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All Journal Buletin Al-Turas Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmiah Bahasa dan Sastra ARABIYAT Shaut Al-'Arabiyah Jurnal Adabiyah ANIDA : Aktualisasi Nuansa Ilmu Dakwah Equilibrium: Jurnal Pendidikan Taqdir Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Ilmu Dakwah: Academic Journal for Homiletic Studies Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Nady al-Adab Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Arabi : Journal of Arabic Studies Language Literacy: Journal of Linguistics, Literature, and Language Teaching Arabiyatuna : Jurnal Bahasa Arab JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan al-Afkar, Journal For Islamic Studies Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) PENTAS : Pendidikan Bahasa dan Sastra Indonesia ELS Journal on Interdisciplinary Studies in Humanities JURNAL INSTEK (Informatika Sains dan Teknologi) Esteem Journal of English Study Programme Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Studi Arab JURNAL Al-AZHAR INDONESIA SERI HUMANIORA PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Pena Literasi Stilistika: Jurnal Pendidikan Bahasa dan Sastra IJAS: Indonesian Journal of Arabic Studies SULUK: Jurnal Bahasa, Sastra, dan Budaya LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Hanifiya: Jurnal Studi Agama-Agama Didaktik : Jurnal Ilmiah PGSD STKIP Subang INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jubindo: Jurnal Ilmu Pendidikan Bahasa dan Sastra Indonesia Al-Fathin: Jurnal Bahasa dan Sastra Arab Ta'lim al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 'A Jamiy: Jurnal Bahasa dan Sastra Arab Paradigm: Journal of Language and Literary Studies Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Ksatra: Jurnal Kajian Bahasa dan Sastra Didaktika: Jurnal Kependidikan Kalamuna Journal of Arabic Literature (Jali) BASA Journal of Language & Literature Al Intisyar: Jurnal Pendidikan Bahasa Arab JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Indo-MathEdu Intellectuals Journal Diwan: Jurnal Bahasa dan Sastra Arab Kutubkhanah Jurnal Penelitian Sosial Keagamaan An-Nahdah Al-\'Arabiyah Arus Jurnal Sosial dan Humaniora Kode : Jurnal Bahasa Al-Lisan: Jurnal Bahasa COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Komunikasi AKSARA: Jurnal Bahasa dan Sastra Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Journal of Comprehensive Science Jurnal Bastra (Bahasa dan Sastra) Arus Jurnal Psikologi dan Pendidikan Jurnal Lektur Keagamaan El-Hadhanah: Indonesian Journal Of Family Law And Islamic Law Gunung Djati Conference Series Eduvest - Journal of Universal Studies Innovative: Journal Of Social Science Research JBSI: Jurnal Bahasa dan Sastra Indonesia Afshaha: Jurnal Bahasa dan Sastra Arab Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Riwayat: Educational Journal of History and Humanities Jurnal Pembelajaran Bahasa dan Sastra Naskhi: Jurnal Kajian Pendidikan dan Bahasa Arab Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan JURNAL PENDIDIKAN BAHASA Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Pendidikan dan Kebudayaan Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal Studi Islam dan Sosial Jurnal Ragam Pengabdian Journal of Curriculum and Pedagogic Studies Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab INTERACTION: Jurnal Pendidikan Bahasa Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics Jurnal Penelitian dan Evaluasi Pendidikan Rayah Al-Islam : Jurnal Ilmu Islam Manthiq : Jurnal Filsafat Agama dan Pemikiran Islam
Rohanda Rohanda
UIN Sunan Gunung Djati
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Realitas Problematika Sosial Palestina dalam Film Farha (Kajian Strukturalisme Genetik) Aminuloh, Diki; Akmaliyah, Akmaliyah; Rohanda, Rohanda
Nady Al-Adab : Jurnal Bahasa Arab Vol. 23 No. 1 (2026): Nady al-Adab
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/jna.v23i1.49982

