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Reception Analysis of Halal Food among the Online Platform Audiences in Muslim Minority Countries Sari, Adinda Permata; Dwijayanti, Risqi Inayah; Sarasati, Fitri; Marta, Rustono Farady; Lumampauw, Andreas
Palakka : Media and Islamic Communication Vol. 5 No. 1 (2024): Media and Islamic Communication (Indonesia, United Kingdom)
Publisher : State Islamic Institute of Bone, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30863/palakka.v5i1.6197

Abstract

Halal Lifestyle is a fundamental aspect of the Muslim community's lifestyle, as consuming halal products is a religious obligation and necessity for Muslims. However, this is a significant challenge in Muslim minority countries due to limited access to halal cuisines in public places. This research aims to understand the process of audience acceptance in countries with minority Muslims regarding the need for consumption following halal principles. Researchers employ audience acceptance theory in analyzing research problems and an analysis technique coined by Stuart Hall. The data was obtained through the use of research instruments in the form of guided discussions, based on the constructivist paradigm through the employment of data reduction, data presentation, and validation process. The results of the guided discussions indicated that each participant interpreted media messages in three possible positions: dominant, negotiation, and opposition. These differences in interpretation were influenced by various individual backgrounds, including where they lived, their views, and their experiences. The findings indicate that, in terms of acceptance of halal food in Muslim-minority countries, the majority of participants consider information about halal food to be important in maintaining their religious beliefs, particularly through online platforms such as websites and Instagram.
The implementation of government relations of Mizan Publishing House Muchtar, Khoiruddin; Permana, Achmad Taufan; Marta, Rustono Farady
PRofesi Humas Vol 8, No 2 (2024): February 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/prh.v8i2.47984

Abstract

Background: This study examines Government Relations through Little Writers Conference (KPCI) activities carried out by Marketing Communication Mizan Publishing House to establish good relations with the government, namely the Ministry of Education and Culture of the Republic of Indonesia. This research is motivated by the role of the government, which currently influences the flow of national-scale bureaucracy, especially in organizing activity; the government has broad access to publications as a whole. So in an institution or agency, it is necessary to have good relations with the government so that the government can open broad access to programs that the company will carry out. Purpose: The purpose of this research this is, to know the strategy and what move traveled Mizan which performs activities in government relation with Ministry of Education and Culture of the Republic of Indonesia the work of conference little writer Indonesia. Methods: This research used a qualitative approach. The methods used in this research is a case study. Data collection techniques in this research by means of observation participation, the literature study, and depth interview with informants that had been determined. Results: the study, showed that the implementation of Government Relations conducted Marketing Communication Mizan Publishing House consist of two elements which is the formulation of strategy and the implementation of measures. In formulating a strategy, Mizan make creative idea packed through persuasive communication so as to produce the collaboration of program with Ministry of Education and Culture of the Republic of Indonesia. Implementation: Mizan make an audience as the first step and manage his communication formal and nonformal as Implementing the next step. Conclusions: Mizan Government Relations is carried out with a strategy of packaging creative ideas, thereby generating trust from other institutions
DIGITAL MARKETING COMMUNICATION TO INCREASE CRSL STORE BRAND AWARENESS Salim, Mufid; Rosdian, Erwin Dwi Sabna; Marta, Rustono Farady
Medium: Jurnal Ilmiah Fakultas Ilmu Komunikasi Vol 9 No 2 (2021): Medium Jurnal Ilmiah Fakultas Ilmu Komunikasi Universitas Islam Riau
Publisher : Fakultas Ilmu Komunikasi Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/medium.2021.vol9(2).8800

Abstract

CRSL Store is a clothing store or distribution company that produces various bags, backpacks, garments, jackets, headgear, and footwear. The CRSL brand attracted many people because of its unique products, which consisted of five adorable animal figures. CRSL indirectly undertakes a "save animal" campaign through the products it makes. Strong CRSL brand identity must be continually maintained and strengthened to build brand awareness. Digital marketing communications is one of the tactics employed by CRSL to raise brand recognition. This research determines how much CRSL uses digital marketing to boost brand recognition. The researcher method used in this research is descriptive qualitative, with the CRSL brand as the subject of investigation. Interview, observation, and documentation approaches were utilized to obtain data, while three stages of data analysis are used, including data reduction, display, and verification. Furthermore, the triangulation method was used to assess the data's veracity. Seven sources were consulted, including CRSL's CEO, Chief in Editor, Store Manager, COO, and three CRSL customers. The results reveal that CRSL has increased brand awareness by incorporating components of digital marketing communications. These elements include websites, social media marketing, search engine marketing, email marketing, video marketing, and online advertising. Several of these features, such as search engine marketing and email marketing, are still in the early stages of development. The digital marketing plan carried out by CRSL is supported by segmentation, targeting, and positioning techniques to group a large market. The number of Instagram followers, viewers on TikTok social media, and website visitors have increased, indicating that CRSL's brand recognition has grown. It may continue to raise CRSL brand recognition with a strong brand identity and a brilliant digital marketing communications strategy.
PEMETAAN IDEOLOGI PERFORMATIF DAN REPRESIF DALAM VIDEO DOKUMENTER DI KANAL YOUTUBE: SEBUAH PERSPEKTIF MULTIMODALITAS BUDAYA KOTA LASEM Harry, Harry; Marta, Rustono Farady; Bahruddin, Muhammad; Bangun, Nurlina; Kurniawati, Laurencia Steffanie Mega Wijaya
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 8 No. 01 (2022): March 2022
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v8i01.4727

Abstract

AbstrakPenanaman akulturasi budaya di Pulau Jawa telah terjalin sejak 600 tahun silam dan tertuang dalam video dokumenter. Dokumentasi dari sejumlah perspektif komunikator disampaikan dengan menggunakan teknik visual yang berbeda. Khalayak yang menerima video dokumenter kemudian memperluas pengetahuan mereka berdasarkan perspektif tertentu. Tujuan penelitian ini adalah untuk membuktikan persatuan budaya di Kota Lasem, Jawa Tengah, melalui dua video dokumenter dari akun IndonesiaKaya dan Klenteng Lasem yang ditayangkan di kanal Youtube. Pendekatan penelitian yang digunakan adalah kualitatif konstruktivis dengan metode analisis diskursus multimodalitas. Elemen teori yang digunakan adalah metafora visual dan performa kultural. Hasil penelitian menunjukkan bahwa terdapat persamaan dan perbedaan ideologi performatif dan represif sineas komunikator kedua akun Youtube dalam menyampaikan pesan pelestarian budaya Lasem kepada khalayak. Persamaan tersebut terdapat dalam penayangan sinergisitas visual yang membahas klenteng Gie Yong Bio sebagai pusat pelestarian sejarah Lasem. Sementara perbedaannya terdapat dalam ideologi yang digunakan untuk menyampaikan makna kepada khalayak. Akun IndonesiaKaya menggunakan ideologi performatif budaya dalam penyampaian pesannya. Sementara akun Klenteng Lasem menggunakan ideologi sejarah penjajahan pemerintahan VOC terhadap rakyat Pulau Jawa dari cuplikan film. Kata Kunci: analisis teks, budaya, dokumenter, Lasem, multimodalitas AbstractAcculturation of Javanese cultures has been planted around 600 years ago and was delivered through a documentary. Communicator’s perspective is built through documentation and distributed in form of video. Audiences receiving the documentary video will then be able to expand their knowledge through a specific perspective. The purpose of this research is to find out how documentary proves a unity of differing cultures in Lasem City, Central Java, from 2 different accounts, which is IndonesiaKaya and Klenteng Lasem. The research is conducted in qualitative method with constructivist paradigm, as well as multimodality discourse analysis technique. The mapping of visual metaphor theory and cultural performance theory is used in this research. It is discovered in the research that the two accounts have their similarity and difference in two account’s communicator ideology to inform audience about conserving Lasem’s culture. The similarity lies within the visual synergy that discusses Gie Yong Bio Temple as Lasem’s history conservation center. The difference is the ideology, both performative and repressive, of the two accounts to create meaning to audience, where IndonesiaKaya account used cultural performance to deliver their ideology, while Klenteng Lasem account used Javanese’s suffering from VOC’s colonialism from a film’s cutscene to construct audience’s ideology.  Keywords: culture, documentary, Lasem, multimodality, text analysis
Challenges of the Sandwich Generation: Stress and coping strategy of the multigenerational care Sudarji, Shanty; Panggabean, Hana; Marta, Rustono Farady
Indigenous Vol 7, No 3 (2022): November
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/indigenous.v7i3.19433

Abstract

Abstract. The Sandwich Generation is defined as those in multigenerational care positions and caregivers for children and parents or in-laws. They are often found in an extended families in Indonesia. Multigenerational parenting carried out by the Sandwich Generation can pose various challenges and problems, especially for Sandwich Generation working females, who must juggle their parenting loads with workplace demands. The Sandwich Generation is at risk for various mental health problems, including stress, depression, and anxiety. The purpose of this study is to describe the stress and coping strategies of the Sandwich Generation. The participants were 12 Sandwich Generation working females a mean age of 36. We applied a phenomenological qualitative approach with Interviews and Focus Group Discussions to collect our data. The result showed that stress occurs mainly in situations when parenting demands arise simultaneously, when both children and parents simultaneously need attention. Stress that appears generally has more impact on the emotional aspects of participants rather than on the physical one, such as feelings of sadness, guilt, and unstable emotions, and in terms of cognitive, forgetfulness, loss of concentration, and overthinking. Coping strategies used by the Sandwich Generation are emotionfocused coping strategies and problem-focused coping strategies. Emotion-focused coping strategies revealed distancing, escape-avoidance, accepting responsibility, self-control, and seeking emotional social support. We found only three problem-focused coping strategies: confrontative coping, seeking informational support, and planful problem-solving.Keywords: sandwich generation; stress; coping strategies
Ikatan Emosional Asertif dalam Narasi Film Ngeri-Ngeri Sedap dari Perspektif Trompenaars Hermanto, Febe Oriana; Marta, Rustono Farady; Panggabean, Hana; Chinmi, Maichel
Koneksi Vol. 7 No. 2 (2023): Koneksi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/kn.v7i2.26250

Abstract

Not many media products are able to reveal the other side of a particular ethnic identity and entity. However, the Horrific-Ngeri Sedap film manages to present the uniqueness of one of the tribes in Indonesia, namely the Batak tribe. The film directed by Dion Rajagukguk won seven awards at the 2022 Indonesian Journalist Film Festival (FFWI). Through this film, people are taught about the importance of maintaining emotional bonds in a family for the sake of the integrity of relationships. This study aims to see the role of the dimension of relational expression and assertive communication style using Tzvetan Todorov's narrative analysis method. The results of this study indicate that the affective and collectivism cultural dimensions dominate the Ngeri-Ngeri Sedap films which are at the same time cultural characteristics inherent in the lives of Indonesian people. In addition, the assertive communication style is still highlighted in this film even though the main character almost always uses an aggressive communication style. Tidak banyak produk media yang mampu membeberkan sisi lain dari identitas dan entitas suku tertentu. Namun Film Ngeri-Ngeri Sedap berhasil menyajikan keunikan dari salah satu suku di Indonesia, yaitu suku Batak. Film yang digarap oleh Dion Rajagukguk ini berhasil memborong tujuh penghargaan di Festival Film Wartawan Indonesia (FFWI) 2022. Melalui film ini, masyarakat diajarkan tentang pentingnya merawat ikatan emosional dalam sebuah keluarga demi keutuhan relasi. Penelitian ini bertujuan untuk melihat adanya peranan dimensi ekspresi relasi serta gaya komunikasi asertif dengan metode analisis naratif Tzvetan Todorov. Hasil penelitian ini menunjukkan bahwa dimensi budaya afektif dan kolektivisme mendominasi film Ngeri-Ngeri Sedap yang sekaligus merupakan ciri khas budaya yang melekat pada kehidupan masyarakat Indonesia. Selain itu, gaya komunikasi asertif tetap ditonjolkan dalam film ini sekalipun tokoh utama hampir selalu menggunakan gaya komunikasi agresif
The Violation of Politeness Maxim Principles Found in Skinnyindonesian24 Youtube Channel Nisa, Elsara Khairun; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 3 (2021): December 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i1.52518

Abstract

The technological advancement in this 4.0 industrial era shifts conventional communication into social media communication. One of the preferred social media is YouTube by most Internet users in Indonesia. Thus, it makes YouTube free to use for every on so that many violations of politeness maxim principles. These violations made researchers eager to investigate with politeness theory of Leech. This research aims to find and identify the violated politeness maxim principle in the Skinnyindonesian24 YouTube channel. The researcher used a qualitative pragmatic approach with descriptive analysis. The data sources were from the conversational excerpt that might contain politeness maxim principal violation in YouTube’s Got Talent Part 1-3. Then, the research data sources were from the conversational excerpt in the Skinnyindonesian24 YouTube channel. The researchers collected the data with an observing technique. The advanced techniques were recording and notes. The data validity included data triangulation or data source triangulation and theoretical triangulation. The data analysis techniques of this research were normative and heuristic methods. The analyses showed some violations of tact, sympathy, approbation, generosity, agreement, modesty, opinion-reticence, feeling-reticence, the obligation of S to O, and the obligation of O to S maxims.
The Speech of Online Taxibike Directive in Demak Regency Himawan, Adi; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 3 (2021): December 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i1.54062

