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Describing social stigma of disability’s family through circumplex model on film Trihastuti, Maria Claudia Wahyu; Marta, Rustono Farady; Panggabean, Hana; Fernandes, Maristela Julia
Jurnal Studi Komunikasi Vol. 6 No. 2 (2022)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v6i2.4871

Abstract

The biographical film, Zero to Hero, shows the true story of Hong Kong sprinter So Wa Wai who won the 1996-2008 Paralympic Olympics. This study aims to identify signs to build meaning based on speech (words), images, images and sounds, words and gestures/body language, images and gestures/body language, images and objects, and words and objects. Identification of the mother's role in controlling the balance of the dimensions of cohesion, and flexibility through the application of effective communication with family members and the community is illustrated in this study. Dimensions of cohesion and flexibility that is based on Olson's Circumplex model describing family functions. Parenting interactions through the communication dimension of the mother figure play an important role in the Circumplex model. The analytical method used is Umberto Eco's semiotics which relies on the constructivism paradigm. The results showed that the Zero to Hero film contains three meaningful signs based on Olson's Circumplex model, namely signs in the form of speech, speech and body language, and speech and objects.
Menggelorakan makna energik sebagai brandscape erigo melalui iklan fireflies Febryan Kurniawan; Muhammad Isnaini; Rustono Farady Marta
Jurnal Komunikasi Profesional Vol. 5 No. 4 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (939.861 KB) | DOI: 10.25139/jkp.v5i4.3889

Abstract

Local brands in Indonesia today are growing and competitive and in this competition, various appropriate marketing communication strategies are needed, where this is needed to build attention from potential consumers. One of the local brands from Indonesia is Erigo, a company that has recently been discussed by internet users because one of its marketing strategies is to place advertisements in Time Square, New York. Advertising is one of the digital marketing strategies that serves to attract the attention of potential consumers through information on products and services offered to stick in the minds of consumers. Through a qualitative approach with an interpretive paradigm using Laura R. Oswald's marketing semiotics method, it was found that through the short advertisement "Fireflies", Erigo wanted to show the target audience and their target market, young people or millennials, to have enthusiasm, motivation and belief. high self-esteem in exploring their curiosity, one of which can be done by real action from their energetic nature. This energetic nature becomes an ideology (cultural categories) that Erigo wants to convey to its target market, which are young people who aim to convey an invitation to dare to explore new things to find hope and identity related to exploratory (cultural tensions). Exploratory is meant here is a sense of freedom (emotional territories) where this is necessary for them to inflame the energetic they have.
Anotasi Rasa Empati selama Pandemi COVID-19 pada Konten Digital Pariwara Youtube Rosalia Indah Lieta Septiarysa; Rustono Farady Marta; Halim Agung
Jurnal Komunikasi Profesional Vol. 5 No. 5 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (888.75 KB) | DOI: 10.25139/jkp.v5i5.4125

Abstract

Media sosial menjadi teknologi digital dengan memberikan kebebasan bagi semua kalangan dalam mengekspresikan informasi. Selain digunakan untuk keperluan pribadi, Youtube juga diminati oleh korporasi. Youtube menjadi salah satu media sosial terpilih dalam penyebaran pesan selama era pandemi COVID-19. Korporasi transportasi Rosalia Indah juga turut menggunakan Youtube dalam menyampaikan pelayanan dalam masa pandemi. Selain terus meningkat angka penularan virus, kekhawatiran masyarakat dalam penggunaan transportasi umum juga menjadi alasan tersendiri bagi Rosalia Indah untuk menjaga kepercayaan pelayanan. Penelitian ini menggunakan logika produksi pesan dari Barbara O’Keefe yang terlihat dalam penggunaan proses pemikiran bertitik pada bagaimana penyampaian rasa empati Rosalia Indah. Penelitian yang menggunakan paradigma interpretif ini menjadikan penulis mampu menganotasikan makna dibalik setiap konten dari Youtube Rosalia Indah pada masa pandemi. Beralaskan metode analisis konten kualitatif dari Philip Mayring, peneliti melihat bagaimana proses anotasi Rosalia Indah menggunakan Youtube dalam menyuarakan rasa empati yang diberikan kepada penumpang. Beberapa proses yang diteliti yaitu seputar abstraksi, eksplikasi, dan strukturasi. Hasil penelitian menunjukkan bahwa konten pertama dan kedua yang diteliti, proses abstraksi dan eksplikasi semakin terlihat bahwa korporasi begitu dalam memaknai rasa empati atas pandemi COVID-19. Pada proses strukturasi, Rosalia Indah juga ingin menunjukkan dalam akun media sosial Youtube bahwa didalam masa sulit ini, korporasi selalu mengedepankan kualitas pelayanan dan menjadikan keselamatan penumpang adalah nomor satu.
Konstruksi Citra Destinasi Wisata Gedung Juang45 Bekasi Dalam Berita Media Daring Tribunnews Ralvin Januar Wijaya; Bernard Realino Danu Kristianto; Rustono Farady Marta; Sugeng Wahyudi
PERSPEKTIF Vol. 10 No. 2 (2021): PERSPEKTIF - July
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v10i2.4863

Abstract

Online media in the era of digitalization has become an alternative choice for people in seeking information to replace conventional mass media. This study aims to see the relationship of online media in the development of tourist destinations in Gedung Juang45 in Bekasi Regency. This research uses a qualitative descriptive method, with the Pan and Kosicki framing analysis technique. The online media studied was Tribunnews to see news narratives in the 2019 to 2020 period using discourse analysis. News was analyzed by selecting topics related to the development of the Gedung Juang45 in Bekasi Regency on the Tribunnews Online Media Content. There were two news stories in March and August 2019, which mostly criticized the Bekasi Regency Government (Pemkab. Bekasi). On the other hand, when entering February to December 2020, researchers managed to find 13 supporting news for Pemkab. Bekasi regarding the construction of the Gedung Juang45. The results showed that of the 13 news, there is the same narrative to form the image construction of the Pemkab. Bekasi in increasing tourism, especially the Gedung Juang45 Tourism Destination.
The Ideology of Racism in Contemporary HollywoodFilms on Netflix: A Case Study on“All the Boys I’ve Loved Before” Movie Briandana, Rizki; Marta, Rustono Farady; Mijan, Rohana; Fauzi, Eka Perwitasari
JURNAL KOMUNIKASI INDONESIA Vol. 11, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to analyse the ideology of racism in Hollywood films shown on Netflix. To All the Boys I’ve Loved Before is a film based on a New York Times Best Seller novel. Initially, this film had some drawbacks because almost all production houses refused to keep an Asian face as the main character in accordance with the novel. The concept of ideology in the film refers to the concept proposed by John Storey. That ideology is an ideal form of image which aims to attract attention through methods, such as those used in texts, including films as mass media products to present a certain image about the world. This study applied a qualitative text analysis method, i.e.i.e. the Semiotics method. The film was analysed through Roland Barthes’ semiotic analysis, which is known for its denotative, connotative, and mythical meanings. The signs in the film were studied in stages to get the meaning of the message and also to uncover the myths that hide behind the ideology in the film. The result shows the use of Asian faces as the main characters who are also protagonists in To All the Boys I’ve Loved Before demonstrates that the racism depicted in this film is a myth. This film also joins the ranks of Hollywood films in which Asian actors were previously thought to be unable to sell at the box office. Penelitian ini bertujuan menganalisis ideologi rasisme dalam film-film Hollywood yang ditayangkan di Netflix. To All the Boys I’ve Loved Before adalah film yang diangkat dari novel New York Times Best Seller. Pada awalnya film ini memiliki beberapa kekurangan karena hampir semua rumah produksi menolak untuk mempertahankan wajah Asia sebagai karakter utama sesuai dengan novel. Konsep ideologi dalam film mengacu pada konsep yang diusulkan oleh John Storey. Ideologi adalah bentuk citra ideal yang bertujuan untuk menarik perhatian melalui metode, seperti yang digunakan dalam teks, termasuk film sebagai produk media massa untuk menyajikan citra tertentu tentang dunia. Penelitian ini menerapkan metode analisis teks kualitatif, yaitu metode Semiotika. Film ini dianalisis melalui analisis semiotik Roland Barthes, yang dikenal dengan makna denotatif, konotatif, dan mitosnya. Tanda-tanda dalam film ini dipelajari secara bertahap untuk mendapatkan makna pesan dan juga untuk mengungkap mitos yang tersembunyi di balik ideologi dalam film. Hasilnya menunjukkan penggunaan wajah Asia sebagai karakter utama yang juga protagonis dalam To All the Boys I’ve Loved Before menunjukkan bahwa rasisme yang digambarkan dalam film ini adalah mitos. Film ini juga masuk dalam jajaran film Hollywood di mana aktor Asia sebelumnya dianggap tidak menjual di box office.
An Examination of Collective Memory of the Tsunami Disaster: A Comparative Study between Japan and Indonesia Murti, Desideria Cempaka Wijaya; Marta, Rustono Farady; Almuntarizi, Almuntarizi; Manalu, Tifani Dianisya
JURNAL KOMUNIKASI INDONESIA Vol. 12, No. 1
Publisher : UI Scholars Hub

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Abstract

Japan and Indonesia, as two countries that are geographically vulnerable to tsunami disasters, have similarities in geography and culture. Analyzing disaster museums through the Inamura No Hi Museum in Japan and the Aceh Museum in Indonesia in communication, heritage, and cultural studies were conducted to show how museums' visual framework and experience are used to interpret post-disaster situations. This study aims to see how the Japanese and Indonesian disaster museums, closely related to visuals and local legends, convey information to educate the public about mitigation through the memory of the Tsunami disaster in the museum. This research is a comparative qualitative study with native ethnography as the method. This study analyzes three important theoretical aspects in establishing disaster memory through museums, and those are: information processing theory, disaster memory, and visual performing theory. In this study, there are three findings where the memory of the disaster is manifested in the Aceh museum and Inamura no hino Yakata: buildings, exhibitions, and audio-visual media.
Stimulation of Anxiety Management for Instagram Followers @najwashihab by Comparing the Credibility of Quraish Shihab and Najwa Shihab Nufindra, Ardin; Marta, Rustono Farady; Mulyadi, Fitri Sarasati; Engliana, Engliana; Ahmad, Rosmalia
Kalijaga Journal of Communication Vol. 5 No. 2 (2023)
Publisher : Communication and Islamic Broadcasting Study Program, Faculty of Da'wah and Communication, Universitas Islam Negeri Sunan Kalijaga Yogyakarta, Yogyakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/kjc.52.05.2023

Abstract

This research explores the reactions of Instagram followers @najwashihab after watching content featuring Najwa Shihab with Quraish Shihab on Najwa Shihab's YouTube channel. This research uses a quantitative approach with survey methods. Data was obtained from survey results among followers of the Instagram account @najwashihab regarding the credibility of Quraish Shihab and Najwa Shihab in conveying messages. The results of this research show that the communicants or audience, namely Instagram followers @najwashihab, show the influence that these two sources have on the management of anxiety. Exciting findings from this research show the reactions of communicants after seeing the messages delivered by Quraish Shihab and Najwa Shihab. Instagram followers @najwashihab can manage anxiety through mindfulness, namely being aware of their surroundings and being able to accept emotions openly. Further research should consider variables such as attitude, quality of life, mental health, self-love, quarter-life crisis, and anxiety management and consider questionnaires for comprehensive research.
Public Image of Ganjar Pranowo on the News in @Oposisicerdas.com and @Tribunnews.com Twitter Accounts Jingga, Jingga; Rustono, Rustono; Santoso, Bernadus Wahyudi Joko
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 3 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i3.71600

Abstract

Critical discourse analysis (CDA) on Ganjar Pranowo’s pulic image is interesting to do because in CDA, discourse not understood as a language study but used to convey the ideology to influence readers. This research aims to find Ganjar Pranowo's public image in the news on @Oposisicerdas.com and Tribunnews.com Twitter accounts. This research uses the Norman Fairclough CDA method. The data source is discourse on @Oposisicerdas.com and @Tribunnews.com Twitter accounts from March to May 2023. The results of this study revealed Ganjar Pranowo's public image on @Oposisicerdas.com and Tribunnews.com Twitter accounts. Ganjar Pranowo's news construction on Twitter accounts @Oposisicerdas.com and @Tribunnews.com is in the form of interpretation of the discourse production process, discourse dissemination, and text consumption. Socio-cultural practices in Ganjar Pranowo's reporting on @Oposisicerdas.com and @Tribunnews.com are influenced by situational, institutional, and social aspects. This finding can cultivate sosial media news reader to be wiser in capturing information.
Unit of Expression in Land and House Sale Ads on Facebook social media Sudiyati, Citra Amelia; Rustono, Rustono; Baehaqie, Imam
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 3 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i1.71686

Abstract

This study discusses communication carried out in the realm of trade; one form of communication is advertising. The purpose of this study is to find various forms, meanings, and functions of units of expression in advertisements for buying and selling land and houses on Facebook social media. The method used is the listening method with free listening techniques, proficient involvement and recording techniques. The results of this study are units of expression for advertising the sale and purchase of land and houses in the form of forms consisting of words, phrases, abbreviations, acronyms, and reduplication. Furthermore, the meaning of the unit of expression for advertising the sale and purchase of land and houses consists of lexical meaning and grammatical meaning. Then, the function of the unit of expression for buying and selling land and houses consisting of aesthetic functions, directive functions, and informational functions. In advertisements for the purchase and sale of real estate and homes, the aesthetic function is employed as an attraction or as a supporting element to draw in prospective purchasers. Advertisements for buying and selling land and homes use the directive function to entice potential customers to visit marketing galleries and persuade them to make a purchase. When a product or service is advertised, the informational function is utilized to inform potential customers of its benefits. The findings of this study are hoped to aid in the growth of semantic science, particularly in the investigation of language form, meaning, and function.
The Semantic Role of Actor and Object Clauses in Sentences in Crime News Texts Nantu, Marselina Yosefina; Rustono, Rustono; Mardikantoro, Hari Bakti
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12 No 3 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v12i3.75619

Abstract

Actor and object clauses are clauses whose elements have syntactic roles as actors and occupy syntactic functions as objects. The elements that form clauses with actors and objects in crime news texts have certain semantic roles. This study aims to determine the semantic role of clauses with actors and objects in sentences in crime news texts. This research is qualitative research. The data in this research is in the form of sentences that allegedly contain clauses with actors and objects. The data collection method used in this research is listening to method with tapping technique as the basic technique and note-taking technique as the advanced technique. The data analysis method used in this research is agih method. The analysis techniques used in this research are direct element dividing technique, sentence constituent analysis technique, lesap technique, expansion technique, change of intent technique, mark reading technique, and extrapolation technique. The method of presenting the results of data analysis used in this research is formal and informal methods. The result of this research is the semantic role of clauses with actors and objects in sentences in crime news texts are eleven, namely (1) actors, (2) actions, (3) targets, (4) benefactor, (5) tools, (6) time, (7) participant, (8) ways, (9) sources, (10) places, and (11) results.
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Jamil Achmad Rifai RC, Achmad Rifai Adhitya, Galant Nanta Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Ahmad, Rosmalia Alessandro Kurniawan Ulung Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes An Nur, Fitrinanda Andreas Lumampauw Andriyani, Monica Angelia Sampurna Anggreni, Likha Sari Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asmara, Shenja Nanta Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Borges, Serilio Verdial Maria Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia DINDIN DIMYATI Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Dwijayanti, Risqi Inayah Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina, Fenti Hadi, Sholihul Hakim, Lulu Nadya Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Hariyanti, Nunik Harliyono, Maria Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Iwan Hermawan Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Jouns Candy Felice Lang Julia Loisa Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoerunisa, Asti Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Le Duc, Anthony Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monica, Nisa Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Noviarti, Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Rajagukguk, Solten Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi, Reynaldi Riena F. Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifandi, Teguh Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Romaria, Gustina Rosario, Teresa Metta Rosdian, Erwin Dwi Sabna Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sarasati, Fitri Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sarno Sarno Sa’adah, Hamlatus Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Sitorus, Sandra Marissa Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudarsono, Achmad Budiman Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati, Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Priyo Sadono Teguh Supriyanto Timotius Saliman Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin