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Maryono Maryono
FAI UNSIQ Wonosono
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Penerapan Model Pembelajaran Berbasis Projek untuk Meningkatkan Keaktifan Belajar Siswa pada Materi IPAS Khairani, Mutiara; Maryono, Maryono; Pamela, Issaura Sherly
Jurnal Pendidikan dan Pembelajaran Indonesia (JPPI) Vol. 4 No. 4 (2024): Jurnal Pendidikan dan Pembelajaran Indonesia (JPPI), 2024 (4)
Publisher : Yayasan Pendidikan Bima Berilmu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53299/jppi.v4i4.814

Abstract

Penelitian ini berfokus pada evaluasi dan penyelesaian masalah selama proses pembelajaran karena model pembelajaran berbasis proyek (PjBL) membantu siswa mengerjakan proyek dan menyelesaikan masalah. Tujuannya adalah untuk meningkatkan keterlibatan siswa dalam materi Ilmu Pengetahuan Alam dan Sosial (IPAS) di kelas V SDN 209/IV yang memiliki tingkat sensitivity rendah. Karena metode yang monoton dan dominasi guru dalam menjelaskan materi, observasi awal menunjukkan bahwa siswa kurang terlibat dalam pembelajaran. Penelitian ini menggunakan metode penelitian tindakan kelas (PTK) yang dilakukan selama dua siklus yang setiap siklusnya memiliki alur mulai dari persiapan, pelaksanaan, pengamatan, dan refleksi. Studi ini dilakukan pada seluruh siswa kelas V SDN 209/IV Jambi, yang berjumlah 26 siswa. Studi ini dilakukan dalam dua siklus dan termasuk 26 siswa. Hasil analisis data menunjukkan bahwa model pembelajaran berbasis proyek (PjBL) berhasil meningkatkan aktivitas belajar siswa pada mata pelajaran IPAS. Siswa di kelas V SDN 209/IV Penyengat Rendah melihat hasil yang positif dari model ini. Beberapa tahapan implementasi model PjBL adalah menentukan pertanyaan dasar, merancang perencanaan proyek, menyusun jadwal, dan memonitor pembelajaran. Hasilnya menunjukkan bahwa siswa menjadi lebih aktif dalam kegiatan pembelajaran, menjawab pertanyaan, mendengarkan apa yang dikatakan guru, menyimpulkan hasil kerja, dan meningkatkan keberanian, rasa percaya diri, dan keinginan untuk belajar. Peningkatan ini terlihat pada setiap pertemuan selama siklus I dan II secara bertahap yang sebelumnya keaktifan siswa dari hanya 45% pada pra-tindakan menjadi 53,5% pada siklus I pertemuan 1 meningkat di pertemuan 2 sebanyak 69%. Kemudian dilanjutkan siklus II pertemuan 1 meningkat mencapai 78% dan 82,19% pada pertemuan 2.
ANALISIS ESTETIS TARI DRIASMARA Dwiyasmono, Dwiyasmono; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 12 No. 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v12i2.505

Abstract

The dance Driasmara is a pasihan dance in traditional Surakarta style and a developmentof previous pasihan dances, including Karonsih, Lambangsih, Endah, and Enggar-enggar. Thisdance has a variety of moods for creating dramatic effect through its treatment of the movements,vocal melody, dance steps, levels, and musical accompaniment, so that it is interesting to analyzeits aesthetical formation. In order to discover the aesthetical formation of the dance Driasmara,tools for aesthetical analysis are required, including the concepts of wiraga, wirama, wirasa, andhasta sawanda as well as the concept of dramatic design. It is hoped that this study will bebeneficial for the development of the life of the arts, in particular aspects of aesthetical analysis.
ESTETIKA TARI KUKILO GAYA SURAKARTA GUBAHAN S. MARIDI Resi, Laras Ambika; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 13 No. 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v13i1.533

Abstract

This research aims to uncover the aesthetic meaning of the Kukila dance through anaesthetical review in order to discover and describe: (1) the form of the Surakarta style Kukiladance which includes its theme, dancers, movements, make-up, costumes, music, and dance formation;(2) an explanation of the concept which symbolizes the form of the dance and the responseof the audience; and (3) an explanation of the aesthetic meaning of the Surakarta style Kukiladance. The form of the research is qualitative descriptive. The research uses a holistic approachwhich places the form of the dance or its sensation as the objective factor, the concept or idea whichsymbolizes as the genetic factor, and the response or emotion of the audience as the affective factorin an interactive communicative study. The research places each factor in an equal position as adata source and in the activity of the analysis.The theories used for researching the Kukila dance are: (1) Theories of Aesthetics; (2) Theoriesof Performing Arts; (3) Theories of Symbolism; and (4) Theories of Communication. Themethods used by the writer for collecting the data include: a library study, direct and indirect observation, and interviews with a number of informants. The conclusions drawn, based on theform, symbols, and emotions of the audience, are that aesthetically, the Kukila dance depicts afriendship between two kinds of birds which are agile, lively, and vivacious in character, while itfunctions as entertainment and can be interpreted as having content which is meaningful forcharacter building. In its implementation, the form of the Kukila dance is expressed through theperformance of presentative and representative movements which are agile, lively, and vivacious,and supported by make-up and costumes resembling the appearance of a bird, as well as dynamicmusic, creating a sense of harmony in a high quality work of art. The Kukila dance is essentiallya popular dance which is often learned by children in elementary school and junior high school.Keywords: Kukila dance, aesthetic, and character building.
KONEKSITAS TARI DAN MUSIK PADA TARI KELANA GAYA SURAKARTA Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4030

Abstract

Klana Dance Surakarta style there are at least three main versions that can be traced, namely Kelana dance version S. Ngaliman, version of S.Maridi, and Version Sunarno Purwo Lelono. The three versions of Kelana dance in the groove do not have a prominent difference, but there are quite strong differences and very principles, especially in pacak and wiled sustainability that I observed from 1979 to the 2010s. The connection of dance and music in Surakarta Style Kelana dance shows the existence of a blend and harmony formed from the role of music to dance that serves as a pointer of content, illustration/nglambari, membungkus/mungkus, and nyawiji so as to form a Kelana dance Surakarta Style that is dashing, sigrak, spirit, firm and authoritative. The basic principle that each element in Kelana dance is a visual form that is artistic has shown coherence between elements and total connection so that it can function as a means of expression of the artist steadily.Keywords: music and Kelana dance
HOLISTIK TARI SINGO JOWO LASKAR KARYA UMI USWAHTUN KHASANAH Amintamah, Novia Nur Nurul; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4440

Abstract

Penelitian ini bertujuan untuk mengungkap makna yang terkandung pada Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah. Makna tari dapat diungkap dengan melihat tiga permasalahan meliputi: (1) Bagaimana Genetik Tari Singo Jowo Laskar Karya Umi Uswahtun Khasanah, (2) Bagaimana Objektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah, (3) Bagaimana Afektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah. Penelitian ini dikaji dengan pendekatan Kritik Seni Holistik yang menempatkan tiga faktor yaitu genetik, objektif, dan afektif merupakan satu kesatuan sebagai sumber terjadinya aliran makna. Penelitian yang dilakukan bersifat kualitatif dengan tehnik pengumpulan data meliputi wawancara, observasi, mengkaji dokumen arsip, dan perekaman. Hasil temuan penelitian berdasarkan analisis faktor genetik, objektif, dan afektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah dapat mengungkap makna bahwa karya tersebut berfungsi sebagai hiburan dan mengangkat nilai-nilai historis kedaerahan, nilai semangat perjuangan, nilai patriotisme dan nasionalisme yang berguna bagi generasi muda dan masyarakat.
PERSPEKTIF HOLISTIK TARI MERADAI GARAPAN SEKOLAH MENENGAH KEJURUAN NEGERI 5 KOTA BENGKULU Lara Sati, Ane Gempita; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i2.5593

Abstract

Bengkulu is one of the provinces located on the island of Sumatra with its capital city being Bengkulu City. Bengkulu City has a very famous ceremonial tradition, namely the Tabot ritual tradition which is held every year on the 1st to the 10th of Muharram. The Tabot ritual is often used as an entertainment event in the form of creative dance or new works created by local artists in Bengkulu City. One of them is the Meradai dance which is a work of State Vocational High School 5 of Bengkulu City in 2017. This study aims to reveal the meaning contained in the Meradai dance created by State Vocational High School 5 of Bengkulu City. The meaning of the dance is revealed by revealing three problems including: the genetic concept, the form of purpose, and the audience's response to the Meradai dance created by State Vocational High School 5 of Bengkulu City. This study uses a holistic art criticism approach that places three factors, namely genetic, objective, and affective, which are a unity as a source of the flow of meaning. This study is qualitative with data collection techniques including interviews, observations, and literature studies. The results of the discussion based on genetic factors, objectives, and affective aspects of the Meradai dance created by State Vocational High School 5, Bengkulu City are used for competitions, entertainment and learning materials, and contain values ​​of fighting spirit, mutual cooperation, and cultural history values.
BENTUK KOMPONEN NONVERBAL KARYA TARI ELEGI Purwanta, Eunike Meta; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.5607

Abstract

The research on “Bentuk Komponen Nonverbal Karya Tari Elegi” explores the elements contained in dance. This dance is a depiction of a romantic relationship that leads to things that are considered toxic. This paper aims to reveal the meaning of the nonverbal component forms of Elegi dance by interpreting the compound relationships between its elements. Several elements are discussed, namely: theme, movement, facial expressions (polatan), make-up, clothing, floor patterns and music as accompaniment. For problem solving, use verbal and nonverbal concepts from Maryono in the Book Analisa Tari. The research methodology is qualitative with data collection techniques: literature study, observation and interviews. All data that has been collected, classified, processed and analyzed using the triangulation method. The data that has been collected is then compared between one data and other data. This study found that the compound relationship of the nonverbal component elements of the Elegi dance is a dance work presented by two female dancers based on elements of traditional Surakarta style dance which was developed with the theme of romance. The struggle for love that is presented is about a love relationship that failed due to the denial of love and the woman fell into a state of hatred, resentment and anger, but in her downturn a new awareness was born, she got up and moved on to continue living by arranging her entire life so that it was meaningful for herself and others.
PELATIHAN KADER POSYANDU PEDULI STBM PILAR PERTAMA DI KECAMATAN TANGAN TANGAN KABUPATEN ACEH BARAT DAYA Husaini, Muhammad; Maryono, Maryono; Baharuddin, Baharuddin; Nindia, Yuni; Khairunnisa, Khairunnisa; Yasni, Hilma
BESIRU : Jurnal Pengabdian Masyarakat Vol. 1 No. 12 (2024): BESIRU : Jurnal Pengabdian Masyarakat, Desember 2024
Publisher : Lembaga Pendidikan dan Penelitian Manggala Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62335/777fp603

Abstract

Salah satu upaya promotif dan preventif yang harus didahulukan atau diprioritaskan adalah peningkatan akses terhadap sanitasi yang layak. Untuk peningkatan derajat kesehatan masyarakat, akses terhadap fasilitas sanitasi yang layak sangatlah diperlukan, penggunaan sarana sanitasi yang layak akan memutus mata rantai penularan penyakit yang berbasis lingkungan sehingga terciptanya masyarakat yang sehat bebas dari penyakit. Berdasarkan data dan pengamatan di Kecamatan Tangan Tangan, diperlukan strategi dan upaya yang serius sehingga masalah akses jamban keluarga di Kecamatan Tangan Tangan dimana setiap rumah tangga memiliki jamban sehat dapat terpenuhi. Salah satu upaya adalah masyarakat yang peduli Sanitasi Total Berbasis Masyarakat (STBM) pilar pertama. Kegiatan pengabdian masyarakat didahului dengan melakukan penjajakan awal dan dilanjutkan penyusunan rencana kegiatan. Selanjutkan dilakukan pelaksanaan pengabdian masyarakat dengan jumlah sasaran sebanyak 30 orang kader posyandu di wilayah kerja Puskesmas Tangan tangan. Hasil pengabdian menunjukkan bahwa terjadi peningkatan pengetahuan dan keterampilan kader posyandu sebanyak 83,3% tentang Sanitasi Total Berbasis Masyarakat (STBM) pilar pertama. Perlu adanya tindak lanjut dari lembaga terkait untuk pemantauan terhadap penerapan Sanitasi Total Berbasis Masyarakat (STBM) pilar pertama di kecamatan Tangan tangan kabupaten Aceh Barat Daya
Persepsi Nelayan pada Daerah Penangkapan Ikan Terhadap Dampak Pembangunan Makassar Newport di Kota Makassar (Ditinjau dalam Aspek Sosial Ekonomi) Hasbi, Ibnu Malkan; Wulandari, Sri; Maryono, Maryono
Nekton Vol 1 No 2 (2021): October
Publisher : Politeknik Negeri Sambas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (575.029 KB) | DOI: 10.47767/nekton.v1i2.278

Abstract

Makassar Newport Port is one of the National Strategic Projects to facilitate the flow of goods logistics. This project is called fishermen disrupt fishing routes and traditional boat income <3 GT. This study aims to analyze public perceptions of the social and economic impacts of Newport's development. held from January to April 2021 in Tallo Makassar District. using qualitative methods through in-depth interviews and observations. respondents in this study as many as 60 people who make a living as fishermen. The determination of informants is done by a snowball method. Measurement of the degree of perception is measured by the Likert scale method. The results of the study indicate that the positive value of social impact provides security from crime, while the negative value of community interaction is less harmonious and clean from the polluted environment. The positive economic impact is that the community gets a side job as an additional livelihood. the negative value is that the income from fishermen's catches decreases and the operational costs that must be spent are greater to carry out fishing activities.
Analisis Pengambilan Keputusan Perubahan Konversi Tambak Ikan Ke Kebun Kelapa Sawit Di Desa Kasano Mamuju Utara Nasir, Akbar; Maryono, Maryono
Nekton Vol 1 No 2 (2021): October
Publisher : Politeknik Negeri Sambas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (400.376 KB) | DOI: 10.47767/nekton.v1i2.280

Abstract

This study aims to determine the causes and impacts of the conversion of fish ponds into oil palm plantations in Kasano Village, North Mamuju. This study uses a qualitative method with a descriptive research approach. Data collection used observation techniques and direct interviews with fishermen who converted their ponds into oil palm plantations in Kasanao Village, Baras District, North Mamuju Regency. The results of this study indicate that the number of fishermen who convert their ponds to oil palm plantations is around 80%. Land conversion occurs gradually, there is no change in social status due to land conversion. Instead, the conversion of the ponds is due to the problem of the value of oil palm being higher than milkfish or shrimp.
Co-Authors 07.05.52.0041 Aswatul Khasanah 08.05.52.0017 Easy Natalia, 08.05.52.0017 08.05.52.0148 Ninda Triana 08.05.52.0179 Fuad Hasan 08.0552.0028 Zumroatun Akyuni 0835030714 Masroka Priyo Utomo 0835030718 Unik Wiyarsini 0835030726 Ambar Mulyani 09.05.52.0040 Bhaskoro Adhi Nugroho 09.05.52.0114 Rizky Nur Saputra 09.05.52.0140 Kurnianto Nur Utomo 09.05.52.0173 Nur Inayah 10.05.52.0021 Yuni Puji Astutik 10.05.52.0051 Yogi Agustio Sayogo, 10.05.52.0051 10.05.52.0064 Andi Utomo 10.05.52.0082 Ade Imamul Muwachidin 10.05.52.0138 Eny Widayani 10.05.52.0139 Tukirah 10.05.52.0160 Dhanis Harsetiadi 10.05.52.0207 Galih Raharjo 11.05.52.0209 Nemia Kulamega Abugau, 11.05.52.0209 11.05.62.0001 Andryana Riajayanti 12.05.52.0038 Dewi Wahyu Lestari, 12.05.52.0038 12.05.52.0045 Rahma Syawari Mustika, 12.05.52.0045 12.05.52.0116 Dwi Nofiana, 12.05.52.0116 12.05.52.0165 Endrix Wibowo, 12.05.52.0165 12.05.52.0184 Wahyuning Astuti, 12.05.52.0184 Aan Kurniawan Abda Abda Achmad Badjuri Addiani, Intan Cahya Aditya, Dina Mei Eka Aditya, Dina Mei Eka Adiyanti, Yosua Ayu Afiani, Nur Afif Irwan Septiandy, 15.05.52.0006 Afrina, Rina Agam, Beryaldi Agus Budi Santosa Agus Haryanto Agus Prastiono, 12.05.52.0079 Agus Prastiono, 12.05.52.0079 Agus Setiabudi Agzistasari, Anggun Ahlan Ghanim Ahmad Arifi, Ahmad Ahmad Syarif Aiman, Ghiyats Ajeng Laliddya N, 12.05.52.0105 Ajeng Laliddya N, 12.05.52.0105 Akhlis Rizza, Muhammad Akkapin , Suppaphorn Al Fath , Ayatullah Muhammadin Albino Da Cruz Dos Santos, 12.05.52.0051 Albino Da Cruz Dos Santos, 12.05.52.0051 Alfiana, Rinta Ali Maskur Ali Ma’sum, Muhammad Alibasjah I Soedjarno Alvi Rosyidi Amalia Nur Anifah Amie Kusumawardhani, Amie Amintamah, Novia Nur Nurul Amiruddin Amiruddin anasril, anasril ANISAK KURNIASIH Apriyanto, Rahmat Ardhianto Adhi Nugroho, Ardhianto Adhi Ari Bowo, Dedi Artika, W. Asriyani, Asriyani Astuti, Ninik Puji Athina Novi Hapsari, 14.05.52.0084 Atik Widarti, 12.05.52.0125 Atik Widarti, 12.05.52.0125 Atmajaya, Onesimus Dhyas Dwi Aufa, Dicky Rasyid Ayunisa, Dini Arifa Aziz, Mukhlis Abdul Azizah, Nilna Azizah Baharuddin Baharuddin Bambang Moyoretno, Bambang Bambang Sutedjo Bamualim, Mubarak Barabud, Rifqi Muhammad Batara Daniel Bagana Bramanthyo Heru Wahyudi, Bramanthyo Heru Budi Warsito Budiana, Mega Nora Budiman Anwar Bustami Bustami Cahyaningsih, Nur Putri Candra Kusumawati, 16.05.62.0039 Ceacilia Srimindarti Dakusta Puspitasari, Dakusta Darno, Darno Dermawan, Dermawan Destrinelli Destrinelli Desty Rachmawati, 13.05.52.190 Desty Rachmawati, 13.05.52.190 Devi Irianti Lestari, 14.05.52.0134 Dianisa, Lelva Dina Mei Eka Aditya, 14.05.52.0238 Dina Mei Eka Aditya, 14.05.52.0238 Dina Restuti Dewi, 13.05.52.0169 diyah, halimatussa Dwi Wahyudiarto Dwiana, Nida Dwiyana, Nida Dwiyasmono Dwiyasmono Edy Kurniawan, Edy Eka - Sastrawati Eko Kuntarto Elpiani Br Sitepu, 14.05.62.0016 Elpiani Br Sitepu, 14.05.62.0016 Endah Setyo Anjarwati, 13.05.52.0047 Endah Setyo Anjarwati, 13.05.52.0047 Fahrianoor Fahrianoor Faizi, Meena Fatimah, Anik Zuhriatul Febriana Kiranti, 14.05.52.0008 Fera Estiana, 15.05.52.0160 Ferina Intan Lutfia, 14.05.52.0256 Ferry Hermawan Firda, Jihan Zulfia Firdaus Firdaus Firmansyah, Lukman Fitri, Ridha Fitria, Ade Fitrian, Achmad Fuad Muhammad Furi Mutiara Nugraheni, 15.05.62.0016 Ghanesia Istiani , Hari Gresella Junita Samosir, 13.05.52.0177 Gresella Junita Samosir, 13.05.52.0177 Gunawann, Cynthia H, Tri Mulyono Hadi Susilo, Sugeng Hafiduddin Hafiduddin Hansanontha , Pataree Haq, Izhar Amirul Harini Harini Haritsa, Rifda Tsaqifarani Hariyanto, Marcellino Dwi Hartuti Purnaweni Haryanti Putri Rizal Hasbi, Ibnu Malkan Hasri Hasri Hastini, Frizka Dwi Hastuti, Ita Sri Hendra Budiono Heni Pujiastuti Herbawani, Chahya Karin Herlambang, Tri Mulyono Herliana, Fitria Hidayah, Nedya Tresna Dwi Hidayat, Teguh Rakhmat Husaini, M. Ichda Septi Maulika, 14.05.52.0249 Ichda Septi Maulika, 14.05.52.0249 Iis Alafiyah, 11.05.52.0047 Iis Alafiyah, 11.05.52.0047 Ika Ulinuha Aditia Swari, 15.05.52.0324 Imam Ghozali Imam Prasetiyo, 12.05.52.0103 Imam Prasetiyo, 12.05.52.0103 Indah Yulitasari, 12.05.52.0019 Indah Yulitasari, 12.05.52.0019 Indira Djanuarti Indra Mahyudi Indriani, Farida Maya Intan Cristiana, 13.05.52.0236 Irawan, Anugrah Septiadi Irfan Ali Mustofa, 14.05.52.0160 Iwan Dini Izzan Arif Hutomo Jafron Wasiq Hidayat Januardy, Uray Jordi, Jordi Jufri, Reza Muzzamil Kamaluddin, Muh Arif Karsan, Karsan Kasiyati Kasiati Khabib Mustofa Khairani, Mutiara Khairunnisa Khairunnisa Khairunnisak Khairunnisak, Khairunnisak Koestantono, Koestantono Krisbianti, Dian Kristiandi, Kiki Kriswanto Kriswanto, Kriswanto Kuncoro, Achmad Isro' Kuncoro Kurniasih, Dede Dwi Kurniawati, Vira Laksono Trisnantoro Lara Sati, Ane Gempita Lazuardi , Lazuardi Lazuardi Lazuardi Lely Nurma Jayanti, 13.05.62.0026 Lely Nurma Jayanti, 13.05.62.0026 Lestari, Maharyati Puji Lukman Hakim Lutviyani Indasah, 15.05.52.0248 M. Imad Abdul Majid, 13.05.52.094 M. Imad Abdul Majid, 13.05.52.094 Ma'rif, Samsul Mahathir Muhammad Mahyudi S, Indra Maman Sudirman Mangililo, Richard Costantin Mariahni, Mariahni Desnawati Sipayung Markoni Markoni Marlina Ummas Genisa Maulana, M Azhar Mega Andani Putri, 13.05.52.0052 Merdekawati, Dewi Midiyanto, Midiyanto Miftah Hur Rahman Zh Moeslim, Yulia Jayaputri Mohammad WIJAYA Mollah, Mamun Muhammad , Fuad Muhammad Abdul Latif, 15.05.52.0342 MUHAMMAD ALI Muhammad Husaini Muhammad Ridwan Muhammad Usman, Muhammad Muhammad Wakhid Musthofa Muharam, Samahuddin Mukti, Waluyo Mulyo Budi Setiawan Muniri Muslih, Muhammad Zain Mu’awanah, Elfi Nasir, Akbar Ngadimin Ngadimin Nicola, Rahmad Nanda Nisa, Sahratun Nitaya Putri Noor Hidayati Noviyanti, Silvia Noviyanti, Silvina Nugroho, Agung Nuha, Zaki Ulien Nur Aliyah, 15.05.52.0309 Nur Anna, Dian Nur Hikmah, Isna Mutiara Nurhaban, Nurhaban Nurhasanah, Devi Nuriza, Nuriza Nurjan, Syarifan Nurjannah, Darul Nurul Fatimah Yunita Nusantara, Surya Dharma Oktaviannor, Tomi Onny Imanuella Gunawan, 15.05.62.0013 Pajar Haryatno Pamela, Issaura Sherly Pancawati Hardiningsih Prabantariksa, Mahelan Pradana, Julius Gaharu Pradana, Mochammad Rifki Purbadia, Maria Christina Purwa Saputra, Datep Purwanta, Eunike Meta Purwanto, Purwanto Putra Setiawan, Ricky Sheldy Putra, Abimanyu Septian Triyananda Putra, Mokhamad Rifky Putri, Syachna Maheswari R.M. Pramutomo Rahman Halim, M. Arief Ramadandi, Rizky Ramadhani , Annisa Ramdiansyah, Feri Rasandi, Rasandi Rejokirono, Rejokirono Resi, Laras Ambika Resyarusyda Parandrengi Riki Andriyani Riris Ning Pambudi Untari, 14.05.62.0030 Riris Ning Pambudi Untari, 14.05.62.0030 Riyaningsih, Etik Riyantika, Era Riza Hadikusuma Rizky Zulfa Rihhadatul Aisy, 14.05.52.0272 Rokhmawan, Sonnie Rosyadi, Akhmad Fikri Rully Rahadian Runggeari, Maria Shely S Siswanto S, Indra Mahyudi Saebani Saebani, Saebani Saifullah Saifullah Salis Irvan Fuadi Samino, M. Francine Avanti Sangkhawan, Thammanoon Sangsongko, M Agus Santosa , Agus Budi Santoso, Ignatius Hari Sapti Dwi Mukti, 15.05.52.0320 Saputra, Dellen Saputra, Mulpi Iman Sari, Trianita Sasmita, Nur Mala Selvianti Selvianti Septi Wulandari Santoso, 15.05.52.0351 Septiyani , Eka Shalihat, Annisa Kurnia Sigiro, Oktavia Nurmawaty Silvina, Silvina Silvina, Silvina Noviyanti Silviya Yenni Marsela, 13.05.62.0013 Silviya Yenni Marsela, 13.05.62.0013 Sinaga, Marlina Slamet MD, Slamet SP, MSi, Maryono sri indriani harianja Sri Nawatmi Sri Wulandari Suasungnern, Sineerat Subarkah, Danang Suci Hayati Sudharto P Hadi Sugiarti Sugiarti Suhaemi Suhaemi, Suhaemi Sulistia, Indryanti Sunarti Surajiman Surajiman Syabani, Nurul Syachna Maheswari Putri, 15.05.52.0353 SYAHRIAL SYAHRIAL Syamsiar, Syamsiar Syukroni, Azid Syukur, Syukur Taharuddin Taharuddin Tri Mulyono H, Khairunnisak Tri Retnaningsih Soeprobowati Tri Septiyantono, Tri TRI SUTRISNO Tri Windari Tyas, Nur Endah Wahyuning Ulfa Puji Utami, 13.05.52.0114 Ulfa Puji Utami, 13.05.52.0114 Ummu Sholihah Umroh, Jamillatul Umy Zahroh Urabi, Debby Utomo, Muhammad Irfandi Cahyo Veronica, Jessica VMS, Dhara Yulita Wahyu Candra, 14.05.52.0262 Whidiyanto, Purwo Widawati, Setya WIDIATMOKO, Jakobus Widjajaatmadja, Dhody AR Widjonarko . Widodo Widodo Wijaya, Paniai Wijayanto, Paulus Bimo Wirawan, Rudolf Wirda, Aina Wiwik Nur Hidayah, 14.05.52.0128 Wiwik Nur Hidayah, 14.05.52.0128 Wulandari, Royani Yantoro, Yantoro Yasni, Hilma Yogie Ardiwinata, Yogie Yuliani, Galuh Yuliarmaheni, Ni Nyoman Yuni Nindia Yusuf Jayusman, Yusuf yusyama, asep yana Zai, Andy Saputra Zulfa Fauzi, Rifky Muhammad Zyad Rusdi