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Motivational Messages On Quarter-Life Crisis (QLC) Anxiety Management Among @Najwashiahab Instagram Followers Nufindra, Ardin; Marta, Rustono Farady; Sarasati, Fitri; Engliana, Engliana; Umar, Umar
KOMUNIKA Vol 7 No 1 (2024): Accredited by Kemenristekdikti RI SK No.152/E/KPT/2023
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/komunika.v7i1.21351

Abstract

This current research discusses motivational messages on YouTube content on the issue of anxiety management at the quarter-life crisis (QLC) stage among Instagram followers @NAJWASHIHAB. Motivational messages on YouTube have influenced the audience's enthusiasm after watching the show based on extrinsic and extrinsic motivations. The research utilizes quantitative approach through the use of survey method. The survey data is the followers of the @NAJWASHIHAB Instagram account on quarter-life crisis topic discussion. The results show that the created content influenced the viewers or subjects. The findings indicate that there were positive reactions shown by the content viewers after watching the video "Quarter Life Crisis, Says Abi Quraish Shihab | Shihab & Shihab” on YouTube. The @NAJWASHIHAB Instagram followers demonstrate the ability to manage quarter-life crisis anxiety by practicing mindfulness by being conscious of their environment and openly accepting their emotions.
Beauty Standards Portrayed in the Indonesian Adaptation of 200 Pounds Beauty Laksono, Tegar Dwi; Marta, Rustono Farady; Fernando, Joshua; Sudarji, Shanty; Maria Borges, Serilio Verdial
Al Huwiyah: Journal of Woman and Children Studies Vol. 5 No. 1 (2025): Al Huwiyah: Journal of Woman and Children Studies
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/fmzdmf50

Abstract

This study aims to analyze the beauty standards in the Indonesian version of 200 Pounds Beauty (2023) using a qualitative descriptive approach and discourse analysis method developed by Sara Mills, focusing on feminism. The main objective of this research is to explore how the representation of women in the film reflects social pressures and patriarchal ideologies related to beauty. Through discourse analysis of dialogues, scenes, and socio-cultural context, this study identifies how the character Juwita experiences body-shaming and discrimination based on her appearance before and after undergoing plastic surgery. The findings indicate that the film reinforces unrealistic beauty myths, where women who meet the ideal beauty standards receive special treatment, while those who do not conform to these standards face marginalization. This research highlights the negative impact of beauty standards shaped by the media, emphasizing the importance of raising awareness about the diversity of physical appearances and boosting women's self-confidence. Thus, this study contributes to a broader understanding of the relationship between gender, beauty, and representation in the media.   Keywords: Body Shaming, Feminism, Film Studies,  Beauty Standards.
Efektifitas Iklan YouTube: Korelasi antara Kredibilitas Tasya Farasya dengan Ulasan Produk Maybelline Putri, Triana; Rayhan, Muhammad; Marta, Rustono Farady; Ahmad, Rosmalia; Harliyono, Maria
Jurnal Ilmiah Multimedia dan Komunikasi JIMK Vol. 9 No. 1, Bulan Juni 2024
Publisher : Sekolah Tinggi Multi Media "MMTC" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56873/jimk.v9i1.307

Abstract

Influencers can strengthen the effectiveness of advertising by consumers when they are considered to have good credibility, so they buy the product. The aim of the research is to determine the relationship between Tasya Farasya's credibility and the effectiveness of Maybelline product reviews as marketing communication strategy.  Previous study of Credibility Theory by Hovland Weiss found that audiences tend to give a higher level of approval when the source has a high reputation. There are two variables that will be measured, namely source credibility and review effectiveness. Source credibility is measured using the dimensions of attractiveness, trustworthiness, and expertise. Also, advertising effectiveness is measured using the dimensions of personal engagement and interactive engagement. The research used a survey-based explanatory quantitative approach by distributing questionnaires to 100 consumers of Maybelline products. The data obtained was processed using SPSS version 27 software, and analyzed by correlation. Research findings show that there is a significant and strong relationship between Tasya Farasya's credibility and the effectiveness of Maybelline product advertising. Therefore, it can be concluded that Tasya Farasya's credibility is able to strengthen the effectiveness of Maybelline product advertising.
NARASI PERJUANGAN PEREMPUAN UNTUK MERAIH MIMPINYA DAN KESETARAAN GENDER DALAM FILM GADIS KRETEK Setiadi, Adrian Bintang; Marta, Rustono Farady; Anggreni, Likha Sari; Maria Borges, Serilio Verdial; Fadhilla, Deva Naufal
JIPSI Jurnal Ilmu Politik dan Komunikasi Vol 15 No 1 (2025): JIPSi : Jurnal Ilmu Politik dan Komunikasi
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/jipsi.v15i1.15614

