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ANALISIS MUSIK GONDANG BATARA GURU DALAM UPACARA ADAT SUKU BATAK TOBA DI SINTANG KALBAR Ambarita, David Morison; Ismunandar, Ismunandar; Silaban, Christianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 3 (2018): Maret 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis research based on the lack of interest for traditional art which is an ancestors heritage and the need for some effort to learn and preserve traditional music. One of traditional art from Batak Toba tribe wich exist in Sintang, West Kalimantan is Gondang Batara Guru in wedding ceremonial of Batak Toba tribe in Sintang West Kalimantan. The purpose of this research is to describing shape and music melody of Gondang Batara Guru music in wedding ceremonial of Batak Toba tribe in Sintang West Kalimantan. The method that used in this research is qualitative descriptive method and use musicology approach. Data contained in this research is the result of direct observation and interview with informant about shape and melody of Batara Guru music. Along with the times, and religion comes, Gondang Batara Guru music is more focused as dance music and to entertain in wedding ceremonial and as the thanks for the god ceremony in Batak Toba tradition especially Music Batara Guru music in wedding ceremonial in Sintang West Kalimantan Keywords: Analysis, Gondang Batara Guru Music, Batak Toba Tribe, Sintang, West Kalimantan. 
IMPLEMENTASI PEMBELAJARAN TARI JEPIN LANGKAH SIMPANG PADA SISWA KELAS XF SMA NEGERI 10 PONTIANAK Billah, Mu’tashim; Ismunandar, Ismunandar; Wartiningsih, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis research aims to describe study implementation of Jepin Langkah Simpang dance with drill method to improve students skills in class X SMA Negeri 10 Pontianak. Researcher used descriptive method in this study. The result of the analysis about study implementation of Jepin Langkah Simpang dance with drill method is that using drill method can enhance students skills and can make students better than of learning process in from skills, especially in the field of dance. Techniques of data collection are observation, interview, documention, and performance test. The technique of data validaty testing triangulation technique. Data analysis technique in this research are analyzed and interpret actifity, actifity process, result of actifity, doing a discussion with supervisor and conclude the result of analysis about study implementation of Jepin Langkah Simpang dance with drill method to improve students skills in class X SMA Negeri 10 Pontianak.The result of this research are expected to be implemented in a cultural art lesson on Senior High School X grade first semester and it can be refrences for further analysis about implementation learning.Keywords: drill method, implementation, Jepin Langkah Simpang dance, study
CERMIN okiria, Nova; Ismunandar, Ismunandar; Indrapraja, Diecky Kurniawan
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 7 (2018): Juli 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstrak: Karya tari ?Cermin? merupakan aktualisasi dari pengalaman pribadi dari penulis. Dalam proses eksplorasi, penggarap berimajinasi, berfikir, merasakan dan merespon gerak dalam bercermin. Dalam proses pengolahan penggarap mencoba menyeleksi motif-motif gerak yang sudah disesuaikan. Dalam proses penerapan penggarap memulai menuangkan konsep garapan. Dalam proses evaluasi penggarap melalukan evaluasi terhadap penggunaan gerak dengan tema yang diusung, cara penyajian, pengungkapan isi garapan serta kesatuan elemen yang ada. Dan pada proses revisi penggarap melalukan perbaikan seperti ungkapan ekpresi penari, penggunaan tenaga, penguasaan panggung serta kekompakkan gerak. Dengan menentukan judul garapan beserta metode yang digunakan maka terciptalah sebuah karya tari yang berjudul Cermin.Kata kunci    :   Cermin, gerak tari, metode, eksplorasi, pengolahan, penerapan,   evaluasi, revisi?Cermin? (Mirror) choreograph is an actualization from the writer's experience in daily life. In the process of exploration, the choreographer imagined, twisted mind, felt and made response to movements from the activity of mirroring. And in the processing, the choreographer tried to select and pick the customized movement motives. While in the process of application, the choreographer started to work and all the elements of choreagraph on her concepts. In the process of evaluation, the choreographer with the theme of choreograph, form and method of performing and the whole elements. In the process of revision, the choreographer corrected the expression power in moving, stage and space mastering, compactness. By way of applying those methods in the processes and picking the right title for the choreograph, "Cermin" work was finally done. Keyword    :      Mirror, dance movements, method, exploration, processing, application, evaluation, revision 
SEJARAH TARI JEPIN LEMBUT DI DESA SEKURA KECAMATAN TELUK KERAMAT KABUPATEN SAMBAS Halim, Idris; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
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Abstract

AbstractThe background of this research is the researcher's interest in Malay dance art especially the history of Jepin Lembut dance village   of Teluk Keramat Sekura Sambas district. The goal is to find out the history of dance Jepin Lembut by documenting the form of writing supported by photographs associated with a Jepin Lembut Dance. So the history of Jepin Lembtu dance can be known by the wider community.The method used is historical method, with qualitative research form. The approach in this research is interdisciplinary approach with the history as disciplines of sciences. Sources of data in this study are some of speakers who know the history of the existence of Jepin Lembt dance and documents the writing of scientific papers on dance Jepin Lembut. Data collection techniques in this study are observation, interview and documentation study. Techniques test the validity of data using source triangulation and extension of observation.The history of Jepin Lembut dance in the village   of Teluk Keramat Sekura Sambas district since 1950s, created by an artist named Abdullah. This dance arise in Tri Mandayan village. Firstly this dance showed in the marriage party as a society entertainment. Jepin Lembut dance in the village   of Teluk Keramat Sekura district have a glorious and decrease experience periods in the development era. Jepin Lembut dance was got a change at the presentation form elements.Keywords: Developmen, History, Jepin Lembut
ANALISIS MAKNA TARI JEPIN TALI BUI KALIMANTAN BARAT Ulan, Ulan; Ismunandar, Ismunandar; Fretisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 11 (2019): Nopember 2019
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AbstractThe background of this research to dig the interest of young generations to preserve artistic tradition and invite people who love art to especially dance can describe a dance that schilling. Methods used in this research is descriptive method .This research etnokoreologi used the approach. Qualitative research used, with speakers Juhermi Thahir, Kusmindari triwati, Sy .Oesman Alkadrie, Sy.Selamat Joesoef Al-qadrie, Sy .Mansyur Harun .A source of data in this study in the form of words or actions .The data is the result of observation , interviews and documentation. In this study engineering test the validity of the data in the form of extra observation and triangulation of a source of. Data analysis technique research which is to analyse types of activities, the activity process, on activities, discuss by supervising lecturer, summarizing research and analysis dance jepin meaning a rope bui West Kalimantan.The result of this research in the form of a description of the meaning and function of dance dance jepin a rope bui Pontianak. Research activities meaning dance analysis jepin a rope bui that is a meeting with informants, the source of information, as well as artists and cultural meeting first and also to Pontianak sanggar andari observation. The process of analytical work meaning dance jepin a rope bui in kelurahan stone overpass that is a meeting with informants, the source of information,cultural experts and an art jepin dance a rope bui Keyword: meaning dance analysis , meaning a rope bui jepin motion dance
ANALISIS MAKNA PROPERTI TARIBALINGGANG BAGA’ PADA SUKU DAYAK BAKATI’ RARAKABUPATEN BENGKAYANG Tecla, Susana; Ismunandar, Ismunandar; Fretisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 12 (2018): Desember 2018
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AbstractThe background of this research in which there are unique features of property form and clothing used by Balinggang Baga’ dance. Specifically, the problem of this research is how the form property and the meaning of Balinggang Baga’ property Bengkayang Regency.The method used in this research is descriptive method with a form of qualitative research. The approach used is semiotics is the science of signs. Sources of data in this study Mr Bujang, Mr. Nadu and Mrs. Niti. Mechanical testing the validity of data in the form of an extension of the observation and triangulation. The results of this study is to analyze the meaning of dance Balinggang Baga’ property ', is meetings with speakers who know the history of dance Balinggang Baga'. Analyzing the form and meaning dance property Balinggang Baga'through interviews with informants.Forms of property that resembles a woman trusted by the community to provide fertility for married couples and safety for a mother who will give birth. As for the meaning in the form of clothing used by mayang is interpreted as the identity of a woman Clothing consists of kebaya, jamu, samagk muag, roma, riti papatn and penggillar, keliang and galagk.  Keywords: The meaning, Dance property, Balinggang Baga’
LAWANG FENOMENA INTERKULTURAL PADA PROSES KRATIF PENCIPTAAN KARYA MUSIK BARU Gunawan, Arisko; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
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AbstractThe creation of this work aims to allow individuals or groups of different cultures and comprehensionto open minds for a renewal for groups or individuals who will develop their knowledge, especially in the creative process of creating musical works.Lawang is a music program that includes extra musical objects that are realized into a work of musical composition. In the context of the musical aspect of this work is more dominated by occidental instrumentation (European-American) which is integrated into local cultural understanding in concept, technique, and philosophy. Lawang's works will be presented to the mixed musical ensembles. The steps used in the creation of this work include: preparation, incubation, illumination and verification with transferen and syncretic approaches. The Lawang music composition is a response to the intercultural phenomena which has the effects to the process of evolution of music science, especially, the creation of the music composition in Pontianak. The intercultural phenomena is the perspective that has been adopting as the framework of thinking in the creation of music which includes several characteristics such as open mindset and response to the coming and the development of the new knowledges which then realized.  Keywords:       Intercultural, Pontianak, Music Composition
PENGARUH MODEL STAD TERHADAP DAYA SERAP SISWA PADA PEMBELAJARAN ANSAMBEL PIANIKA KELAS VIII SMP Atida, Icha Asih; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 9 (2018): September 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract This research aimed to determine the effect of cooperative learning model on STAD type on students’ absortion in learning pianika ensemble Grade VIII of SMPN 1 Ledo.This research was an experimental study using research design of one group pretest-posttes design. The independent variable in this research was the cooperative learning model of STAD type while the dependent variable was students’ absorption. The subjects of this research were students of Grade VIII A as many as 33 students. The data collection techniques used were interviews and tests. The data analysis techniques consisted of three stages. Those were  the stage of data description, the stage of analysis requirement test and the stage of hypothesis test. The stage of data description included the distribution of students’ absorption data. The stage of analysis requirement test included normality test. While the stage of hypothesis testing used Paired T-test with a significance level of 5%. The calculation process used the computer of SPSS program version 17.0 for windows. The results showed that the application of the cooperative learning model of STAD type had a better performance towards increasing the students’ absorption in the learning of pianika ensembles in Grade VIII A of SMPN 1 Ledo.Keywords: model of STAD, absorption, pianic ansemble.
ANALISIS MAKNA PROPERTI TARI KERIANG BANDONG DI KERATON KADRIYAH KOTA PONTIANAK Maharani, Maharani; Ismunandar, Ismunandar; Sanulita, Henny
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 7 (2018): Juli 2018
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AbstractMaharani, 2018. Analysis of the Meaning of Keriang Bandong Dance Properties in Kadriyah Palace, Pontianak, West Kalimantan. Essay. Performing Arts Studies Program. Department of Language and Art Education. Faculty of Teacher Training and Education. University of Tanjungpura. Pontianak. Advisor I: Ismunandar S.H, S.Sn, M.Pd, Advisor II: Henny Sanulita, M.Pd.The background of this research was the uniqueness and simplicity of the Keriang Bandong dance properties. Specifically, the problems in this research were how the properties forms in Keriang Bandong dance at Kadriyah Palace, Pontianak; and how the properties meaning in Keriang Bandong dance in Kadriyah Palace, Pontianak. The results of research in analyzing the meaning of Keriang Bandong dance properties are meeting with informants who are dancers and musicians of Keriang Bandong dance, as well as informants who know the history of Keriang Bandong dance. Researcher analyzed the meaning and form of Keriang Bandong dance through interviews with informants and then documented it. The shape of the Keriang Bandong dance properties is in the form of a hexagon. The form has a positive meaning and has relevance to the daily life of the people in Pontianak.       Keywords: the meaning, dance properties, Keriang Bandong
BENTUK PENYAJIAN TARI BETAJA PADA ADAT PERNIKAHAN SUKU DAYAK KANCIKNG DI KECAMATAN MELIAU KABUPATEN SANGGAU Wilhilmina Tanema, Sesilia Wynni; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis study analyzed the form of Betaja dance presentation in the community of dayak kancikng in Meliau, district Sanggau, which is based on the desire of researchers to make complete documentation about betaja dance. the problems in this study were, 1)what is the form presentation of the dayak betaja dance kancikng, 2)what is the betaja dance teaching material about art and culture lessons skills at the level of the class x senior high school. the purpose of this study was 1)describe the form of presentation of the betaja dance of the Dayak Kancikng tribe, 2)describe betaja teaching material for art and culture lessons and skills at class x senior high school. This research used descriptive method with qualitative research as well as used the choreographic approach. sources of data in this study and use choreographic approach. the data source in this study was Yohanes Aben male dancer male and musician, Tang S. Sos as a historian and male musician, Omba Latin dancer women. the data in this study were the results of interviews and observations in the form of notebooks, photographs and videos about Betaja dance in meliau, sanggau regency. data collection techniques using observation techniques, interviews and documentation. Keywords: Betaja District Form Kancikng Meliau Of Presentation.
