values and the demands of the tourism industry, yielding three main processes: creative reproduction, representational transformation, and authenticity negotiation. These processes enable Betawi culture to survive and adapt without losing its essential dimensions of meaning. The findings contribute to the development of cultural tourism studies, cultural communication design, and representation theory in the context of Indonesian urban society.
Co-Authors Abdul Aziz Alsa, Abdul Aziz Adi Isworo, Adi Adi Prabowo, Rahayu Adli Fahmi Lubis, Muhammad Aflah, Aflah Afrita Harlianty, Rully Agusmidah Agusmidah Ahmad Zakiy Ramadhan AKBAR, REZA KURNIA Alfian, Miftah Hafidz Ali Roatib Anak Agung Istri Sri Wiadnyani Anam, Saroful Anankaristi, Renita Andar Indra Sastra Andini, Ikhda Ria Angga Kusuma Dawami Anita Anggraeni, Anita Antary, Cut Rizki Anton Bahtiar Arief Agoestanto Aris Sutejo Asri Budiarto Astuti, Niken Yulia Atmaja, Agus Adi Aulia, Faturrahman Awaludin, Dipa Teruna Ayu Wulandari Damanik, Wiwin Aziz, Muhammad Fauzan Baidlowi, M. Hisyam Bambang Sarwono Bambang Sunarto BISMAR NASUTION Bravendi, Diantina Budi Setiyono BUDIMAN GINTING Chairuna, Tengku Mita Ciptawan, Ciptawan Dahrul, Annida Darmojo, Kuntadi Wasi David Mubarok, David Dedi Harianto Delina, Susanti Deny Setiawan Devi A, T. Keizerina Devi A, T.Keizerina Devian, Risnanda Vinca Dewi, Elok Tri Kusuma Dewi, Nuriana Rachmani Dian, Elsy Didit Widiatmoko Diyastanti, Arum Donmes, Tamado Dwi Ari Murti Widigdo Dwi Puji Prabowo, Dwi Puji Dwijanto Dwijanto, Dwijanto E S Sulasmi Edgar, Devon Ediwarman Ediwarman, Ediwarman Edwin Widia Ekaputra, Mohammad Eko Sri Sulasmi Ekobudiwaspada, Agung Erawati, Erna Fachrunnisa, Rifka Fadhlan, Fadhlan Fadlilah, Itsnaini Munjiyatul Fahlepy, Ifaldy Riski Fajar Aji, Fajar Fathia, Neng Annis Ferdiansyah Ali Fikriya, Annisa Fitria Fertha Agustina Fitria, Jihan Dina Fitrianda, Widiya Fitriani, Nurul Haji Fransiskus, Jhonson Edison Fuadi, Fauzan Ginanjarputri, Martha Tisna Ginting Suka, Sri Endhayani Gunanto, Adi Gunawan, Andrie Guntur Guntur Gustaf Hutabarat, Andy Hadi Purnomo Hadi Suwono Hamid Mukhlis Hamzalouh, Lubna M. Omar Handriyotopo Handriyotopo Hasibuan, Rahmat Anshar HASIM PURBA Herliyana Rosalinda Heru Supriyatno hervana wahyu Prihatmaka, hervana wahyu Hutabarat, Andy Gustaf Hutabarat, Jenrico Louis Iis Purnengsih Iktarishafa, Vindy Reychani Indra Gunara Rochyat Indrayana, Bagus Indri Kusuma Dewi, Indri Kusuma Irawan, Adhitya Candra Izza, Jasmine Nurul Izzati, Aisyah Juliyana, Milan Karohmah, Nur Kartika, Sahnaz Kartono , Kennedy, Kennedy Khadijah, Siti Nur Khoirin, Khoirin Khoirunisa , Nabila Kristina Wijayanti Kurniawaty Kurniawaty Kusumaningsih, Faiza Windiari Lase, Intan Nurjannah Lestari, Sastri Ayu Limbong, Henman LISTIANA SRI MULATSIH Lubis, Ikhsan Lufti Nasution , Miranda Madiasa Ablisar Madiasa Albisar, Madiasa Mahmud Mulyadi MAHMUL SIREGAR Manap, Abdul Manhuri, Fitri Manik, Candoro Tua Marlina Marlina Marpaung, Abdul Hakim MARTHALENA, YENNY Mohammad Ridwan Mulhadi, Mulhadi Multono, Mulyono Mulyono, Andi Murni Sapta Sari Mushlich, Muhammad Ahva Muthia Anas Salma Narulita, Ajeng Alisa Nasution, Dinny Oktariza Nasution, Rezeki Angelia NOPIANTI, NOPIANTI Nova Wulan Priyandani Novalia, Dyah Nugroho, Nur Nur , Afifah Nurita, Rahayu Tri Nuritasari, Rahayu Tri Nuriyanti, Okta Nurjannah, Lia Nurkaromah Dwidayati, Nurkaromah Nurulfatmi Amzy Nurzanah, Eka Pane, Lorita Tupaida Panggabean, Fransiska Parinduri, Hamdani Pasaribu, Rizaldy Pawestri, Titi Ayu Perangin-angin, Donsisko Permata, Cintya Putri Prabantarikso, Mahelan Prabowo, Rahayu Adi Prasetiyo, Sofan Tri Pratiwi Damanik, Maristella Pratiwi, Nova Frana Purnomo, Arif Jati Purwadi, Toni Purwo Prihatin Pusdiana, Made Sadika Puspita Eka Wuyung Puspitasari Puspitasari Putra Hsb, Ibnu Habib Ryandi Syah Putra, Tri Arya Putri, Dwi Liana Wella Putri, Rahmadyah Kusuma Putri, Rizki Kurnialah Putriaji Hendikawati Qisthi Maghfiroh Qonitah, Parwila Raden Ersnathan Budi Prasetyo Ramadhan, M. Citra Ramadhani, M Ramadhiana, Charinda Bella Reno Abdurahman Reno Abdurrahman Ririn Anjarwati Riswan Munthe Ritonga, Syahdani Rizky Wardiman Riyanto, Ina Listyani Rizky, Nikita Robert Robert Robert, Robert Rosnidar Sembiring Safira, Ekatiara Siva Safitri, Nadidah Sagala, Liwarny saidin, saidin Santosa Santosa SANTOSO SANTOSO Santrinita Jumame Saragih, Indah Chairani Sari, Intant Sari, M S Sarwanto Sarwanto Sawitri, Riska Agi Scolastika Mariani Selly Puspita Sari Seno Gumira Ajidarma, Seno Gumira Septi Viantri Kurdaningsih Septiana, Nita Tri Setiawati, Putri Siahaan, Gerald Partogi Sidauruk, Jupenris Silitonga, Artanti Silviana Tahalea, Silviana Sinaga, Mohd Rizky Siswanto, Silo Siti Aisyah Siti Badriyah Siti Hajar Situmorang, Josua Pebruanto Mangihut Soegiarto, Ita Soewarlan, Santosa Solehan, Fandi Sri Wahyuni Muhtar St. Budi Waluya Subarti, Dwi Sudrajat, A K Sugiarto S Sugiman Sugiman Suhadi Suhadi Suhendriyo Suhendriyo Sukaraja, Detania Sukarja, Detania Sukartara, Nirwansyah Sukestiyarno, Y L Sulisetijono Sulisetijono Sumarlan, Santoso Sumarni Sumarni Sumarno . Suningrat, Nining Supriyadi, Andhi Supriyanto, Sapto Surbakti, Benny Avalona Suryani, Rafika Sutiarnoto Sutiarnoto Suyanto Suyanto Syahputra, Yudi Syarifah Lisa Andriati Sylvia Kartika Dhamayanti T. Keizerina Devi Azwar Tarsisius Murwadji Tentrem. R.T, Susi Thahir, Irfan Farid Titis Srimuda Pitana, Titis Srimuda Tony Tony Tri Ambarwanto, Sigit Triastono Imam Prasetyo Triredjeki, Hermani Trisakti, Intan Trisna, Wessy Tulus Puji Hastuti Umi Fitriyati Utami, Linda Utami, Tika Putri Veronica, Rahayu Budhiati Veronica, Rahayu Budhiati Wahyudi, Ichsan Walid Walid, Walid Wardhani Sitepu, Noni Kusuma Wicaksono, R S Widita, Cintya Sukma Widya Arisandy Widyastutieningrum, Sri Rochana Wulandari, Novi Citra Yuninggar Renaningtyas Yuwono, Purwanto Yugo Zafi, Bayu Indah Syafinatu Zahra Firdaus Zhavira, Zhavira