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ANALISIS POLYMETRIC PADA MUSIK IRINGAN TARI NGERUAI KENEMIAK SUKU DAYAK KANTU’ KAPUAS HULU Firman, Ridho; Ismunandar, Ismunandar; Silaban, Christianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbsractThis research is based on the willingness of the researcher to find out the polymetric in music?s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu? tribe, Kapuas Hulu. Polymetric is the use of two different time signature signs of each instrument that played simultaneously in one composition. The purposes of this research are: 1) The descriptioning of the structure of music?s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu? tribe, Kapuas Hulu, 2) The analysis of the polymetric in music?s acompaniment of Ngeruai Kenemiak dance of Dayak Kantu? tribe, Kapuas Hulu. A method used in this research is analysis descriptive method with musicological approachment. The data is analyzed qualitatively. According to the data analysis, music?s accompaniment of Ngeruai Kenemiak has four parts: tebah bujang berani in the opening, tebah kumang gaga in the middle?, and tebah ansing-ansing in the ending. The polymetric used in the composisition composed by the use of time signature signs in gerumong  instrument 5/4 and 3/4 are different with what used in bebenai, tawak, and ketebong instruments (4/4). The difference of the time signature signs are played altogether in one composition with same tempo. Keywords: Dayak Kantu?, Music Accompaniment, Ngeruai Kenemiak, Dance, Polymetric.
EKSISTENSI TARI JEPIN TAMMBONG ENAM DI DESA KARIMUNTING KECAMATAN SUNGAI RAYA KEPULAUAN KABUPATEN BENGKAYANG Dalamus, Renny Basajo; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThis study aims to describe the existence of Tari Jepin Tammbong Enam in Karimunting village. The problem of this research is related to the existence of Tari Jepin Tammbong Enam and the factors that affect the development of Tari Jepin Tammbong Enam. This study uses descriptive method with a qualitative form and ethnographic approach.  The data source of this study is approach colleted from the interview, the observation draft and the documentation of interviews with Suratmi, Mat’ani and Ruslan. The validity of data in tested by using triangulation techniques of the sources which compiled and analyzed systematically. The result of this study indicates: (1) Tari Jepin Tammbong Enam is still preserved by Sanggar Rukun Bersama since 1995. (2) The support systems of the existence of Tari Tammbong Enam are Sanggar Rukun Bersama, society, and government. (3) The obstacle factors of the existence of Tari Jepin Tammbong Enam is not interested to learn and nowadays young people assume that this kind of dance is outdated. (4) To built the awareness of young generation to involve in regional traditions especially Tari Jepin Tammbong Enam.Keywords: Existence, Tari Jepin Tammbong Enam
BATU BEJAMBAN ( LEGENDA MASYARAKAT PALOH DI KABUPATEN SAMBAS) Jelita, Bela Anggun; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractBatu Bejamaban by legend of Paloh District, Sambas Regency. Legend is a folk tale that is considered truly happening, whose story is connected with historical figures, has bees flavored with miracles, and the characters special the South Coast Queen visting Paloh’s Kingdom. This becomes a working idea from the dance work Batu Bejamban which is presented in the form of dramatic dance or dance that tells stories. Batu Bejamban choreograph applies and goes throungh some methods, in its making – process such as exploration, processing, application, evaluation, and revision. It is necessary because in writting as weel needs a systematic process simplify the writing in order to make it proper as determined concept. This is not just an enteraining performance, but it consists innovation in developing traditiona dance, educational aspect and as well morality massage. This work is expected to be reference in developing dances from West Kalimantan and could be implemented in art and Culture subject for 2nd grade students in school. Keyword : Batu Bejamban, Legend, Method and Creational Process, Dance Analyzing.
FUNGSI TARI DUKUN PADA SUKU DAYAK BANYADU DI KECAMATAN TERIAK KABUPATEN BENGKAYANG Apong, Apong; Fretisari, Imma; Ismunandar, Ismunandar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
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AbstractThe background of this research to  describe the function of Dukun dance Banyadu Dayak tribe, in Teriak sub-district. The problem of this research were how the function of Dukun dance Banyadu Dayak tribe, in Teriak sub-district. How to desaign the contribution of research results the function of Dukun dance Banyadu Dayak tribe, in Teriak sub-district. The method used in this research was descriptive method, with qualitative form and uses an anthropological approach. The source of data in this research was Sapon and Anel. The data in this research were, the results of interfiws and observations in the form of sound recordings, photographs and videos. the data collection techniques in this research were the form of observation, interview, and documentation techniques. Validity check of data in the form of extention of observation and triangulation. The data analysis techniques use interactive data analysis, wich is divided into four stages, including data collection, data reduction, data presentation, and power verification. The results of this research were expressive communication functions, ritual communication functions, ritual functions, and the results of this research were expected to be contribution in dance learning for cultural arts subjects and skills junior high school in the 2013 curiculum.Keywords: Dayak Banyadu in Bengkayang regency, The function of Dukun dance.