Abstract

Penelitian ini bertujuan untuk menganalisis representasi realitas problematika sosial Palestina dalam film Farha dengan menelusuri hubungan antara struktur karya dan struktur sosial-historis yang melatarbelakanginya melalui perspektif Strukturalisme Genetik. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan analisis Strukturalisme Genetik Lucien Goldmann, yang menekankan hubungan dialektis antara struktur teks film dan struktur sosial. Data penelitian berupa dialog, adegan visual, dan narasi yang berkaitan dengan isu sosial dalam film dikumpulkan melalui teknik simak-catat dan dianalisis menggunakan model reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa film Farha merepresentasikan realitas sosial Palestina pada masa Nakba 1948 melalui penggambaran penjajahan, kekerasan kolonial, krisis kemanusiaan, Pengusiran masalah, krisis identitas, Ketimpangan pendidikan dan hambatan sosial, Struktur patriarki, pernikahan dini, dan stereotif gender. Film ini menghadirkan pandangan dunia bangsa Palestina sebagai dasar pembentukan kesadaran kolektif yang lahir dari pengalaman penindasan dan perjuangan bertahan hidup. Penelitian ini menyimpulkan bahwa Farha bukan hanya karya estetik, melainkan media artikulasi memori sejarah dan simbol perlawanan yang menegaskan bahwa sinema dapat berfungsi sebagai ruang dokumentasi kultural, kritik sosial, dan penyampai pesan kemanusiaan universal
REPRESENTASI BULLYING DALAM FILM JAROS INDZAR KARYA KHALID FAHAD (KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE) Dzifriya Qatrun Nada; Akmaliyah Akmaliyah; Rohanda Rohanda
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 12, No 1 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v12i1.28668

Abstract

The school environment should ideally be a safe space for children to learn and develop social relationships. However, in reality, schools often become sites where bullying occurs, as represented in the short film Jaros Indzar by Khalid Fahad. This study aims to analyze the representation of bullying in the short film Jaros Indzar using Charles Sanders Peirce’s semiotic approach. The research employs a descriptive qualitative method with Peircean semiotic analysis, focusing on the triadic relationship between sign, object, and interpretant. The findings indicate that Jaros Indzar represents various forms of bullying, including non-verbal, verbal, and psychological bullying. At the level of sign, five scenes were identified as representing non-verbal bullying, such as pushing, locking someone in, talking behind someone’s back, taking belongings, and making offensive gestures. At the level of object, five scenes represent verbal bullying in the form of insulting, threatening, blaming, cornering, and mocking. Meanwhile, at the level of interpretant, six scenes represent psychological bullying, including cynical stares, mocking laughter, sarcastic smiles, intimidation, and acts of instilling fear.This study demonstrates that Jaros Indzar presents a complex representation of bullying through visual and narrative signs, making the film a reflective and educational medium for understanding the impacts of bullying in the school environment.
MENDEKONSTRUKSI MITOS ANAK JALANAN DALAM FILM CAPERNAUM KARYA NADINE LABAKI (KAJIAN SEMIOTIKA ROLAND BARTHES) Shofwatul Maulidah Ridwan; Rohanda Rohanda; Muhammad Abdul Halim
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 12, No 1 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v12i1.28433

Abstract

This study aims to analyze how the representation of street children and social conditions are constructed as mythical signs in Nadine Labaki's film Capernaum. Employing a qualitative approach with Roland Barthes' semiotic method, this research examines signs at three levels: denotation, connotation, and myth. The results show that the representation of street children, embodied by the character Zain, is shaped through visuals of poverty, neglect, and violence, which at the connotative level signify street children as victims of social structures. This process naturalizes the myth that street children are symbols of the failure of the state and society to protect children's rights. In addition, social conditions such as poverty, injustice, and child neglect are constructed as mythical signs through visual repetition, realistic narratives, and representations of absent state institutions. The film Capernaum ultimately constructs a myth about structural injustice that is considered a “natural” condition in marginalized communities. This study emphasizes that film is not only a medium of entertainment, but also an arena for the production of meaning that is capable of constructing social reality through the mechanism of signs.
Potret Corona dalam Novel Yauma Kunna Namsyi ala at-Thariq Karya Amer Hariri: Analisis Strukturalisme Genetik Nushrotun Nida; Yulianti; Rohanda
Taqdir Vol 10 No 1 (2024): TAQDIR
Publisher : Program Studi Pendidikan Bahasa Arab Fakultas Ilmu Tarbiyah dan Keguruan UIN Raden Fatah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/ddkz6414

Abstract

This study aims to reveal the portrait of the corona virus depicted in Yauma Kunna Namsyi's novel Ala At-Thariq based on the perspective of Lucian Goldman's genetic structuralism. This type of research is descriptive qualitative research. Data analysis technique is formulated through three steps, namely, research on the study of intrinsic elements, social life and social and historical backgrounds. The results of this study are: a) the humanitarian facts depicted in this novel are social humanitarian facts, in the form of the response of people who feel anxious and frightened by the corona issue, and the positive impact of covid-19; b) the collective subjects depicted in this novel are two groups with different views. The views of children and adults on corona; c) the author's world view in this novel is more about how children respond when they know the issue of corona and the reality that occurs due to corona; d) the structure of literary works is described by the relationship between characters and characters and characters with objects; and e) the dialectic of understanding-explanations is formulated coherently in the concept of the story.   Penelitian ini bertujuan untuk mengungkap potret virus Corona yang digambarkan dalam novel Yauma Kunna Namsyi Ala At-Thariq karya Amir Hariri berdasarkan perspektif strukturalisme genetik Lucian Goldman. Jenis penelitian ini adalah penelitian kualitatif deskriptif. Teknik analisis data dirumuskan melalui tiga langkah, yaitu, penelitian terhadap kajian unsur intrinsik, kehidupan sosial, dan latar belakang sosial dan sejarah. Hasil dari penelitian ini adalah: a) fakta kemanusiaan yang digambarkan dalam novel ini adalah fakta sosial kemanusiaan, berupa respon masyarakat yang merasa cemas dan takut dengan adanya isu Corona, dan dampak positif dari Covid-19; b) subjek kolektif yang digambarkan dalam novel ini adalah dua kelompok yang memiliki pandangan yang berbeda. Pandangan anak-anak dan orang dewasa terhadap Corona; c) pandangan dunia pengarang dalam novel ini lebih kepada bagaimana respon anak-anak ketika mengetahui isu Corona dan realitas yang terjadi akibat Corona; d) struktur karya sastra digambarkan melalui hubungan antara tokoh dengan tokoh dan tokoh dengan objek; dan e) dialektika pemahaman-penjelasan dirumuskan secara runtut dalam konsep cerita.
Representasi Konsep Cinta Dalam Film Aris wa Arusatain Karya Elie Semaan Aqila Fikriya Hamidah; Rohanda; Resa Restu Pauji
Kode : Jurnal Bahasa Vol. 15 No. 1 (2026): Kode: Edisi Maret 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/9wqqxy13

Abstract

Penelitian ini bertujuan untuk menganalisis representasi konsep cinta dalam film Arab kontemporer Arīs wa Arusatain karya Elie Semaan dengan menggunakan pendekatan semiotika Charles Sanders Peirce. Penelitian ini menggunakan metode deskriptif dengan memfokuskan analisis pada tanda-tanda visual dan verbal yang muncul dalam adegan film, seperti dialog, ekspresi wajah, gestur, dan simbol visual yang berkaitan dengan hubungan romantis. Analisis dilakukan melalui hubungan triadik representamen, objek, dan interpretant untuk mengungkap makna cinta yang dikonstruksi dalam film. Selanjutnya, makna tersebut diklasifikasikan ke dalam komponen intimacy, passion, dan commitment berdasarkan teori Segitiga Cinta Robert J. Sternberg sebagai kerangka konseptual dalam pemetaan makna. Hasil penelitian menunjukkan bahwa film merepresentasikan cinta sebagai proses relasional yang dibangun melalui kedekatan emosional, ketertarikan romantis, serta keputusan sadar dalam menjalin hubungan. Dengan demikian, film Arīs wa Arusatain dapat dipahami sebagai teks budaya yang mengonstruksi makna cinta secara kompleks melalui sistem tanda sinematik.  Kata Kunci: Film, Representasi cinta, Semiotika Charles Sanders Peirce, Teori segitiga cinta Sternberg  
Nilai-Nilai Moral dalam Film Min Wara Al-Mawj Karya Matty Brown Kajian Semiotika Charles Sanders Pierce Ahmad Arif Septian; Yayan Rahtikawati; Rohanda Rohanda
Kode : Jurnal Bahasa Vol. 15 No. 1 (2026): Kode: Edisi Maret 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/k2trgp67

