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Teacher Illocutionary Speech On Teacher-Student Interaction In Cultivating Character Values Of Vocational School Students Puspitasari, Hestri Afri; Rustono, Rustono; Baehaqie, Imam
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2022): April 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v11i3.55958

Abstract

Vocational students enter the period of searching for identity, there are many new things they want to try. Therefore, instilling character in them needs to be done. This is one of the efforts in shaping the character of students who have good character. This research was conducted to describe the character values ​​contained in the illocutionary utterances of the teacher in coaching activities for inculcating the character values ​​of SMK students.This study uses a pragmatic research approach with a research focus on teacher illocutionary speech in coaching activities in instilling character values ​​in vocational students. The data collection technique in this study is the listening technique and the note-taking technique. This research is expected to be an evaluation material for the Homeroom teacher in speaking so that it can have a good influence on students. The results showed that the teacher's speech in the teacher-student interaction contained the values ​​of honest, responsible, independent, religious, and mutual cooperation characteristics.
Domination of Violations of the Principles of Cooperation in Conversations between Lecturers and Students in Lectures during the Covid-19 Pandemic Afifah, Hanan Karunia; Rustono, Rustono; Santoso, B. Wahyudi Joko
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 1 (2023): April 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i1.63523

Abstract

Communication between speakers and speech partners can be well established so that the purpose of the conversation can be fulfilled. However, when the purpose of the conversation is not fulfilled, a violation occurs. Conversational violations occur when the intent and/or purpose of the conversation does not occur. The purpose of this study is to review the dominance of violations of the principle of cooperation in conversations between lecturers and students in lectures during the co-19 pandemic. The approach used is pragmatic and descriptive qualitative approach. Data collection techniques using listening techniques, free listening, recording, and noting. The data were taken from conversations between lecturers and students during lectures on Youtube channels. The data analysis technique used is the lesap technique. The results showed that in the principle of cooperation there are four thimbles, namely the thimble of quantity, the thimble of quality, the thimble of relevance, and the thimble of manner. In the violation of the principle of cooperation, the quantity thimble dominates the other thimbles. The quantity thimble is violated more because lecturers often provide excessive information so that it is not in accordance with the context of the initial conversation. This makes the speaker's contribution exceed the information that should be needed by speech partners so that there is a violation of the principle of conversation.
Discourse Structure and Code Types in Friday Sermons in Tegal Regency, Central Java Taryono, Mohamad Rizal; Rustono, Rustono; Joko Santoso, Bernadus Wahyudi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 1 (2023): April 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i1.65012

Abstract

The Friday Sermon (Kh.J) as an oral discourse has a distinctive discourse structure because it consists of two discourse parts, each with its own structure. Additionally, Kh.J is a unique monologue discourse because the speakers in the Friday sermon are two individuals, the preacher (khatib) and the caller to prayer (muazin). This study aims to discover and analyze the discourse structure and code types in Kh.J in Tegal Regency, Central Java. The data collection techniques used in this study are recording technique, simak bebas libat cakap technique (SBLC), and note-taking technique. Meanwhile, referential equivalence method and marking analysis technique are used for data analysis. Based on the results of the data analysis, the following conclusions can be drawn. The discourse structure of Kh.J in Tegal Regency, Central Java, consists of two discourse parts that form a complete discourse, namely the first Kh.J and the second Kh.J. The structure of the first Kh.J includes opening greetings, azan, tahmid, syahadat, selawat, wasiat takwa, speech of greetings, recitation of the Qur’an or hadis, hopes, and prayers. On the other hand, the structure of the second Kh.J consists of tahmid, syahadat, selawat, wasiat takwa, and closing prayer. The codes used in the Kh.J discourse in Tegal Regency, Central Java, include the Indonesian code in the form of the Bahasa Indonesia and the Arabic code in the form of the Arabic language.
Effects of Perlocutionary Hate Speech Media on National Discourse in 2021 on YouTube by Joseph Paul Zhang Rafiqoh, Eva; Rustono, Rustono; Yuniawan, Tommi
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 2 (2023): August 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i2.70234

Abstract

According to the Ministry of Technology and Information, the broadcast on Joseph Paul Zhang's YouTube channel contains hate speech. The hate speech has an effect on its listeners. Therefore, this study aims to examine the positive and negative effects of hate speech on the Joseph Paul Zhang channel. This study uses a descriptive-qualitative methodology and note-taking technique. The results of the study found positive effects, namely happy, calm, and relaxed effects, and negative effects, namely deceiving, embarrassing, upsetting, scaring, humiliating, prejudiced, and inviting people to do bad things.
STUDI TERPAAN MEDIA PEMASARAN MELALUI POSTING INSTAGRAM TERHADAP EKUITAS MEREK PELANGGAN SUMOBOO! Rustono Farady Marta; Denise Monica William Monica William
Jurnal Komunikasi Vol. 8 No. 1 (2016): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v8i1.50

Abstract

ABSTRACTAlong with the development of the digital era, now the people of Indonesia, especially Jakarta coexist and can not be separated with the technology. The use of technology is not only used for ease of daily activities, but also implemented in various sectors, one sector of the economy. Social media is used as a medium for promotion and marketing to drive consumers to buy. SumoBoo! is a trademark of Indonesia to adopt the concept of Japan and the Japanese Dessert booth presenters whose success relies on social media trends. Posting photos SumoBoo dessert! through social media a little more able to provide added value and influence of brand equity like an advertisement. Utilization of social media here also make customers as a promotional agent of SumoBoo! either consciously or unconsciously. The purpose of this study was to determine the effect of SumoBoo! dessert photo exposure through social media Instagram to the SumoBoo! customer's brand equity, and is expected to prove that social media can be one effective media campaign in accordance with the development of today's digital economy. The approach used in this study is a quantitative survey methods. Variable relationship model is a simple model. To measure contained two subvariable Media Exposure: Frequency and Intensity. Brand equity (Aaker) has four subvariable: Brand Awareness, impression quality, brand association, and brand loyalty. The theory used in this research is the theory of cultivation by George Gerbner. From the research it can be seen that the influence of exposure of Instagram as social media to brand equity is positive and significant. Media exposure accounted for 21.1% of the equity of the brand, while the remaining 79.9% is influenced by other variables not examined. ABSTRAKSeiring dengan berkembangnya era digital, kini masyarakat Indonesia khususnya Jakarta hidup berdampingan dan tidak dapat dipisahkan dengan teknologi. Pemanfaatan teknologi tidak hanya digunakan bagi kemudahan aktivitas sehari-hari, namun juga diimplementasikan ke dalam berbagai sektor, salah satunya sektor ekonomi. Media sosial dimanfaatkan sebagai media promosi dan pemasaran untuk meningkatkan minat beli konsumen. SumoBoo! adalah merek dagang Indonesia yang mengadopsi konsep Jepang dan merupakan gerai penyaji Japanese Dessert yang kesuksesannya bertumpu pada tren media sosial. Postingan foto dessert SumoBoo! melalui media sosial sedikit banyak mampu memberikan nilai tambah dan mempengaruhi ekuitas merek layaknya sebuah iklan. Pemanfaatan media sosial disini juga menjadikan pelanggan sebagai salah satu agen promosi dari SumoBoo! baik secara disadari maupun tidak. Tujuan dari penelitian ini adalah untuk mengetahui pengaruh antara terpaan foto dessert SumoBoo! melalui media sosial Instagram terhadap ekuitas merek pelanggan SumoBoo!, dan diharapkan mampu membuktikan bahwa media sosial dapat menjadi salah satu media promosi yang efektif sesuai dengan perkembangan ekonomi digital saat ini. Pendekatan yang digunakan dalam penelitian ini adalah kuantitatif dengan metode survei. Model hubungan variabel adalah model sederhana. Untuk mengukur Terpaan Media terdapat dua subvariabel: Frekuensi dan Intensitas. Ekuitas Merek (Aaker) memiliki empat subvariabel: Kesadaran Merek, Kesan Kualitas, Asosiasi Merek, dan Loyalitas Merek. Teori yang digunakan dalam penelitian ini adalah Teori Kultivasi oleh George Gerbner. Dari hasil penelitian dapat diketahui bahwa  pengaruh antara terpaan dari Instagram sebagai media sosial terhadap ekuitas merek adalah positif dan signifikan. Terpaan media memberikan kontribusi sebesar 21,1% terhadap ekuitas merek, sedangkan sisanya 79,9% dipengaruhi oleh variabel lain yang tidak diteliti. 
Discourse of Faking by Civil Servant Selection Participants on YouTube Yusuf Hadi Yudha; Rustono Farady Marta; Hana Panggabean
Jurnal Komunikasi Vol. 13 No. 1 (2021): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v13i1.11101

Abstract

Technological advances and rapid development of the internet, has pushed YouTube to become one of the new communication media by communicating information through audio and video. This information affects the personality of individuals who have a specific purpose in their efforts to communicate. With YouTube, anyone can freely watch whatever information is presented, and create various content without any permits or censors. This condition made some of content creators leaking a number of psychological tests that should be confidential, by making discussions, as well as tips and tricks on how to get a high score on these tests. This study aims to show how a civil servant candidate openly communicates to the public by creating video content on YouTube about tips and tricks for giving deceptive responses (faking) on the Personal Characteristics Test (TKP) used in civil servant selection test (CPNS) in order to get high score in this test. Analysis of the video using Critical Discourse Analysis from Theo van Leeuwen found that, in order to surpass the predetermined TKP passing grade, test takers were required to play the role of being an ideal figure of a civil servant. As in CPNS selection context, the video also reveals that by faking the test answer, it can increase the chances of participants to get high scores in the test. The self-reporting test format, also helped test takers easily fake the test by selecting answers according to the ideal profile of a civil servant, not answering according to his true state, as is expected in psychological tests in general. Kemajuan teknologi dan berkembang pesatnya penggunaan internet, mendorong YouTube menjadi salah satu bentuk media komunikasi baru untuk menyampaikan informasi melalui tayangan-tayangan berupa audio dan video. Informasi tersebut mempengaruhi kepribadian individu yang memiliki tujuan tertentu dalam upayanya berkomunikasi.Pada kanalYouTube, siapapun dapat dengan bebas menonton dan mengakses informasi apa saja yang disajikan, serta berkreasi membuat berbagai konten tanpa ada batasan perizinan ataupun sensor. Hal ini membuat sejumlah pembuat konten yang tidak bertanggung jawab membocorkan sejumlah tes psikologi yang seharusnya rahasia, dengan membuat pembahasan, serta tips dan trik bagaimana mendapatkan skor tinggi dalam tes tersebut. Penelitian ini bertujuan untuk mengetahui bagaimana peserta seleksi Calon Pegawai Negeri Sipil (CPNS) dan pemberian respon pengelabuan pada pengerjaan Tes Karakteristik Pribadi (TKP) ditampilkan dalam diskursus, khususnya dalam video YouTube berjudul “TIPS DAN TRIK MENJAWAB SOAL TKP CPNS 2019”.Analisis terhadap video menggunakanAnalisis Wacana Kritisdari Theo van Leeuwen menemukan bahwa, agar dapat melampaui passing grade yang telah ditetapkan,peserta tes dituntut berperan menjadi sosok ideal seorang PNS. Dalam konteks seleksi CPNS, video tersebut mengungkapkan pula bahwa dengan melakukan pengelabuan,dapat meningkatkan peluang untuk mendapatkan skor tinggi dalam tes tersebut. Desain tes yang berupa pelaporan diri, turut membuat peserta tes dapat dengan mudah melakukan faking dengan memberikan jawaban sesuai profil ideal seorang PNS, dan bukan menjawab sesuai dengan keadaan dirinya yang sebenarnya, sebagaimana layaknya yang diharapkan dalam tes psikologi pada umumnya.
Speech of Criticism in Podkaesang Depan Pintu (PDP) and Its Use asTeaching Material for Anecdotal Texts Qomarullah, Dian; Rustono, Rustono; Yuniawan, Tommi
Jurnal Sastra Indonesia Vol. 13 No. 1 (2024): March
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/faxq7765

Abstract

Penelitian ini bertujuan mengidentifikasi penggalan percakapan  kritik dalam  Podkaesang Depan Pintu (PDP) berupa jenis tuturan kritik,  fungsi tuturan kritik serta hasil analisis digunakan  sebagai bahan ajar teks anekdot  kelas X di SMK.  Pendekatan pragmatis digunakan dalam penelitian ini karena masalah yang diteliti berkenaan dengan penggunaan bahasa berupa tuturan kritik  dalam Podkaesang Depan Pintu (PDP). Tujuan dari digunakannya pendekatan tersebut adalah untuk mendeskripsi wujud tuturan kritik, maksud tuturan kritik, fungsi tuturan kritik dalam Podkaesang Depan Pintu (PDP). Penelitian ini digunakan pendekatan kualitatif dengan jenis deskriptif analitis. Penelitian ini difokuskan pada penggalan percakapan para tokoh dalam Podkaesang Depan Pintu (PDP) yang diduga mengandung tuturan kritik dan implikasinya pada pembelajaran anekdot di SMK.  Data penelitian ini adalah penggalan percakapan  dalam Podkaesang Depan Pintu (PDP) yang diduga  merupakan tuturan kritik yang sudah di upload pada situs www.youtube.com di channel youtube “Kaesang Pangarep by GK Hebat” dengan alamat link https://www.youtube.com/@Kaesang/featured. Hasil penelitian ini adalah (1) Jenis Tuturan Kritik dalam Podkaesang Depan Pintu (PDP), (2) Fungsi Tuturan Kritik dalam Podkaesang Depan Pintu (PDP), (3) Pemanfaatan Materi Kritik dalam Podkaesang Depan Pintu (PDP)  sebagai Bahan Ajar Anekdot Kelas X di SMK.
Contradictory Speech in the Dialogue  of Teddy Soeraatmadja's Lovely Man  Film Siyam, Sahrul; Rustono, Rustono; Haryadi, Haryadi
Jurnal Sastra Indonesia Vol. 13 No. 2 (2024): July
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/tsrp7259

Abstract

This study examines the contradictory speech between the two main characters in the film "Lovely Man" through a pragmatic approach. The film tells the story of the relationship between a student and her father, who is a transvestite, showing differences in backgrounds and complex social conflicts. Through dialogue analysis, this study found that contradictory speech reflects social tensions, hidden feelings, gender identity issues, and social stigma. Contradictory speech not only serves as a means of communication but also as a reflection of the social and cultural background of its characters. This study uses a qualitative approach with a pragmatic analysis method to examine contradictory speech in the movie "Lovely Man." The data is taken from a fragment of dialogue between the two main characters, Cahaya and Ipuy, in the film. This study uses pragmatic matching methods and data analysis techniques in the form of observation and recording techniques. The methodological steps used in this study include data classification, analyzing data based on a theoretical framework, and drawing conclusions based on data analysis. This research provides in-depth insights into how social contexts affect verbal and non-verbal communication. This can benefit academics, communication practitioners, filmmakers, and the general public in understanding and managing complex social interactions.
Marketing communication strategy for creative talents service providers a case study of an online marketplace in Indonesia Dwityas, Nindyta Aisyah; Briandana, Rizki; Marta, Rustono Farady; Aliagan, Isiaka Zubair
International Journal of Communication and Society Vol 4, No 1 (2022): June 2022
Publisher : Association for Scientific Computing Electrical and Engineering (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/ijcs.v4i1.352

Abstract

This study aims to analyze the marketing communication strategy one of the creative talents service provider marketplace in Indonesia, namely Sociabuzz. The development of the marketplace business is not only limited to product sales, but has also begun to expand into the service sector. The marketplace is also open to creative industries to get customers or markets. The concept used in this research is Marketing Communication Strategy and Online Marketplace as one of the Sharing Economy Business Platforms. The research method used is a case study by conducting structured interviews with Strategic Planner, and Campaign and Marketing Executive of the organization. The results show the principles of sharing economy, especially those related to the principles of partnership, empowerment, and collaborative efforts, not only underlie Sociabuzz's business processes and strategies, but also form the basis of their marketing communication strategies, which are contained eight important stages: situation analysis, identification of advantages, formulation of big ideas for campaigns, targeting, determining communication objectives, budgeting, campaign implementation, and campaign evaluation.
Well-Being support by Sandwich generation in the Films Cinta Pertama, Kedua, dan Ketiga Sudarji, Shanty; Marta, Rustono Farady; Panggabean, Hana; Jatmika, Devi
International Journal of Communication and Society Vol 5, No 2 (2023): December 2023
Publisher : Association for Scientific Computing Electrical and Engineering (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/ijcs.v5i2.1003

Abstract

Large families are very common in Indonesian culture. Individuals living in extended families with multigenerational childcare responsibilities are known as the Sandwich Generation. The challenges involved in multi-generational parenting impact the lifestyle of the Sandwich Generation as a whole, including personal time, career development, and financial stability. The Sandwich Generation is at risk for various mental health problems, including stress, depression, and anxiety, due to increased pressure and demands. The objective of this research is to see the picture of well-being support in the sandwich generation as reflected in the films Cinta Pertama, Kedua, dan Ketiga. The research method used to review the films Cinta Pertama, Kedua, dan Ketiga is Content Analysis by Philip Mayring with an interpretive paradigm. Abstraction, explication, and arrangement were carried out to analyze this film. There are three things that can be concluded from the content analysis of the films Cinta Pertama, Kedua, dan Ketiga. First, the dynamics of the life of the sandwich generation are described as full of problems. Second, the main character Dewa is described as having well-being support from his family. Third, the well-being support obtained cannot be separated from the standard culture that exists in Indonesia, namely Guyub, where people live in harmony and support each other as a family member.
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Jamil Achmad Rifai RC, Achmad Rifai Adhitya, Galant Nanta Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Ahmad, Rosmalia Alessandro Kurniawan Ulung Alfaris, Lukman Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes An Nur, Fitrinanda Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asmara, Shenja Nanta Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Borges, Serilio Verdial Maria Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia DINDIN DIMYATI Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina, Fenti Hadi, Sholihul Hakim, Lulu Nadya Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Hariyanti, Nunik Harliyono, Maria Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Iwan Hermawan Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Jouns Candy Felice Lang Julia Loisa Junaedi Junaedi Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoerunisa, Asti Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurnia, Maya Dewi Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Le Duc, Anthony Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monica, Nisa Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Romaria, Gustina Rosario, Teresa Metta Rosdian, Erwin Dwi Sabna Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sari, Pipin Diana Sarno Sarno Sa’adah, Hamlatus Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Sitorus, Sandra Marissa Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudarsono, Achmad Budiman Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati, Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Priyo Sadono Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin