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Jurusan Bahasa Dan Sastra Indonesia, Fakultas Bahasa Dan Seni, Universitas Negeri Semarang

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Aktivasi Psikologi Kognitif Melampaui Kesepian dengan Perspektif Komunikasi dalam Film Joker Yohanes Probo Dwi Sasongko; Joshua Fernando; Rustono Farady Marta
MEDIALOG: Jurnal Ilmu Komunikasi Vol. 3 No. 1 (2020): Medialog: Jurnal Ilmu Komunikasi
Publisher : Program Studi Ilmu Komunikasi FISIP UM Buton

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35326/medialog.v3i1.517

Perkembangan kognitif pada dasarnya merupakan bagian dari perkembangan karakteristik manusia yang penting untuk dipahami. Ditengah laju tertumbuhan teknologi perkembangan kognitif manusia justru jatuh dan semakin terpuruk pada rasa tidak peduli terhadap sesama. Manusia terpuruk didalam rasa ketidakadilan terhadap perlakuan dalam hidupnya dan ditengah itu semua, manusia tersandera serta tidak bisa mengelak dan menghindar dari rasa kesepiannya. frekuensi laju dan gerak pertumbuhan pengetahuan yang semakin tinggi tidak diimbangi oleh kecakapan dan kepandaian manusia dalam mengelola kesepian yang menghinggapinya. Akhirnya, apa yang terjadi dalam hidupnya tidak dapat di pahami sebagai yang baik sekaligus tidak menjadi penawar serta daya sembuh yang optimal ketika manusia mengalami kesepian dalam hidupnya. Film Joker karya Todd Phillpis menjadi salah satu cerminan bahwa ditengah arus kemajuan teknologi, pertumbuhan ekonomi yang semakin dirasa sulit. Manusia kerap mengalami degradasi dalam moralitas. Ketika manusia tidak mampu mengenal dekat mengenai kesepiannya, tindakan pelepasan, pelarian dan pelampiasannya dapat dilakukan secara tidak wajar dan manusiawi. Jalan tengah yang dapat menjadi solusi adalah mengenali dan menyadari diri sendiri dengan utuh. Menerima dan mengakui dan berdamai dengan diri sendiri. Menyadari dan bersikap terbuka terhadap diri sendiri merupakan keutamaan yang harus dipahami dalam proses psikologi kognitif individu.

MEMOTRET ETNOGRAFI VIRTUAL FESTIVAL FOHORAI KOMUNITAS MASYARAKAT ADAT BELU Nicodemus Koli; Frederikus Fios; Rustono Farady Marta; Hilda Yunita Wono; Sherly Sherly
MEDIALOG: Jurnal Ilmu Komunikasi Vol 4 No 2 (2021): Medialog: Jurnal Ilmu Komunikasi
Publisher : Program Studi Ilmu Komunikasi FISIP UM Buton

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35326/medialog.v4i2.1562

Kemajuan teknologi informasi dan komunikasi membuat manusia terpapar akan seluruh informasi yang ada dalamruang dan waktu. Manusia juga dapat berinteraksi satu sama lain secara instan dan ruang sudah tidak menjadi masalahuntuk komunikasi melalui dunia digital. Akibatnya, seluruh informasi yang tersebar di dunia virtual akan tersimpanuntuk digunakan dalam waktu kini hingga waktu kedepan. Salah satu arsip informasi tersebut berupa media sosialFacebook yang membuat interaksi festival virtual bagi pengguna internet. Perspektif konstruktivis yang membantupembangunan identitas kultural Belu, NTT, di dunia digital menjadi pandangan penelitian ini, dimana identitaskultural direpresentasikan dari adat istiadat melalui Festival Forohai. Berberapa ritual adat tersebut berupa Fohon Hareyang berada di Desa Matabesi, Ukun Badu dan Hasa’e Kakaluk di Desa Mandeu Raimanus, An Tama di DesaDuarato-Nualain, hingga ritual Nokar Ui dan Bei Gege Asu di Desa Dirun. Hasil dari penelitian ini menunjukkanjaringan budaya yang tercipta dari Festival Forohai yang mempersatukan seluruh penganut budaya di NTT dariwilayah yang berbeda

Optimization of Privacy Management for Edho Zell Impression Intensity Improvement Alvin Alexander Prasetya; Rustono Farady Marta; Laurencia Steffanie Mega Wijaya Kurniawati
INJECT (Interdisciplinary Journal of Communication) Vol 7, No 1 (2022)
Publisher : UIN Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v7i1.1-20

This article explores Edho Zell’s, a celegram’s privacy management in determining how deep his Instagram’s impressions toward his followers. The videos he uploaded on YouTube depicted his past experiences when he wanted to commit suicide. It was assumed that these should have an effect on the formation of the impression Edho Zell built in a certain period of time. This study employed an explanatory research survey method from a quantitative approach, with the criteria of privacy boundary rules from communication privacy management as the basis for independent variables. Based on the results of data collection through the distribution of questionnaires, it was found that videos containing Edho Zell's personal information had an effect on the formation of his self-image by 45%. It is hoped that through the results of this study, everyone who is categorized as an active social media user can understand how to manage privacy boundaries in terms of forming an impression.

Social Media Effect: Building the Customers Loyalty of Hennes & Mauritz Brand Fashion in Indonesia Liesta Augustine; Rewindinar Rewindinar; Rustono Farady Marta
International Journal of Social Science and Business Vol. 5 No. 2 (2021): May
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/ijssb.v5i2.34355

Economic growth has accelerated in recent years. Company owners’ tactic was to used social media as a bridge to reach out to customers. A brand gains who gains consumers would attempt to establish a relationship with them and also gain their commitment. This is referred to as consumer loyalty. This loyalty was very critical to the brand’s long term sustainability and growth. Customers’ satisfaction can be used to gain customer loyalty. This study aims to examine H&M's use of Twitter as a social networking platform for building consumer loyalty. This study used a netnographic approach to examine H&M's marketing strategy for building consumer loyalty through the use of social media, specifically Twitter. The netnography approach is an ethnographic method that combines the use of internet with ethnography. The data for this analysis was gathered by reprocessing H&M post data obtained via Twitter. The findings in this research conclude that games and interaction will undoubtedly be required to capture customers' interest and generate their loyalty. Essentially, consumers' willingness to be in touch with a company decides whether or not they want to give commitment. This commitment will determine the customers’ loyalty by their behaviour in purchase continuously. As a result, it's possible to reduce those customers has chosen to make H&M brand their first preference which show a sign of customers’ loyalty.

SIMPLIFIKASI RITUAL HARAI DAN DIMENSI KULTURAL HOFSTEDE DALAM IKLAN FORTE VERSI SUMO Bernard Realino Danu Kristianto; Rustono Farady Marta
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 5, No 01 (2019): Accredited by Kemenristekdikti RI SK 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

ABSTRACTThis research is entitled Simplification of Hit Ritual and Hofstede Cultural Dimensions in Sumo Version of Forte Ads. This study aims to understand the Harai Rituals in simplified Sumo rituals and Hofstede's cultural dimensions in FORTE cigarette product advertisements. The FORTE cigarette product is relatively new in the Indonesian market. This cigarette product originating from a Japanese company was launched by a local Indonesian company, PT Djarum. But in the advertisement, the product featured Sumo wrestlers who were squeezed by a frame which later revealed mighty tiny writing as the main FORTE cigarette slogan. In the discussion, it will be explained how Hofstede's dimensions of cultural cross are presented through the overall appearance of Forte's cigarette advertisements and products. The researcher concluded that the audio-visual work of Forte cigarette products in the form of advertisements was a simplification of the ritual of the Sumo sport for the purpose of product promotion and the duration of the ad itself. The Japanese cultural identity that appears in FORTE's cigarette advertisements through Sumo sports has the complexity of historical cultural dimensions which are full of meaning and philosophy.Keywords; Simplification, Harai, ritual, cultural, Hofstede, Forte.ABSTRAKPenelitian ini berjudul Simplifikasi Ritual Harai dan Dimensi Kultural Hofstede dalam Iklan Forte Versi Sumo. Penelitian ini bertujuan memahami Ritual Harai dalam ritual Sumo yang tersimplifikasi serta dimensi budaya Hofstede dalam iklan produk rokok FORTE. Adapun produk rokok FORTE ini tergolong baru di pasar Indonesia. Produk rokok yang berasal dari perusahaan Jepang ini diluncurkan oleh perusahaan lokal Indonesia, PT Djarum. Namun dalam penayangan iklannya, produk ini menampilkan pegulat Sumo yang terhimpit oleh frame yang kemudian memunculkan tulisan mighty tiny sebagai slogan utama rokok FORTE tersebut. Dalam pembahasan, akan dipaparkan bagaimana dimensi-dimensi lintas kultural Geert Hofstede dipaparkan melalui penampilan keseluruhan iklan dan produk rokok Forte. Peneliti mengambil kesimpulan bahwa karya audio visual produk rokok Forte yang berbentuk iklan merupakan simplifikasi ritual harai dalam olahraga Sumo demi tujuan promosi produk dan durasi iklan itu sendiri. Identitas budaya Jepang yang tampil dalam iklan rokok FORTE melalui olah raga Sumo memiliki kompleksitas dimensi kultural historis yang sarat makna dan filosofi.Kata kunci; Simplifikasi, ritual, Harai, kultural, Hofstede, Forte.

POST-INDUSTRIAL MOTIVATION POLEMICS BEHIND THE ISSUE OF CROSS-MEDIA PLASTIC BAGS DIET Yesica Yuliani Clara; Laurencia Steffanie Mega Wijaya Kurniawati; Rustono Farady Marta; Aditya Kumar Shukla
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 7, No 2 (2021): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v7i2.2749

Garbage is often an environmental problem, especially in Indonesia, which produces more than 100 tons of waste that is difficult to decompose. This fact creates a separate concern for the government both at home and abroad, especially in the maintenance of the environment and forestry. After socializing the minimization of plastic bags, other problems arise such as reduced employment opportunities due to lower levels of plastic bag consumption. This research reveals several viewpoints of domestic and foreign media that show the disadvantages of plastic factories since the government decree on reducing the use of plastic bags, and with media comparative research methods that will show the objectives of each media through news packaging with analysis of the language used.

Studi Kasus Implementasi Kebijakan Reposisi Sumber Daya TVRI Pada Target Audience Generasi Milenial christina christina; Sandy Alifiansyah; Rustono Farady Marta
PRoMEDIA Vol 5, No 2 (2019): PROMEDIA
Publisher : UNIVERSITAS 17 AGUSTUS 1945 JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52447/promedia.v5i2.2332

