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Salman Alfarisi
Program Studi Seni Drama, Tari, dan Musik STKIP Hamzanwadi Selong
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Mufrodat 4.0: Efektivitas Integrasi AI dan Problem Based Learning di Kelas Bahasa Arab MTs Surabaya Alfarisi, Salman; Jannah, Ida Miftahul
An-Nahdloh: Journal of Education and Islamic Studies Vol. 1 No. 2 (2026): Januari 2026
Publisher : Magister Pendidikan Agama Islam (MPAI) Program Pascasarjana, Universitas Islam Raden Rahmat (UNIRA) Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58788/jeis.v1i2.52

Abstract

The digital era presents both challenges and opportunities in Arabic vocabulary learning. The integration of Artificial Intelligence (AI) introduces a more individualized, interactive, and effective approach to vocabulary management while addressing the limitations of traditional methods. This study examines the effectiveness of integrating AI with the Problem-Based Learning (PBL) model through the innovation of Mufrodat 4.0 in Arabic language learning at an Islamic junior high school (MTs) in Surabaya. The research employed a quasi-experimental method with a pre-test and post-test design involving experimental and control groups, using vocabulary tests, observations, and motivation questionnaires as instruments. The findings indicate that Mufrodat 4.0 significantly improves students’ vocabulary mastery and learning motivation compared to conventional methods. The integration of AI and PBL in this model fosters a more interactive, contextual, and learner-centered learning process. It can be concluded that Mufrodat 4.0 is effective for Arabic language instruction at the Madrasah Tsanawiyah level and holds strong potential as a strategic innovation in responding to the challenges of digital-era education.   Keywords: Mufrodat 4.0, Artificial Intelligence (AI), Problem-Based Learning (PBL), Arabic Language, Learning Effectiveness, Islamic Junior High School (MTs)
Hegemoni Budaya dan Transendensi Syafa'at dalam Al-Hamziyyah Al-Nabawiyyah Karya Ahmad Syauqi: Studi Semiotika Roland Barthes : Cultural Hegemony and the Transcendence of Syafa'at in Ahmad Syauqi's Al-Hamziyyah Al-Nabawiyyah: A Semiotic Study by Roland Barthes Saputra, Indra; Rokhim, Minatur; Choironi, Merry; Alfarisi, Salman; Zahiyah, Adibah Bahirah
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 02 (2025): Artikel Riset Periode November 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i02.7180

Abstract

Modern Arabic literature during the Neoclassical period (al-madrasah al-ihya’iyyah) serves not only as a medium of aesthetic expression but also as a strategic cultural response to the socio-political conditions faced by Muslims under the pressure of Western colonial hegemony. Qasidah Al-Hamziyyah Al-Nabawiyyah by Ahmad Syauqi is one of the monumental masterpieces that uniquely combines elements of praise (madih) to the Prophet Muhammad with sharp social criticism (naqd ijtima’i) towards the reality of his time. Unfortunately, academic readings of this work have often been limited to formalistic aspects, such as meter and rhetoric studies, so that the ideological dimensions and content of resistance hidden behind the beauty of its poetic diction have not been comprehensively revealed. This study aims to fill this gap by employing descriptive qualitative methods, drawing on Roland Barthes’ semiotic approach. The analysis focuses on three layers of meaning: denotation, connotation, and myth (signification), with data sourced from the closing verses of Al-Hamziyyah, which contain a transition from praise to complaint (syakwa). This study found that Ahmad Syauqi constructed three main myths as a form of symbolic resistance. First, the myth of the "Delegitimation of Western Modernity," in which the symbol of Ruma (Rome) is used to undermine the narrative of European legal superiority and affirm the justice of Sharia. Second, the myth of the "Sacralization of Art," in which the diction 'ara'is (bride) naturalizes poetry as a sacred tool for spiritual transactions. Third, the myth of "Syafa'at as the Absolute Solution," which places Islamic spirituality above the rationality of materialism as a way out of the ummah's crisis. Through Barthes's approach, it is revealed that Al-Hamziyyah is not merely a religious text, but a counter-hegemonic discourse that affirms the superiority of Islamic spirituality in the face of modern civilization.
Co-Authors ', Jushermi Aang Kisnu Darmawan Abdul Rasyad abdur rohman Achmad Budi Susetyo Ade Pratiwi Yorissa Agis, Nabila Agung Nugroho Adi, Agung Nugroho Ainur Rofiq, Ahmad Al Kafi, Muhammad Harsya Aldian, Hendy Alghifari, Muhammad Alwi, Ahmad Amaliyah, Amaliyah Amelia, Shela Amir Machmud, Amir Andayani, Dewi Andi Prastomo Antasari, Citra Ardiansyah, Arif Arie Rakhman Arief Fazlul Rahman, Arief Fazlul arifurrahman, arifurrahman Arisa Qurrotu Aini Lina Arisuma, Neri Arsi, Fadli Arwani, M. Khairul Ashari, Yeva Fadhilah Assita, Rodhatul Audrey, Nadya Azzahra, Ifatunnisa Badarudin Bahtiar Bahtiar Bancin, M Khairul Sahdan Basysyar, Fadhil Muhammad Binasti, Binasti Bo'do, Stepanus Cahyadi, Wahyu Catur Cahyani, Adinda Intan Cahyani, Regita Chan, Abdul Hamid Choironi, Merry Christina, Athalia Daeli, Epipanias Daeli, Ines Junita Putri Dani, Wa Ode Dianita Putri Suaiba Dina Tauhida DWI SARTIKA PARAMYTA Dwi wahyudiati, Dwi Erindah Dimisyqiyani Erlangga, Sandi Fahlawi, Najwa Septiana Fajriwasti, Yossi Farihah, Umi Fatihah, Anami Febimulyasih, Febimulyasih Fibarzi, Wiza Ulfa Firdaus, Rafli Fuad, Choirul Gayuh Aji, Gagas Guruh Aryotejo, Guruh Hafid Amrullah Hafiz, Abdul Hakim, Ibrahim Al Halizah, Putri Nur Hanhan Burhani Hanif Fuadi, Muhamad HANIIFAN, AFIF HANIIFAN Hasibuan, Sarah Nadia Hendra, Joni Hidayat, Muizzul Hozairi Ida Zulfida, Ida Ikhwanuddin, Mohammad Ilmi Aulia, Nurul Indah Nurhidayati, Indah INDAR SABRI Indra Saputra Jannah, Ida Miftahul Jenar, Riany Ayuniemas Parisya Juliansyah, Fickry Kamil, Akhmad Kartika Kusmayati, Nindya Khaira Sihotang, Mutiah Khamidah, Z. Kusuma, Bagus Kusuma, Rizqi Fajar Lestari, Suci Indah Lilis Sulistyowati Lutfi Henderlan Harahap M Shofi Saputra M. Sahid Mahdiansyah, Nur Makhrus Ali, Muhammad Mamik Suendarti Mardiana, D. P. Maretha, Lala Putri Marlia, Ani Muhammad Malik Hakim, Muhammad Malik Muksit, Moh Muliani Muliani, Muliani Nanda Novita, Nanda Nandang Budiman Naqiya, Sadiyana Yaqutna Nasirudin, Himam Nasution, M Riyansyah Nur Habibah Nur Haidar Nurlaili, Shafira Nursilah Nursilah NURUL HIDAYAH Orin Gusta Andini Palupi, Endah Kinarya Pamungkas, Adhis Darussalam Pangestika, Finna Maessy Perkasa, Ripho Delzy Pramuja, Alvin Dian Pratiwi, W. Prayogo, Arif Zidan Puji Astuti Putri, Meli Anggraini Rachmawati, Ro'fah Nur Rahmadi Rahmadi Raihan Kenny, Muhammad Rajib, Rayi Kharisma Ramadhina, Melati Rizki Retnowulan, Sri Rahayu Rianto, M. Ikbal Riget, Patricia Nora Anak Rini Astuti Ristanti, Dina Riza Andriani Rizkah, Rizkah Rokhim, Minatur Sadillah, Sadillah Saearani, Muhammad Fazli Taib Saleh, Arifin Saputra, Danang Rendi Saputra, Romi Saputro, Imron Wahyu Sari, Chika Fatika Satriyo Adhy Shodiq, Ja’far Siahaan, Chandra Erichson Sibuea, Nunti Sihotang, Mutiah Khaira Sinulingga, Rizky Amalia Sitanggang, Rivilyo Mangolat Rizky Sonia, Putrisya Novatiara Sri Harini Ekowati Sunardjo, Sunardjo Sunarti Supandi Suprapti, Duhita Driyah Susanto, Gregorius Nugroho Suyatman Syafitri, Azriana Syah Putra, Nur Irfan Dwi Syihab, Ridho Azkaning Tampubolon, Elza Ully Tiara Tanjung Rahayu Telisa Aulia Falianty Tiarahman, Adit Tugiyono Tugiyono Tumangger, Rade Karina Widya Laila Widyastuti, Wahyu Tri Yulandari, Evi Safitri Yusuf, Zahra Nabila Zahiyah, Adibah Bahirah Zainul Arifin Zakhy Alfattakhy, Moch Zilhadia Zilhadia