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Analisis Makna Gerak Tari Jepin Loncat Tiung Sembilan Sembilan karya Sabarudin di Desa Pal Sembilan Kabupaten Kuburaya Syafitri, Dolly; Ismunandar, Ismunandar; Putri Aditya, Mega Cantik
Jurnal Cerano Seni : Pengkajian dan Penciptaan Seni Pertunjukan Vol 3 No 2 (2024): Jurnal Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jcs.v3i2.35766

Abstract

Penelitian ini bertujuan untuk mendeskripsikan dan mendokumentasikan analisis makna gerak Tari Jepin Loncat Tiung Sembilan dalam bentuk tulisan, gambar, serta video. Dilatar belakangi dengan permasalahan bagaimana makna gerak, deskripsi gerak dan klasifikasi gerak. Penelitian ini menggunakan metode deskriptif, bentuk penelitian kualitatif, serta pendekatan koreografi dan semiotik. Teknik pengumpulan data yang digunakan yaitu teknik observasi, teknik wawancara, dan teknik dokumentasi. Teknik menguji keabsahan data yang digunakan adalah perpanjangan pengamatan dan triangulasi sumber, berdasarkan analisis data maka dapat disimpulkan bahwa analisis makna gerak Tari Jepin Loncat Tiung Sembilan sebagai berikut: Tari Jepin Loncat Tiung Sembilan Sembilan merupakan gabungan dari 9 langkah jepin. Ada gerak yang menyimbolkan sebuah alat yang membantu pekerjaan sehari-hari, gerak kegiatan manusia serta gerak imitasi seekor burung. Tari ini berfungsi sebagai tari hiburan, busana yang digunakan baju kurung melayu. Alat musik akordion, biola, beruas, dan gambus tarian ini tidak menggunakan properti, ditarikan oleh laki-laki maupun perempuan. Peneliti berharap hasil penelitian ini dapat bermanfaat bagi pembaca serta menambah wawasan terkait makna gerak tari Jepin Loncat Tiung Sembilan Sembilan, juga menjadi sumber referensi yang akurat.
Pengaruh Store Layout, Kualitas Pelayanan Dan Motivasi Rasional Terhadap Keputusan Pembelian Pada Toko Zam Zam Kota Bima Gafiqi, Abdul; Ismunandar, Ismunandar; Mulyadin, Mulyadin
Jurnal Ilmiah Mahasiswa Perbankan Syariah (JIMPA) Vol 4 No 2 (2024): Jurnal Ilmiah Mahasiswa Perbankan Syariah (JIMPA) - September 2024
Publisher : Sekolah Tinggi Ekonomi dan Bisnis Syariah (STEBIS) Indo Global Mandiri Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36908/jimpa.v4i2.438

Abstract

Penelitian ini bertujuan untuk mengetahui pengaruh store layout, kualitas pelayanan dan motivasi rasional terhadap keputusan pembelian pada toko Zam-Zam Kota Bima. Penelitian ini dilakukan di toko Zam-Zam Jl. Sultan Muhamad Salahuddin, Dara, Kec. Rasanae Barat Kota Bima. Dalam penelitian ini digunakan jenis penelitian asosiatif dengan menggunakan instrument penelitian kuesioner skala likert. Populasi dalam penelitian adalah semua masyarakat yang pernah membeli pada toko Zam-Zam kota Bima yang jumlahnya tidak diketahui pasti jumlahnya. Dikarenakan populasinya tidak diketahui secara pasti maka sampel penelitian sebanyak 96 orang dengan teknik penentuan sampel yaitu purposive sampling. Teknik pengumpulan data menggunakan observasi, kuesioner dan studi pustaka. Data yang telah dikumpulkan kemudian dianalisis dengan teknik uji validitas, uji reliabilitas, uji asumsi klasik, regresi linear berganda, koefisien korelasi berganda, uji determinasi, uji t dan uji f. Hasil penelitian menunjukan bahwa store layout berpengaruh terhadap keputusan pembelian pada toko Zam-Zam Kota Bima, sedangkan kualitas pelayanan dan motivasi rasional tidak berpengaruh terhadap keputusan pembelian pada toko Zam-Zam Kota Bima
FUNGSI TARI BESOGAK DALAM UPACARA ADAT TENTOBUS DAYAK PESAGUAN DI KECAMATAN TUMBANG TITI KABUPATEN KETAPANG Dekapriyo, Fernandus Deo; Ismunandar, Ismunandar; Satrianingsih, Aline Rizky Oktaviari
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.62866

Abstract

This research background was based on the researcher's interest when watching the performance of traditional ceremonial in Tumbang Titi Sub-District Ketapang District. Seeing from the part of the process in Tentobus traditional ceremony, one of them was Tari Besogak. Tari Besogak has meanings in the dance and it contained honorable value of life between the Dayak Pesaguan society. In the beginning, there were many people of Dayak Pesaguan in Tumbang Titi Sub-District that believe Tari Besogak was only a mere show. Therefore, this research intended to know the function of Tari Besogak in Tentobus traditional ceremony of Dayak Pesaguan in Tumbang Titi Sub-District Ketapang District. This research was using qualitative research method using anthropology approach. The data collection technique was interview and documentation study. Tentobus ceremony functioned as bad reinforcements rejection and redemption that had been done in the past. Based on the results of this researcher, it could be concluded that the function of Tari Besogak was as one of ceremony process to reject bad reinforcements. Tari Besogak as a ceremonial dance had characteristics such as the chosen dancers, offerings, outfits, place, and time that had been decided.
KAJIAN NILAI ESTETIS TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBU RAYA Putri, Suci Adelia; Ismunandar, Ismunandar; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.63471

Abstract

Jepin Tali Bintang Dance is a dance that is based on elements of Malay movements. The beauty of this dance needs to be known because there are several objective and subjective assessments. This study aims to describe the aesthetic value contained in the Jepin Tali Bintang Dance through writing and pictures. The method used in this study is a descriptive method with a form of qualitative research and a choreographic aesthetic research approach, as well as semiotic. Data collection techniques using observation techniques, interview techniques, and documentation studies. The technique for testing the validity of the data in this study is the extension of observations and triangulation of sources. Based on the data analysis, it can be concluded that the aesthetic value of the Jepin Tali Bintang Dance can be seen through the harmony of movements, make-up, clothing, and properties used. The tempo of the movements, which tend to be medium and fast, combined with the varied volume of motion and the same energy used, make this dance look dynamic. The harmony of the colors of the clothes and make-up used make this dance look balanced and fulfill the character of a dancer on stage. The beauty of the property is depicted with shapes, colors, and messages that teach kindness to Muslims.
ANALISIS BENTUK GERAK TARI HADRAH DI SANGGAR JAYA RAYA KOTA RANAI KABUPATEN NATUNA KEPULAUAN RIAU Fitri, Rosa Elisa; Ismunandar, Ismunandar; Aditya, Mega Cantik Putri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 13, No 6 (2024): Juni, 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v13i6.73265

Abstract

This study aims to provide a comprehensive description and analysis of the Hadrah dance movement in Sanggar Jaya Raya, Ranai, Natuna Regency, Riau archipelago using textual information, photos, and videos. The issue arises from the manner in which the movements and components of the Hadrah dance are executed in Sanggar Jaya Raya in Ranai. This study employs the descriptive qualitative method, in addition to utilizing semiotic and ethnochoreological methodologies. The methods employed for data collection are observation, interviews, and documentation. Extended observation and triangulation are methods used to evaluate the accuracy of data. According to the data analysis, it can be inferred that the Hadrah dance style in Sanggar Jaya serves as a hospitable dance for esteemed guests or as an introductory dance during an event. Sanggar Jaya Raya offers a Hadrah dance variation that comprises an initial greeting movement, followed by a sequence of "bunga silet ukel" movements leading to "bercocok tanam" movements, and concludes with a closing greeting movement. This dance showcases an equal number of female and male dancers, with both even and odd numbers. The floor features a horizontal pattern. The researcher anticipates that the results of this study will be highly beneficial to readers, offering profound insights into the analysis of the Hadrah dance movement, and serving as a reliable and precise reference.
PROSES KREATIF PENCIPTAAN TARI TIGA SERANGKAI OLEH KUSMINDARI TRIWATI DI SANGGAR ANDARI KOTA PONTIANAK Putri, Selly Yulia; Ismunandar, Ismunandar; Satrianingsih, Aline Rizky Oktaviari
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 13, No 11 (2024): November 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v13i11.89341

Abstract

Understanding the process of creating the Kusmindari Triwati dance and the choreography of the Tiga Serangkai Dance is the driving force for this research. This type of research uses a choreographic approach with a qualitative and descriptive approach. Interviews with informants, documentation studies, and observations were used to collect data in this research. Source triangulation is a method for evaluating the reliability of data. Kusmindari Triwati's creative process in creating the Tiga Serangkai Dance and its choreography is the subject of this research. Based on the research results, it can be said that Kusmindari Triwati created the Tiga Serangkai Dance in 2003 for the Kalimantan Cultural Festival. The creation of the Tiga Serangkai Dance went through the exploration stages of Dayak movements such as kenyalang, stomping, sirang, and ngajat iban. Malay tiung jumping and gersik steps. and Chinese movements si liu bu, fu hu bu or pu bu, and xuun ji bu or xiu bu. develop traditional movements that have a unified subject. The improvisations are based on the activities of the Dayak, Malay and Chinese communities. The Tiga Serangkai dance has a theme of inter-ethnic unity and unity, which is danced by an even number of female dancers accompanied by the musical instruments sape, tuma, kubeh, soleng, beruas, tambourine, accordion, gambus, tar, Chinese drum and cymbals.
BENTUK PENYAJIAN TARI PERSEMBAHAN MELAYU DI KOTA RANAI KABUPATEN NATUNA KEPULAUAN RIAU Sephia, Nur Malika; Ismunandar, Ismunandar; Aditya, Mega Cantik Putri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.62221

Abstract

This study aims to describe and document the form of the presentation of Persembahan Dance in Ranai City, Natuna Regency, Riau Archipelago in the form of writing, pictures, and videos. The background of the research is the problem of how the form of Persembahan Melayu Dance. This study used descriptive method with qualitative research and choreographic approach. The technique of data collection used in this research are observation techniques, interview techniques, and documentation studies. The data validation testing used are the extension of observations and triangulation source. Based on the data analysis, it can be concluded that the form of Persembahan Melayu Dance is as follows: Persembahan Melayu Dance is a welcoming dance for guests of honor or opening dance at various events. There are 11 movements of Persembahan Melayu Dance which are initial movement, the variety of junjung tepak to the variety of opening greeting, the middle movement, the variety of meracik pinang to the variety of sari beni, and the final movement, the variety of close greeting. This dance is only danced by the female dancer and it must be an odd number, also there are six floor patterns. Musical instruments used are drum, violin, accordion, and it do not use vocal. The make-up used is realist make-up. The make-up used is realist make-up, the clothes used are clothes for brackets, skirts, tapeh cloth, obi, sebai and use andam head accessories, crowns, Malay editing, jurai, tudung mantu, and bun. Also, this dance uses tepak sirih as the property.
Overview of Nutritional Status of Patients with Chronic Kidney Disease Who Undergoing Hemodialisis Ismunandar, Ismunandar; Collein, Irsanty; Khaira, Nuswatul
Poltekita: Jurnal Ilmu Kesehatan Vol. 18 No. 2 (2024)
Publisher : Poltekkes Kemenkes Palu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33860/jik.v18i2.3892

Abstract

Patients undergoing hemodialysis for a period of more than 3 years tend to experience malnutrition due to inadequate food intake, diseases of the digestive tract, eating restrictions, drugs that cause impaired nutrient absorption, inadequate dialysis, and comorbidities. This study aimed to determine the relationship between nutritional status and the quality of life of chronic kidney disease patients undergoing hemodialysis in Palu. This study used a quasy experiment design to determine the the 2-mean difference test.. The sample formula determined the number of samples to test the hypothesis on the average of two populations with 100 respondents. This study was carried out in 2 hemodialysis units in Palu. The samples involved in this study were selected by simple random sampling. The KDQOL SF-36 is used to measure quality of life, whereas the malnutrition inflammation score is employed in the questionnaire used to assess nutritional status. The results of this study show that most respondents are in the age range of > 55 years, with 60 people (60%); are female, with 48 people (48%). 48% have a poor quality of life, and 52% have a good quality of life. The p-value for MIS is 0.001, so it can be concluded that at 5% alpha, there is a significant difference between the malnutrition inflammation score before and after education, while there is no significant difference for quality of life and kt/v values. There is an influence of health education on patient nutrition, there is no influence of health education using the KADOic application on quality of life and kt/v.
Pengaruh Brand Image dan Beauty Vlogger Terhadap Minat Beli Kosmetik Make Over Dimedia Sosial Instagram dan Youtube (Studi Kasus Pada Masyarakat Kota Bima) St.Nursaqinah; Ismunandar
JUMABI: Jurnal Manajemen, Akuntansi dan Bisnis Vol 1 No 2 (2023): JUMABI : JULI
Publisher : CV. Eureka Murakabi Abadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56314/jumabi.v1i2.139

Abstract

Tujuan dari penelitian ini untuk Mengetahui pengaruh Brand image Dan Beauty vlogger terhadap minat beli kosmetik make over dimedia sosial Instagram dan youtube ( studi kaus ada masyarakat kota bima ) .Hipotesis yang diajukan :1.) H1 = Brand image berpengaruh terhadap secara parsial terhadap minat beli. 2.) H2 = Beauty Vlogger berpengaruh secara parsial terhadap minat beli. 3.) H3= Brand image Dan Beauty vlogger berpengaruh secara simultan terhadap minat beli.Alat analisis yang digunakan dalam penelitian ini : Analisis regresi berganda.Berdasarkan hasil analisis, maka dapat disimpulkan: a) Brand Image secara parsial berpengaruh terhadap minat beli kosmetik disosial media instagram dan youtube (studi kasus pada masyarakat kota bima).b) Beauty Vlogger secara parsial berpengaruh terhadap minat beli kosmetik make over dimedia sosial instagram dan youtube ( studi kasus pada masyarakat kota bima ) . c) Brand Image dan Beauty Vlogger secara simultan berpengaruh terhadap minat beli kosmetik make over dimedia sosial instagram dan youtube (studi kasus pada masyarakat kota bima). Adapun saran yang dapat peneliti berikan dalam penelitian ini adalah: a) Bagi peneliti selanjutnya disarankan menambahkan variabel penelitian agar variabelnya tidak jenuh dengan menjadikan suatu penelitian lebih baik lagi sehingga hasilnya dapat beragam penambahan variabel baru seperti promosi, harga,kemasan dan lain-lainya. b) Saran peneliti untuk objek( Make over) yaitu untuk meciptakan produk yang berkualitas tapi sesuai budget kantong masyarakat . c) Saran peneliti untuk Beauty vlogger yaitu Beauty vlogger harus memberikan ulasan yang jujur dan mudah dipahami oleh konsumen sehingga konsumen yang menonton konten atau video dari Beauty vlogger bisa memahami apa yang disampaikan.
Pelestarian Mada Oi Tula Sebagai Sumber Mata Air Bagi Masyarakat Desa Punti Bagus Shaburu; Nurmelisa Nurmelisa; Junaidin Junaidin; Adyatma Fadilah; Maulana Muslimin; Defis Purnama Sari; Ismunandar Ismunandar; Muhammad Badar
ALKHIDMAH: Jurnal Pengabdian dan Kemitraan Masyarakat Vol. 3 No. 1 (2025): Jurnal Pengabdian dan Kemitraan Masyarakat (ALKHIDMAH)
Publisher : Sekolah Tinggi Ilmu Syariah Nurul Qarnain Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59246/alkhidmah.v3i1.1227

Abstract

Mada Oi Tula, as the main water source for the residents of Punti Village, plays a crucial role in supporting daily needs and local agricultural activities. This study aims to explore the practices of preserving this water source and the challenges faced by the community. Employing a qualitative method with a case study approach, data were gathered through in-depth interviews with traditional leaders, community members, and village authorities, as well as through Focus Group Discussions (FGDs). The findings reveal that the preservation of Mada Oi Tula is significantly influenced by local cultural values and the community's spirit of mutual cooperation. However, challenges such as deforestation and land use changes pose major threats, emphasizing the need for collaborative efforts between the community and relevant stakeholders to ensure the sustainability of this water source.
Co-Authors Abdul Malik, Supriadi Abdul Sakur Adipratama, Restu Malo Aditya Pratama Aditya, Mega Cantik Putri Adyatma Fadilah Agus Maulana Agus Syahrani Agus Wahyudi Agus Wartiningsih Agusrianto, Agusrianto Agusta, Maulingga Ahmad Aida Zulwahidah Aina, Qorry Aini, Hizratun Ainun Jariah Ais, Nahdatul ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alwi Alwi Amal, Mukhlisul Ambarita, David Morison Aminuddin Aminuddin Aminuyati Amir Amirulmukminin Amirulmukminin Amirulmukminin, Amirulmukminin Amyadin Amyadin, Amyadin Anak Agung Gede Sugianthara Anastasia, Indrayani Andang Sanjaya Andini Ramadani Anesta, Flora Anfani Anfani Anggara, Rama Anggaswara, Rezky O. Anisa Anisa Anisa Safitri, Nur Annisa Annisa Anshari, M. Alfian Apong, Apong Arahim Arahim Arifuddin Arifuddin Arya, Angga Bima Asfar Muniir, Asfar Aska, Muhammad Aska Al Varo Asri, Muhamad As’ad, Muhammad Atida, Icha Asih Augustine, Karina Azhari, A.Rahman Bagus Shaburu Baiq Emy Nurmalisa Basrin Haryanto Batubara, Herlina Merdekawati Billah, Mu’tashim Bohari M. Yamin Brendan J. Kennedy Bumadius, Bumadius Bunyamin, Andi Canigia, Diego Antoni Cantik Putri Aditya, Mega Cendi, Indah Putri Chatika, Anggelina Dalamus, Renny Basajo Darmawan, Imam Darwin Ismail Debi Setiawan, Debi Dede Suhendar Defis Purnama Sari Dekapriyo, Fernandus Deo Delta, Juliana Diecky Indrapraja, Diecky Diecky Kurniawan Indrapraja Dila Saputri Dina Mariana Dinasti, Putri Aulia Dirgahani Putri Dita Amelia, Dita Djau, Nurmala Sari Djau, Nurmila Sari Djulia Onggo Djulia Onggo Dwi Oktariani Dwi Yogyo Suswinarto, Dwi Yogyo Edi Mikrianto Egi Putri Grandena Eka Kurniati eka rahmawati Emelia, Mela Ernawati, Sri Ernawati Esther Jacoba Martha Vertelman Fahmi Hafid Fahraiji, M Irgi A Fajar, Adroit T. N. Fajrilah Kolombo Faruq, Zidni Tammal Fatari Fatmawati Fatmawati Febi Berliana Febriyanti, Yuyun Fertisari, Imma Firda Utami, Silvia Firdaus Hi. Yahya Kunoli Firman, Ridho Fitri, Rosa Elisa Fitria Masulili Fitriani, Reza Fitrina, Yola Fitriyanti, Della Gafiqi, Abdul Gew, Dorotea Rebika Gifaris, Aditia Rahmat Grandena, Egi Putri Grandprix T. M. Kadja Gunawan, Arisko Gustini Gustini Haikal, Lalu Muhammad Hairunisa Hairunisa, Hairunisa Hairusanti, Famela Halim, Idris Haryadin, Muhammad Nur Haryanti, Intisari Haryanti, Intisari sari Hasanuddin, Fitria Hasna, Hasna Fidelya Hasnawati Hasnawati Hawaria Hawaria Hayril Hayril Henny Sanulita Hidayanti, Mawar Hidayatullah, Akbar Hijratunnisa, Laili HUSNUL KHOTIMAH I Made ARCANA I Nyoman Marsih I Wayan Supetran, I Wayan Ibadatur Rahman Ichsan, Moh Ichsan Iftitah, Ita Iis Siti Jahro Ilham, Gusti Muhamad IMAM GHOZALI Imam Ghozali Imelda Elizabeth Belseran Imelda, Brigita Imma Fretisari indah asikin nurani Inita, Andar Intisari Haryanti Intisariharyanti, Intisariharyanti Irawan Haryanto Irawan, Ikbal Irma Mardian Irma Suryani, Indri Irsanty Collein Ita Purnama Ivon, Maria Jayawarsa, A.A. Ketut Jelita, Bela Anggun Jumriani Jumriani Jumriani Jumriani Junaidi Junaidi Junaidin, Junaidin