KAJIAN MUSIKOLOGI LAGU BELADON PADA KESENIAN MENDU DI KOTA PONTIANAK Taufan E. P, Muhammad; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
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Abstract

AbstractThe Background in this research content was for created a documentary of  Beladon Song on The Art of Mendu in Pontianak. General problems in this research were : How is the musical accompaniment of Beladon Song on The Art of Mendu in Pontianak description? The Purpose of this research was: 1) Described and denotated the Musical accompaniment and vocal of Beladon Song on The Art of Mendu in Pontianak, 2) Describing music form of Beladon Song on The Art of Mendu in Pontianak. The method that used in this research wasqualitative descriptive method and used musicology approach. The datas of this research were the result of the wich direct observation and interview to the informant about the System of Violin Melody, system of Gendang Panjang, Tawak and Vocal. The Data Analysis doing with the qualitive method, with the informant data, Jerie Anwar, Herman, Ilham Setiawan, S.Sn, and Yoga Kharisma, S.Pd who always active in artistic activity and know about the musical accompaniment of Beladon Song on The Art of Mendu in Pontianak. Keywords: Beladon Song, Mendu, Art of Mendu, Musicologue Study, Pontianak.
BENTUK PENYAJIAN TARI JEPIN LANGKAH GERSIK PANTAI DI KOTA PONTIANAK KALIMANTAN BARAT Huda, Nurul; Ismunandar, Ismunandar; Silaban, Christianly Yeri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 11 (2019): Nopember 2019
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Abstract

AbstractThe background of this research are to  know and to understand deeper about the form of the performance of Jepin Langkah Gersik Pantai dance, including the range of motion, accompaniment music, cosmetology, and the clothes Also, upper and under design, and the place to show. The methodology of this research is descriptive qualitative method with choreography approach. The results of this research are 1. Jepin Langkah Gersik Pantai at Pontianak West Kalimantanis represented the life of the people who live near the beach. 2. Jepin Langkah Gersik Pantai is divided into three categories those are first movement (pantai) second movement (nyusor arus), last movement (nyusor gelombang). 3. The numbers of the dancers should be in even numbers and consist of men and women. 4. The instruments of this dance are beruas, violin, accordion, and gambus. 5. Jepin Langkah Gersik Pantai dance is using realistic cosmetics. 6. The uniform of the women?s dancers consist of telok belange clothes, corak insangstuff,  kembang goyang stuff and the last is flowers. 7 the uniform of the men?s dancers are consist of telok belanga clothes and corak insang pants. Keywords: Presentation, Jepin Langkah Gersik Pantai dance
STRUKTUR MUSIK IRINGAN TARI JEPIN TEMPURUNG DESA TEKELAK KECAMATAN PINOH UTARA KABUPATEN MELAWI Yunisa Is Yuniarti, Tria; Ismunandar, Ismunandar; Muni ir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 5 (2018): Mei 2018
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AbstractThe background of this research was to describe the description musical structure of Jepin Tempurung dance. The purpose of this research was to describe the musical structure of Jepin Tempurung dance in Tekelak Village, North Pinoh District, Melawi Regency, West Kalimanantan. Theories used in this research were structure, music, music of dance accompaniment, musicology, ethnomusicology, ethnomusicology approach, rhythm pattern, and musical form. The method used in this research was explorative descriptive method. This form of this research was qualitative. The approach of this research was the musical approach. The data of this research were interview result, observation result, and documentation result. Data collection techniques of this research were observation, interview, and documentary study. Data collection tools of this research were researcher as main instrument, interview guidelines, observation guidelines, and documentation tools. The validity checkout of this research data were the extension of observation and triangulation technique. The data analysis technique of this research were the analysis during data collection and analysis after data collection.Keywords: the musical structure,  musical accompaniment, Jepin Tempurung dance.
MENINGKATKAN HASIL BELAJAR SENI TARI DENGAN MENERAPKAN MODEL MAKE A MATCHPADA SISWA KELAS VIIIA SMPN Rahmawati, Eka; Istiandini, Winda; Ismunandar, Ismunandar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
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AbstractThis study aims to describe the aplication ofthe make a match model in improving students’ results in Lumar District 1 VIIIA class. Bengkayang and discribing the students’ learning desire in art learning, then applying the make-match model to the VIIIA students of the SMP Negeri this researchis the number of students who do not raech: the completeness of the class is based on VIIIA Which s mre then the old class. How is the application and learning outcomes  of students in Lumar Bengkayang Regenciy, the backround of the VIIIAThe State Junior High School by applying the make a match model to Bengkayang students in the theory that was anounced in dalah teani from belagar. The sen tan theory s important, including learning thematch method the research is an research, of descriptive analysis with a qualitative approach. The study was condusted in two cycles and each cycle has four stages, namely obsevation, and reflection. Data collection technques used are direct obsrevation, techniques, documentation. Keyword : Leaning Outcmes, Tari Learning, Match metho
KOMPARASI KREATIVITAS PENCIPTAAN GERAK TARI ANTARA SISWA LAKI-LAKI DAN PEREMPUAN KELAS XI SMA Kharimah, Siti; Ismunandar, Ismunandar; Istiandini, Winda
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
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AbstractSMA Taruna Bumi Khatulistiwa is a boarding school that has a semi-military education system, so in this school of cultural arts learning, especially dance is rarely held. So that teachers often difficult to see the level of creativity of male and female students, especially in the field of dance. Therefore, this study aims to determine the difference of creativity ability of dance movement between male and female students in the learning of dance class XI in SMA Taruna Bumi Khatulistiwa Kubu Raya. By using gender theory, that is the apparent difference between men and women when viewed from values and behavior. This study uses a comparative approach and the method used in this study is a survey method of personal interview type. The sample in this research is class XI Sain and Social which amount to 50 male students and 50 female students. Data collection techniques used are direct observation techniques and measurement techniques. While the technique used to analyze the data is the analysis desktiptif and statistics with see the average and ujit t. Based on the result of data analysis about creativity ratio of dance movement between male and female students of grade XI of SMA Taruna Bumi Khatulistiwa Kubu Raya by comparing between male and female students shows obtained by 31,48. The with 5% significance level for two sides with df = 100 then obtained by 1.98. Since the value of >, then Ho is rejected. That is, there are significant differences between male and female students in the creation of dance moves.Keywords: Comparison , Creativity, Dance Movement Creation
STRUKTUR PENYAJIAN TARI JEPIN LANGKAH SERONG DI KOTA PONTIANAK PROVINSI KALIMANTAN BARAT Augustine, Karina; Ismunandar, Ismunandar; Sanulita, Henny
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 9 (2018): September 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThe aim of this study is to give the understanding and knowledge about Jepin Langkah Serong dance in Pontianak. This study is about analyzing the structure of the arrangement on Japin LangkahSerong dance in Pontianak, West Borneo. The research design used in this study is descriptive, which is qualitative research design. In this study, the researcher use a choreography approach, the data in this study is the structure of the performances on Jepin Langkah Serong dance in Pontianak, West Borneo. The sources of data are M Yusuf Dahyani , Juhermi Thahir and Anwar Jafar. Techniques used in this study to collect the data are interview, observation, and documentation and the instruments used in this study are interview questions, interview guides, cell phone camera, and a field note.The results of this study on Jepin Langkah dance have the structure of performances which are consists of the initial movements, middle movements and end of the movements. Besides, others elements in dance are floor designs, the composition of the group, a theme, back sound,  dance properties, makeup and dress, and a venue.The results of this study are expected to be implemented in the Cultural and Arts lesson in class XI  semesters I. Keywords: Structure of Performances, Jepin Langkah Serong Dance, Pontianak
Co-Authors Abdul Malik, Supriadi Abdul Sakur Adalia, Sephira Adipratama, Restu Malo Aditya, Mega Cantik Putri Adyatma Fadilah Afilla, Mutia Agus Maulana Agus Syahrani Agus Wahyudi Agus Wartiningsih Agusrianto, Agusrianto Agusta, Maulingga Ahmad Aida Zulwahidah Aina, Qorry Aini, Hizratun Ainun Jariah Ainun Zaaria Ais, Nahdatul ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alwi Alwi Amal, Mukhlisul Ambarita, David Morison Aminuddin Aminuddin Aminuyati Amir Amirulmukminin Amirulmukminin Amirulmukminin, Amirulmukminin Amyadin Amyadin, Amyadin Anak Agung Gede Sugianthara Anastasia, Indrayani Andang Sanjaya Andini Ramadani Anesta, Flora Anfani Anfani Anggara, Rama Anisa Anisa Anisa Safitri, Nur Annisa Annisa Apong, Apong Arahim Arahim Arifuddin Arifuddin Arya, Angga Bima Asfar Muniir, Asfar Asri, Muhamad As’ad, Muhammad Atida, Icha Asih Augustine, Karina Azhari, A.Rahman Bagus Shaburu Baiq Emy Nurmalisa Basrin Haryanto Batubara, Herlina Merdekawati Billah, Mu’tashim Bohari M. Yamin Brendan J. Kennedy Bumadius, Bumadius Canigia, Diego Antoni Cantik Putri Aditya, Mega Cendi, Indah Putri Chatika, Anggelina Condeng, Baharuddin Dalamus, Renny Basajo Darwin Ismail Dede Suhendar Defis Purnama Sari Defis Purnamasari Dekapriyo, Fernandus Deo Delta, Juliana Diecky Indrapraja, Diecky Diecky Kurniawan Indrapraja Dila Saputri Dina Mariana Dirgahani Putri Dita Amelia, Dita Djau, Nurmala Sari Djulia Onggo Djulia Onggo Dwi Oktariani Dwi Yogyo Suswinarto, Dwi Yogyo Edi Mikrianto Egi Putri Grandena Eka Kurniati eka rahmawati Emelia, Mela Ernawati, Sri Ernawati Esther Jacoba Martha Vertelman Fahmi Hafid Fahraiji, M Irgi A Fajar, Adroit T. N. Fajrilah Kolombo Faruq, Zidni Tammal Fatari Fatmawati Fatmawati Febi Berliana Febriyanti, Yuyun Fertisari, Imma Firdaus Hi. Yahya Kunoli Firman, Ridho Fitri, Rosa Elisa Fitria Masulili Fitriani, Reza Fitrina, Yola Fitriyanti, Della Gafiqi, Abdul Gifaris, Aditia Rahmat Grandprix T. M. Kadja Gunawan, Arisko Gustini Gustini Hairunisa Hairunisa, Hairunisa Hairusanti, Famela Halim, Idris Haryanti, Intisari Haryanti, Intisari sari Hawaria Hawaria Hayril Hayril Henny Sanulita Hijratunnisa, Laili HUSNUL KHOTIMAH I Made ARCANA I Nyoman Marsih I Wayan Supetran, I Wayan Ibadatur Rahman Ichsan, Moh Ichsan Iftitah, Ita Iis Siti Jahro Ilham, Gusti Muhamad IMAM GHOZALI Imelda Elizabeth Belseran Imelda, Brigita Imma Fretisari indah asikin nurani Intisari Haryanti Intisariharyanti, Intisariharyanti Irawan Haryanto Irawan, Ikbal Irma Mardian Irma Suryani, Indri Irsanty Collein Ita Purnama Ivon, Maria Jayawarsa, A.A. Ketut Jelita, Bela Anggun Jumriani Jumriani Jumriani Jumriani Junaidi Junaidi Junaidin, Junaidin Junita, Ellmy Lia Juwani Juwani Juwani Kadja, Grandprix T. M. Kadja, Grandprix Thomryes Marth Kalba, Milda Putri Kamaluddin Kamaluddin Kamaluddin Kartin Aprianti Khaerul Anam Khaira, Nuswatul Kharimah, Siti Kuantani, Irma Maira Kudun, Oktavanus Kurniawan, Ya Kusumayadi, Firmansyah Laksmi, Nadya Ayu Lalu Izam Hikmawan Lestari, Yuyun Ayu Lewirato Lewirato Lita M. Inas Riandi M. Yudha Trisna Hadi Maharani Maharani, Maharani Mahsup, Mahsup Mangemba, Dg Mangundap, Selvi Alfrida Mardian, Irma Mardiana, St Marlin, Marlin Mar’atin Amalia Rizkiah Mastri Dihita Sagala Masulilli, Fitria Maulana Muslimin Mawarni, Rizka Rina Mega Cantik putri Aditya Meilania, Meilania Melina, Trivena Milda Mita Rilyanti Mochammad Imron Awalludin Moh. Mualliful Ilmi, Moh. Mualliful Mohammad Jailani Monika Handayani, Monika Muhaimin Muhaimin Muhajirin Muhajirin Muhajirin Muhamad Abdulkadir Martoprawiro Muhammad Afwan Riadin Muhammad Badar Muhammad Rizki Bima Putra Muhammad Yusuf Mukti, Rino Rahmata Mulyadin Mulyadin Mulyadin, Mulyadin Muni ir, Asfar Murni Murni Murti, Elis Syahira Nabilasari, Imanada Nabilasari, Imanda Nadya Nurdini Namirah, Pipin Nasrul Nasrul Nasrul Ndama, Metrys ndama, metyrs Nirva Rantesigi Nirvana Agil Nisa, Sholichatun Nitro Galenso Novianti Novianti Nufus, Shinta Z H Nuir Khusnul Hamidah Nunung Andriani Nur Anisa NUR ARIFAH Nur Ayu Nur Iklimah Nur Khusnul Hamidah Nurarifah Nurarifah Nurdin, Jurana Nurfajriah, Putri Nurfitrah Nurfitrah Nurlailah Umar Nurlayli Istiqomah Nurmelisa Nurmelisa Nurmila Sari Djau Nursalam Rahmatullah Nurul Afrianti Nurul Hidayanti Nurul Huda Nurul Putri okiria, Nova Oshin, Oshin Ovriyadin Ovriyadin Ovriyadin Ovryadin Ovryadin Pangaribuan, Helena Permatasari, Risda Pancha Petra van Koningsbruggen Pindi Setiawan Poniran Pratiwi, Aliah PUJI LESTARI Purwati, Kresensia Putri Aditya, Mega Cantik Putri Nabila Putri, Fakhrani Anugrah Putri, Indah Risa Putri, Meitika Kaping Putri, Selly Yulia Putri, Suci Adelia Rafly, Muhammad Rahmatia Rangga Kautsar Triananda Raodah Raodah Raodatun Nadita, Nurbaity Ra’bung, Alfrida Semuel Rebeka, Modesta Regaria Tindarika Renaldi, Reno Reni Reni Ricki, Ricki Rimawan, Muhamad Rino R. Mukti Riri, Linovia Risman Risman Rizky, Masita Rosdiana Rosdiana RR. Ella Evrita Hestiandari Rutjuhan, Arta S. F. Nanda, Arxhel Sahrul Sahrul Salsabila, Salsabila Santi Dewi Saputri, Suri Sari, Ratih Mulia Sephia, Nur Malika Shofarul Wustoni Siahaya, Asty Putri Pratiwi Army Silaban, Chiristianly Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Silaban, Christianly Yeli Silaban, Christianly Yely Silaban, Christianly Yeri Silaban, Christianly Yery Sinta, Emeliana Sintayana Muhardini Slamet, Deni Sri Ernawati sri wardah ST. Farida St.Nursaqinah Sudarwo, Raden Suffiah sukmawati Sulistianingsih Sulistianingsih Sumiati Sumiati Supirno, Supirno Supriadi Abdul Malik Susanto Imam Rahayu Susanto Imam Rahayu Susi Susanti Syafitri, Dolly Taufan E. P, Muhammad TAUFIKURRAHMAN, M Tecla, Susana Timia, Timia Toto, Widina Karma Triati Putri Ulan, Ulan Ulhasanah, Nida Ummu Aiman Uyun, Salimatul Violeta, Veronica Mega Wahyu Ramadhan Wahyuni, Sinta Seri Widya Ayu Lestari Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Wirawan, Dony Eko Wiwin Wiwin, Wiwin Wulandar, Yukarie i Ayu Yaningsyah, Yaningsyah yarso, Varulian Yasmin Yasmin Yery Silaban, Chiristianly Yery, Christianly Yoan Maria Agusta Yuary Farradia Yundari, Yundari Yunisa Is Yuniarti, Tria Yusnia Ayusari Yusthinus T. Male Yuwono, Dian Kurniasari Zainul, Zainul Zakarias Aria Widyatama Putra