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BENTUK PENYAJIAN TARI ENTARAI MASYARAKAT SUKU DAYAK KETUNGAU SESAEK DI KECAMATAN SEKADAU HILIR KABUPATEN SEKADAU Emelia, Mela; Ismunandar, Ismunandar; Fertisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 8 (2018): AGUSTUS 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis study analyzes the presentation form of Entarai Dance in the Sesaek Ketungau Dayak Tribe in Sekadau Hilir Subdistrict, Sekadau District, which is motivated by the researchers' desire to make complete documentation about Entarai Dance. The formulation of the research problem is, 1) What is the form of presentation of Entarai Dance, Dayak Ketungau Sesaek Tribe, 2) How is Entarai dance teaching material for art and culture lessons and skills at the eighth grade junior high school level. This study uses descriptive methods in the form of qualitative research and uses a choreographic approach. Data collection techniques use observation, interview and documentation techniques. Techniques to test the validity of the data using extended observations and Triangulation (Source Triangulation). Based on the analysis Entarai dance has a form of presentation in the form of initial motion, middle / core, and cover. The elements contained in the other forms of presentation are, circular floor design, top design, symmetrical design design, angular design, contrast, horizontal top design, simultaneous design group composition, non-literary theme, outdoor show place, simple makeup , women's clothing kebaya, batik skirts, scarves, men's clothing batik clothes and cloth pants, musical accompaniment of four gongs and canoes, Property shawls, sea cucumber flowers, tepayan containing tuak and small bamboo, tabas. The results of this study are expected to be contributed as teaching material to understand Entarai dance, and Entarai dance demonstration in class VIII, semester 1, in the 2013 curriculum. Keywords: Presentation Form, Entarai, Ketungau Sesaek, Sekadau Hilir District           
MAKNA SYAIR ASYROQOL PADA TRADISI SERAKALAN DIACAR PESTA PERNIKAHAN yarso, Varulian; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis research analyzing about Meaning of lyrics the Serakalan in Sungai Jaga B village at Sungai Raya sub-district, Bengkayang District. The problem of research in this research is 1). Meaning of the lyrics the Serakalan in Sungai Jaga B village at Sungai Raya sub-district, Bengkayang District. 2). How were implementation of result the research done the Meaning of the lyrics to the Serakalan for learning in the school. This research used descriptive methods and a research reom used was qualitative research. In this research used sosiology approach. The source of data in this research is Darmawan and Muaiyat. The data in this research is interview results, observation results, sound recording, notebook, foto and video about Meaning of lyrics the serakalan at Sungai Jaga B village in Sungai Raya sub-district, Bengkayang District. Data collection techniques such as observation, interviews, and documentation. Technique to test the validity of data used was source an extension of observatioin and data analysis tecniques. The result of this study is lyrics of serakalan, lyrics navigate is Asyroqol. Meaning of lyrics Asyroqol is worshiped for Nabi Muhamad Saw, excrescent Nabi Muhamad Saw, and praise Nabi Muhamad Saw. perfomance (the presentation will be sempa mask, betel leaf, areca nut and others). This result implementation as learning meterials about meaning of lyrics Serakalan, teach about understanding meaning of lyrics Serakalan in class eight grade, first semester, in 2013 curriculum. Key word : Meaning Of Lyrics, Serakalan
STRUKTUR PENYAJIAN TARI LADUN DALAM SENI MENDU PENGGAL RAJA MUDA KABUPATEN NATUNA PROVINSI KEPRI Timia, Timia; Ismunandar, Ismunandar; Istiandini, Winda
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 7 (2018): Juli 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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         Abstract           The purpose of this research was to describe the structure of the dance presentation which has its own characteristics, in terms of motion, music, costumes, and lyrics of songs contained in Ladun dance music, the art of Mendu Penggal Raja Muda, Natuna Regency, Riau Islands Province. The method used in this research was descriptive method in the form of qualitative. The approach used by researchers was a choreography approach. To complement the research data, researchers used observation, interviews, and documentation. Techniques to test the validity of data was source triangulation. Researcher used data reduction, data presentation, as well as inference and verification as the data analysis techniques. The result of the research is the analysis of the main elements of the structure, top design, floor design, music accompaniment and the Islamic nuance which full of advice and prayer. The theme is related to life events in the kingdom. The dressing used is the character of a firm person of Antapura kingdom. Ladun dance is performed at the inauguration ceremony and marriage. The dance serves as an entertainment. The results of this research is expected to be implemented in the arts and culture grade X, semester I in high school, so that students better understand the existence of traditional dance in Natuna Regency, Riau Islands Province.                      Keywords: presentation structure, Ladun dance, the art of Mendu Penggal Raja Muda.
TARI JEPIN KEMBANG MANGGAR DIKELURAHAN BATU LAYANG KECAMATAN PONTIANAK UTARA Sumiati, Sumiati; Ismunandar, Ismunandar; Istiandini, Winda
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 7 (2019): JULI 2019
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AbstractThe Jepin Kembang Manggar dance that has never been shown in the Batu Layang village of Pontianak Utara District has been the concern in this Study. This study was aimed at revitalizing the Jepin Kembang Manggar dance in Batu Layang village, manifested in discussions about the form, process, and results of the revitalization. The descriptive method with the form of qualitative and choreography approach was used in this study. The results of the research were several efforts completed to revitalize the Jepin Kembang Manggar dance in order to preserve and develop it in the community, especially in Batu Layang village, Pontianak Utara district. Firstly, the researcher met the first and second informants, followed by a meeting with the head of the dance studio along with dancers and musicians from the local community. Then, the dancers did the practices 6 times, as well as the musicians, did the practices 5 times along with the dancers. The Jepin Kembang Manggar dance was performed on Saturday, 9th of February 2019 at 19.30, accompanied by the music and equipped with dance properties and costumes. Finally, this dance performance received a lot of appreciation and support from the community in order to revitalize one of the cultures in the Batu Layang village, Pontianak Utara District.Keywords: Revitalization, Jepin Kembang Manggar dance, Batu Layang Village
STRUKTUR PENYAJIAN TARI JEPIN PIRING DI KERATON PAKUNEGARA KESUMA KECAMATAN TAYAN KABUPATEN SANGGAU Cendi, Indah Putri; Ismunandar, Ismunandar; Syahrani, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 1 (2019): Januari 2019
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AbstractThis study aims to find out the basic and supporting elements found in Jepin Piring dance and can be preserved and re-studied by the next generation. The research method used is the description method. The data of this study are the main elements and supporting elements of Jepin Piring dance, as well as the contribution of Jepin Piring dance to the learning of arts and culture in the 8th grade. The data sources include Gusti Balya, Gusti Yusri S.H and Sriwati who know the structure of Jepin Piring dance presentation.The results of this study describe the main elements and supporting elements. Motion has 3 different types of motion, divided into initial motion, core motion and closing motion. The floor design used is a vertical line pattern. The dramatic design of multiple cones, with the movement of dancers adjusting the tempo of musical accompaniment and group composition using a concurrent design. Music accompaniment uses Malay musical instruments and poetry. Cosmetology and clothing are Malay clothing and natural makeup. The venue used can be either a closed or open arena. Keywords :Presentation Structure, Jepin Piring Traditional Dance.
ANALISIS MAKNA PROPERTI TARI JEPIN PIRING DI KERATON PAKUNEGARA KESUMA KECAMATAN TAYAN KABUPATEN SANGGAU Putri, Indah Risa; Ismunandar, Ismunandar; Syahrani, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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Abstract This study aimed to determine the shape of the property of the plate as well as the shape and shape of the property of the plate and the shape of the shape on the Jepin Piring dance. The method used in this research was descriptive method. The results of this study were in analyzing the meaning of Jepin Piring dance property, namely a meeting with informants who were stakeholders, King to thirteen Pakunegara Kesuma Palace and Jepin Piring dance dancer. Analyze the shape and meaning of Jepin Piring dance through interviews with informants and document it. The form of Jepin Piring dance property was a circular plate shape and a 7-shape flower shape such as jasmine flower, melur flower, kenanga flower, sweet night flower, yellow kantil flower, king flower, and hibiscus. The meaning of the shape of a circular plate and the white meaning of the plate. The meaning of shape and color in each flower was 7 shapes.Keywords : Dance Property, Jepin Piring, Meaning
ANALISIS MELODI BEGAMALSUKU DAYAK KANCING KECAMATAN MELIAU KABUPATEN SANGGAU Bumadius, Bumadius; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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AbstractData were analyzed qualitatively, with YohanesAben as interviewer and some people who active and know about traditional  music, especially Begamal melody of Dayak KancingMeliau sub-district Sanggau district. Based on the analysis of data, it can be concluded that Begamal melody is the result of literal repetition from one melody pattern, whether it’s a vocal melody or kromong melody. Vocal melody of begamal using pentatonic scale which the sing process use ornament, but in Kromong melody used tetratonic scale. Begamal can be sung by man and woman. BasicallyBegamal music is played as a ritual music and be accompany music of traditional dance from Dayak Kancing tribe. Along with the times, Begamal music began to appear at art show in the context of entertainment. This research is expected to be able for being a stimulus of  proclivity growth to learn Begamal music, especially melody of Begamal  Dayak Kancing tribe Meliau sub-district Sanggau district.Keywords: Analysis, Begamal, Dayak Kancing, Meliau, Melody, Sanggau
BENTUK PENYAJIAN TARI RATIB SAMAN DALAM TEPUNG TAWAR DI DUSUN SEBADI KABUPATEN SAMBAS Fitrina, Yola; Ismunandar, Ismunandar; Syahrani, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 11 (2018): Nopember 2018
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AbstractThe background of this research is to find out the basis and support that can be found in Ratib Saman's dance in the Fresh Flour Ceremony. The results of this study are a description of the main elements and supporting elements of Ratib Saman dance in the Fresh Flour Ceremony. There are thirteen kinds of motion which are divided into four parts, namely the opening variety, the core variety, the variety of connectors and the variety of covers. The floor design used has a pattern of vertical, horizontal lines, and V. Ratib Saman's dance is an offering dance to God to ask for protection after moving to a new house. The dancer's movements adjust to the tempo of the music. The music uses Tar, long drum, kabasa, tambourine and tambourine. The makeup and custom used are Malayu custom Sambas bay belangak using kain lunggi or cual cloth and also uses black skullcap, makeup that is used naturally or without make up. The venue used is on the home page, inside the house and also on the show stage. The results of this study will be implemented in high school (SMA) in learning arts and culture and become learning theory consisting of Core Competencies 1 to.Keywords: form of dance presentation, Ratib Saman dance, tepung tawar ceremony, Teluk Keramat 
BENTUK PENYAJIAN MUSIK IRINGAN TARI TOTOKNG PADI PADA ACARA NAIK DANGO KECAMATAN SAMALANTAN BENGKAYANG Batubara, Herlina Merdekawati; Ismunandar, Ismunandar; Silaban, Christianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 3 (2018): Maret 2018
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AbstractThis research analyzed the form of Totokng Padi Dance Musical Accompaniment Performance on Samalantan Sub-district in Bengkayang Regency. The problem of this research were (1) How was the form of Totokng Padi Dance Musical Accompaniment Performance in Naik Dango Event on Samalantan Sub-district in Bengkayang Regency (2) How was the contribution of Totokng Padi Dance Musical Accompaniment Performance as the teaching material in teaching learning process at school. Descriptive metho in qualitative research with ethnomusicology approach was done to execute this research. The source of the data were Titus Jaman, Markus, and Sumiati. The data in this research were obtained through the interview and observation result in the form of voice records, photos, and videos about Totokng Padi. The technique in collecting the data were observation, interview, and documentation techniques. Moreover, to test the validity of the data, the research used Triangulation (Triangulation Resources) The result of the research were music instument, player, stage arrangement, makeup, fashion, sound arrangement, lighting arrangement, formation, and the order of performance. These results were expected to be a contribution to the teaching material about Totokng Padi, to comprehend about the Totokng Padi Musical Accompaniment, uniqueness of Totokng Padi and exhibition (?) for grade 10 of first Semester in 2013 Curriculum.  Keywords: the form of the performance, Musical Accompaniment, Totokng Padi, Samalantan Sub-district. 
PENGARUH MODEL DISCOVERY LEARNING TERHADAP KREATIVITAS SISWA PADA PEMBELAJARAN SENI MUSIK DI KELAS VII SMP Delta, Juliana; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 9 (2018): September 2018
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Abstract The background of the researchwas the lack of year VII students’ creativity in music and arts subject. This was because almost all of the materials in the subject given in form of lecture and conventional. This also caused the students were less trained in developing their creativity in music works. The aim of this research was to find out the influence of discovery learning model on students’ creativity in music and arts subject of year VII students of State Junior High School 1 Sungai Betung Bengkayang Regency.The approach used in this research was quantitative and the method used was true experiment. The design used waspretest-posttest control group design. The sample were students of VII A as many as 32 pupils as experimental classandstudents of VII B as many as 32 pupils as control class. The data collecting technique used were direct observation and measurement technique, whereasthe data analysis techniques used were descriptive and statistical analysis with median and t-test. Based on the analysis result of the influence of discovery learning model on students’ creativity in music and arts subject of year VII students of State Junior High School 1 Sungai Betung Bengkayang Regency by comparing experimental and control class, it showed tcountgained were 7,288 whereas ttablegained were 1.999 with 5% of level of singnificance for two sides and degree of freedom of 62. Because the value of tcount ˃ ttable, then null hypothesis was rejected. It meant there was influence of discovery learning on students’ creativity in music and arts subject of year VII students of State Junior High School 1 Sungai Betung Bengkayang Regency. In conclusion, discovery learning model has significant influence on students’ creativity.Key Words: Discovery Model Learning, Students’ Creativity.
Co-Authors Abdul Malik, Supriadi Abdul Sakur Adalia, Sephira Adipratama, Restu Malo Aditya, Mega Cantik Putri Adyatma Fadilah Afilla, Mutia Agus Maulana Agus Syahrani Agus Wahyudi Agus Wartiningsih Agusrianto, Agusrianto Agusta, Maulingga Ahmad Aida Zulwahidah Aina, Qorry Aini, Hizratun Ainun Jariah Ainun Zaaria Ais, Nahdatul ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alwi Alwi Amal, Mukhlisul Ambarita, David Morison Aminuddin Aminuddin Aminuyati Amir Amirulmukminin Amirulmukminin Amirulmukminin, Amirulmukminin Amyadin Amyadin, Amyadin Anak Agung Gede Sugianthara Anastasia, Indrayani Andang Sanjaya Andini Ramadani Anesta, Flora Anfani Anfani Anggara, Rama Anisa Anisa Anisa Safitri, Nur Annisa Annisa Apong, Apong Arahim Arahim Arifuddin Arifuddin Arya, Angga Bima Asfar Muniir, Asfar Asri, Muhamad As’ad, Muhammad Atida, Icha Asih Augustine, Karina Azhari, A.Rahman Bagus Shaburu Baiq Emy Nurmalisa Basrin Haryanto Batubara, Herlina Merdekawati Billah, Mu’tashim Bohari M. Yamin Brendan J. Kennedy Bumadius, Bumadius Canigia, Diego Antoni Cantik Putri Aditya, Mega Cendi, Indah Putri Chatika, Anggelina Condeng, Baharuddin Dalamus, Renny Basajo Darwin Ismail Dede Suhendar Defis Purnama Sari Defis Purnamasari Dekapriyo, Fernandus Deo Delta, Juliana Diecky Indrapraja, Diecky Diecky Kurniawan Indrapraja Dila Saputri Dina Mariana Dirgahani Putri Dita Amelia, Dita Djau, Nurmala Sari Djulia Onggo Djulia Onggo Dwi Oktariani Dwi Yogyo Suswinarto, Dwi Yogyo Edi Mikrianto Egi Putri Grandena Eka Kurniati eka rahmawati Emelia, Mela Ernawati, Sri Ernawati Esther Jacoba Martha Vertelman Fahmi Hafid Fahraiji, M Irgi A Fajar, Adroit T. N. Fajrilah Kolombo Faruq, Zidni Tammal Fatari Fatmawati Fatmawati Febi Berliana Febriyanti, Yuyun Fertisari, Imma Firdaus Hi. Yahya Kunoli Firman, Ridho Fitri, Rosa Elisa Fitria Masulili Fitriani, Reza Fitrina, Yola Fitriyanti, Della Gafiqi, Abdul Gifaris, Aditia Rahmat Grandprix T. M. Kadja Gunawan, Arisko Gustini Gustini Hairunisa Hairunisa, Hairunisa Hairusanti, Famela Halim, Idris Haryanti, Intisari Haryanti, Intisari sari Hawaria Hawaria Hayril Hayril Henny Sanulita Hijratunnisa, Laili HUSNUL KHOTIMAH I Made ARCANA I Nyoman Marsih I Wayan Supetran, I Wayan Ibadatur Rahman Ichsan, Moh Ichsan Iftitah, Ita Iis Siti Jahro Ilham, Gusti Muhamad IMAM GHOZALI Imelda Elizabeth Belseran Imelda, Brigita Imma Fretisari indah asikin nurani Intisari Haryanti Intisariharyanti, Intisariharyanti Irawan Haryanto Irawan, Ikbal Irma Mardian Irma Suryani, Indri Irsanty Collein Ita Purnama Ivon, Maria Jayawarsa, A.A. Ketut Jelita, Bela Anggun Jumriani Jumriani Jumriani Jumriani Junaidi Junaidi Junaidin, Junaidin Junita, Ellmy Lia Juwani Juwani Juwani Kadja, Grandprix T. M. Kadja, Grandprix Thomryes Marth Kalba, Milda Putri Kamaluddin Kamaluddin Kamaluddin Kartin Aprianti Khaerul Anam Khaira, Nuswatul Kharimah, Siti Kuantani, Irma Maira Kudun, Oktavanus Kurniawan, Ya Kusumayadi, Firmansyah Laksmi, Nadya Ayu Lalu Izam Hikmawan Lestari, Yuyun Ayu Lewirato Lewirato Lita M. Inas Riandi M. Yudha Trisna Hadi Maharani Maharani, Maharani Mahsup, Mahsup Mangemba, Dg Mangundap, Selvi Alfrida Mardian, Irma Mardiana, St Marlin, Marlin Mar’atin Amalia Rizkiah Mastri Dihita Sagala Masulilli, Fitria Maulana Muslimin Mawarni, Rizka Rina Mega Cantik putri Aditya Meilania, Meilania Melina, Trivena Milda Mita Rilyanti Mochammad Imron Awalludin Moh. Mualliful Ilmi, Moh. Mualliful Mohammad Jailani Monika Handayani, Monika Muhaimin Muhaimin Muhajirin Muhajirin Muhajirin Muhamad Abdulkadir Martoprawiro Muhammad Afwan Riadin Muhammad Badar Muhammad Rizki Bima Putra Muhammad Yusuf Mukti, Rino Rahmata Mulyadin Mulyadin Mulyadin, Mulyadin Muni ir, Asfar Murni Murni Murti, Elis Syahira Nabilasari, Imanada Nabilasari, Imanda Nadya Nurdini Namirah, Pipin Nasrul Nasrul Nasrul Ndama, Metrys ndama, metyrs Nirva Rantesigi Nirvana Agil Nisa, Sholichatun Nitro Galenso Novianti Novianti Nufus, Shinta Z H Nuir Khusnul Hamidah Nunung Andriani Nur Anisa NUR ARIFAH Nur Ayu Nur Iklimah Nur Khusnul Hamidah Nurarifah Nurarifah Nurdin, Jurana Nurfajriah, Putri Nurfitrah Nurfitrah Nurlailah Umar Nurlayli Istiqomah Nurmelisa Nurmelisa Nurmila Sari Djau Nursalam Rahmatullah Nurul Afrianti Nurul Hidayanti Nurul Huda Nurul Putri okiria, Nova Oshin, Oshin Ovriyadin Ovriyadin Ovriyadin Ovryadin Ovryadin Pangaribuan, Helena Permatasari, Risda Pancha Petra van Koningsbruggen Pindi Setiawan Poniran Pratiwi, Aliah PUJI LESTARI Purwati, Kresensia Putri Aditya, Mega Cantik Putri Nabila Putri, Fakhrani Anugrah Putri, Indah Risa Putri, Meitika Kaping Putri, Selly Yulia Putri, Suci Adelia Rafly, Muhammad Rahmatia Rangga Kautsar Triananda Raodah Raodah Raodatun Nadita, Nurbaity Ra’bung, Alfrida Semuel Rebeka, Modesta Regaria Tindarika Renaldi, Reno Reni Reni Ricki, Ricki Rimawan, Muhamad Rino R. Mukti Riri, Linovia Risman Risman Rizky, Masita Rosdiana Rosdiana RR. Ella Evrita Hestiandari Rutjuhan, Arta S. F. Nanda, Arxhel Sahrul Sahrul Salsabila, Salsabila Santi Dewi Saputri, Suri Sari, Ratih Mulia Sephia, Nur Malika Shofarul Wustoni Siahaya, Asty Putri Pratiwi Army Silaban, Chiristianly Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Silaban, Christianly Yeli Silaban, Christianly Yely Silaban, Christianly Yeri Silaban, Christianly Yery Sinta, Emeliana Sintayana Muhardini Slamet, Deni Sri Ernawati sri wardah ST. Farida St.Nursaqinah Sudarwo, Raden Suffiah sukmawati Sulistianingsih Sulistianingsih Sumiati Sumiati Supirno, Supirno Supriadi Abdul Malik Susanto Imam Rahayu Susanto Imam Rahayu Susi Susanti Syafitri, Dolly Taufan E. P, Muhammad TAUFIKURRAHMAN, M Tecla, Susana Timia, Timia Toto, Widina Karma Triati Putri Ulan, Ulan Ulhasanah, Nida Ummu Aiman Uyun, Salimatul Violeta, Veronica Mega Wahyu Ramadhan Wahyuni, Sinta Seri Widya Ayu Lestari Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Wirawan, Dony Eko Wiwin Wiwin, Wiwin Wulandar, Yukarie i Ayu Yaningsyah, Yaningsyah yarso, Varulian Yasmin Yasmin Yery Silaban, Chiristianly Yery, Christianly Yoan Maria Agusta Yuary Farradia Yundari, Yundari Yunisa Is Yuniarti, Tria Yusnia Ayusari Yusthinus T. Male Yuwono, Dian Kurniasari Zainul, Zainul Zakarias Aria Widyatama Putra