Abstract

Penelitian ini bertujuan mengidentifikasi dan mendeskripsikan nilai-nilai moral yang terdapat dalam film Min Wara’ al-Mawj me-lalui analisis semiotika Charles Sanders Peirce. Fokus penelitian diarahkan pada bentuk-bentuk representasi moral yang ditampil-kan melalui adegan, dialog, tindakan tokoh, serta simbol visual yang membangun pesan etis dalam alur cerita film bertema sur-vival keluarga tersebut. Metode yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data berupa observasi mendalam melalui proses menonton film secara berulang, pen-catatan adegan serta dialog yang mengandung unsur moral, dan pengklasifikasian data berdasarkan model triadik Peirce yang meliputi representamen, objek, dan interpretant. Hasil penelitian menunjukkan bahwa film ini memuat sejumlah nilai moral, antara lain keteguhan, rasa syukur, kebersamaan, kepedulian, keimanan, kerja keras, pantang menyerah, solidaritas keluarga, dan tolong-menolong. Nilai-nilai tersebut muncul melalui para tokoh dalam menghadapi tantangan bertahan hidup ikatan keluarga dan keya-kinan kepada Tuhan. Temuan ini menegaskan bahwa Min Wara’ al-Mawj bukan hanya menghadirkan ketegangan dan drama pet-ualangan, tetapi juga menyampaikan pesan moral mendalam mengenai ketahanan, tanggung jawab, dan kemanusiaan. Penelitian ini membuktikan bahwa analisis semiotika Peirce efek-tif digunakan untuk mengungkap nilai-nilai moral dalam media film, terutama dalam menginterpretasikan tanda-tanda visual dan verbal sebagai sarana penyampai pesan etis kepada penonton.   Kata Kunci: Analisis Semiotika, Film, Nilai Moral, Peirce, Representamen, Tanda 
Intrinsic Elements of The Novel "Kotak Waktu" by Pudjangga Lama: Structuralism Study According to Robert Stanton Muchammad Naufal Fauqi Adhiya; Rohanda Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

His study aims to analyze the intrinsic elements in the novel "Kotak Waktu" by Pudjangga Lama through Robert Stanton's Structuralism approach. This study uses a qualitative descriptive method. The data source in this study is the novel "Kotak Waktu" by Pudjangga Lama. Data was obtained through literature study by reading, recording, and classifying the data found in the novel "Kotak Waktu". The results of this study indicate that the novel "Kotak Waktu" by Pudjangga Lama has the theme of Existentialism and Reflection on the Journey of Time Taka and his four friends in the past and in the future, varied characters and their characterization, using a mixed plot (forward-backward), as well as setting, place, time, and style of language that build on each other. The point of view used in this novel is the third person omniscient. And the message in the novel "Kotak Waktu" by Pudjangga Lama is to always maintain relationships with fellow human beings.
The Struggle for Self-Actualization of Female Characters in The Film Wadjda (2012) a Feminist Review and Abraham Maslow's Hierarchy of Needs Talia Salma Najihah; Rohanda Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

The film Wadjda (2012), directed by Haifaa al-Mansour, tells the story of a Saudi girl who rebels against gender norms with her ambition to obtain a green bicycle. This study examines Wadjda's psychological journey in fulfilling Abraham Maslow's hierarchy of needs—from basic needs, safety, love and esteem, to self-actualization—within a feminist framework. The method used is a semiotic text analysis of key scenes, combined with a qualitative descriptive approach. The results show that Wadjda's simple act of riding a bicycle becomes a symbol of women's independence and freedom in a patriarchal society, marking the phase of self-actualization. Meanwhile, the roles of the family, school, and patriarchal society reveal the overlapping dynamics of security and self-esteem needs. This study is significant as it enriches feminist scholarship with Abraham Maslow's Hierarchy of Needs Theory in Arab countries from a psychological perspective, and offers a new perspective for analyzing non-Western films within gender and developmental psychology discourse.
The Representation of Sexual Violence Against Women in The Film Cairo 678: a Roland Barthes Semiotic Analysis Nurfadilah Nurfadilah; Rohanda Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

This study examines the representation of sexual violence against women in the Egyptian social drama Cairo 678 (2010), employing Roland Barthes' semiotic approach. The film was chosen for its bold exploration of the critical issue of sexual violence in Cairo’s public spaces and women’s resistance against it. Using Barthes’ framework of denotation, connotation, and myth, this research aims to reveal how the film’s visual and narrative signs depict sexual violence while dismantling patriarchal myths that normalize such acts. The study adopts a descriptive qualitative method, with data consisting of scenes, dialogues, and audiovisual elements from Cairo 678. Data collection techniques include documentation-based observation and literature review. Barthes’ semiotic analysis is applied through stages of sign identification, denotation (literal meaning), connotation (cultural and emotional meaning), and myth (naturalized ideology). The findings demonstrate that Cairo 678 explicitly portrays various forms of sexual violence against women, ranging from non-verbal harassment and physical assault to severe collective sexual violence. This representation operates not only at the denotative level but also constructs powerful connotations of victim helplessness, anger, and trauma, while critiquing the failures of social and legal systems.
The Construction of The Identity of Islamic Youth Movement Cadres in The March 'Pemuda Pembela Agama' By Suraedi: a Semiotic Analysis of Roland Barthes Thaifur Rayya Difadrana; Rohanda Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

The purpose of this study is to reveal the construction of the identity of Pemuda Persis cadres as embodied in the song Mars Pemuda Pembela Agama by Suraedi through the semiotic theory of Roland Barthes. This research employs a descriptive qualitative method with a semiotic theoretical approach based on Roland Barthes' framework. This approach is chosen to uncover the symbolic meanings within the lyrics of Pemuda Pembela Agama as a representation of the ideological identity of Pemuda Persis cadres. The data analysis technique follows Barthes’ semiotic model, which includes denotative analysis to uncover the literal meaning of the lyrics, connotative analysis to interpret meaning based on the cultural and ideological context of the organization, and myth analysis to explore how the ideological message is naturally accepted by the organization’s members. The song Pemuda Pembela Agama by Suraedi represents the identity of Pemuda Persis cadres through Barthes’ semiotic approach, from literal to ideological meaning. Its lyrics emphasize the role of youth as pioneers of Islamic preaching (dakwah) and social transformation with intellectual strength grounded in the Qur'an and Hadith. Through connotation and myth, the cadres are portrayed as guardians of Islamic purity, reformers, and intellectual fortresses of the Muslim community. This song is not merely a formal symbol but serves as an ideological instrument to shape cadres with religious, intellectual, militant, and socially driven character.
Co-Authors Abdul Jabbar Mukhtar Abdul Kodir Abdul Kodir Abdul Kodir Abdurahman, Rizki Acep Hermawan, Acep Ade Sopiah adhia nugraha Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afrina Achmad Agni Nidaulhasanah Agnia, Ariel Husni Ahmad Arif Septian Ahmad Qonit Ad. Ahmad Suhaili Ahmad Yunani Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Akmaliyah Akmaliyah Al Maliki, Sayid Muhamad Al-Rafi’i, Mushthafa Shadiq Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Allisya Rizky Islami Alwi Salam Alwi, Zulfami Aminuloh, Diki Anggraini, Reza Anna Miftahul Khasanah Anneu Rosyanti Suryana Aqila Fikriya Hamidah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azmi, M Ulul Azzahra, Rachma Aini Bintang Helmi Putra budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dendi Yuda S. Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dwiki Kusuma Dzifriya Qatrun Nada Dzikri Ahmad Fauzi Fadhli Hafizh Fadilla, Audryane Anindita Fadlil Yani Ainusyamsi Fajri, M Nurul Fariztina, Alissa Fauzi, Muhamad Faiz Al Fauziah, Resa Nurrahmah Febriana, Putri Salma Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Hartono, Alfina Hasbi Assiddiqi Hasna Afifah Yustiana Yunasa Hazim, Hana Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hopi Silviani Ihin Solihin Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Isma Fauziah Ispa Ahwatul Muslimah Istiana Khotibatunnisa Julaeha, Puput Ratna Karima, Marista Aulia Khoirunisa, Retno Nindya Kodir, Abdul Kodir, Abdul - Komaruddin Komarudin Lathifah, Haifa Latifah, Vina Lilian Andriana M Abdul Halim M. Fauzan Afsar Mahmud Mahmud Maila Nurul Izzati Mardi, Isra Marista Aulia Karima Masmedia Pinem Maura, Indah Natisha Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muchammad Naufal Fauqi Adhiya Muhamad Robi Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Aceng Tata Muhammad Darda Diyaulhaq Muhammad Haritsah Rais Muhammad Nurhasan Muhammad Syafiq Ziyad MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Nining Maida Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurahman Majid Nuraida, Rezky Latifah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Nushrotun Nida Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Aulia Tauziah Putri Budikurnia Istiqomah Qimanullah, Abdul Malik R. Edi Komarudin R. Edi `Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ramdhani, Diyan Rifky Ratu Anti Salimah Resa Nurrahmah Fauziah Resa Restu Pauji Resa Restu Pauji Ridho Hidayat Rifa Mazin Aqillah Rifqi Muhammad Firdaus Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Ropik Irpani Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma febriana, Putri Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Sarah Khairunnisa Arifin Selva Allaya Navika Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Shofwatul Maulidah Ridwan Sidiq, Apip Ansurullah Siti Latifah Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Sulthan Zainul Amin Supardi, Adi Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syairazi, Yasril Ahmad Syarah Salsabila Syasi, Mohamad Talia Salma Najihah Tamam, Asep M. Taufiq, Wildan Thaifur Rayya Difadrana Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wihandani, Wihandani Wildan Rinanda Komara Yadi Mardiansyah Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yulianti Yuliarti Mutiarsih Yunita, Novi Yusanti, Noviana Yuyun Rohmatul Uyuni Zakiyah, Siti Hani Zamzam Mugni Alawi Zulfahmi Alwi