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Ikatan Emosional Asertif dalam Narasi Film Ngeri-Ngeri Sedap dari Perspektif Trompenaars Hermanto, Febe Oriana; Marta, Rustono Farady; Panggabean, Hana; Chinmi, Maichel
Koneksi Vol. 7 No. 2 (2023): Koneksi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/kn.v7i2.26250

Abstract

Not many media products are able to reveal the other side of a particular ethnic identity and entity. However, the Horrific-Ngeri Sedap film manages to present the uniqueness of one of the tribes in Indonesia, namely the Batak tribe. The film directed by Dion Rajagukguk won seven awards at the 2022 Indonesian Journalist Film Festival (FFWI). Through this film, people are taught about the importance of maintaining emotional bonds in a family for the sake of the integrity of relationships. This study aims to see the role of the dimension of relational expression and assertive communication style using Tzvetan Todorov's narrative analysis method. The results of this study indicate that the affective and collectivism cultural dimensions dominate the Ngeri-Ngeri Sedap films which are at the same time cultural characteristics inherent in the lives of Indonesian people. In addition, the assertive communication style is still highlighted in this film even though the main character almost always uses an aggressive communication style. Tidak banyak produk media yang mampu membeberkan sisi lain dari identitas dan entitas suku tertentu. Namun Film Ngeri-Ngeri Sedap berhasil menyajikan keunikan dari salah satu suku di Indonesia, yaitu suku Batak. Film yang digarap oleh Dion Rajagukguk ini berhasil memborong tujuh penghargaan di Festival Film Wartawan Indonesia (FFWI) 2022. Melalui film ini, masyarakat diajarkan tentang pentingnya merawat ikatan emosional dalam sebuah keluarga demi keutuhan relasi. Penelitian ini bertujuan untuk melihat adanya peranan dimensi ekspresi relasi serta gaya komunikasi asertif dengan metode analisis naratif Tzvetan Todorov. Hasil penelitian ini menunjukkan bahwa dimensi budaya afektif dan kolektivisme mendominasi film Ngeri-Ngeri Sedap yang sekaligus merupakan ciri khas budaya yang melekat pada kehidupan masyarakat Indonesia. Selain itu, gaya komunikasi asertif tetap ditonjolkan dalam film ini sekalipun tokoh utama hampir selalu menggunakan gaya komunikasi agresif
The Violation of Politeness Maxim Principles Found in Skinnyindonesian24 Youtube Channel Nisa, Elsara Khairun; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 3 (2021): December 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i1.52518

Abstract

The technological advancement in this 4.0 industrial era shifts conventional communication into social media communication. One of the preferred social media is YouTube by most Internet users in Indonesia. Thus, it makes YouTube free to use for every on so that many violations of politeness maxim principles. These violations made researchers eager to investigate with politeness theory of Leech. This research aims to find and identify the violated politeness maxim principle in the Skinnyindonesian24 YouTube channel. The researcher used a qualitative pragmatic approach with descriptive analysis. The data sources were from the conversational excerpt that might contain politeness maxim principal violation in YouTube’s Got Talent Part 1-3. Then, the research data sources were from the conversational excerpt in the Skinnyindonesian24 YouTube channel. The researchers collected the data with an observing technique. The advanced techniques were recording and notes. The data validity included data triangulation or data source triangulation and theoretical triangulation. The data analysis techniques of this research were normative and heuristic methods. The analyses showed some violations of tact, sympathy, approbation, generosity, agreement, modesty, opinion-reticence, feeling-reticence, the obligation of S to O, and the obligation of O to S maxims.
The Speech of Online Taxibike Directive in Demak Regency Himawan, Adi; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 3 (2021): December 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i1.54062

Abstract

Transportation is a service to help facilitate the activities. One of the means of transportation that can be used as a research object is a taxibike online. This study aims to find the types, functions, and factors of directive speech on taxibike online in Demak Regency. Data collection techniques are listening to techniques with tapping techniques, followed by conversational engagement listening techniques, recording techniques, and note-taking techniques. Types of directive speech found direct directive utterances include direct declarative speech, interrogative mode direct speech, and imperative mode direct speech, indirect directive speech includes indirect directive utterance declarative mode, indirect directive utterances interrogative mode, and indirect directive utterances imperative mode, speech literal directive includes literal direct directive speech and literal indirect directive speech, indirect directive speech includes indirect directive speech and indirect directive speech. Speech functions include the functions of requiring, asking, ordering, prohibiting, giving permission, and suggesting. The speech factors were analyzed and described according to Hymes' theory including setting and scene, participant, ends, act sequence, key, norm, and genre. The dominance of the type of directive utterance that is most found is direct directive utterance with interrogative mode. The dominant function that is often found is the directive utterance of the question function. The dominance of the directive speech factor is the speaker participant factor.
Violation of Cooperation Principle in the Discourse of Student WhatsApp Groups at Vocational High School PIKA Semarang Sri Rahayu, M. Fransiska; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i2.55951

Abstract

This study describes the violation of the cooperative principle in the discourse of the 43rd batch students' WhatsApp group at Vocational High School PIKA Semarang. The theory used in this study is Grice's (1975) theory, which states that speakers must pay attention to four maxims of cooperative principles in communicating: quantity maxim, quality maxim, relevance maxim, and manner maxim. The study used a descriptive qualitative approach. The data collection method used is listening and recording. The research object is speech events that occur in the discourse of students' WhatsApp group at Vocational High School PIKA Semarang. The forms of violations found in this fragment the discourse of student WhatsApp group at Vocational High School PIKA Semarang, there are sixteen data, including three data in the form of a quantity maxim violation, three data in the form of a quality maxim violation, four data in the form of a relevance maxim violation, and six data in the form of a maxim violation. The reason for the violation of the maxim is to generate interest in the form of cuteness, superior quality, and even satireand imagery in poetry anthology Perahu Kertas by Sapardi Djoko Damono.
Violation of the Politeness Principle in the Presidential and Vice-Presidential Debates 2019 Presidential and Vice-Presidential Elections Kusworo, Andy; Rustono, Rustono; Mardikantoro, Hari Bakti
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i2.55956

Abstract

Politeness in speaking the presidential and vice-presidential candidates in the 2019 presidential and vice-presidential election debates is an interesting phenomenon to be studied from a pragmatic perspective because social and verbal interactions will appear naturally. The purpose of this study is to analyze and describe the form of violations of the politeness principle according to Leech (2014) committed by presidential and vice-presidential candidates in the presidential and vice-presidential election debates of the Republic of Indonesia in 2019. This study uses a pragmatic approach, namely using the politeness theory proposed by Leech (2014). Data collection techniques using listening and note-taking techniques. The data analysis technique was carried out using normative techniques. The results of this study were found to be violations of Leech's five principles of politeness, namely (1) the thimble of feeling, (2) the thimble of approval, (3) the thimble of humility, (4) the thimble of agreement, and (5) the thimble of opinion.
Teacher Illocutionary Speech On Teacher-Student Interaction In Cultivating Character Values Of Vocational School Students Puspitasari, Hestri Afri; Rustono, Rustono; Baehaqie, Imam
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i3.55958

Abstract

Vocational students enter the period of searching for identity, there are many new things they want to try. Therefore, instilling character in them needs to be done. This is one of the efforts in shaping the character of students who have good character. This research was conducted to describe the character values ​​contained in the illocutionary utterances of the teacher in coaching activities for inculcating the character values ​​of SMK students.This study uses a pragmatic research approach with a research focus on teacher illocutionary speech in coaching activities in instilling character values ​​in vocational students. The data collection technique in this study is the listening technique and the note-taking technique. This research is expected to be an evaluation material for the Homeroom teacher in speaking so that it can have a good influence on students. The results showed that the teacher's speech in the teacher-student interaction contained the values ​​of honest, responsible, independent, religious, and mutual cooperation characteristics.
Domination of Violations of the Principles of Cooperation in Conversations between Lecturers and Students in Lectures during the Covid-19 Pandemic Afifah, Hanan Karunia; Rustono, Rustono; Santoso, B. Wahyudi Joko
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 1 (2023): April 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i1.63523

Abstract

Communication between speakers and speech partners can be well established so that the purpose of the conversation can be fulfilled. However, when the purpose of the conversation is not fulfilled, a violation occurs. Conversational violations occur when the intent and/or purpose of the conversation does not occur. The purpose of this study is to review the dominance of violations of the principle of cooperation in conversations between lecturers and students in lectures during the co-19 pandemic. The approach used is pragmatic and descriptive qualitative approach. Data collection techniques using listening techniques, free listening, recording, and noting. The data were taken from conversations between lecturers and students during lectures on Youtube channels. The data analysis technique used is the lesap technique. The results showed that in the principle of cooperation there are four thimbles, namely the thimble of quantity, the thimble of quality, the thimble of relevance, and the thimble of manner. In the violation of the principle of cooperation, the quantity thimble dominates the other thimbles. The quantity thimble is violated more because lecturers often provide excessive information so that it is not in accordance with the context of the initial conversation. This makes the speaker's contribution exceed the information that should be needed by speech partners so that there is a violation of the principle of conversation.
Discourse Structure and Code Types in Friday Sermons in Tegal Regency, Central Java Taryono, Mohamad Rizal; Rustono, Rustono; Joko Santoso, Bernadus Wahyudi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 1 (2023): April 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i1.65012

Abstract

The Friday Sermon (Kh.J) as an oral discourse has a distinctive discourse structure because it consists of two discourse parts, each with its own structure. Additionally, Kh.J is a unique monologue discourse because the speakers in the Friday sermon are two individuals, the preacher (khatib) and the caller to prayer (muazin). This study aims to discover and analyze the discourse structure and code types in Kh.J in Tegal Regency, Central Java. The data collection techniques used in this study are recording technique, simak bebas libat cakap technique (SBLC), and note-taking technique. Meanwhile, referential equivalence method and marking analysis technique are used for data analysis. Based on the results of the data analysis, the following conclusions can be drawn. The discourse structure of Kh.J in Tegal Regency, Central Java, consists of two discourse parts that form a complete discourse, namely the first Kh.J and the second Kh.J. The structure of the first Kh.J includes opening greetings, azan, tahmid, syahadat, selawat, wasiat takwa, speech of greetings, recitation of the Qur’an or hadis, hopes, and prayers. On the other hand, the structure of the second Kh.J consists of tahmid, syahadat, selawat, wasiat takwa, and closing prayer. The codes used in the Kh.J discourse in Tegal Regency, Central Java, include the Indonesian code in the form of the Bahasa Indonesia and the Arabic code in the form of the Arabic language.
Effects of Perlocutionary Hate Speech Media on National Discourse in 2021 on YouTube by Joseph Paul Zhang Rafiqoh, Eva; Rustono, Rustono; Yuniawan, Tommi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 2 (2023): August 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i2.70234

Abstract

According to the Ministry of Technology and Information, the broadcast on Joseph Paul Zhang's YouTube channel contains hate speech. The hate speech has an effect on its listeners. Therefore, this study aims to examine the positive and negative effects of hate speech on the Joseph Paul Zhang channel. This study uses a descriptive-qualitative methodology and note-taking technique. The results of the study found positive effects, namely happy, calm, and relaxed effects, and negative effects, namely deceiving, embarrassing, upsetting, scaring, humiliating, prejudiced, and inviting people to do bad things.
STUDI TERPAAN MEDIA PEMASARAN MELALUI POSTING INSTAGRAM TERHADAP EKUITAS MEREK PELANGGAN SUMOBOO! Rustono Farady Marta; Denise Monica William Monica William
Jurnal Komunikasi Vol. 8 No. 1 (2016): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v8i1.50

Abstract

ABSTRACTAlong with the development of the digital era, now the people of Indonesia, especially Jakarta coexist and can not be separated with the technology. The use of technology is not only used for ease of daily activities, but also implemented in various sectors, one sector of the economy. Social media is used as a medium for promotion and marketing to drive consumers to buy. SumoBoo! is a trademark of Indonesia to adopt the concept of Japan and the Japanese Dessert booth presenters whose success relies on social media trends. Posting photos SumoBoo dessert! through social media a little more able to provide added value and influence of brand equity like an advertisement. Utilization of social media here also make customers as a promotional agent of SumoBoo! either consciously or unconsciously. The purpose of this study was to determine the effect of SumoBoo! dessert photo exposure through social media Instagram to the SumoBoo! customer's brand equity, and is expected to prove that social media can be one effective media campaign in accordance with the development of today's digital economy. The approach used in this study is a quantitative survey methods. Variable relationship model is a simple model. To measure contained two subvariable Media Exposure: Frequency and Intensity. Brand equity (Aaker) has four subvariable: Brand Awareness, impression quality, brand association, and brand loyalty. The theory used in this research is the theory of cultivation by George Gerbner. From the research it can be seen that the influence of exposure of Instagram as social media to brand equity is positive and significant. Media exposure accounted for 21.1% of the equity of the brand, while the remaining 79.9% is influenced by other variables not examined. ABSTRAKSeiring dengan berkembangnya era digital, kini masyarakat Indonesia khususnya Jakarta hidup berdampingan dan tidak dapat dipisahkan dengan teknologi. Pemanfaatan teknologi tidak hanya digunakan bagi kemudahan aktivitas sehari-hari, namun juga diimplementasikan ke dalam berbagai sektor, salah satunya sektor ekonomi. Media sosial dimanfaatkan sebagai media promosi dan pemasaran untuk meningkatkan minat beli konsumen. SumoBoo! adalah merek dagang Indonesia yang mengadopsi konsep Jepang dan merupakan gerai penyaji Japanese Dessert yang kesuksesannya bertumpu pada tren media sosial. Postingan foto dessert SumoBoo! melalui media sosial sedikit banyak mampu memberikan nilai tambah dan mempengaruhi ekuitas merek layaknya sebuah iklan. Pemanfaatan media sosial disini juga menjadikan pelanggan sebagai salah satu agen promosi dari SumoBoo! baik secara disadari maupun tidak. Tujuan dari penelitian ini adalah untuk mengetahui pengaruh antara terpaan foto dessert SumoBoo! melalui media sosial Instagram terhadap ekuitas merek pelanggan SumoBoo!, dan diharapkan mampu membuktikan bahwa media sosial dapat menjadi salah satu media promosi yang efektif sesuai dengan perkembangan ekonomi digital saat ini. Pendekatan yang digunakan dalam penelitian ini adalah kuantitatif dengan metode survei. Model hubungan variabel adalah model sederhana. Untuk mengukur Terpaan Media terdapat dua subvariabel: Frekuensi dan Intensitas. Ekuitas Merek (Aaker) memiliki empat subvariabel: Kesadaran Merek, Kesan Kualitas, Asosiasi Merek, dan Loyalitas Merek. Teori yang digunakan dalam penelitian ini adalah Teori Kultivasi oleh George Gerbner. Dari hasil penelitian dapat diketahui bahwa  pengaruh antara terpaan dari Instagram sebagai media sosial terhadap ekuitas merek adalah positif dan signifikan. Terpaan media memberikan kontribusi sebesar 21,1% terhadap ekuitas merek, sedangkan sisanya 79,9% dipengaruhi oleh variabel lain yang tidak diteliti. 
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Budiman Sudarsono Achmad Jamil Achmad Rifai RC, Achmad Rifai Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Alessandro Kurniawan Ulung Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia Dindin Dimyati Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina Romaria Gustina, Fenti Hadi, Sholihul Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ido Prijana Hadi Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia Iskandar ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Julia Loisa Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maria Harliyono Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi Reynaldi Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Rosdian, Erwin Dwi Sabna Rosmalia Ahmad Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Sadono, Teguh Priyo Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sarno Sarno Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin