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Code Variety Broadcasted by East Kalimantan Radio Stations Sukron Marzuki; Djatmika Djatmika; Sri Marmanto
ELS Journal on Interdisciplinary Studies in Humanities Vol. 2 No. 2 (2019): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (926.126 KB) | DOI: 10.34050/els-jish.v2i2.6428

Abstract

This research aimed at elaborating the variety of code-switching and code-mixing used in radio broadcast in East Kalimantan. This research used qualitative descriptive method and applied sociolinguistics study. In the analysis, the researcher employed Poplack and Muysken theory. Data sources were collected from radio broadcast in three radio stations representing three largest cities in East Kalimantan, such as Samarinda, Balikpapan, and Tenggarong. The type of data were conversation that appeared within the Pilihan Pendengar program from each of three stations: Gemaya 104.5 FM (Balikpapan), RB Radio 87.7 FM (Samarinda) and SBK 107.3 FM (Tenggarong).  The research finds that there are varieties of code-switching, including: intra-sentential (40 data), inter-sentential (19 data) and extra-sentential (9 data). For code-mixing, this research finds three variants, which are alternation (24 data), insertion (14 data) and congruent lexicalization (8 data). The data are obtained from different languages, such as Indonesian, Javanese, Kutainese, English and Arabic.  
Code Mixing in Yowis Ben Film by Fajar Nugros Titi Surya Ningrum; Sumarlam Sumarlam; Djatmika Djatmika
ELS Journal on Interdisciplinary Studies in Humanities Vol. 2 No. 3 (2019): SEPTEMBER
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (611.158 KB) | DOI: 10.34050/els-jish.v2i3.6925

Abstract

This research discussed code-mixing in Yowis Ben film from Fajar Nugros which is 80 percent using Javanese language. This paper aims to describe the forms and factors of using code-mixing. This paper is a kind of descriptive qualitative using observation-notification method (Simak-catat). Data in this study are oral data which is using information form. The population is all of the dialogs in Yowis Ben film. The result shows there are code-mixing word form, phrase, baster, word of frequent, and idiom dominantly code-mixing word form from Indonesian language insert to the Javanese language. Factors of using code-mixing are needs for a synonym, Social value, development and identification of new culture, low frequency of words, pernicious homonymy, oversight, and end (purpose and goal).
English Live Caption in a Javanese Shadow Puppet Theatre: Systemic Functional Linguistics for Appraising the Beauty of Sagopi Dyah Ayu Nila Khrisna; Djatmika Djatmika
Langkawi: Journal of The Association for Arabic and English Vol 8, No 1 (2022)
Publisher : Institut Agama Islam Negeri (IAIN) Kendari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31332/lkw.v0i0.3810

Abstract

In the field of simultaneous translation, live captioning has not been sufficiently touched by research. There have been shifts in translating characterization due to this being done in real-time and on the spot. It is critical that target readers or viewers get the same impression of a character's personality as portrayed in the original work. Consequently, translations of literary plays must be thoroughly checked for fidelity. The objective of the study is to undertake an in-depth analysis of the live captioning provided in "The Life Struggle of Sagopi" puppet theater. It compares the character portrayal of the protagonist, Sagopi, in the original play and the translation. Employing a content analysis technique, all of the utterances describing Sagopi's beauty were collected. As a method for analyzing the data, the theory of Appraisal was utilized. When the described Appraisal elements are identical to those in the original, the characterization would be considered equivalent. The analysis reveals that the live captions do not fully represent the portrayal of Sagopi. While the description of Sagopi's beauty in the shadow puppet performance is detailed, the English live caption does not reflect this. In the target language, deletions and shifts of appraisals indicate the changes. The lack of culturally relevant terminologies and the time lag between the puppeteer's oral utterances and the translator's typing speed during live captioning are the main causes of the problem. Furthermore, live captioning is time and space-constrained. Almost always, it is a condensed version of the oral source text. This demonstrates how difficult it is to achieve the same level of appraisal as the original. This is not to suggest that viewers have no right to a high-quality translation. Despite its shortcomings, the written text in the form of a live caption is regarded as the finest way for foreigners to enjoy a puppet show.
Analisis Teknik Terjemahan Konjungsi Eksternal Dan Internal Yang Menghubungkan Klausa Dalam Novel Cantik Itu Luka Desi Desi; Nababan Nababan; Djatmika Djatmika
SNHRP Vol. 4 (2022): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 4 Tahun 2022
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

Tujuan penelitian ini mengidentifikasi 1) jenis-jenis konjungsi dalam novel Cantik Itu Luka. 2) menentukan teknik terjemahan yang digunakan untuk menerjemah konjungsi bahasa Indonesia kedalam terjemahan bahasa Inggris dalam novel Cantik Itu Luka. Jenis penelitian ini kualitatif deskriptif dengan kasus terpanjcang. Penelitian ini menggunakan data primer yang terbagi menjadi dua yakni data linguistik dan data penerjemah. Jumlah data di dalam penelitian ini berjumlah 208 data. Data linguistik diperoleh melalui analisis isi sedangkan untuk data penerjemahan didapatkan melalui FGD (Forum Group Discussion). Hasil penelitian ini ditemukan dua jenis konjungsi yakni konjungsi eksternal dan konjungsi internal. Sememntara itu teknik penerjemahan yang digunakan untuk menerjemahkan jenis-jenis konjungsi yaitu padanan lazim 67,78 persen, delesi 12,01 persen, implisit 4,32 persen, kreasi diskursif 8,17 persen dan modulasi 7,69 persen.
UJARAN MENGANCAM MUKA Suyami Suyami; Djatmika Djatmika; Sumarlam Sumarlam; Dwi Purnanto
Jantra. Vol 13 No 2 (2018): Solidaritas Nasional sebagai Upaya Penguatan NKRI
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (350.451 KB)

Abstract

Artikel ini membahas tentang ‘tindak tutur mengancam muka’ (face threatening act /FTA) yang dilakukan oleh pelibat KBJ VI. Tindak tutur mengancam muka (FTA) merupakan tuturan yang kurang solider karena bisa membuat mitra tutur merasa malu dan merasa tidak senang, sehingga berpotensi memecah atau merenggangkan kerukunan. Penelitian ini berangkat dari permasalahan: Tindak tutur jenis apa sajakah yang berpotensi mengancam muka yang digunakan oleh pelibat KBJ VI? Bagaimanakah tingkat kesantunan tindak tutur yang mengandung FTA? Bagaimanakah respon mitra tutur terhadap tindak tutur yang mengandung FTA? Pengumpulan data dilakukan dengan metode rekam catat pilah pilih. Peneliti merekam seluruh tindak tutur resmi yang terjadi selama pelaksanaan kegiatan KBJ VI. Hasil rekaman tersebut kemudian dicatat, lalu seluruh data dipilah-pilah, untuk selanjutnya dipilih data yang sesuai dengan tujuan penelitian. Hasil penelitiaan menunjukkan bahwa pada dasarnya ‘tindak tutur mengancam muka’ tidak sesuai dengan tuntunan ajaran tata nilai kesantunan Jawa, yakni ajaran untuk selalu amemangun karyenak tyasing sesama (membuat senang hati sesama) sebagai dasar untuk membangun jiwa solidaritas. Jiwa solidaritas akan terbangun ketika kita memiliki prinsip sapa gawe nganggo, sapa nandur ngundhuh; ngundhuh wohing pakarti; mong-kinemong; ngemong rasa; lembah manah, andhap asor; empan papan; grapyak semanak, semedulur. Dengan meyakini bahwa bandha mung titipan, nyawa mung gadhuhan, drajat pangkat mung sampiran, maka aja dumeh, ngono ya ngono, ning aja ngono, hendaklah memiliki rasa ewuh pekewuh, menghindari perilaku yang ora patut, ora lumrah, serta bersikap idhep isin dan mau menghargai (ngajeni) orang lain. Beberapa contoh FTA yang dilakukan dan menimpa pelibat KBJ VI merupakan contoh gambaran penguasaan tata nilai kesantunan Jawa oleh para penggiat dan pelaku budaya Jawa pada masa kini.
ANALISIS SISTEM APPRAISAL BERITA PROSES EKSEKUSI DUO BALI NINE (PENDEKATAN LINGUISTIK SISTEMIK FUNGSIONAL) Ayu Pusparini; Djatmika Djatmika; Riyadi Santosa
Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Vol. 4 No. 2 (2017): VOL 4 NO 2 BULAN SEPTEMBER 2017
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/paramasastra.v4n2.p%p

Abstract

This research explores the appraisal system in the news texts exposing issue of Duo Bali Nine execution taken from The Sydney Morning Herald, The Guardian Australia, The Jakarta Globe and The Jakarta Post websites. This is a descriptive qualitative research using criterion-based sampling technique. The primary data are taken from the interview and from the sixteen analyzed texts.the secondary data are taken from all information about journalists and the news paper also all information about Duo Bali Nine execution. The objectives of the research are to find out the appraisal systems applied in those texts, to know the journalists position through their texts and the influences of appraisal systems toward the readers. The results show that each news paper has their own appraisal systems patern. All types of attitudes are applied in the news texts both positive and negative. The engagement is mostly heterogloss and the mostly graduation is force- raise. Heterogloss engagement to make as if jurnalist in the neutral position and force raise graduation to make the effective news and reader not easily forget about the news.
ALIH KODE DALAM INTERKASI DI LINGKUNGAN PONDOK PESANTREN ULIL ALBAAB: KAJIAN SOSIOLINGUISTIK Baiq Yulia Kurnia Wahidah; Djatmika Djatmika; Sri Marmanto
Cendekia: Jurnal Pendidikan dan Pembelajaran Vol. 11 No. 2 (2017): Oktober 2017
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (152.787 KB) | DOI: 10.30957/cendekia.v11i2.328

Abstract

  This research describes the use of code switching into four domains and the code switching form in the Ulil Albab boarding schools Sasak. This study applied qualitative approach and used sociolinguistics as the basis of interpretation. Subject of this study were santri and teachers in the pesantren.  The primary data were observed from the classroom settings and daily activities in the pesantren, when santri and teachers spoke in four languages: Indonesian, English, Arabic, and Sasak language.  Data were analyzed using  theory of code switching and code mixing from Dell Hymes.  The study revealed  that code switching occurred 138 tokens and  conversation appeared at 75%. Code switching was used as to give better comprehension to partnered-speaker.
KOHESI PADA TEKS CERITA RUBRIK ANAK-ANAK, REMAJA, DAN DEWASA DALAM MAJALAH PANJEBAR SEMANGAT Guntur Yuli Triasmoro; Sumarlam Sumarlam; Djatmika Djatmika
LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 13 No. 1 (2016): Maret 2016
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v13i1.9

Abstract

The aim of this research is to find grammatical and lexical cohesion in Javanese magazine Panjebar Semangat included in the rubrics: Wacan Bocah, Manja, and Cerkak.  The study used content analysis with qualitative approach.  Data of this study were  lingual units such as utterances, sentences, and clauses taken from the rubrics. Data were collected using review and note technique.  Data were analyzed using “agih method”, “bagi unsur langsung” (BUL), substitution and elliptisis technique.  The results shows that grammatical aspect used in Wacana Bocah, Manja, and Cekak rubric in Panjebar Semangat magazine included: reference, substitution, ellipsis, conjungtion. Lexical aspects in the disourses comprise of: repetition, synonym, antonym, collocation, hyponym, and equivalency. Theme that found in Wacan Bocah, Manja, and Cekak rubric is agriculture, education, love, friendship, life style, spirituality, law, and culture.
PERBEDAAN ANTARA KLAUSA SUBORDINATIF BAHASA INDONESIA DAN BAHASA INGGRIS Anisak Syaid Fauziah; Mustofa Kamal; Djatmika Djatmika; Sumarlam Sumarlam
LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 14 No. 2 (2017): September 2017
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v14i2.324

Abstract

  The aim of this study was to describe the difference between subordinate in Indonesian and in English viewed from subordinate clause theory from Jim Miller. This study used qualitative descriptive approach.  Primary data of this study were written texts containing sentences and clauses in English and Indonesian the corpus of which was selected from academic texts.  Data were collected using record.  Segmenting immediate constituent was used to analyze the data.  The research revealed that Indonesian has neither elliptic conjunction in all relative and adverbial clauses nor non-finite subordinate clauses. English has no elliptic conjunction only in relative clauses showing possessiveness and all adverbial clauses except for time and result but has non-finite subordinate clauses. Indonesian has no relative clause elliptic conjunction non-finite subordinate clause. English relative clause elliptic conjunction is available and  empty elliptic conjunction in all adverbial clauses appear. English has non-finite subordinate clauses. 
Patterns of Conjunctive Relation (CR) in Phases and Stages of Narratives in Year Three Junior High School English Books and Their Pedagogical Implication Riyadi Santosa; Agus Dwi Priyanto; Tri Wiratno; Yanuar Yanuar; Djatmika Djatmika
Script Journal: Journal of Linguistics and English Teaching Vol. 7 No. 01 (2022): April
Publisher : Teacher Training and Education Faculty, Widya Gama Mahakam Samarinda University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.711 KB) | DOI: 10.24903/sj.v7i01.1037

Abstract

Background: This study is intended to find out the patterns of CR used in developing phases and stages of narrative and their implication in the genre-based model of language teaching of narratives. The study uses 15 different narratives from two nationally recognized Junior High School English books published by Intan Pariwara and Tiga Serangkai as data sources. Methodology: The narratives are analysed based on their functional engagements of phases and rhetorical functions of stages. Then, the patterns of CR in each phase and stage of the narratives are identified in terms of their types, meanings and roles to develop the phases and stages of narratives. Findings: The findings indicate that the logic of space of external addition and internal similar comparison are used in describing Character, Setting, and Activity in Orientation. Meanwhile, the combination of logic of space and time of external different comparison, external successive time and cause consequence are mainly used to develop phases of Introducing Problem, Developing Problems to Climax in Complication, Evaluation, and phases of Effort 1 to N, Problem Solved in Resolution. Coda, finally, applies internal similar comparison and external successive time to make comments and extract the value of the story. Conclusion: The intricate patterns of CR used in different phases and stages of narrative should be taught delicately in guided and scaffolded instructions through four stages of genre-based model of teaching, namely, BKOF, Modelling, JCT and ICT. Originality: This area of research is under widespread scrutiny and investigation especially conjunctive relationship in each step and phase, as well as the instructional implications of narrative texts.
Co-Authors Adika, Dimas Adzim, Sukron Agus Dwi Priyanto Agus Dwi Priyanto Agus Hari Wibowo Agustina Aloojaha Ahfi Hikmawati Ahfi Hikmawati Ahmad Khawarizmy Zihan Ahmad Kirom Aini, Qurratul - Alhamidi, Wilda Zaki Ali Mohammed Saleh Al-Hamzi Ambhita Dhyaningrum Anak Agung Ayu Dian Andriyani Anastasia Inda Nugraheni Andreas Raymonda Anisah Hanif Anisak Syaid Fauziah Anisak Syaid Fauziah Anita Rahayu Anshoffy Murtafi, Anshoffy Arifuddin Arifuddin Arkida, Teisar Arliva Ristiningrum* Arwanto, Harun Aryana, Muhammad Fajar Atina Firdausa Qisthi Ayu Pusparini Ayu Pusparini Azwar Abbas Baiq Yulia Kurnia Wahidah, Baiq Yulia Kurnia Burhanuddin Burhanuddin Chairunnisa Chairunnisa Chalimah Chalimah Daniel Happy Putra Desi Desi Desi Zauhana Arifin Dewi Cahyaningrum Dewi Cahyaningrum Dewi Santika Dhanu Ario Putra Diah Kristina Dian Wahyunianto Dimas Adika Dwi Astuti Wahyu Nurhayati Dwi Purnanto Dwi Purnanto Dwi Purnanto, Dwi Dyah Ayu Nila Khrisna Dyah Ayu Nila Khrisna Dyah Ayu Nila Khrisna, Dyah Ayu Nila Edi Subroto Eko Joko Trihadmono Ely Triasih Rahayu Endang Fauziati Endras Setyadi Wicaksono F.X. Sawardi F.X. Sawardi Fajrin Diana Putri Farida Indri Wijayanti Fatoni, Nur Rochman Fauziah, Anisak Syaid Fedro Iswandi Fitria Akhmerti Primasita Guntur Yuli Triasmoro Hamidah, Mimi Hanif, Anisah Harun Arwanto Hayati Nupus Henry Yustanto Hery Widijanto Hikmawati, Ahfi Ida Kusuma Dewi Ikrama Prasetya Irene Dinari Jabbar Abdulrahman Qahar Jamal, Mujtaba Joko Nurkamto Jotika Purnama Yuda Karlina Widyastuti, Karlina Khoironi, Haris Khrisna D.A.N. Kristian Adi Putra Kristian Adi Putra Kristian Adi Putra Lailatun Najakh Lianisyah, Ulfah Yanuar Luthfiyah Hanim Setyawati M. R. Nababan M. R. Nababan M. R. Nababan, M. R. M.R Nababan M.R. Nababan M.R. Nababan M.R. Nababan M.R. Nababan M.R. Nababan M.R. Nababan M.R. Nababan, M.R. Maaz Ud Din Maftuchah Dwi Agustina Mahsusi, Juni Mangatur Nababan Mangatur Nababan Mangatur Nababan Mangatur Nababan, Mangatur Mangatur Rudolf Nababan Mangatur Rudolf Nababan Mangatur Rudolf Nababan Mangatur Rudolf Nababan Mangatur Rudolf Nababan Maryadi Maryadi Marzuki, Sukron Meira Elok Duhita Miftah Nugroho Mochamad Nuruz Zaman MR Nababan Mubarokah, Qoniatul Muhammad Fajar Aryana Muhammad Rohmadi Muhammad Sirotol Mustaqim Mustaqim, Muhammad Sirotol Mustofa Kamal Mustofa Kamal Mustofa Kamal Mutiara Hanif Saputri Nababan M.R. Nababan M.R., Nababan Nababan Nababan Nababan Nababan Nababan Nababan Nababan Nababan, Nababan Nababan, Mangatur Rudolf Nababan, MR Nadia Gitya Yulianita Netty Nurdiyani, Netty Ngadiso Ngadiso Ngadiso Ngadiso Ngadiso Ngadiso Ngadiso Nidya Pratiwi Novita Sumarlin Putri Nugraha, Setia Adi Nugroho, Miftah Nuning Yudhi Prasetyani Nur Aini Syah Nur Arifah Nur Arifah Drajati Nur Arifah Drajati NUR ROCHMAN FATONI Nur, Nur Lailiyah Nuraeni A. Nurhayati, Dwi Astuti Nurnani, Dewi Nurul Aini Nurul Aini nurul Nurul Intan Sari, Nurul Intan Paramita Widya Hapsari Pathy Yulinda Pramudya Dhanabhrata Prasetyo Adi Wisnu Wibowo Priska Meilasari Pulungan, Husniah Ramadhani Pusparini, Ayu Putri, Jemima Jannah Darla Putri, Novita Sumarlin Qoniatul Mubarokah Qurratul - Aini Qurratul - Aini Rahayu, Reni Rahmaditya Khadifa Abdul Rozzaq Wijaya Rahmaditya Khadifa Abdul Rozzaq Wijaya Rakhmat Martopo, Jati Ramadan Adianto Budiman Rara Sugarti Rara Sugiarti Ratna Susanti Ratnaningtyas Lestari Reni Rahayu Risa Aulia Ristiningrum*, Arliva Ristiya Krisnawati Riyadi Santosa Robith Khoiril Umam Romel Noverino Rozi Hanifia Putri Rudi Agus Hartanto Rudiansyah Rudiansyah Rudiansyah Rudy Prasojo Rustan, Megawati S. Sumarlam Safira Yasinta Karenina Hidayat Salma Yonalia Setia Adi Nugraha Sholihah, Husna Imro’athush Silvia Erlin Aditya, Silvia Erlin Siti Fathiyatus Sholihah Siti Sukriyah Soe, Wyut Yee Sri Marmanto Sri Marmanto Sri Marmanto Sri Marmanto Sri Marmanto, Sri Sri Wahyuni Samaratul Zanah Sugiarti, Tati Sugini Sugini Sukriyah, Siti Sukriyah, Siti Sukron Marzuki Sukron Marzuki Sumarlam, Sumarlam Suparno Suparno Suyami Suyami Tati Sugiarti Taufik Nur Hidayat Titi Surya Ningrum Tri Wiratno Triasmoro, Guntur Yuli Trihadmono, Eko Joko Trisakti Agriani TRISAKTI AGRIANI Ulfah Yanuar Lianisyah Wicaksono, Endras Setyadi Wilda Zaki Alhamidi Wyut Yee Soe Yanuar Yanuar Yogi Rohana Yonalia, Salma Yulianita, Nadia Gitya Yulinda, Pathy Zaman, Mochamad Nuruz Zihan, Ahmad Khawarismi Zita Rarastesa