Abstract

The Film Gadis Kretek is an Indonesia drama series adapted from a novel by Ratih Kumala with the same title as the film, which was made into a serial narrative under the direction of Kamila Andini and Ifa Isfansyah consisting of five episodes released on Netflix on November 2023. Gadis Kretek tells the story of a woman named Dasiyah who is full of ambition to achieve her dream of making kretek sauce but has to deal with gender inequality in her environment. This study uses the narrative analysis method by Tzevetan Todorov and uses the theory of symbolic interaction by George Herbert Mead, as well as the concept of film as a medium of representation. According to Todorov, but with scenes that go back and forth showing present life and past life which are of course interrelated. In the storyline in the Film, it is seen that Dasiyah dares to oppose existing traditions, traditions that limit a woman’s dreams. Film gadis Kretek merupakan serial drama Indonesia yang diadaptasi dari novel karya Ratih Kumala yang memiliki judul sama dengan film tersebut, yang dibuat menjadi narasi berseries dibawah arahan kamila Andini dan Ifa Isfansyah yang terdiri dari lima episode yang rilis di Netflix pada 2 november 2023. Gadis Kretek menceritakan tentang seorang perempuan bernama Dasiyah yang penuh dengan rasa ambisius untuk mencapai mimpinya dalam membuat saus kretek namun harus berhadapan dengan ketidaksetaraan gender di lingkungannya. Penelitian ini menggunakan metode analisis naratif oleh Tzvetan Todorov dan menggunakan teori interaksi simbolik oleh George Herbert Mead, serta konsep film sebagai media representasi. Menurut Todorov semua cerita memiliki bagian awal, tengah, dan akhir. Dalam film Gadis Kretek ini peneliti menemukan bahwa film tersebut memiliki narasi urut menurut Todorov, namun dengan adegan yang maju mundur menampilkan kehidupan sekarang dan kehidupan masa lampau yang tentunya saling berkaitan. Dalam alur cerita di film tersebut, terlihat bahwa Dasiyah berani menentang tradisi yang ada, tradisi yang membatasi mimpi seorang perempuan.
Dramaturgy of identity and K-Pop's fan community communication behaviour in Bone Regency Wandi, Wandi; Marta, Rustono Farady; Qudratullah, Qudratullah; Yuliarti, Monika Sri; Nisa, Ainun
Jurnal Studi Komunikasi Vol. 9 No. 2 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i2.10174

Abstract

The Korean Wave (Hallyu) phenomenon has formed a new communication pattern among K-Pop fans in Indonesia, including the ARMY Bone community in Bone Regency. This study examined the communication behaviour of the ARMY Bone community through Erving Goffman's Dramaturgy Theory, focusing on the formation of formalist and ritualistic impressions, as well as identity dynamics through the concept of front stage and backstage. This study used a qualitative method of a phenomenological approach, with observation techniques, in-depth interviews, and documentation of seven informants selected purposively. The results of the study show that ARMY Bone's communication behaviour is formed through verbal symbols (Korean terms, BTS songs, the word ‘Borahae’) and nonverbal (dress style, dance, facial expressions) that form a collective identity and impression as loyal fans. In the public space (front stage), members present themselves according to the role of the community, while in the private space (backstage) they show a more authentic personal identity. These findings strengthened the concept of dramaturgy that social identity is formed through performative and contextual self-presentation strategies, along with the dynamics of the community and popular culture they adopt. The implications of these findings suggest that fan communities such as ARMY Bone play a role in shaping young people's social identities through symbolic communication and self-presentation strategies, while also being social spaces that support local expressions of global culture.
Analysis of Students’ Academic Literacy Skills: A Pilot Study on The Development of A Scientific Writing Module Based on Douglas Walton’s Witness Arguments Nesi, Antonius; Rokhman, Fathur; Rustono, Rustono; Pristiwati, Rahayu
Proceedings of International Conference on Science, Education, and Technology Vol. 11 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Academic literacy encompasses all literacy practices, including the scientific writing skills. This sort of writing requires critical, analytical, and evaluative thinking skills, which are closely linked to the construction of arguments within academic texts. This study aims to analyze students’ academic literacy skills as a pilot study for the development of an instructional module on scientific writing based on argumentation. The type of argumentation used in this study is the witness argument model proposed by Douglas Walton. A qualitative approach was employed through document study. The data sources for this research included the course syllabus and students’ journal article manuscripts. Content analysis was used for data analysis, involving procedures of data collection, reduction, and verification. The research findings are described as follows. First, the Academic Literacy course syllabus was designed to incorporate three competencies at the lower taxonomy levels (C1 and C2), four competencies at the medium levels (C3 and C4), and seven competencies at the higher levels (C5 and C6). Second, the representation of the witness argument type in students’ journal articles included expert opinion arguments, analogy arguments, practical reasoning arguments, fact-hypothesis arguments, exception arguments, and precedent arguments. The results of this pilot study may serve as a foundation for further research, particularly in the development of an instructional module for scientific writing based on the witness argument model.
Media Sosial dan Aktivisme Digital Perempuan: Analisis Wacana #Ibutunggalmelawan di Instagram Dwityas, Nindyta Aisyah; Marta, Rustono Farady; Briandana, Rizki
Jurnal Komunikasi Vol. 18 No. 2 (2024): VOLUME 18 NO 2 APRIL 2024
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol18.iss2.art1

Abstract

Digital activism, commonly referred to as online activism, is the practice of using electronic communication tools as a type of activism aimed at fostering the development of community movements. Digital activism is connected to online discourse through various mechanisms, including social media platforms, connectivity actions and the discursive construction of digital technology.  The purpose of this study is to examine the discourse that is growing in the comments section of the online petition content for the #MotherSingleMelawan on the Instagram account @changeorg_id, as well as the signs of female digital activism that are emerging. Marie-Anne Paveau pioneered the qualitative discourse analysis research methodology, which is particularly relevant when applied to online communication. The results of the research show that women's digital activism in the comments column of the #SingleMotherMelawan online petition consists of four main discourse themes, namely; 1) the discourse of belief-based gender oppression, 2) the discourse of gender relations in parental relations, 3) the discourse of justice for victims of gender-based violence, 4) the discourse of discrimination against single mothers.
Telaah Sikap Mahasiswa Muslim Rumpun Ilmu Sosial-Politik Akibat Terpaan Pemberitaan Hoaks Pemilu 2024 di Instagram Andriyani, Monica; Imaliya; Marta, Rustono Farady; Ahmad, Rosmalia; Wahyuddin
Bahasa Indonesia Vol 5 No 1 (2024): J-Kis: Jurnal Komunikasi Islam Juni 2024
Publisher : Program Studi Komunikasi dan Penyiaran Islam IAI Pangeran Diponegoro Nganjuk

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53429/j-kis.v5i1.956

Abstract

Social media has been utilized as a medium to disseminate political information about the 2024 elections to the public. The dissemination of political information using social media seeks to target and attract voters from the Millennials and Z generations. The purpose of this study is to determine the effect of exposure to the hoax news of the 2024 Election on Instagram on student attitudes. This theory uses Muzafer Sherif's (1982) social appraisal theory to look at message judgments made by audiences. Our study is based on the paradigm (positivism) with an explanatory type quantitative approach. Data were collected using the survey method through questionnaires to 100 students as the study sample. The sampling used a purposive type, which sets the criteria as Instagram users who have seen hoax information about the 2024 Election. The results showed that exposure to hoax news about the 2024 Election had a significant effect on student attitudes. Keywords: Attitudes; Hoaxes News; Media Exposure; Social Judgement; Social Media Abstrak Media sosial telah dimanfaatkan sebagai media menyebarkan informasi politik tentang Pemilu 2024 kepada masyarakat. Penyebaran informasi politik menggunakan media sosial berusaha untuk menyasar dan menggaet pemilih yang berasal dari generasi Millenials dan Z. Tujuan penelitian ini adalah untuk mengetahui efek terpaan pemberitaan hoaks Pemilu 2024 di Instagram terhadap sikap mahasiswa. Teori ini menggunakan teori peneliaian sosial dari Muzafer Sherif (1982) untuk melihat penilaian pesan yang dilakukan oleh khalayak. Studi kami berlandaskan paradigma (positivisme) dengan pendekatan kuantitatif jenis eksplanatif. Pengumpulan data dengan metode survei melalui kuesioner kepada sebanyak 100 mahasiswa sebagai sampel studi. Pengambilan sampel menggunakan jenis purposive, yaitu menetapkan kriteria sebagai pengguna Instagram yang pernah melihat informasi hoaks tentang Pemilu 2024. Hasil penelitian menunjukkan bahwa terpaan pemberitaan hoaks Pemilu 2024 berpengaruh signifikan terhadap sikap mahasiswa.
Najwa Shihab’s Attitudes in Narasi TV Forming Resistant Discourse to House of Representatives’ Members Ratnasari, Desy; Marta, Rustono Farady; Pangabean, Hana
Jurnal Ilmiah Peuradeun Vol. 9 No. 3 (2021): Jurnal Ilmiah Peuradeun
Publisher : SCAD Independent

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26811/peuradeun.v9i3.564

Abstract

Each Policy and Performance made by the central government and the Republic of Indonesian House of Representatives will surely attract people’s attention and responses as one responded by Najwa Shihab through a video addressed to the honorable Mister and Mistress House of Representatives members in Narasi TV. This research employed a descriptive-interpretative approach using the theory of Elaboration Likelihood Model and Critical Discourse Analysis method implemented in three analytical phases to study Najwa Shihab’s argumentations and attitudes. The results showed that Najwa Shihab expressed her insights on social relations and identities which were unequal between her and House of Representatives members. The discourse builds her supremacies, thoughts, and ideas to legitimate herself as a people’s representative, directing people’s opinions through argumentations, self-values, and attitudes that tended to be resistant to the House of Representatives members.
Eksistensialisme Sartre dalam Perbedaan Pengalaman Bekerja di Rumah dengan Cafe Bagi Kopi Muthmainah, Syifa Salmah; Fadhilla, Deva Naufal; Marta, Rustono Farady; Lumampauw, Andreas; Chinmi, Maichel
MAUIZOH: Jurnal Ilmu Dakwah dan Komunikasi Vol 10 No 1 (2025): Juni
Publisher : Fakultas Dakwah UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/mauizoh.v10i1.123

Abstract

Penelitian ini membahas perbedaan pengalaman pekerja yang memilih antara Work From Home (WFH) dan Work From Cafe (WFC) dalam perspektif eksistensialisme Jean-Paul Sartre. Studi ini menemukan bahwa pilihan lokasi kerja tidak hanya memiliki implikasi praktis tetapi juga mempengaruhi aspek eksistensial pekerja, termasuk kebebasan, tanggung jawab, dan makna kerja. WFH memberikan fleksibilitas tetapi dapat menyebabkan isolasi sosial, sementara WFC menawarkan interaksi sosial yang lebih aktif tetapi memiliki tantangan tersendiri terkait gangguan lingkungan. Model kerja hybrid menjadi solusi yang semakin populer karena menggabungkan manfaat dari kedua pendekatan ini. Temuan ini dapat membantu organisasi dalam merancang kebijakan kerja yang lebih inklusif dan berorientasi pada kesejahteraan pekerja.
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Jamil Achmad Rifai RC, Achmad Rifai Adhitya, Galant Nanta Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Ahmad, Rosmalia Alessandro Kurniawan Ulung Alfaris, Lukman Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes An Nur, Fitrinanda Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asmara, Shenja Nanta Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Borges, Serilio Verdial Maria Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia DINDIN DIMYATI Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina, Fenti Hadi, Sholihul Hakim, Lulu Nadya Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Hariyanti, Nunik Harliyono, Maria Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Iwan Hermawan Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Jouns Candy Felice Lang Julia Loisa Junaedi Junaedi Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoerunisa, Asti Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurnia, Maya Dewi Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Le Duc, Anthony Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monica, Nisa Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Romaria, Gustina Rosario, Teresa Metta Rosdian, Erwin Dwi Sabna Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sari, Pipin Diana Sarno Sarno Sa’adah, Hamlatus Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Sitorus, Sandra Marissa Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudarsono, Achmad Budiman Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati, Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Priyo Sadono Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin