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STUDI ORGANOLOGI ALAT MUSIK BERUAS DI KELURAHAN SIANTAN TENGAH KECAMATAN PONTIANAK UTARA KOTA PONTIANAK Ilham, Gusti Muhamad; Ismunandar, Ismunandar; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThis study aimed to investigate the process of creating Beruas musical instrument, particularly analyzing structure and playing this traditional instrument in central Siantan village, North Pontianak. The purpose of this study was to find out the structure of Beruas musical instrument and to learn how to play it properly in producing good sound. The method used in this study was descriptive method; with qualitative research forms and organology approaches. The data included the observation sheet, documentation and journals about the process of creating the musical instrument. The respondent of this study wasSuhaili, Anwar Dja'far. Besides, several interviews were conducted together with the observation and documentation activities. Researcher also took part as the main instrument in collection.Validity of the data was an extension of observation and triangulation techniques. The analysis was done during and after the data collection. Beruas musical instrument was the result of an acculturation from the Middle Eastern culture, which was found through a trade and the spread of Islam Indonesia itself, there were various forms, sizes and types of Beruas these archipelago regions. However, the researcher only focused on the organological Study of Beruas instrument in central Siantan subdistrict, North Pontianak, which was made by Suhaili. Keywords: Beruas Musical Instrument, Beruas Organology, organology study
METODE JIGSAW UNTUK MENINGKATKAN AKTIVITAS BELAJAR RAGAM GERAK TARI TRADISI SISWA KELAS VII D SMP NEGERI 1 LEDO Sinta, Emeliana; Ismunandar, Ismunandar; Fretisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 1 (2019): Januari 2019
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AbstractThe problem in class VII D of SMPN 1 Ledo is the lack of student learning activities and experience in dancing because students have never received dance material and participated in dance aktivities at school or outside school. Students feel embarrassed, pay less attention to the dance material that the teacher has conveyed, students sit more, shut up and listen to the teacher's explanation, lack of confidence in dancing. This happens because of habits in learning arts and culture, especially dance learning in class. Cultural arts teachers are more dominant in explaining the theories found in dance than teaching directly to learn dance practice. This research method uses descriptive research and qualitative approaches with claas room action research through the use of the Jigsaw method in learning. Increased learning activities from cycle 1 to cycle 2 are seen from an average value of 64.05 to 86,41. The conclusion of this study is that student learning activities on the material of the variety of dance movements of tradition can be increased using theJigsaw method. Keywords: Jigsaw Method, Learning Activities, A variety of Traditional Dance Movements.
BENTUK PENYAJIAN TARI JUBATA DALAM ACARA PERNIKAHAN SUKU DAYAK KANAYANT DI DESA SETANDUK KECAMATAN CAPKALA KABUPATEN BENGKAYANG Oshin, Oshin; Ismunandar, Ismunandar; Fretisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis analyses the form of the Jubata dance performance in the wedding of Kanayant Dayak Tribe in Setanduk Village, Capkala District of Bengkayang regency. The problems in this study are formulated as follows How is the form of Jubata dance performance in the wedding of Kanayant Dayak, contribute to the junior secondary education,describing the form of Jubata dance performance, and describing the contribution of the information regarding the Jubata Dance to the domain of junior high school education. This method in the form of qualitative with choreography approach. The informants this study are Arbinus, Orot, and Herman Toto. The data in this study of the interview and observation results, such as fieldnotes, photos, and videos. The techniques used in the observation, interview, and documentation. The data validated by using extended observation and triangulation. The data analysis, it was concluded that the Jubata dance consists of three movements. Other elements found in the performance are vertical, horizontal and circular floor design, contemporary group design, non-literary theme, proscenium stage, simple makeup, traditional dress, music accompaniment with agukng, tuma, tenga, soling, and poet, properties.The results of this study can be contributed as learning material in arts and cultural subjects in the 2013 curriculum. Keyword: Form of performance, JubataDance, Kanayant Dayak
REVITALISASI TARI GIRING-GIRING PADA MASYARAKAT DAYAK BANYADU DESA SETIA JAYA KECAMATAN TERIAK KABUPATEN BENGKAYANG Anesta, Flora; Ismunandar, Ismunandar; Istiandini, Winda
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 12 (2018): Desember 2018
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Abstract

AbstractThe background of this research was the revitalization of Giring-giring dance in Setia Jaya Village. The aim to be achieved was to revitalize the Giring-giring dance so that it could relive in Dayak Banyadu community of Tekalong Hamlet, Setia Jaya Village, Teriak District, Bengkayang Regency. The method of this research was descriptive method, the design was qualitative. The approach of this research was ethnocoreology approach which was based on the disciplines of sociology dance. The data collecting techniques of this research were interview, observation and documentation. The researcher applied the extension of observation and triangulation of sources to check the validity of data in this research. The data analysis technique in this research was reduction data, presentation data, and verification data. The results of this research were the teaching Giring-giring dance through training in the community of Setia Jaya Village, Teriak District, Bengkayang Regency. Furthermore, presenting the Giring-giring dance in National Children's Day activities. Performing Giring-giring dance in Cultural Congress activities and held a hamlet-level Giring-giring dance competition in Setia Jaya village during the Giring-giring dance festival.Keywords: Revitalization, Giring-Giring Dance, Bengkayang Regency
FUNGSI TARI NTABUH PADA SUKU DAYAK JAWANT DALAM UPACARA PERNIKAHAN DI DUSUN SULANGBETUNG SEKADAU Anastasia, Indrayani; Ismunandar, Ismunandar; Syahrani, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 5 (2018): Mei 2018
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Abstract

                         AbstractThis research was about the function of Ntabuh Dance in a wedding ceremony. This research to analyze the traditional ceremony and to review the function of Ntabuh Dance in a wedding ceremony at Dayak Jawant community in Sulangbetung hamlet. This research used function and cultural theory as the research theory. The method used is descriptive method with qualitative research form and anthropological approach. The source of data in this research was Fransiskus as a dancer Ntabuh Dance. The data of this research was the ritual function of Ntabuh Dance in the wedding ceremony. The writer used observation, interview, and documentation study as the techniques of data collection. The technique of research data analysis were analyzed and interpreted the function of Ntabuh Dance in a wedding ceremony. The result of this research showed that the function of Ntabuh Dance was one of the rituals that existed in the wedding ceremony of Dayak Jawant. Ntabuh dance was a ritual dance that aimed to fill customs in the wedding ceremony to rid themselves of customs payable. The results of this study were expected to be implemented in the VIII class artistic arts lessons in junior high school in the second semester. Keywords:  function, Ntabuh dance, Dayak Jawant, wedding ceremony
STRUKTUR PENYAJIAN TARI NGAJAT LESUNGPADA GAWAI BATU DAYAK IBAN KABUPATEN BENGKAYANG Violeta, Veronica Mega; Fretisari, Imma; Ismunandar, Ismunandar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 12 (2018): Desember 2018
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Abstract

AbstractThis research is depended on the unique and the special of Ngajat Lesung folk dance that made the reseacher interested to done the research about The Structure to Present Tari Ngajat Folk Dance in Gawai Batu of Dayak Iban Peoples in Seluas rural of Seluas District and Bengkayang Regency. The purpose of this research is to describe the structure to present Ngajat Lesung folk dance.Method that used in this research is descriptive method with qualitative research type. The research approach in this research is Choreography Approach.The data results are interview, observation, and documentation. Techniques of data validation in this research are using obervation extension and triangulation sources. Techniques of data analysis in this research are data reduction, data presentation, and verification. Ngajat Lesung Dance has structures which consist of initial, middle, and end movements. Other elements contained in the structure include, Floor design, Top design, Dance Dynamics, group composition, the theme, accompaniment, make up and clothing, dance property, place of performance, The result of this research is expected to be implemented in the teaching of art and culture subject to the VIII grade of the first semester one. Keywords: Presentation Sturcture, NgajatLesungDance, Seluas Subdistrict. 
UMPAN BENUA (UNGKAPAN UCAP SYUKUR MASYARAKAT SINTANG) Meilania, Meilania; Ismunandar, Ismunandar; Djau, Nurmala Sari
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractUmpan Benua is a piece of dance departs from community traditions in Sintang Regency. Umpan Benua is a term used by the Sintang community to refer to rituals, ceremonies or parties after the harvest. Umpan Benua traditional ritual was led by a traditional shaman who performed at the Balai Perangin Palace of the Sintang Sultanate Palace right in front of the Sintang Palace, beginning with the whole community deliberating. Ritual of Umpan Benua dance uses special tools that must be prepared such as seven Ancak Ancak (plaits made of bamboo 6 round shape and 1 boat shape) these seven ancak are a symbol where the ancak will later be offered or drowned in the Kapuas and Melawi rivers. Umpan Benua dance applies the methods and stages of creation in dance work including exploration, processing, application, evaluation, and revision. This is important because a writing process also requires a systematic work to facilitate writing so that it can run according to a predetermined conceptual framework.This presentation creates dance performance aesthetics in terms of both dance and musical accompaniment, so that this work is not only a spectacle, but also a work where the musical accompaniment is interesting to hear.  Keywords: Umpanbenua dance, legend, production management, methods and stages of creation of presentation and analysis of works
SEJARAH DAN PERKEMBANGAN TARI ENTARAI PADA SUKU DAYAK KETUNGAU SESAEK DI KECAMATAN SEKADAU HILIR Putri, Meitika Kaping; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 12 (2018): Desember 2018
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AbstractThis research is motivated lack of writing and documenting of traditional dancing in the local area. The researcher very excited toward dayak culture especially about Entrai dance to know the history and development about it’s.The method used in this research is historis descriptive, in the from of qualitative research by multidisciplinary approach that divided into three of theories, those are the theory of history, anthropology, and sociology. Tools of data collecting were taken by several techniques such as observation, interview, and documentation techniques from the statements of some artists of Entarai Dancing as the informants. The validity techniques were extending the observation and source triangulation technique that combined the statements from the informants.The history of Entarai Dancing started in 1960, where Juyah, an indigenous of Ketungau Sesaek Dayak Tribe, as the creator of the first Entarai Dancing. Then, Libau introduced and developed that in 1987 as the first dancer of Entarai Dancing. In 1996, Entarai Dancing developed by Aki in the Inauguration of St. Gelma Galgani Church. In 2000 until now, Entarai Dancing use in entertain dancing. The structure of gestures in Entarai Dancing divided into three parts, those are respect, main, and closing gestures. The result of this research was expected to implement in Art of Culture lesson in the first semester of Grade Eight. Keywords:       History and development, Entarai
PERGESERAN FUNGSI TARI KONCONG PADA SUKU DAYAK KANAYATN DI DESA BABANE KECAMATAN SAMALANTAN KABUPATEN BENGKAYANG Imelda, Brigita; Ismunandar, Ismunandar; Istiandini, Winda
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 11 (2018): Nopember 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

 AbstractThe research is carried upon the researcher’s great curiosity toward the function of Koncong Dance among Kanayatn Dayaknese in Babane Village Bengkayang District.It used to be functioned as a ritual dance which is now shifted into a mere performance.The problems in this research are Koncong dance’s ritual function and performance function, and the function shifting on Koncong dance among Kanayatn dayaknese in Babane Village Samalantan Sub-District Bengkayang District. The research implementation plan in cultural arts and dance skills learning in Junior High Level.The method used was descriptive in form of qualitative with anthropology approach.The data was obtained through observation, interview, and documentation. The data validation technique are triangulation and observation extension technique, and the data analysis was anthropology observation with analysis technique when the research was on process.Based on the data analysis, it can be concluded that Koncong dance among Kanayatn dayaknese in Babane village Samalantan sub-district Bengkayang District is a ritual dance that functioned as a treatment media for ill people which function is then shifted into a performance art in order to preserve it. The Koncong dance’s function a treatment for ill people ritual is shifted into a performance art because today’s young generations are unable to preserve it and it is also eroded by the modern age. This research result can be an option for a teaching material in culture arts learning in Junior High School.Key Words: Function shifting, Koncong dance, Kanayatn dayaknese, Bengkayang
STRUKTUR PENYAJIAN TARI JEPIN TEMBUNG PENDEK KARYA M. YUSUF DAHYANI Canigia, Diego Antoni; Ismunandar, Ismunandar; Silaban, Chiristianly Yeri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThe aspects of Jepin Tembung Pendek dance by M. Yusuf Dahyani has been the researcher’s interest to explore and analyze through this research. The aim of this study is to define the structure of the dance performance. This research was conducted using a descriptive method. Through observation, interviews, and documentation techniques the data were collected in the form of presentation structure of Jepin Tembung Pendek dance that comprises 3 main parts of dance (beginning, middle, and end) from the informants M Yusuf Dahyani and Anwar Dzafar. Based on the results of the interview, the dance was debuted in the 1930s. The previous basic movement of dance was created by Mr Unggal Jais from Teluk Pak Kedai. At that time, dance had not undergone any change in the components of motion, music, and costumes. The supporting elements of the dance are music, costumes, and attributes. Becoming a piece of the cultural richness, the dance of Jepin Tembung Pendek must be maintained to bring it to the next generations.   Keywords: Presentation Structure, Jepin Tembung Pendek Dance by M.Yusuf  Dahyani
Co-Authors Abdul Malik, Supriadi Abdul Sakur Adalia, Sephira Adipratama, Restu Malo Aditya, Mega Cantik Putri Adyatma Fadilah Afilla, Mutia Agus Maulana Agus Syahrani Agus Wahyudi Agus Wartiningsih Agusrianto, Agusrianto Agusta, Maulingga Ahmad Aida Zulwahidah Aina, Qorry Aini, Hizratun Ainun Jariah Ais, Nahdatul ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alwi Alwi Amal, Mukhlisul Ambarita, David Morison Aminuddin Aminuddin Aminuyati Amir Amirulmukminin Amirulmukminin Amirulmukminin, Amirulmukminin Amyadin Amyadin, Amyadin Anak Agung Gede Sugianthara Anastasia, Indrayani Andang Sanjaya Andini Ramadani Anesta, Flora Anfani Anfani Anggara, Rama Anisa Anisa Anisa Safitri, Nur Annisa Annisa Anshari, M. Alfian Apong, Apong Arahim Arahim Arifuddin Arifuddin Arya, Angga Bima Asfar Muniir, Asfar Aska, Muhammad Aska Al Varo Asri, Muhamad As’ad, Muhammad Atida, Icha Asih Augustine, Karina Azhari, A.Rahman Bagus Shaburu Baiq Emy Nurmalisa Basrin Haryanto Batubara, Herlina Merdekawati Billah, Mu’tashim Bohari M. Yamin Brendan J. Kennedy Bumadius, Bumadius Canigia, Diego Antoni Cantik Putri Aditya, Mega Cendi, Indah Putri Chatika, Anggelina Condeng, Baharuddin Dalamus, Renny Basajo Darmawan, Imam Darwin Ismail Debi Setiawan, Debi Dede Suhendar Defis Purnama Sari Dekapriyo, Fernandus Deo Delta, Juliana Diecky Indrapraja, Diecky Diecky Kurniawan Indrapraja Dila Saputri Dina Mariana Dirgahani Putri Dita Amelia, Dita Djau, Nurmala Sari Djulia Onggo Djulia Onggo Dwi Oktariani Dwi Yogyo Suswinarto, Dwi Yogyo Edi Mikrianto Egi Putri Grandena Eka Kurniati eka rahmawati Emelia, Mela Ernawati, Sri Ernawati Esther Jacoba Martha Vertelman Fahmi Hafid Fahraiji, M Irgi A Fajar, Adroit T. N. Fajrilah Kolombo Faruq, Zidni Tammal Fatari Fatmawati Fatmawati Febi Berliana Febriyanti, Yuyun Fertisari, Imma Firda Utami, Silvia Firdaus Hi. Yahya Kunoli Firman, Ridho Fitri, Rosa Elisa Fitria Masulili Fitriani, Reza Fitrina, Yola Fitriyanti, Della Gafiqi, Abdul Gew, Dorotea Rebika Gifaris, Aditia Rahmat Grandprix T. M. Kadja Gunawan, Arisko Gustini Gustini Hairunisa Hairunisa, Hairunisa Hairusanti, Famela Halim, Idris Haryadin, Muhammad Nur Haryanti, Intisari Haryanti, Intisari sari Hasanuddin, Fitria Hasna, Hasna Fidelya Hawaria Hawaria Hayril Hayril Henny Sanulita Hidayanti, Mawar Hijratunnisa, Laili HUSNUL KHOTIMAH I Made ARCANA I Nyoman Marsih I Wayan Supetran, I Wayan Ibadatur Rahman Ichsan, Moh Ichsan Iftitah, Ita Iis Siti Jahro Ilham, Gusti Muhamad IMAM GHOZALI Imelda Elizabeth Belseran Imelda, Brigita Imma Fretisari indah asikin nurani Intisari Haryanti Intisariharyanti, Intisariharyanti Irawan Haryanto Irawan, Ikbal Irma Mardian Irma Suryani, Indri Irsanty Collein Ita Purnama Ivon, Maria Jayawarsa, A.A. Ketut Jelita, Bela Anggun Jumriani Jumriani Jumriani Jumriani Junaidi Junaidi Junaidin, Junaidin Junita, Ellmy Lia Juwani Juwani Juwani Kadja, Grandprix T. M. Kadja, Grandprix Thomryes Marth Kalba, Milda Putri Kamaluddin Kamaluddin Kamaluddin Kartin Aprianti Khaerul Anam Khaira, Nuswatul Kharimah, Siti Kuantani, Irma Maira Kudun, Oktavanus Kurniawan, Ya Kusumayadi, Firmansyah Laksmi, Nadya Ayu Lalu Izam Hikmawan Lestari, Yuyun Ayu Lewirato Lewirato Lita M. Yudha Trisna Hadi Maharani Maharani, Maharani Mahsup, Mahsup Mangemba, Dg Mangundap, Selvi Alfrida Mardian, Irma Mardiana, St Marlin, Marlin Mar’atin Amalia Rizkiah Mastri Dihita Sagala Masulilli, Fitria Maulana Muslimin Mawarni, Rizka Rina Mega Cantik putri Aditya Meilania, Meilania Melina, Trivena Milda Mita Rilyanti Mochammad Imron Awalludin Moh. Mualliful Ilmi, Moh. Mualliful Mohammad Jailani Monika Handayani, Monika Muhaimin Muhaimin Muhajirin Muhajirin Muhajirin Muhamad Abdulkadir Martoprawiro Muhammad Afwan Riadin Muhammad Badar Muhammad Firdaus Muhammad Rizki Bima Putra Muhammad Yusuf Mukti, Rino Rahmata Mulyadin Mulyadin Mulyadin, Mulyadin Muni ir, Asfar Murni Murni Murti, Elis Syahira Nabilasari, Imanada Nabilasari, Imanda Nadya Nurdini Namirah, Pipin Nasrul Nasrul Nasrul Ndama, Metrys ndama, metyrs Nirva Rantesigi Nirvana Agil Nisa, Sholichatun Nitro Galenso Novianti Novianti Nufus, Shinta Z H Nuir Khusnul Hamidah Nunung Andriani Nur Anisa NUR ARIFAH Nur Ayu Nur Iklimah Nur Khusnul Hamidah Nur, Muhammad Purqan Nurarifah Nurarifah Nurdin, Jurana Nurfajriah, Putri Nurfitrah Nurfitrah Nurhaidah Nurlailah Umar Nurlayli Istiqomah Nurmelisa Nurmelisa Nurmila Sari Djau Nursalam Rahmatullah Nurul Afrianti Nurul Hidayanti Nurul Huda Nurul Putri okiria, Nova Oktaviari, Aline Rizky Oshin, Oshin Ovriyadin Ovriyadin Ovriyadin Ovriyadin, Ovriyadin Ovryadin Ovryadin Pangaribuan, Helena Permatasari, Risda Pancha Petra van Koningsbruggen Pindi Setiawan Poniran Pratiwi, Aliah PUJI LESTARI Purnamasari, Defis Purnamasari Purnamasari, Esti Purwati, Kresensia Putri Aditya, Mega Cantik Putri Nabila Putri, Fakhrani Anugrah Putri, Indah Risa Putri, Meitika Kaping Putri, Selly Yulia Putri, Suci Adelia Radiansyah Radiansyah Rafly, Muhammad Rahmatia Rangga Kautsar Triananda Raodah Raodah Raodatun Nadita, Nurbaity Ra’bung, Alfrida Semuel Rebeka, Modesta Regaria Tindarika Renaldi, Reno Reni Reni Riandi, M. Inas Ricki, Ricki Rimawan, M. Rimawan, Muhamad Rino R. Mukti Riri, Linovia Risman Risman Rizky, Masita Rosdiana Rosdiana RR. Ella Evrita Hestiandari Rutjuhan, Arta S. F. Nanda, Arxhel Sahrul Sahrul Salsabila, Salsabila Santi Dewi Saputri, Suri Sari, Ratih Mulia Sephia, Nur Malika Shofarul Wustoni Siahaya, Asty Putri Pratiwi Army Silaban, Chiristianly Silaban, Chiristianly Yeri Silaban, Chiristianly Yery Silaban, Christianly Yeli Silaban, Christianly Yely Silaban, Christianly Yeri Silaban, Christianly Yery Sinta, Emeliana Sintayana Muhardini Slamet, Deni Sri Ernawati sri wardah ST. Farida St. Suarniati St.Nursaqinah Sudarwo, Raden Suffiah sukmawati Sulistianingsih Sulistianingsih Sumiati Sumiati Supirno, Supirno Supriadi Abdul Malik Susanto Imam Rahayu Susanto Imam Rahayu Susi Susanti Syafitri, Dolly Taufan E. P, Muhammad TAUFIKURRAHMAN, M Tecla, Susana Timia, Timia Toto, Widina Karma Triati Putri Ulan, Ulan Ulhasanah, Nida Ummu Aiman Uyun, Salimatul Violeta, Veronica Mega Wahyu Ramadhan Wahyuni, Sinta Seri Widya Ayu Lestari Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Wirawan, Dony Eko Wita Yulianti, Wita Wiwin Wiwin, Wiwin Wulandar, Yukarie i Ayu Yaningsyah, Yaningsyah yarso, Varulian Yasmin Yasmin Yery Silaban, Chiristianly Yery, Christianly Yoan Maria Agusta Yuary Farradia Yundari, Yundari Yunisa Is Yuniarti, Tria Yusnia Ayusari Yusthinus T. Male Yuwono, Dian Kurniasari Zaaria, Ainun Zaaria Zainul, Zainul Zakarias Aria Widyatama Putra