Abstract

Transportation is a service to help facilitate the activities. One of the means of transportation that can be used as a research object is a taxibike online. This study aims to find the types, functions, and factors of directive speech on taxibike online in Demak Regency. Data collection techniques are listening to techniques with tapping techniques, followed by conversational engagement listening techniques, recording techniques, and note-taking techniques. Types of directive speech found direct directive utterances include direct declarative speech, interrogative mode direct speech, and imperative mode direct speech, indirect directive speech includes indirect directive utterance declarative mode, indirect directive utterances interrogative mode, and indirect directive utterances imperative mode, speech literal directive includes literal direct directive speech and literal indirect directive speech, indirect directive speech includes indirect directive speech and indirect directive speech. Speech functions include the functions of requiring, asking, ordering, prohibiting, giving permission, and suggesting. The speech factors were analyzed and described according to Hymes' theory including setting and scene, participant, ends, act sequence, key, norm, and genre. The dominance of the type of directive utterance that is most found is direct directive utterance with interrogative mode. The dominant function that is often found is the directive utterance of the question function. The dominance of the directive speech factor is the speaker participant factor.
Violation of Cooperation Principle in the Discourse of Student WhatsApp Groups at Vocational High School PIKA Semarang Sri Rahayu, M. Fransiska; Rustono, Rustono; Haryadi, Haryadi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i2.55951

Abstract

This study describes the violation of the cooperative principle in the discourse of the 43rd batch students' WhatsApp group at Vocational High School PIKA Semarang. The theory used in this study is Grice's (1975) theory, which states that speakers must pay attention to four maxims of cooperative principles in communicating: quantity maxim, quality maxim, relevance maxim, and manner maxim. The study used a descriptive qualitative approach. The data collection method used is listening and recording. The research object is speech events that occur in the discourse of students' WhatsApp group at Vocational High School PIKA Semarang. The forms of violations found in this fragment the discourse of student WhatsApp group at Vocational High School PIKA Semarang, there are sixteen data, including three data in the form of a quantity maxim violation, three data in the form of a quality maxim violation, four data in the form of a relevance maxim violation, and six data in the form of a maxim violation. The reason for the violation of the maxim is to generate interest in the form of cuteness, superior quality, and even satireand imagery in poetry anthology Perahu Kertas by Sapardi Djoko Damono.
Violation of the Politeness Principle in the Presidential and Vice-Presidential Debates 2019 Presidential and Vice-Presidential Elections Kusworo, Andy; Rustono, Rustono; Mardikantoro, Hari Bakti
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i2.55956

Abstract

Politeness in speaking the presidential and vice-presidential candidates in the 2019 presidential and vice-presidential election debates is an interesting phenomenon to be studied from a pragmatic perspective because social and verbal interactions will appear naturally. The purpose of this study is to analyze and describe the form of violations of the politeness principle according to Leech (2014) committed by presidential and vice-presidential candidates in the presidential and vice-presidential election debates of the Republic of Indonesia in 2019. This study uses a pragmatic approach, namely using the politeness theory proposed by Leech (2014). Data collection techniques using listening and note-taking techniques. The data analysis technique was carried out using normative techniques. The results of this study were found to be violations of Leech's five principles of politeness, namely (1) the thimble of feeling, (2) the thimble of approval, (3) the thimble of humility, (4) the thimble of agreement, and (5) the thimble of opinion.
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Jamil Achmad Rifai RC, Achmad Rifai Adhitya, Galant Nanta Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Ahmad, Rosmalia Alessandro Kurniawan Ulung Alfaris, Lukman Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes An Nur, Fitrinanda Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asmara, Shenja Nanta Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Borges, Serilio Verdial Maria Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia DINDIN DIMYATI Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina, Fenti Hadi, Sholihul Hakim, Lulu Nadya Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Hariyanti, Nunik Harliyono, Maria Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Iwan Hermawan Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Jouns Candy Felice Lang Julia Loisa Junaedi Junaedi Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoerunisa, Asti Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurnia, Maya Dewi Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Le Duc, Anthony Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monica, Nisa Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Romaria, Gustina Rosario, Teresa Metta Rosdian, Erwin Dwi Sabna Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sari, Pipin Diana Sarno Sarno Sa’adah, Hamlatus Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Sitorus, Sandra Marissa Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudarsono, Achmad Budiman Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati, Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Priyo Sadono Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin