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PENINGKATAN MOTIVASI BELAJAR MELALUI PENDEKATAN MODIFIKASI PERMAINAN BOLA VOLI PADA SISWA KELAS VIII.1 UPT SMP NEGERI 1 TURATEA Wahyudin HS; Darmawati; Janwar, Muhammad; Munandar, wahyu; Budi Utama, Muh Ilham
Kumpulan Artikel Pendidikan Anak Bangsa (Kapasa) : Jurnal Pendidikan, Sosial dan Humaniora Vol. 4 No. 2 (2024): Agustus KAPASA
Publisher : FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS MEGAREZKY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37289/kapasa.v4i2.429

Abstract

penelitian ini adalah bagaimana peningkatan motivasi belajar melalui pendekatan modifikasi permainan bola voli siswa kelas VIII 1 SMPN 1 Turatea Jeneponto. Dengan tujuan penelitian yaitu untuk mengetahui peningkatan motivasi belajar melalui pendekatan modifikasi permainan bola voli siswa kelas VIII 1 SMPN 1 Turatea Jeneponto. Jenis penelitian yang digunakan yaitu PTK. Populasi dalam penelitian ini adalah siswa SMP Negeri 1 Turatea Jeneponto kelas VIII.1 jumlah sampel yaitu 28 siswa. Teknik Analisis data yang digunakan yaitu analisis deskriptif dan pengkategorian dengan menggunakan aplikasi SPSS versi 20.00 dengan tingkat kesalahan yaitu α0,05. Berdasarkan hasil penelitian diperoleh kesimpulan bahwa: pembelajaran dengan menggunakan modifikasi permainan bola voli pada siswa SMP Negeri 1 Turatea Jeneponto. Dari hasil analisis yang diperoleh peningkatan yang signifikan dari siklus I dan siklus II. Hasil motivasi siswa pada data awal dalam kategori tuntas 0,0%. Pada Siklus I pertemuan 1 dalam kategori tuntas adalah 25% jumlah siswa yang tuntas adalah 7 siswa. Pada siklus I pertemuan 2 dalam kategori tuntas adalah 42,86% jumlah siswa yang tuntas adalah 12 siswa. Pada Siklus II pertemuan 1 terjadi peningkatan persentase hasil motivasi belajar siswa dalam kategori tuntas sebesar 60,71%, sedangkan siswa yang tuntas 17 siswa. Pada Siklus II pertemuan 2 terjadi peningkatan persentase hasil motivasi belajar siswa dalam kategori tuntas sebesar 82,14%, sedangkan siswa yang tuntas 23 siswa. ABSTRACT This study aims to determine increasing learning motivation through a volleyball game modification approach in class VIII students of Turatea Jeneponto 1 Junior High School The type of research used is Classroom Action Research with a sample of 28 students. Based on the results of the study, student motivation in the initial data with a complete category of 0%. Whereas in the first cycle of meeting 1 learning using a modified volleyball game for Turatea Jeneponto 1 Junior High School students, there were 7 students (25%) in the complete category. Meanwhile, in cycle I meeting 2 there were 12 students (42.86%) included in the complete category. However, in cycle II meeting 1, there was an increase in the percentage of results with a total of 17 students (60.71%) included in the complete category, and cycle II meeting 2 there were 23 students (82.14%) in the complete category.
Development of Batempo Dance in Koto Padang Village, Tanah Kampung Sub-district, Sungai Penuh City Rahmaini, Desi; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 1 (2023): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (475.745 KB) | DOI: 10.24036/ag.v1i1.2

Abstract

This study aims to describe the development of Batempo dance in Koto Padang Village, Tanah Kampung District, Sungai Penuh City, Jambi Province. The type of research used is qualititave research with descriptive analysis method. The object of research is the Batempo dance which is located in Koto Padang, Tanah Kampung District, Sungai Penuh City, Jambi Province. The main instrument in this research is the researcher herself, while the supporting instruments used are stationery, camera, and flaskdisk. Data collection techniques carried out by literature study, observation, interviews, and documentation. The data analysis technique was carried out by collecting data, reducing data, and drawing conclusions. From this study, it was found that after efforts were made to develop the Batempo dance in terms og the quantity of dance performers, the goal of the development was achieved, namely the formation of a new group of dancers for the Batempo dance, in the sense that the first group of the Batempo dance has been replaced, so that with the formation of a new group of dancers the results from developing the quantity of dance performers is a form of effort to preserve the Batempo dance in Koto Padang Village, Tanah Kampung District, Sungai Penuh City, Jambi Province.
Bentuk Tari Payung Sarampak di Sanggar Lindang Urek Kecamatan Payakumbuh Timur, Kota Payakumbuh Putri, Nur’aini; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 2 (2023): June
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (289.519 KB) | DOI: 10.24036/ag.v1i2.23

Abstract

Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis Bentuk Tari Payuang Sarampak di Sanggar Lindang Urek Kecamatan Payakumbuh Timur, Kota Payakumbuh. Jenis penelitian ini adalah kualitatif dengan metode deskriptif analisis. Instrumen utama adalah peneliti sendiri dengan instrumen pendukung catatan observasi, pedoman wawancara dan dokumentasi. Teknik pengumpulan data berupa catatan literatur, catatan pengamatan, pedoman wawancara dan catatan dokumen. Teknik analisis data adalah dengan cara pengumpulan data, reduksi data, penyajian data dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa bentuk Tari Payuang Sarampak merupakan tari kreasi di Sanggar Lindang Urek yang berasal dari ide koreografer yang terinspirasi dari pergaulan muda mudi di Ranah Minang yang tetap memegang teguh agama. Gerak dalam tari Payuang Sarampak berjumlah 35 dengan diiringi alat musik diantaranya yaitu talempong, gitar bass, violin, akordion, gandang, tasa, tamborin, bansi dan saruni. Tarian ini dilakukan secara berpasangan yang terdiri dari 6 orang penari. Desain lantai terdiri dari garis lurus vertikal, lingkaran penuh dan membentuk segitiga. Komposisi kelompok yaitu unision atau serempak dan alternate atau selang-seling. Aspek isi dari Tari Payuang Sarampak meliputi ide, suasana dan pesan. Ide dalam tari ini terinspirasi dari pergaulan muda mudi yang tetap memegang teguh agama. Suasana dalam Tari Payuang Sarampak mencerminkan kebahagiaan dan pesan dalam tari ini yaitu tetap mejaga etika dalam bergaul dan memegang teguh agama.
The Aesthetics of Malemang Dance in Tanjung Pisau Village, Bintan District, Riau Islands Province Puja Asrita; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 3 (2023): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v1i3.36

Abstract

This study aims to find, describe and analyze the aesthetics of Malemang dance in Tanjung Pisau Village, Bintan Regency, Riau Islands Province. The type of research used is qualitative. The research instrument is the researcher himself by using tools such as stationery and recording devices. To obtain data, it is done through literature study, observation, interviews, and documentation. The object of research is Malemang dance. The steps of data analysis were carried out by data reduction, data presentation, and conclusion drawing. Based on the results of the study, it can be concluded that Malemang dance has beauty, characteristics and uniqueness in terms of motion and performance. The beauty can be seen from the form or shape and arrangement of the main elements of motion, which consists of motion names and motion descriptions. As for the form of supporting elements, namely the formation of a straight line dancer floor design and forming a circle formation. The musical instruments used are gong, violin, and drum. The makeup used in this performance is beautiful makeup and wears a Malay kurung shirt costume. The weight in this Malemang dance is that the meaning can be felt from the atmosphere, ideas, or ideas, as well as the meaning or message contained in the Malemang dance. the appearance in Malemang dance can be appreciated in terms of talent and skill.
A Creative Approach to Creating Children's Dance: Fan Dance at Sanggar Galatiak Pitameh, Padang City Adinda Rahmasari Putri; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 3 (2023): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v1i3.73

Abstract

This research aims to describe the Creative Approach to Creating Children's Dance: Fan Dance at the Galatiak Pitameh Studio, Padang City. This type of research uses a descriptive method of qualitative research. The object of his research is the Fan dance at the Galatiak Pitameh studio in the city of Padang and is focused on a creative approach to its creation. Data collection techniques are library techniques, observation, interviews, and documentation. The results showed that the creative approach to creating the Sanggar Galatiak Pitameh Fan dance has three stages, (1) The exploration stage, namely the stage that has a sense of sensitivity to objects, by listening to music that has been chosen as accompaniment to the Fan dance. (2) The improvisation stage, namely the power of imagination and thinking power to concentrate on objects, in broader improvisation develops the power of imagination that has been obtained in the exploration process. Carrying out spontaneous movements that arise from self-awareness, using free movements in using a fan as a property, by showing happy facial expressions. At this stage, the results of the search for motion are directly practiced by the dancers, but in the process, the little dancers also have creative power. Of them have a spontaneous response to the motion given so that it is more varied in nature. (3) Formation stage, that is, the climax process of the formation stage which means it has been completed, changing the form of movement from the previous stages, then trying to form the movement into a complete dance movement.
The Meaning of Welcoming Dance in Ijab Qabul Procession in Talang Bunut Village, Amen Sub-District Lebong Regency Bengkulu Provision Aninda Nissafitri; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.81

Abstract

The purpose of this study is to describe the Meaning of Welcoming Dance at the Ijab Qabul Procession in Talang Bunut Village, Amen District, Lebong Regency, Bengkulu Province. This type of research is qualitative research with descriptive methods. The researcher's own research instruments and assisted by supporting instruments in the form of writing, cameras or mobile phones, and flash drives. Data collection techniques are carried out through literature studies, observations, interviews, and documentation. The steps in analyzing data include data reduction, data presentation, and conclusions. The results revealed that the Welcoming dance in the ijab qabul procession has the meaning of maintaining the security of the bride and the location of the event from all forms of unwanted disturbances. Textually, the meaning of the Welcome Dance, namely: (1) Preparation movements as a form of readiness to welcome guests. (2) The motion of starting to dance shows the dancer starting to greet guests. (3) The motion of presenting betel as a symbol of the custom of welcoming guests. (4) The gesture of giving a shawl means that the groom has been well received by the bride's family. (5) The motion to pave the way means that the bride's family has received the groom's goodwill. (6) Return to position means ensuring the event location is safe. (7) The gesture of sitting as a salute to welcome guests. (8) The gesture of giving way means giving way to the groom to carry out his good intentions. (9) Jang Pat Petulai silat movement means ensuring the security of the event location. (10) Sowing motion.
Analysis of Pasombahan Kreasi Dance Movements in Bangkinang Sub-District Kampar Regency City, Riau Province Laras Tri Andini; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.82

Abstract

The purpose of this study was to find and describe the Pasombahan Kreasi Dance Motion Analysis in Bangkinang Kota District, Kampar Regency, Riau Province. This type of research is qualitative, using descriptive methods. The instrument in this research is the researcher himself and is assisted by supporting instruments such as stationery, flash discs, and mobile phones. Data collection techniques are done through literature study, observation, interviews, and documentation. The steps in analyzing data include data reduction, data presentation, and conclusion drawing. The results showed that the movements in Pasombahan Dance consisted of four names for various movements, namely sombah, punte tali bowuok, klenjek, and sendeng. But in each part of the movement, there are several more parts with a total of 17 motion motifs, but with different counts. Pasombahan dance analysis is seen from the perspectives of space, time, and energy. The element of space in each Pasombahan dance uses a dominant straight line and a right diagonal line. The dominant volume in Pasombahan Dance is medium and small, facing towards the front and towards the front right diagonal. The level contained in the Pasombahan Dance is medium and high in each motion motif, with the focus of the head towards the front and towards the hand movements. The time aspect of this Pasombahan dance has a slow tempo in the sombah movement, while the rest uses a fast tempo. As for the energy element, the ending increases the intensity.
The Religious Value of Kuda Kepang Dance at The Centre of Wiasa Budaya Dance Rehearsal in Talang Benih Village Nada Cania Haryati; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.83

Abstract

This article aims to reveal the Religious Values of the Kuda Kepang Dance at the Center for Wiasa Budaya Dance (PGTWB) in the Talang Benih sub-district, Kab. Lebong Rejang. This type of research is a qualitative research with a descriptive approach. This research was conducted at the Center for Wiasa Budaya Dance Center in the Talang Benih Village. The main instrument in this study was the researchers themselves who were assisted with stationery, gadgets, cameras. Data collection was carried out through literature, observation, interviews, and documentation. Data analysis was carried out using qualitative techniques. The steps include: Data description, data reduction, and conclusion drawing. The results of the research show that the Kuda Kepang dance at the Wiasa Budaya Dance Center contains religious values. The religious value in the Kuda Kepang Center for Cultural Wiasa Dance can be seen in its origin, presentation and supporting elements. Such as dancers, costumes, musical accompaniment, props and venues. In this art, religious values that support people's beliefs can be seen when dancers experience trance and perform attractions beyond human capabilities, such as eating glass, eating roses, and eating living blood. It can be concluded that the Kuda Kepang dance at the Center for Wiasa Budaya Dance contains a very high religious value.
Emaze App as an Assistive Tool in Cultural Arts Learning Muhamad Fadli; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.87

Abstract

The purpose of this study was to test the use of the Emaze application as a tool in learning Cultural Arts (Dance) at SMK Pariwisata Aisyiyah West Sumatra. This research adopts a quantitative approach with a Pre-Experimental Design design. Researchers themselves act as research instruments, supported by tools such as cameras and indicator sheets. The study population consisted of 11 grade X students at SMK Pariwisata Aisyiyah West Sumatra. Research samples were selected using the group or cluster sampling method. Data was collected through dance creativity tests, observation, and interviews. The data analysis steps include the stages of data clarification, data description, and drawing conclusions. The results indicate that the use of the Emaze application has a positive effect on increasing the creativity of dance movements in grade X students of SMK Tourism Aisyiyah West Sumatra. This resulted in increased achievement in Cultural Arts learning. Student learning creativity is also increased thanks to the use of 2D to 3D visual features from the Emaze application. This effectiveness is evident from the results of student practice examinations that achieve satisfactory results and are in accordance with the learning objectives as stated in the teaching module. The teacher also appreciated the use of the Emaze application as a tool in learning Cultural Arts (Dance) and showed interest in better understanding its use and integrating it through discussion methods in teaching.
Choreographing Sapayung Dance for Children at Mutiara Minang Studio in Padang City Tri Septiana Ratmaniarti; Darmawati
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 2 (2024): June
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i2.114

Abstract

This research aims to reveal and describe the choreography of Sapayung Dance specifically created for children at Mutiara Minang Studio in Padang City. The type of research is qualitative with descriptive method. The research instrument is the researcher himself by using tools such as stationery, books, mobile phones, digital cameras. The research data are primary data and secondary data. Data collection techniques are done by means of literature study, observation, interviews, documentation. The steps of analysing data are data collection, data reduction, data presentation and conclusion drawing. The results showed that this Sapayung dance was created with good choreographic principles and consists of choreographic elements which include theme, movement, floor design, dynamic design, music, property and costumes. The theme of Sapayung dance is for entertainment. In the musical design of this Sapayung dance using techno music. Sapayung dance has an atmosphere of excitement. The process of Sapayung dance starts from the idea that the choreographer has and is poured into the form of motion that comes from the creativity of the choreographer.
Co-Authors . Hamsiah A Hadi Arifin A. Anggi Reskiamalia AA Sudharmawan, AA Abd. Halim K, Abd. Abd.Rauf Abdul Halik Abriansyah Putra Adani S, Andi Putri Zahirah Adhe Indryani Adinda Adinda Rahmasari Putri Ahmad Fauzul Hakim Hasibuan Ahyar, Mustafa Ainal Aida Fitri Aini Indrijawati Aiyub Akuba, Ichlasul Amal Alam, Syaherna Alauddin, La Ode Muhammad Aliyas Amir, Muhammad Aswar Amiruddiin Amiruddin Amiruddin Amiruddin Anang Jumardi Anastasya Aghits Salsabil Andi Alisha Filia Amadia Andi Kusumawati Andi Marshanawiah Andi Naurah Zahra Azhar ANDI PAIDA Andi Rafiyadi Eka Saputra Aninda Nissafitri Annisa Suci Nandasari Anwar, Asni Anwar, S.Pi., M.Si., Dr. Asni Ardianto Ariani ARIFUDDIN Arip Subiyanto Arta, Sri Aryati Asmiatin Asmiatin ASNAWI Asrah, Asrah Astiti Tenriawaru Ahmad Aulia Nada Safira Az Zahara, Fatimah B, Sumiyati Bakri Bakri BANEA, AGNES EYNE Baso Amri Baso Amri Benhur Pakpahan - Botutihe, Sri Afriyanti Budi Utama, Muh Ilham Burhan Firdaus Chairil Akhyar Cut Delyani Daffa Alfarrel Ghazali Damirah Dayasin Dedy Mainata Dewarawati P Deytizsa Putri Nur Azizah Diana Febrita Dodik Prasetyo Dohaman Siregar Dwi Masrurah, Ushwa Dzaky Setiawan Tauri Eka Jurnaditillah Eko Purnomo Eko Purwanto Eliza Erfina, Erfinawati Erlinawati Ewit Pratiwi Fachry Abda El Rahman Fadli Nur Fajar Novriansyah Yasir Fajarna, Farah Farah Fajarna Farhat Pasya Fauzan Rio Sadewo Fazila Monivatu Zahda Febriyanti, Ekea Multi Fery Ale Lesmana Fira Fadhilla Firman Fithria Fitra Suzanti Fitri, Gita Fitriana Fuada, Nurul Ghazali Syamni Gunawan, Sahrul Habibillah, Isra Yusri Yanti Haliah, Haliah Halim Hamsa Hapsah Haris Trinanda Hariyadi, Luqman Hasnidar Hasri Ainun Kursi Hasri Ainun Syahfir Hastuti Syahnita, Hastuti Hendra Raza Herdah Heriyana Herman Fithra Hernawati HS, Rahmawati Ibrahim Qamarius Ica Nurhamidah Ikramuddin, Ikramuddin imran saputra Indrijawati, Aini Iqbaal Fauzi Pakpahan Irmawati Irwan Abdul Kadir Irwana Wahab, Irwana Ismawirna Ivan Ramadhan Janwar, Muhammad Jaswan Joham, Cornelia Marcheline Juanda, Juanda Jullimursyida Jumiati Jummaini Jumriati, Jumriati Jusri Kadiati, Bahar Kaharuddin Kasman Kasman Khaeriyah, Andi KHOIRI Khoiri Khoiri Kohar, Yansen Pratama Kusumawati, Andi Lamhot Simanullang Laras Tri Andini Lestari, Fadiah Lidwina Sephia Fajariani Lilik Andaryuni Lubis, Nita Andriani Luthfiyyah AD, Rahmi M. Marthoenis M. Tahir Marbawi, Marbawi Mardin Mariatul Kiftia Marliana, Nini Marwa, Sitti Mashun Yusuf Masni Masyithah Audina Mira Rizkia Misliyah, Neneng Mohamad, Hirsan Mohd. Heikal Muh Silmi Kaffa Yusuf Muh. Akib D Muh. Jufri Muhabba, Iqrail Muhamad Ikbal Muhammad Akmal Khatami Muhammad Akram Hamzah Muhammad Alif Rakannaufal Muhammad Azriel Alfarizie Muhammad Faathirrangga Muhammad Farrel Aziz Muhammad Fikri Romadhon Muhammad Ghiyats Akbar Darmawan Muhammad Hayani Muhammad Ilyas Muhammad Reissyaf Muhammad Reizza Eduardi Y. Muhammad Ridho Abdillah Muhammad Rifky Muhammad Rizky Albaras Muhammad Saenal Muhammad Saleh Muhammad Tahir Muhammad Yunus Amar Muliani Muliani Munandar, Wahyu Munawir Saharuddin Murni Murni, Mayang Mursyid Mursyid Djawas Mustadil, Dini Musyarif Musykirah Ridwan Mutahira Nur Insirat Mutia Ulfa Rahmad Mutia, Liza Nabilla Eka Putri Nada Cania Haryati Naza Riski Romah Doni Naz’aina Nicholas Widjaja Nirwana Nisa, Husnatun Nita Selviani Dewi Noor Mukhammad Taufiqi Nova Fajri Nur Awalya Nur Faliza Nur, Wahyudin Nurainun Nurdiansyah, Reza Nurfasilah Nurhafizah Nurhafizah Nurhasanah Nurhayani Nurlaela Nurleni Nursakinah Nursyakbani Putri Nurul Atikah FH Nurul Fitrah Islamiah Nurwahidah, Rizky olyvia melky yanti Pangraran, Fisca Mawa' Parintak, Sutrisno Pitria, Ni Gusti Ayu Puja Asrita Pulungan, Lilik Hidayat Putra Dwi Septian Putri, Ika Wahyuni Putri, Nur’aini Putri, Safridha Kemala Raden Mohamad Herdian Bhakti Rafid, Reni Haryani Rahmaini, Desi Rahmat Rahmat Rahmawati Rahmayanti Ramadhan, Abd. Rani, Haerani Rasyid, Syarifuddin Ratu Anindya Rehulina Bangun Rendi Repaldi AR Renggawati, Rini Rico Nur Ilham Ririn Risky, Sartini Risnawati Rizkaini, Dzul Asri Rizky Hidayatullah Roina, Roina Ronaldo Putra Satria6 Rosmiati, Karolina Rostina Rumagia, Faizal Rusydi Abubakar S. Nadra, Wawan Saddad Nabbil Saepudin Safridha Kemala Putri Safwan Salehudin Sambu, Abdul Haris Samsudin Sandika Suryananta Santia Isabela saputra, imran Saputra, Nicholas Sartika Lina Mulani Sehe Madeamin serdi Siregar, Shamil Hekmatyar Sirri Khairul Inayah Siti Hadijah Siti Hadijah Siti Hafizhah Sumadji Situmorang, Paska Ramawati Sri Haryani Sri Wahyuni Sri Wahyuni Nur St. Nurhayati Suardi Laheng, Suardi Sukman Sumiati Sumiyati B Sundari SURYANTI Swarjana, I Kadek Dwi Syafruddin, Lisa Syahbandi Syahriyah Semaun, Syahriyah Syarifa Wahyuni Syarifah Wahyuni Syarifuddin Syarifuddin Rasyid Syatar, Abdul Syauqi Asy Syuhada Tenny Tarnoto Teuku Zulkarnaen Titi Lasmini Tony Maulana Tri Septiana Ratmaniarti Tri Wulandari Umirtu Usman, Lujain Vially Putra Prianto Wahidin, Ikhwan Wahyu Rifia Rizki Wahyudin HS WAHYUNI WARDHANI, SRI MURI DASA Wasni Maisarah Wibowo L. S, Edi Wibowo, Arista Wilda Ansar Yanti, Dharma Yanti, Rista Yuda Samudra Yudha Yudhistira Yuliana Yuliana Yuliastuti, Ni Ketut Zahid Sholahuddin Al Ayubi Zahra Amaliyah Elvira Zaikin, Muhammad Zaki Mahendra Zikran Ramadhan Zildjuan Adriel Tjahyadi Zuriani Zuriani Riski