Co-Authors Abdul Malik, Supriadi Abdul Sakur Adalia, Sephira Adipratama, Restu Malo Aditya, Mega Cantik Putri Adyatma Fadilah Afilla, Mutia Agus Maulana Agus Syahrani Agus Wahyudi Agus Wartiningsih Agusrianto, Agusrianto Agusta, Maulingga Ahmad Aida Zulwahidah Aina, Qorry Aini, Hizratun Ainun Jariah Ainun Zaaria Ais, Nahdatul ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alwi Alwi Amal, Mukhlisul Ambarita, David Morison Aminuddin Aminuddin Aminuyati Amir Amirulmukminin Amirulmukminin Amirulmukminin, Amirulmukminin Amyadin Amyadin, Amyadin Anak Agung Gede Sugianthara Anastasia, Indrayani Andang Sanjaya Andini Ramadani Anesta, Flora Anfani Anfani Anggara, Rama Anisa Anisa Anisa Safitri, Nur Annisa Annisa Apong, Apong Arahim Arahim Arifuddin Arifuddin Arya, Angga Bima Asfar Muniir, Asfar Asri, Muhamad As’ad, Muhammad Atida, Icha Asih Augustine, Karina Azhari, A.Rahman Bagus Shaburu Baiq Emy Nurmalisa Basrin Haryanto Batubara, Herlina Merdekawati Billah, Mu’tashim Bohari M. Yamin Brendan J. Kennedy Bumadius, Bumadius Canigia, Diego Antoni Cantik Putri Aditya, Mega Cendi, Indah Putri Chatika, Anggelina Condeng, Baharuddin Dalamus, Renny Basajo Darwin Ismail Dede Suhendar Defis Purnama Sari Defis Purnamasari Dekapriyo, Fernandus Deo Delta, Juliana Diecky Indrapraja, Diecky Diecky Kurniawan Indrapraja Dila Saputri Dina Mariana Dirgahani Putri Dita Amelia, Dita Djau, Nurmala Sari Djulia Onggo Djulia Onggo Dwi Oktariani Dwi Yogyo Suswinarto, Dwi Yogyo Edi Mikrianto Egi Putri Grandena Eka Kurniati eka rahmawati Emelia, Mela Ernawati, Sri Ernawati Esther Jacoba Martha Vertelman Fahmi Hafid Fahraiji, M Irgi A Fajar, Adroit T. N. Fajrilah Kolombo Faruq, Zidni Tammal Fatari Fatmawati Fatmawati Febi Berliana Febriyanti, Yuyun Fertisari, Imma Firdaus Hi. Yahya Kunoli Firman, Ridho Fitri, Rosa Elisa Fitria Masulili Fitriani, Reza Fitrina, Yola Fitriyanti, Della Gafiqi, Abdul Gifaris, Aditia Rahmat Grandprix T. M. Kadja Gunawan, Arisko Gustini Gustini Hairunisa Hairunisa, Hairunisa Hairusanti, Famela Halim, Idris Haryanti, Intisari Haryanti, Intisari sari Hawaria Hawaria Hayril Hayril Henny Sanulita Hijratunnisa, Laili HUSNUL KHOTIMAH I Made ARCANA I Nyoman Marsih I Wayan Supetran, I Wayan Ibadatur Rahman Ichsan, Moh Ichsan Iftitah, Ita Iis Siti Jahro Ilham, Gusti Muhamad IMAM GHOZALI Imelda Elizabeth Belseran Imelda, Brigita Imma Fretisari indah asikin nurani Intisari Haryanti Intisariharyanti, Intisariharyanti Irawan Haryanto Irawan, Ikbal Irma Mardian Irma Suryani, Indri Irsanty Collein Ita Purnama Ivon, Maria Jayawarsa, A.A. Ketut Jelita, Bela Anggun Jumriani Jumriani Jumriani Jumriani Junaidi Junaidi Junaidin, Junaidin Junita, Ellmy Lia Juwani Juwani Juwani Kadja, Grandprix T. M. Kadja, Grandprix Thomryes Marth Kalba, Milda Putri Kamaluddin Kamaluddin Kamaluddin Kartin Aprianti Khaerul Anam Khaira, Nuswatul Kharimah, Siti Kuantani, Irma Maira Kudun, Oktavanus Kurniawan, Ya Kusumayadi, Firmansyah Laksmi, Nadya Ayu Lalu Izam Hikmawan Lestari, Yuyun Ayu Lewirato Lewirato Lita M. Inas Riandi M. Yudha Trisna Hadi Maharani Maharani, Maharani Mahsup, Mahsup Mangemba, Dg Mangundap, Selvi Alfrida Mardian, Irma Mardiana, St Marlin, Marlin Mar’atin Amalia Rizkiah Mastri Dihita Sagala Masulilli, Fitria Maulana Muslimin Mawarni, Rizka Rina Mega Cantik putri Aditya Meilania, Meilania Melina, Trivena Milda Mita Rilyanti Mochammad Imron Awalludin Moh. Mualliful Ilmi, Moh. Mualliful Mohammad Jailani Monika Handayani, Monika Muhaimin Muhaimin Muhajirin Muhajirin Muhajirin Muhamad Abdulkadir Martoprawiro Muhammad Afwan Riadin Muhammad Badar Muhammad Rizki Bima Putra Muhammad Yusuf Mukti, Rino Rahmata Mulyadin Mulyadin Mulyadin, Mulyadin Muni ir, Asfar Murni Murni Murti, Elis Syahira Nabilasari, Imanada Nabilasari, Imanda Nadya Nurdini Namirah, Pipin Nasrul Nasrul Nasrul Ndama, Metrys ndama, metyrs Nirva Rantesigi Nirvana Agil Nisa, Sholichatun Nitro Galenso Novianti Novianti Nufus, Shinta Z H Nuir Khusnul Hamidah Nunung Andriani Nur Anisa NUR ARIFAH Nur Ayu Nur Iklimah Nur Khusnul Hamidah Nurarifah Nurarifah Nurdin, Jurana Nurfajriah, Putri Nurfitrah Nurfitrah Nurlailah Umar Nurlayli Istiqomah Nurmelisa Nurmelisa Nurmila Sari Djau Nursalam Rahmatullah Nurul Afrianti Nurul Hidayanti Nurul Huda Nurul Putri okiria, Nova Oshin, Oshin Ovriyadin Ovriyadin Ovriyadin Ovryadin Ovryadin Pangaribuan, Helena Permatasari, Risda Pancha Petra van Koningsbruggen Pindi Setiawan Poniran Pratiwi, Aliah PUJI LESTARI Purwati, Kresensia Putri Aditya, Mega Cantik Putri Nabila Putri, Fakhrani Anugrah Putri, Indah Risa Putri, Meitika Kaping Putri, Selly Yulia Putri, Suci Adelia Rafly, Muhammad Rahmatia Rangga Kautsar Triananda Raodah Raodah Raodatun Nadita, Nurbaity Ra’bung, Alfrida Semuel Rebeka, Modesta Regaria Tindarika Renaldi, Reno Reni Reni Ricki, Ricki Rimawan, Muhamad Rino R. Mukti Riri, Linovia Risman Risman Rizky, Masita Rosdiana Rosdiana RR. Ella Evrita Hestiandari Rutjuhan, Arta S. F. Nanda, Arxhel Sahrul Sahrul Salsabila, Salsabila Santi Dewi Saputri, Suri Sari, Ratih Mulia Sephia, Nur Malika Shofarul Wustoni Siahaya, Asty Putri Pratiwi Army Silaban, Chiristianly Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Silaban, Christianly Yeli Silaban, Christianly Yely Silaban, Christianly Yeri Silaban, Christianly Yery Sinta, Emeliana Sintayana Muhardini Slamet, Deni Sri Ernawati sri wardah ST. Farida St.Nursaqinah Sudarwo, Raden Suffiah sukmawati Sulistianingsih Sulistianingsih Sumiati Sumiati Supirno, Supirno Supriadi Abdul Malik Susanto Imam Rahayu Susanto Imam Rahayu Susi Susanti Syafitri, Dolly Taufan E. P, Muhammad TAUFIKURRAHMAN, M Tecla, Susana Timia, Timia Toto, Widina Karma Triati Putri Ulan, Ulan Ulhasanah, Nida Ummu Aiman Uyun, Salimatul Violeta, Veronica Mega Wahyu Ramadhan Wahyuni, Sinta Seri Widya Ayu Lestari Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Wirawan, Dony Eko Wiwin Wiwin, Wiwin Wulandar, Yukarie i Ayu Yaningsyah, Yaningsyah yarso, Varulian Yasmin Yasmin Yery Silaban, Chiristianly Yery, Christianly Yoan Maria Agusta Yuary Farradia Yundari, Yundari Yunisa Is Yuniarti, Tria Yusnia Ayusari Yusthinus T. Male Yuwono, Dian Kurniasari Zainul, Zainul Zakarias Aria Widyatama Putra