Junita, Ellmy Lia Juwani Juwani Juwani Kadja, Grandprix T. M. Kadja, Grandprix Thomryes Marth Kalba, Milda Putri Kamaluddin Kamaluddin Kamaluddin Kartin Aprianti Khaerul Anam Khaira, Nuswatul Kharimah, Siti Kuantani, Irma Maira Kudun, Oktavanus Kurniawan, Ya Kusumayadi, Firmansyah Laksmi, Nadya Ayu Lalu Izam Hikmawan Lestari, Yuyun Ayu Lewirato Lewirato Lita M. Yudha Trisna Hadi Maharani Maharani, Maharani Mahsup, Mahsup Mangemba, Dg Mardian, Irma Mardiana, St Marlin, Marlin Mar’atin Amalia Rizkiah Mastri Dihita Sagala Masulilli, Fitria Maulana Muslimin Mawarni, Rizka Rina Mega Cantik putri Aditya Meilania, Meilania Melina, Trivena Milda Mita Rilyanti Mochammad Imron Awalludin Moh. Mualliful Ilmi, Moh. Mualliful Mohammad Jailani Monika Handayani, Monika Muhaimin Muhaimin Muhajirin Muhajirin Muhajirin Muhamad Abdulkadir Martoprawiro Muhammad Afwan Riadin Muhammad Badar Muhammad Firdaus Muhammad Rizki Bima Putra Muhammad Yusuf Mukti, Rino Rahmata Mulyadin Mulyadin Mulyadin, Mulyadin Muni ir, Asfar Murni Murni Murti, Elis Syahira Mustamim Nabilasari, Imanada Nabilasari, Imanda Nadya Nurdini Namirah, Pipin Nasrul Nasrul Nasrul Ndama, Metrys ndama, metyrs Nirva Rantesigi Nirvana Agil Nisa, Sholichatun Nitro Galenso Novianti Novianti Nufus, Shinta Z H Nuir Khusnul Hamidah Nunung Andriani Nur Anisa NUR ARIFAH Nur Ayu Nur Iklimah Nur Khusnul Hamidah Nur, Muhammad Purqan Nurarifah Nurarifah Nurdin, Jurana Nurfajriah, Putri Nurfitrah Nurfitrah Nurhaidah Nurlailah Umar Nurlayli Istiqomah Nurmelisa Nurmelisa Nurmila Sari Djau Nursalam Rahmatullah Nurul Afrianti Nurul Hidayanti Nurul Huda Nurul Putri okiria, Nova Oshin, Oshin Ovriyadin Ovriyadin Ovriyadin Ovriyadin, Ovriyadin Ovryadin Ovryadin Pangaribuan, Helena Petra van Koningsbruggen Pindi Setiawan Poniran Pratiwi, Aliah PUJI LESTARI Purnamasari, Defis Purnamasari Purnamasari, Esti Purwati, Kresensia Putri Aditya, Mega Cantik Putri Mulia Sakti Putri Nabila Putri, Fakhrani Anugrah Putri, Indah Risa Putri, Meitika Kaping Putri, Selly Yulia Putri, Suci Adelia Radiansyah Radiansyah Rafly, Muhammad Rahmatia Rangga Kautsar Triananda Raodah Raodah Raodatun Nadita, Nurbaity Ra’bung, Alfrida Semuel Rebeka, Modesta Regaria Tindarika Renaldi, Reno Reni Reni Riandi, M. Inas Ricki, Ricki Rimawan, M. Rimawan, Muhamad Rino R. Mukti Rino R. Mukti Riri, Linovia Risman Risman Rizky, Masita Rosdiana Rosdiana RR. Ella Evrita Hestiandari Rutjuhan, Arta S. F. Nanda, Arxhel Sahrul Sahrul Santi Dewi Saputri, Suri Sari, Ratih Mulia Sari, Waode Fitrah Satrianingsih, Aline rizky Savinatun Naja Sephia, Nur Malika Shofarul Wustoni Siahaya, Asty Putri Pratiwi Army Silaban, Chiristianly Silaban, Chiristianly Yeri Silaban, Chiristianly Yerry Silaban, Chiristianly Yery Silaban, Christianly Yeli Silaban, Christianly Yely Silaban, Christianly Yeri Silaban, Christianly Yery Sinta, Emeliana Sintayana Muhardini Slamet, Deni Sri Ernawati sri wardah ST. Farida St. Suarniati St.Nursaqinah Sudarwo, Raden Suffiah sukmawati Sulistianingsih Sulistianingsih Sumiati Sumiati Sumiaty Sumiaty Supirno, Supirno Supriadi Abdul Malik Susanto Imam Rahayu Susanto Imam Rahayu Susi Susanti Syafitri, Dolly Taufan E. P, Muhammad TAUFIKURRAHMAN, M Tecla, Susana Timia, Timia Toto, Widina Karma Triati Putri Ulan, Ulan Ulhasanah, Nida Ummu Aiman Uyun, Salimatul Veinardi Suendo Violeta, Veronica Mega Wahyu Ramadhan Wahyudi, Dian H. Wahyuni, Sinta Seri Widya Ayu Lestari Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Winoto, Haryo P. Wirawan, Dony Eko Wita Yulianti, Wita Wiwin Wiwin, Wiwin Wulandar, Yukarie i Ayu Yaningsyah, Yaningsyah yarso, Varulian Yasmin Yasmin Yery Silaban, Chiristianly Yery, Christianly Yoan Maria Agusta Yuary Farradia Yudhistira Oscar Olendo Yundari, Yundari Yunisa Is Yuniarti, Tria Yusnia Ayusari Yusthinus T. Male Yuwono, Dian Kurniasari Zaaria, Ainun Zaaria Zainul, Zainul Zakarias Aria Widyatama Putra