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Sunarmi Sunarmi
Semarang State University
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ANALISIS RATIO DECIDENDI TENTANG PENJATUHAN PIDANA PENCUCIAN UANG DENGAN KEJAHATAN ASAL PENIPUAN (Analisis Putusan Nomor: 365/Pid.Sus/2023/PN Jkt Tim) Donmes, Tamado; Sunarmi, Sunarmi; Alsa, Abdul Aziz
JOURNAL OF SCIENCE AND SOCIAL RESEARCH Vol 8, No 3 (2025): August 2025
Publisher : Smart Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54314/jssr.v8i3.3100

Abstract

Money laundering is not just an illegal transaction, but a mechanism that allows criminals to disguise the proceeds of crime so that they can be used without suspicion. Therefore, the crime of money laundering is often closely related to predicate crimes, such as corruption, narcotics, fraud, and other crimes that are the source of funds for these illegal practices. The research method uses normative legal research, with the nature of analytical descriptive research, with the approach of legislation approach, concept approach, and case approach. Sources include primary, secondary and tertiary legal materials. The data collection technique is through library research. The data collection tool is document study (documentary research), then analyzed qualitatively. This legal construction has fulfilled the principle of legal certainty because it is formulated clearly and structured in the Money Laundering Law. Law enforcement officers should be more careful in proving the subjective and objective elements of the offense of Article 3 of the TPPU Law, so that criminal liability is not imposed on parties who do not fulfill the elements of actus reus and mens rea in their entirety. The panel of judges in deciding the case does not only adhere to formal interpretation, but also carefully considers the legal facts, as well as substantive justice and proportionality of the defendant's role, so that the decision truly reflects the balance between legal certainty, benefit, and justice.Keyword: Ratio Decidendi, Money Laundering, Crime, Fraud.Abstrak: Pencucian uang bukan sekadar transaksi ilegal, tetapi merupakan mekanisme yang memungkinkan pelaku kejahatan untuk menyamarkan hasil kejahatan agar dapat digunakan tanpa dicurigai. Oleh sebab itu, tindak pidana pencucian uang sering kali berkaitan erat dengan kejahatan asal (predicate crime), seperti korupsi, narkotika, penipuan, dan tindak pidana lainnya yang menjadi sumber dana bagi praktik ilegal tersebut. Metode Penelitian menggunakan penelitian hukum normatif, dengan sifat penelitian deskriptif analitis, dengan pendekatan yaitu pendekatan perundang-undangan, pendekatan konsep, dan pendekatan kasus. Sumber meliputi bahan hukum primer, sekunder dan tersier. Teknik pengumpulan data adalah dengan studi kepustakaan (library research). Alat pengumpulan data yaitu studi dokumen (documentary research), kemudian dianalisis secara kualitatif. Konstruksi hukum ini telah memenuhi prinsip kepastian hukum karena dirumuskan secara jelas, dan terstruktur dalam Undang-Undang Pencucian Uang. Seharusnya, aparat penegak hukum lebih teliti dalam membuktikan unsur-unsur subjektif dan objektif delik Pasal 3 UU TPPU, agar pertanggungjawaban pidana tidak dijatuhkan kepada pihak yang tidak memenuhi unsur actus reus dan mens rea secara utuh. Majelis hakim dalam memutus perkara tidak hanya berpegang pada penafsiran formil, tetapi juga mempertimbangkan fakta-fakta hukum secara teliti, serta keadilan substantif dan proporsionalitas peran terdakwa, agar putusan benar-benar mencerminkan keseimbangan antara kepastian hukum, kemanfaatan, dan keadilan.Kata kunci: Ratio Decidendi, Pencucian Uang, Kejahatan, Penipuan.
KEPASTIAN HUKUM PENENTUAN BATAS MINIMAL USIA DEWASA DALAM PENDIRIAN PERSEROAN PERSEKUTUAN MODAL DI INDONESIA Aulia, Faturrahman; Sunarmi, Sunarmi; Sukaraja, Detania
JOURNAL OF SCIENCE AND SOCIAL RESEARCH Vol 8, No 3 (2025): August 2025
Publisher : Smart Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54314/jssr.v8i3.4267

Abstract

Abstract: This study discusses legal certainty in determiningthe minimum age limit foradults in establishing a capitalpartnership in Indonesia. The ambiguityoftheregulationoftheageofadulthood in Law Number 40 of 2007 concerningLimitedLiabilityCompaniesanditsrevisionthrough Law Number 6 of 2023 concerningJobCreation has givenrisetodiverseinterpretationsamongnotariesand legal practitioners. This study uses a normative legal approachsupportedbyempirical data frominterviewswithnotaries in Medan and Binjai. The resultsofthe study showthattheabsenceof a clear minimum age limit givesrisetomultipleinterpretationsand has animpacton legal uncertainty in establishing a company. Therefore, harmonizationofregulationsandtheestablishmentofexplicitrules are neededtoensure legal certainty.  Keyword:Legal Certainty, Age of Adulthood, Company, Capital Partnership   Abstrak:Penelitianinimembahaskepastianhukumdalampenentuan batas minimal usiadewasadalampendirianperseroanpersekutuan modal di Indonesia. KetidakjelasanpengaturanusiadewasadalamUndang-UndangNomor 40 Tahun 2007 tentang Perseroan TerbatassertarevisinyamelaluiUndang-UndangNomor 6 Tahun 2023 tentang Cipta Kerjatelahmenimbulkankeragamanpenafsiran di kalangannotaris dan praktisihukum. Penelitianinimenggunakanpendekatanyuridisnormatifdengandukungan data empirisdariwawancaraterhadapnotaris di Medan dan Binjai. Hasil penelitianmenunjukkanbahwatidakadanya batas usia minimal yang tegasmenimbulkanmultitafsir dan berdampak pada ketidakpastianhukumdalampendirianperseroan. Oleh karenaitu, dibutuhkanharmonisasiregulasisertapenetapanaturan yang eksplisituntukmenjaminkepastianhukum.  Kata kunci: Kepastian Hukum, Usia Dewasa, Perseroan, Persekutuan Modal 
STRATEGI GLOBALISASI: KEBERLANJUTAN RUMAH PANGGUNG NUSANTARA MELALUI KAMPUNG PULO DESA CANGKUANG GARUT JAWA Pawestri, Titi Ayu; Sunarmi, Sunarmi; Sumarlan, Santoso
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.55485

Abstract

Kampung Pulo, Cangkuang Village, Leles District, Garut, West Java, is one of the local wisdoms of the archipelago which has great potential to be known throughout the world as the identity of the Indonesian nation. Therefore, this research aims to examine globalization strategies related to the sustainability of Indonesian stilt houses which have an impact on social, economic, cultural and political strengthening. This research is a type of qualitative research using interview and documentation data collection methods. Data related to history, residents' activities and the arguments of village leaders are primary data which will complement the analysis of secondary data originating from academic references. The data analysis technique uses descriptive analysis. This research produces 4 globalization strategies that can be implemented to maintain the sustainability of the Kampung Pulo stilt houses, namely the Reinvigorating strategy, namely maintaining the authenticity of the Kampung Pulo stilt houses as a tourist destination; Extending, namely adapting the form of a house on stilts to reminisce in a new atmosphere; Reinterpreting is reinterpreting without eliminating its distinctive elements; and Reinventing, namely combining stilt houses with other cultural elements. These strategies can be developed through design concepts for the conservation and revitalization of Indonesian culture towards global development.Keywords: globalization, houses on stilts, strategyAbstrakKampung Pulo Desa Cangkuang Kecamatan Leles Garut Jawa Barat merupakan salah satu kearifan lokal Nusantara yang berpotensi besar untuk dikenal di seluruh dunia sebagai identitas bangsa Indonesia. Oleh karena itu, penelitian ini bertujuan untuk mengkaji strategi globalisasi terkait keberlanjutan rumah panggung Nusantara yang berdampak pada penguatan sosial, ekonomi, budaya hingga politik. Penelitian ini merupakan jenis penelitian kualitatif dengan metode pengumpulan data wawancara dan dokumentasi. Data terkait sejarah, aktivitas warga serta argumen pemimpin kampung menjadi data primer yang akan menjadi pelengkap dalam analisis data sekunder yang berasal dari referensi akademik. Teknik analisis data menggunakan deskriptif analisis. Penelitian ini menghasilkan 4 strategi globalisasi yang dapat dilakukan dalam menjaga keberlanjutan rumah panggung Kampung Pulo yaitu strategi Reinvigorating yaitu mempertahankan keaslian rumah panggung Kampung Pulo sebagai destinasi wisata; Extending yaitu mengadaptasi bentuk rumah panggung untuk mengenang kembali dalam suasana baru; Reinterpreting yaitu menafsirkan ulang tanpa menghilangkan unsur khasnya; dan Reinventing yaitu menggabungkan rumah panggung dengan unsur budaya lain. Strategi ini dapat dikembangkan melalui konsep desain yang baru sebagai konservasi dan revitalisasi budaya nusantara menuju global.Keyword: globalisasi, rumah panggung, strategiAuthors:Titi Ayu Pawestri : Institut Seni Indonesia SurakartaSunarmi : Institut Seni Indonesia SurakartaSantoso Sumarlan : Institut Seni Indonesia Surakarta ReferencesAji, A., & Fauzy, B. (2020). Akulturasi Arsitektur Lokal Dan Modern Pada Bangunan P-House, Salatiga. ARTEKS: Jurnal Teknik Arsitektur, 5(2), 153-164.DOI:https://doi.org/10.30822/arteks.v5i2.112Barus, M. I. R., Ibrahim, A, & Aziz, A. C. K. (2022). Karya Ilustrasi Budaya Khas Karo pada Seni Tekstil dengan Teknik Digital Printing. Gorga: Jurnal Seni Rupa, 11(2), 448-455. DOI:10.24114/gr.v11i2.38997Bhaswara, R. (2010). (RE) Interpretasi Arsitektur Vernakular: Humanis, Progresif, dan Kontekstual dalam Peradaban Manusia. Jurnal Arsitektur, 1(1), 10-15. DOI: 10.36448/jaubl.v1i1.286.Brata, I. (2016). Kearifan Budaya Lokal Perekat Identitas Bangsa. Jurnal Bakti Saraswati, 5(1), 9“16.Giddens,  A. (2001).  Runway  World: Bagaimana  Globalisasi  Merombak Kehidupan  Kita?,  Jakarta : PT.  Gramedia Pustaka Utama.Hariyanto, A. D., Triyadi, S., & Widyowijatnoko, A. (2022). A Simple Stilt Structure Technique for Earthquake Resistance of Wooden Vernacular Houses in Bima, Sumbawa Island, Indonesia. International Journal on Advanced Science, Engineering and Information Technology, 12(4), 1491-1497. DOI:10.18517/ijaseit.12.4.12848Lalu, E. D., & Fauzy, B. (2020). Dominasi Ragam Akulturasi Lokal-Moderen Pada Bangunan Casablancka Residence, Bali. ARTEKS: Jurnal Teknik Arsitektur, 5(1), 67“74. DOI: 10.30822/ARTEKS.V5I1.187Lumantarna, B., & Pudjisuryadi, P. (2012). Learning from Local Wisdom: Friction damper in Traditional Building. Civil Engineering Dimension, 14(3), 190-195. DOI:10.9744/CED.14.3.190-195Mentayani, I., (2012). Menggali Makna Arsitektur Vernakular: Ranah, Unsur, dan Aspek-Aspek Vernakularitas. Lanting Journal of Architecture, 1(2), 68-82. DOI:10.32315/TI.6.I109Mesra, M, Kartono, G. & Ibrahim, A., (2022). Penerapan Ornamen Tradisional Sumatera Utara pada Toples Makanan sebagai Sarana Revitalisasi. Gorga: Jurnal Seni Rupa , 11(1). 81-88. DOI:10.24114/gr.v11i1.33639.Munawar, Z., (2023). œSejarah Kampung Pulo, Hasil Wawancara Pribadi: 22 November 2023.Ningsih, I. R., Rohim, M., & Pinasti, V. I. S. (2022). Dikotomi Subkultur Masyarakat Kampung Pulo Desa Cangkuang Garut Jawa Barat. Anthropos: Jurnal Antropologi Sosial dan Budaya  (Journal of Social and Cultural Anthropology),  8(1), DOI: 10.24114/antro.v8i1.32144.Nurdiah, E. A., & Hariyanto, A. D. (2013). Struktur Rangka Atap Rumah Tradisional Sumba.Nuryanto. (2014). Kajian Hubungan Makna Kosmologi Rumah Tinggal Antara Arsitektur Tradisional Masyarakat Sunda Dengan Arsitektur Tradisional Masyarakat Bali (Penggalian kearifan lokal menuju pembangunan berbasis konsep bangunan hijau). Seminar Nasional Arsitektur Hijau. Universitas Warmadewa, Denpasar-Bali.Oliver,  P. (2006).  Dwellings:  The Vernacular  House  Worldwide.  Revised edition.  London  and  New  York:  Phaidon Press.Rizky, S. (2022). Keberlanjutan Arsitektur Tradisional Aceh pada Perkembangan Rumah Tinggal. Jurnal Arsitektur Zonasi, 5(1), 29-39.Rosana, E. (2015). Modernisasi Dalam Perspektif Perubahan Sosial. Jurnal Al-AdYaN, 10(1). 67-82.DOI:http://dx.doi.org/10.24042/ajsla.v10i1.1423Royandi, Y., Gunawan I. V. & Halim, E. A. (2022). Analisa Bangunan dengan Pengaruh Tionghoa pada Pecinan Indramayu Jawa Barat. Gorga: Jurnal Seni Rupa, 11(1). 67-73. DOI:10.24114/gr.v11i1.32582Salura, P., Clarissa, S & Lake, R. C. (2020). The Application of Sundanese Vernacular Concept to The Design of Modern Building-Case Study: Aula Barat (West Hall) of Bandung Institute of Technology, West Java, Indonesia. Journal of Design and Built Environment, 20(1), 1-12. DOI:10.22452/jdbe.vol20no1.1Sunarmi. (2018). Komodifikasi Bangunan Pracimayasa Pura Mangkunegaran Surakarta. Disertasi Doktoral, Universitas Negeri Sebelas Maret. Diakses dari: http://repository.isi-ska.ac.id/2486/Sholahudin, U. (2019).  Globalisasi: Antara Peluang Dan Ancaman Bagi Masyarakat Multikultural Indonesia. J S P H, 4(2), 103-114. DOI: http://dx.doi.org/10.17977/um021v4i2p103-114Vasconcelos, G., Lourenço, P. B., & Poletti, E. (2015). An Overview on the Seismic Behaviour of Timber Frame Structures, in Historical Earthquake-Resistant Timber Frames in the Mediterranean Area. Cosenza: Springer International Publishing.Yusuf, S. (2016). Wujud Akulturasi Arsitektur Pada Aspek Fungsi, Bentuk, Dan Makna Bangunan Gereja Kristen Pniel Blimbingsari Di Bali. ARTEKS: Jurnal Teknik ArsitekturJurnal Teknik Arsitektur, 1(2), 15“30. https://doi.org/10.30822/arteks.v1i1.22. 
MENGLOBALISASIKAN BENDAWI KRIYA DI MUSEUM PRABU GEUSAN ULUN DI SUMEDANG, JAWA BARAT Prihatin, Purwo; Sunarmi, Sunarmi; Soewarlan, Santosa
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.55528

Abstract

This writing explains and traces the culture of Nusantara™s bendawi kriya (crafts) that are stored in the Museum Prabu Geusan Ulun in Sumedang, West Java, which are cultural artifacts as evidence of the skills and abilities possessed by the Sundanese ethnic group in West Java. This Sumedang Museum has various kinds of bendawi kriya relics from the Sumedang Larang Kingdom that are unique and have symbols and meanings in Sundanese culture. The method used in this writing uses qualitative data obtained through several techniques, namely reading literature through library studies of written sources related,  direct observation, interviews with the management of the Pangeran Geusan Ulun Foundation and some of the community, Documentation and reviewing documents related to the Museum Prabu Geusan Ulun, visual photo documentation, collections in the Museum Prabu Geusan Ulun can be concluded that this Sumedang Museum contains various bendawi kriya relics from the Sumedang Larang Kingdom, such as keris, kudi, gamelan, traditional clothes, household appliances, weapons, and chariots that are historical evidence of Sundanese culture in the past that have ethnic cultural traditions of kenusantaran as capital to be globalized according to their times.Keywords: Globalize, Craft,MuseumAbstrakTulisan ini menjelaskan dan menelusuri budaya bendawi kriya Nusantara yang tersimpan di  Museum Prabu Geusan Ulun di Sumedang Jawa Barat  yang merupakan artefak budaya sebagai bukti tentang keahlian, ketrampilan yang dimiliki oleh etnis Sunda di Jawa Barat. Museum Sumedang ini memiliki berbagai macam benda peninggalan bendawi kriya dari Kerajaan Sumedang Larang yang khas dan memiliki simbol, makna dalam kebudayaan Sunda. Metode yang digunakan dalam penulisan ini menggunakan data kualitatif yang diperoleh melalui beberapa teknik yaitu membaca literatur melalui studi pustaka sumber-sumber tertulis, observasi langsung, wawancara dengan pengurus Yayasan Pangeran Geusan Ulun dan sebagian masyarakat, Dokumentasi dan mengkaji dokumen-dokumen yang terkait dengan museum Prabu Geusan Ulun, dokumentasi foto visual, koleksi-koleksi yang ada di museum Prabu Geusan Ulun dapat disimpulkan bahwa  Museum Sumedang ini terdapat berbagai benda peninggalan bendawi kriya dari kerajaan Sumedang Larang, seperti keris, kudi, gamelan, pakaian adat, peralatan rumah tangga, senjata, dan kereta kencana yang merupakan bukti sejarah budaya Sunda masa lalu yang memiliki etnisitas budaya tradisi kenusantaraan sebagai modal untuk diglobalkan sesuai zamannya.Kata Kunci: Menglobalisasikan, Kriya, MuseumAuthors:Purwo Prihatin : Institut Seni Indonesia SurakartaSunarmi : Institut Seni Indonesia SurakartaSantosa Soewarlan : Institut Seni Indonesia SurakartaReferencesAsiarto, Luthfi, Ali Akbar, & Dian Sulistyowati, (2012). Museum Dan Pendidikan, Jakarta: Direktorat Pelestarian Cagar Budaya dan Permuseuman Direktorat Jenderal Kebudayaan Kementerian Pendidikan dan Kebudayaan.Gina, Luthfiatin, & Aam Abdillah, (2022). œSejarah Penyebaran Islam Di Sumedang Melalui Pendekatan Budaya, Jurnal Priangan, Volume 1,  Nomor 01,  Juni, 48-59.Haryono, Joko, Myrza Rahmanita, & Gratia Wirata Laksmi, (2023). œIdentifikasi Komponen Daya Tarik Wisata dan Manajemen Pengelolaan Museum Prabu Geusan Ulun Sebagai Wisata Pusaka di Sumedang, YUME: Journal of Management, Volume 6, Issue 1, 15-27.Hutama, Krishna, (2006). œPencitraan Kriya Sebagai Produk Seni Wisata, Jurnal Dimensi Seni Rupa Dan Desain, Volume 4, Nomor 1, September, 87-95.Juju, Ai Rohaeni, Wanda Listiani, & Khairul Mustaqin, (2018). œDesain Dan Proses Produksi Cinderamata Ikon Pangeran Aria Soeria Atmadja Sumedang, Jurnal Atrat. Vol. 6, No. 2, April, 1001-108.Kurniawan, Aris, (2014). œKajian Historis dan Filosofis Kujang, Jurnal Itenas Rekarupa, No. 1, Vol. 2, JanuariJuni, 29-40.Lucky, Raden (Raja Kerajaan Sumedang Larang). (2023). œMenglobalisasikan Bendawi Kriya Di Museum Prabu Geusan Ulun Di Sumedang, Jawa Barat. Hasil Wawancara Pribadi: 19 Desember 2023. Sumedang.Meisari, Yuliani, Tita Cardiah, & M Togar Mulya Raja, (2021), œRedesain Interior Museum Prabu Geusan Ulun, e- Proceeding of Art & Design, Vol. 8, No.2 April, 667-674.Muhsin, Mumuh Z., (2012). Kujang, Pajajaran, Dan Prabu Siliwangi, Bandung: Masyarakat Sejarawan Indonesia Cabang Jawa Barat.Siti, Nita Mudawamah, (2021). œPengelolaan Koleksi Di Museum Musik Indonesia Sebagai Upaya Pelestarian Warisan Budaya, Fihris: Jurnal Ilmu Perpustakaan dan Informasi,  Vol. 16, No.1, Januari-Juni, 1-20.Soewarlan, Santosa, (2015). Membangun Perspektif Catatan Metodologi Penelitian Seni, Surakarta: ISI Press. Sunarmi, (2023). œTradisi Dalam Kontestasi Global Dengan Kasus Interior Rumah Tradisi Dalam Kontestasi Global Orasi Ilmiah dalam Pidato Pengukuhan Guru Besar Prof. Dr. Dra. Sunarmi, M.Hum, disampaikan dalam Sidang Terbuka Senat Akademik Institut Seni Indonesia Surakarta, tanggal 29 Agustus,  di ISI Surakarta.Sunarmi, (2013). œPeran Riset Dalam Perwujudan Desain, Jurnal Brikolase, Institut Seni Indonesia Surakarta, Volume 5, No. 1, Juli. 14-23.Tubagus, Mochamad Rilo, Neneng Yanti K.L., & Lip Sarip H, (2020). œFungsi Tradisi Ngumbah Pusaka Prabu Geusan Ulun Sumedang Larang, Jurnal Budaya Etnika, Vol. 4 No. 1, Juni, 3-22.Thresnawaty, Euis, (2011). œSejarah  Kerajaan  Sumedang  Larang,  Jurnal  Patanjala, Volume 3, Nomor 1, Maret, 154-158.https://www.museumprabugeusanulun.org/catalogYunitawati, D., & Latifah, L. (2016, Juni). AKecemasan Dan Gangguan Fungsi Tiroid Pada Wanita Usia Subur. Media Gizi Mikro Indonesia, 7(2), 107-116. 10.22435/mgmi.v7i2.6017.107-116.
POLA AKTIVITAS MASYARAKAT SEBAGAI HIRARKI KAMPUNG NAGA SEBAGAI WARISAN BUDAYA CERDAS Budiarto, Asri; Sunarmi, Sunarmi; Soewarlan, Santosa
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i1.59293

Abstract

The pattern of community activities in Tasikmalaya, Kampung Naga can be identified as a cultural transformation that exists in the neighborhood of the traditional house and can be seen with the expanse of agricultural lands and water ponds at the forefront of the residential area. Overlaying the houses of indigenous people and other facilities in a certain pattern unity. It can be stated that the livelihoods of the indigenous people of Kampung Naga form a village pattern from the available activity lands. The existence of the flow of life of the indigenous people of Kampung Naga as a place to live not only contains the meaning of the village, but the existence of the Ciwulan river as a sign and meaning of life. The customary leader's residence is characterized by the location of the customary leader's house which is in a higher area and becomes the orientation (direction) for the surrounding houses. This research wants to know the flow of the activities of the Kampung Naga community towards the existence of their customs that reflect a strong understanding of the importance of cultural sustainability and tradition. The community realizes that customary activities as a cultural heritage are the basis for their survival, which can be shown by their high involvement and responsibility for their ancestral heritage. The activities of the indigenous people of Kampung Naga as the place where one returns from.As far as someone who leaves one day will return to the place where he was born. So there is a very strong emotional bond between the village and one's soul. The Village Hierarchy in the site in Kampung Naga has characteristics with tiered ascending contours as a local land condition that reflects the adaptation of indigenous activities to the natural environment and local wisdom. This is the same as the identical pattern of Sundanese villages that have distinctive elements also found in the settlement pattern of Kampung Naga. Through settlement patterns as seen in Kampung Naga, the community has historically developed settlement strategies that are in accordance with the activities and characteristics of the environment and social needs.Keywords: Kampung Naga hierarchy, cultural heritageAbstrakPola aktivitas masyarakat di kampung naga Tasikmalaya dapat diidentifikasi sebagai transformasi budaya yang ada dalam lingkungan perkampungan rumah adat dan dapat dilihat dengan adanya  hamparan lahan-lahan pertanian dan kolam-kolam air di bagian terdepan pada kawasan permukiman. Hamparan rumah-rumah masyarakat adat dan fasilitas lain dalam kesatuan pola tertentu. Hal ini dapat dinyatakan bahwa mata pencaharian masyarakat adat kampung Naga membentuk pola kampung dari lahan-lahan aktivitas yang tersedia. Adanya aliran kehidupan masyarakat adat Kampung Naga sebagai tempat tinggal yang tidak hanya mengandung arti kampung, tetapi adanya sungai Ciwulan sebagai tanda dan makna kehidupan. Tempat tinggal pimpinan adat ditandai oleh Letak rumah ketua adat yang berada di daerah lebih tinggi dan menjadi orientasi (arah) bagi rumah warga yang ada disekitarnya. Penelitian ini bertujuan untuk mengetahui alur aktivitas masyarakat Kampung Naga terhadap eksistensi adat istiadat mereka yang mencerminkan pemahaman kuat akan pentingnya keberlanjutan budaya dan tradisi. Masyarakat menyadari bahwa aktivitas adat sebagai warisan budaya merupakan dasar bagi kelangsungan hidupnya dapat di  tunjukkan dengan keterlibatan dan tanggung jawab yang tinggi terhadap warisan leluhur mereka. Aktivitas masyarakat adat Kampung Naga sebagai tempat asal seseorang kembali (bali geusan ngajadi). Sejauh-jauhnya seseorang yang pergi suatu saat akan kembali lagi ketempat asalnya dilahirkan. Sehingga ada ikatan emosional sangat kuat antara kampung dengan jiwa seseorang. Hirarki Kampung dalam tapak di Kampung Naga memiliki karakteristik dengan kontur naik berjenjang sebagai keadaan tanah setempat yang mencerminkan adaptasi aktivitas masyarakat adat  terhadap lingkungan alam dan kearifan lokal. Hal ini sama sebagai identik pola perkampungan masyarakat Sunda yang memiliki elemen khas juga ditemukan di  dalam pola pemukiman Kampung Naga. Melalui pola pemukiman seperti yang terlihat di Kampung Naga, masyarakatnya secara historis telah mengembangkan strategi pemukiman yang sesuai dengan aktivitas dan karakteristik lingkungan dan kebutuhan sosialnya.Kata Kunci: Hirarki Kampung  Naga, Warisan budaya Authors:Asri Budiarto : Institut Seni Indonesia SurakartaSunarmi : Institut Seni Indonesia SurakartaSantosa Soewarlan : Institut Seni Indonesia SurakartaReferences:Adimihardja, K. (1993). Kebudayaan dan Lingkungan. Bandung: Ilham Jaya.Anto, A. A., Sunarmi, & Soewarlan, S. (2024). Kampung Naga¯: Exploration of Traditional Architecture and. Lakar: Jurnal Arsitektur, 07(01), 85“100. https://doi.org/http://dx.doi.org/10.30998/lja.v7i1.22100Basrowi. (2005). Pengantar Sosiologi. Bogor: Ghalia Indonesia.Koentjaningrat. (2009). Pengantar Ilmu Antropologi. Jakarta: PT Rineka Cipta.Linton, R. (1984). Antropologi, Sutau Penyelidikan tentang Manusia. Bandung: Jemmars.Maslucha, L. (2009). KAMPUNG NAGA: Sebuah Representasi Arsitektur sebagai Bagian dari Budaya. El-HARAKAH, 11(1), 35“49. https://doi.org/10.18860/el.v1i1.421Mikaresti, P., & Mansyur, H. (2022). Pewarisan Budaya Melalui Tari Kreasi Nusantara. Gorga¯: Jurnal Seni Rupa, 11(1), 147-155. https://doi.org/10.24114/gr.v11i1.33333Oktovan, R. N., Suryamah, D., & Dwiatmini, S. (2020). Pewarisan Budaya dalam Kesenian. Jurnal Budaya Etnika, 4(2), 114“125. https://jurnal.isbi.ac.id/index.php/etnika/article/view/1566Padma, A. (2001). Kampung Naga, Permukiman Warisan Karuhun. Bandung: Foris.Ranjabar, J. (2006). Sistem Sosial Budaya Indonesia: Suatu Pengantar. Bogor: PT Ghalia Indonesia.Rusnandar, N. (2013). Seba¯: the Culmination of Baduy ™S Religious Ritual in Kabupaten (Regency) Lebak, The Province Banten. Patanjala, 5(1), 83“100. https://doi.org/http://dx.doi.org/10.30959/patanjala.v5i1.163Sonia, T., & Sarwoprasodjo, S. (2020). Peran Lembaga Adat dalam Pelestarian Budaya Masyarakat Adat Kampung Naga, Desa Neglasari, Kecamatan Salawu, Tasikmalaya. Jurnal Sains Komunikasi Dan Pengembangan Masyarakat [JSKPM], 4(1), 113“124. https://doi.org/10.29244/jskpm.4.1.113-124Syukri, A., Azis, A. C. K., Olendo, Y. O., Elpalina, S., & Syam, C. (2023). Koleksi Museum Adityawarman¯: Sebagai Sumber Belajar Seni Dan Budaya. Gorga: Jurnal Seni Rupa, 12(November), 488“494. https://doi.org/https://doi.org/10.24114/gr.v12i2.51471Tri Sulistyo, E., & Sunarmi. (2021). Emotional Intelligence And Balanced Personality In Javanese Cultural. 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INTERTEXTUALITY ACROSS MEDIA: THE NARRATIVE TRANSFORMATION OF “KKN DI DESA PENARI” FROM TWEET TO MOTION PICTURE AND DIGITAL POP CULTURE Riyanto, Ina Listyani; Sunarmi, Sunarmi; Ajidarma, Seno Gumira
Srawung: Journal of Social Sciences and Humanities Vol. 4 Issue 3 (2025)
Publisher : jfpublisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56943/jssh.v4i3.773

Abstract

This study investigates the narrative transformation of KKN di Desa Penari as it migrated across multiple media platforms, illustrating how local stories are reinterpreted within Indonesia’s hybrid digital ecosystem. Originating as a Twitter thread, the narrative evolved into novels, films, and user-generated content, reflecting the dynamic interplay between intertextuality, adaptation, remediation, and participatory culture. While previous studies have addressed digital folklore or single-medium adaptations, few have explored how a single narrative transforms holistically across platforms through both formal production and audience engagement. The purpose of this study was to analyze how KKN di Desa Penari was reshaped through cross-platform adaptation, cultural negotiation, and participatory practices. Employing a descriptive qualitative approach with intertextual analysis, the research drew data from primary sources (Twitter thread, novel, film, memes, fan art, TikTok videos, YouTube commentary) and secondary literature. The findings reveal that each medium reconfigured the narrative in distinct ways: Twitter fostered fragmented, speculative storytelling; the novel embedded local moral codes; the film remediated the story into visual spectacle; and user-generated content extended the narrative through reinterpretation and cultural commentary. This study contributes to understanding how local narratives achieve longevity and cultural relevance through digital convergence and audience co-creation.
Exploring the creative process of the collaborative artwork “painting in dance”: an autoethnographic study Fadhlan, Fadhlan; Guntur, Guntur; Sunarmi, Sunarmi
International Journal of Visual and Performing Arts Vol 7, No 2 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i2.1782

Abstract

This study explores the creative process of the collaborative artwork Painting in Dance, which merges dance and painting through an innovative, real-time interaction between a dancer and a painter. Employing an art-based autoethnographic approach, the research documents personal experiences and reflections to reveal how spontaneous movement and Action Painting techniques inform each other. Data were collected through visual documentation, self-interviews, and personal journals, and analyzed thematically and narratively. The findings identify four key stages of collaborative creativity: exploratory contemplation, improvisation, expressive collaboration, and final touches. These stages transform the dancer’s body into an active medium for painting. This study contributes a novel model of interdisciplinary artistic creation, demonstrating how integrating dance and visual art can produce dynamic, multisensory performances and inspire new pedagogical approaches in contemporary art education.
The Aestheticization of Saung: Sundanese Vernacular Space in Contemporary Traditional Restaurants, Bandung Widia, Edwin; Sunarmi, Sunarmi; Badriyah, Siti
Journal of Social Research Vol. 4 No. 11 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i10.2817

Abstract

This paper explores the aestheticization of the Saung, a traditional Sundanese hut, as a vernacular cultural object that has undergone transformation in the contemporary urban context of Bandung, Indonesia. Originally a functional agrarian dwelling, the Saung has been recontextualized in restaurants and public cultural events, where its meaning oscillates between tradition and modernity, symbolism and function. Drawing on phenomenology and Bourdieu’s practice theory, particularly cultural capital and symbolic negotiation, this study employs field observations and in-depth interviews to reveal lived experiences of waas (nostalgic memory), nineung (longing), and nyawang (contemplative gaze), which collectively shape the aesthetics of rarasaan. These affective and sensory dimensions position the Saung not only as architecture but also as an inter-collective space that mediates cultural identity, memory, and imagination. By situating the Saung within the Traditional–Modern and Symbolic–Functional quadrants, this paper demonstrates how processes of restructuring, reconstruction, deconstruction, and replication function as adaptive design strategies. The findings highlight the Saung as a site of cultural oscillation and a resilient vernacular form, offering insights into how vernacular settlements can endure and transform under conditions of globalization.
The Pendok of the Surakarta Keris of Paku Buwono X: Art, Symbolism, and Social Status Darmojo, Kuntadi Wasi; Sunarmi, Sunarmi; Sarwanto, Sarwanto; Indrayana, Bagus
Journal of Social Research Vol. 4 No. 11 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i10.2832

Abstract

The pendok of the keris is one of the essential components of keris material culture, especially during the reign of Paku Buwono X in Surakarta. As an integral part of the keris, the pendok not only serves as a protective cover for the gandar, but also carries a symbolic role representing the aesthetics, social status, and spiritual values of the Javanese nobility. The presence of the pendok reflects refined artistic taste and serves as part of the identity marker system within the social structure of the royal court society. This article employs a qualitative approach using literature study methods to analyze the role, function, and meaning of the pendok keris within the cultural context of the Surakarta royal court, particularly during the golden era of art and metal craftsmanship under the reign of Paku Buwono X. This study shows that the pendok keris is not merely understood as a visual ornament, but also as a medium of cultural communication rich in symbols, life philosophy, and the social identity of its owner within traditional Javanese society.
Pengetahuan Apoteker dan Tenaga Teknis Kefarmasian Tentang Pelayanan Informasi Obat di Kabupaten X Subarti, Dwi; Sunarmi, Sunarmi
Indonesian Research Journal on Education Vol. 4 No. 3 (2024): irje 2024
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/irje.v4i3.943

Abstract

Peraturan Menteri Kesehatan RI No. 73 Tahun 2016 tentang Standar Pelayanan Kefarmasian di Puskesmas menyebutkan bahwa Pelayanan Farmasi Klinik merupakan bagian integral dari Pelayanan Kefarmasian di Puskesmas. Penelitian ini berfokus pada beberapa aspek farmasi klinik, yaitu Pelayanan Informasi. Tujuan penelitian ini adalah untuk mengevaluasi pengetahuan Apoteker dan Tenaga Teknis Kefarmasian mengenai Pelayanan Informasi obat sesuai dengan ketentuan yang ditetapkan dalam Peraturan Menteri Kesehatan RI No. 73 Tahun 2016. Penelitian ini menggunakan desain non-eksperimental dengan pendekatan cross-sectional. Data dikumpulkan melalui kuesioner yang disebarkan menggunakan Google Form kepada penanggung jawab kefarmasian di Puskesmas di Kabupaten X. Data yang terkumpul dianalisis dan dipresentasikan dalam bentuk persentase. Hasil penelitian menunjukkan bahwa 100% responden telah melaksanakan Pelayanan Informasi Obat.
Co-Authors Abdul Aziz Alsa, Abdul Aziz Adi Isworo, Adi Adi Prabowo, Rahayu Adli Fahmi Lubis, Muhammad Aflah, Aflah Afrita Harlianty, Rully Agusmidah Agusmidah Ahmad Zakiy Ramadhan Alfian, Miftah Hafidz Ali Roatib Alvi Syahrin Anak Agung Istri Sri Wiadnyani Anam, Saroful Andini, Ikhda Ria Angga Kusuma Dawami Anita Anggraeni, Anita Antary, Cut Rizki Anton Bahtiar Antonius, Hendri Arief Agoestanto Asri Budiarto Astuti, Niken Yulia Atmaja, Agus Adi Aulia, Faturrahman Awaludin, Dipa Teruna Ayu Wulandari Damanik, Wiwin Aziz, Muhammad Fauzan Baidlowi, M. Hisyam Bambang Sarwono Bambang Sunarto BISMAR NASUTION Bravendi, Diantina Budi Setiyono BUDIMAN GINTING Chairuna, Tengku Mita Ciptawan, Ciptawan Dahrul, Annida Darmojo, Kuntadi Wasi David Mubarok, David Dedi Harianto Delina, Susanti Deny Setiawan Devi A, T. Keizerina Devi A, T.Keizerina Devian, Risnanda Vinca Dewi, Elok Tri Kusuma Dewi, Nuriana Rachmani Dian, Elsy Didit Widiatmoko Diyastanti, Arum Donmes, Tamado Dwi Ari Murti Widigdo Dwi Puji Prabowo, Dwi Puji Dwijanto Dwijanto, Dwijanto E S Sulasmi Edgar, Devon Ediwarman Ediwarman, Ediwarman Edwin Widia Ekaputra, Mohammad Eko Sri Sulasmi Ekobudiwaspada, Agung Erawati, Erna Fachrunnisa, Rifka Fadhlan, Fadhlan Fadlilah, Itsnaini Munjiyatul Fahlepy, Ifaldy Riski Fajar Aji, Fajar Fathia, Neng Annis Fikriya, Annisa Fitria Fertha Agustina Fitria, Jihan Dina Fitrianda, Widiya Fitriani, Nurul Haji Fransiskus, Jhonson Edison Fuadi, Fauzan Ginanjarputri, Martha Tisna Ginting Suka, Sri Endhayani Gunanto, Adi Guntur Guntur Gustaf Hutabarat, Andy Hadi Purnomo Hadi Suwono Hamid Mukhlis Hamzalouh, Lubna M. Omar Handriyotopo Handriyotopo Hasibuan, Rahmat Anshar HASIM PURBA Herliyana Rosalinda Heru Supriyatno hervana wahyu Prihatmaka, hervana wahyu Hutabarat, Andy Gustaf Hutabarat, Jenrico Louis Iis Purnengsih Iktarishafa, Vindy Reychani Indra Gunara Rochyat Indrayana, Bagus Indri Kusuma Dewi, Indri Kusuma Irawan, Adhitya Candra Izza, Jasmine Nurul Izzati, Aisyah Juliyana, Milan Karohmah, Nur Kartika, Sahnaz Kartono - Kennedy, Kennedy Khadijah, Siti Nur Khoirin, Khoirin Kristina Wijayanti Kurniawaty Kurniawaty Kusumaningsih, Faiza Windiari Lase, Intan Nurjannah Lestari, Sastri Ayu Limbong, Henman LISTIANA SRI MULATSIH Lubis, Ikhsan Lufti Nasution , Miranda Madiasa Ablisar Madiasa Albisar, Madiasa Mahmud Mulyadi MAHMUL SIREGAR Manap, Abdul Manhuri, Fitri Manik, Candoro Tua Marlina Marlina Marpaung, Abdul Hakim MARTHALENA, YENNY Mohammad Ridwan Mulhadi, Mulhadi Multono, Mulyono Mulyono, Andi Murni Sapta Sari Mushlich, Muhammad Ahva Muthia Anas Salma Narulita, Ajeng Alisa Nasution, Dinny Oktariza Nasution, Rezeki Angelia NOPIANTI, NOPIANTI Nova Wulan Priyandani Novalia, Dyah Nugroho, Nur Nurita, Rahayu Tri Nuritasari, Rahayu Tri Nuriyanti, Okta Nurkaromah Dwidayati, Nurkaromah Nurulfatmi Amzy Nurzanah, Eka Pane, Lorita Tupaida Panggabean, Fransiska Parinduri, Hamdani Pasaribu, Rizaldy Pawestri, Titi Ayu Perangin-angin, Donsisko Permata, Cintya Putri Prabantarikso, Mahelan Prabowo, Rahayu Adi Prasetiyo, Sofan Tri Pratiwi Damanik, Maristella Purwadi, Toni Purwo Prihatin Pusdiana, Made Sadika Puspita Eka Wuyung Puspitasari Puspitasari Putra Hsb, Ibnu Habib Ryandi Syah Putra, Tri Arya Putri, Dwi Liana Wella Putri, Rahmadyah Kusuma Putri, Rizki Kurnialah Putriaji Hendikawati Qisthi Maghfiroh Qonitah, Parwila Raden Ersnathan Budi Prasetyo Ramadhan, M. Citra Ramadhani, M Ramadhiana, Charinda Bella Reno Abdurahman Reno Abdurrahman Ririn Anjarwati Riswan Munthe, Riswan Ritonga, Syahdani Rizky Wardiman Riyanto, Ina Listyani Rizky, Nikita Robert Robert Robert, Robert Rosnidar Sembiring Safira, Ekatiara Siva Safitri, Nadidah Sagala, Liwarny saidin, saidin Santosa Santosa SANTOSO SANTOSO Santrinita Jumame Saragih, Indah Chairani Sari, Intant Sari, M S Sarwanto Sarwanto Sawitri, Riska Agi Scolastika Mariani Selly Puspita Sari Seno Gumira Ajidarma, Seno Gumira Septi Viantri Kurdaningsih Septiana, Nita Tri Setiawati, Putri Siahaan, Gerald Partogi Sidauruk, Jupenris Siegfried, Irene Elfira Dewi Sinaga, Mohd Rizky Siswanto, Silo Siti Aisyah Siti Badriyah Siti Hajar Situmorang, Josua Pebruanto Mangihut Soegiarto, Ita Soewarlan, Santosa Solehan, Fandi Sri Wahyuni Muhtar St. Budi Waluya Subarti, Dwi Sudrajat, A K Sugiarto S Sugiman Sugiman Suhadi Suhadi Suhendriyo Suhendriyo Sukaraja, Detania Sukarja, Detania Sukartara, Nirwansyah Sukestiyarno, Y L Sulisetijono Sulisetijono Sumarlan, Santoso Sumarni Sumarni Sumarno . Suningrat, Nining Surbakti, Benny Avalona Suryani, Rafika Sutejo, Aris Sutiarnoto Sutiarnoto Suyanto Suyanto Syahputra, Yudi Syarifah Lisa Andriati Sylvia Kartika Dhamayanti Tarsisius Murwadji Tentrem. R.T, Susi Thahir, Irfan Farid Tony Tony Tri Ambarwanto, Sigit Triastono Imam Prasetyo Triredjeki, Hermani Trisakti, Intan Trisna, Wessy Tulus Puji Hastuti Umi Fitriyati Utami, Linda Utami, Tika Putri Veronica, Rahayu Budhiati Veronica, Rahayu Budhiati Wahyudi, Ichsan Walid Walid, Walid Wardhani Sitepu, Noni Kusuma Wicaksono, R S Widita, Cintya Sukma Widya Arisandy Widyastutieningrum, Sri Rochana Wulandari, Novi Citra Yuninggar Renaningtyas Yuwono, Purwanto Yugo Zafi, Bayu Indah Syafinatu Zahra Firdaus