Televisi Republik Indonesia or TVRI is the first and only public television in Indonesia. The main problem of TVRI lies in the problem of corruption, human resources that are old, so that it influences the program, it seems old-fashioned. Researchers conducted this research because TVRI became one of the main highlights of significant changes both internally and also the resulting outcomes. This research will analyze TVRI's policies related to the repositioning of their brands to attract viewers and creators from millennial generation who have been indifferent to TVRI shows. This analysis is based on the case study strategy method used by a public broadcasting institution called TVRI which is trying to regain its existence in the midst of competition with private televisions. The purpose of this study is to find out the repositioning policy strategy adopted by TVRI in accordance with millennial generation audiences as its target market. The results of this study indicate that TVRI has changed the logo, changed the work culture and organizational culture into APIK, namely Adaptive, Positive, Informative and Creative. TVRI is ready to move from analog to digital, then the recruitment of expert staff from non-CPNS, program changes that reach a wide audience such as the Premier League, Badminton Houses, and also educational and entertainment programs that build communities by elevating their local wisdom. regions that are more modern, contemporary, and can compete with private TV. Keywords: Millennial Generation, Policy, Repositioning, TVRI Abstraksi Televisi Republik Indonesia atau TVRI merupakan televisi publik pertama dan satu-satunya di Indonesia. Permasalahan utama dari TVRI terletak pada permasalahan korupsi, sumber daya manusia yang sudah berumur, sehingga mempengaruhi programnya terkesan kuno. Peneliti melakukan penelitian ini karena TVRI menjadi salah satu sorotan utama perubahan yang cukup besar baik secara internal dan juga luaran yang dihasilkan. Penelitian ini akan menganalisis kebijakan TVRI terkait dengan reposisi merek mereka untuk menggaet penonton dan kreator dari generasi milenial yang selama ini acuh terhadap tayangan TVRI. Analisis ini berdasar pada metode studi kasus strategi yang digunakan sebuah institusi lembaga penyiaran publik bernama TVRI yang mencoba untuk memperoleh kembali eksistensinya di tengah persaingan dengan televisi-televisi swasta. Tujuan penelitian ini untuk mengetahui strategi kebijakan reposisi yang diterapkan oleh TVRI disesuaikan dengan khalayak generasi milenial sebagai target marketnya. Hasil penelitian ini menunjukkan bahwa TVRI telah melakukan perubahan logo, mengubah budaya kerja dan budaya organisasi menjadi APIK, yaitu Adaptif, Positif, Informatif dan Kreatif. TVRI telah siap untuk berpindah dari analog menjadi digital, kemudian perekrutan staff ahli dari non-CPNS, perubahan program yang menjangkau luas khalayak seperti Premier League, Rumah Bulutangkis, dan juga program-program edukasi serta hiburan yang membangun masyarakat dengan mengangkat kearifan lokal masing-masing daerah yang dikemas lebih moderen, kekinian, dan dapat bersaing dengan TV swasta. Kata Kunci: Generasi Milenial, Kebijakan, Reposisi, TVRI

Brand Equity Review: Sales Promotion Role in Tropicana Slim Purchasing Decision Michelle Michelle; Sugeng Wahyudi; Rustono Farady Marta
Komunikator Vol 14, No 1 (2022)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.11948

As a top Indonesian product, Tropicana Slim seems to give new solutions to enjoying sweet taste widely used in Indonesian cuisine without worrying about the negative impacts often feared by the public, such as obesity and diabetes. Tropicana Slim’s achievements as the top brand for five years have several factors in consumer purchasing decisions that could lead to product loyalty under the Tropicana Slim brand. Therefore, this study aims to see the role of brand equity which consist of brand image, brand awareness, and sales promotion of Tropicana slim products introduced by PT Nutrifood Indonesia through their Instagram account @tropicanaslim leads to purchasing decisions. This research was carried out from March until April 2021 using a positivism paradigm with a quantitative approach and content analysis using visuals and text from 16 posts on their Instagram account. This research indicates the role of brand equity in the form of brand image with a frequency value of 42,03%, brand awareness with 26,09%, and sales promotion with a frequency of 31,88% on purchasing decisions. It can be concluded that the postings on the @tropicanaslim Instagram account take the role of elements of brand equity and sales promotion in purchasing decision process.

Mediamorphosis of Radio Broadcasting on a Drive-in Concert Event during Pandemic Era Vincent Atmadja; Alfred Pieter Menayang; Rustono Farady Marta; Yohanes Nugroho Widiyanto
Nyimak: Journal of Communication Vol 5, No 2 (2021): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

Radio listeners in Indonesia amounted to 11.1 million in 2019, which is the highest number in the last 4 (four) years. Radio is one of the broadcasting communication media that is still very effective for entertainment purposes, accurate information, news, advertising, and also educational purposes. Intensified by the existence of radio streaming applications, there has been the development of loyal listeners due to its easier access. The fact that radio broadcasting media is still popular for advertising purposes, PT. Berlian Entertainment then decided to cooperate with Mahaka Radio Integra in marketing and conducting a drive-in concert event. This study aims to analyze the role of Mahaka Radio Integra Broadcasting in marketing and organizing a drive-in concert named after “Danamon New Life Experience”. The paradigm in this study is a constructivist paradigm with sociocultural traditions and qualitative approaches. The method used in compiling this study is Gamson and Modigliani’s Framing Analysis with research theory based on Marshall McLuhan’s Technological Determinism. From various news headlines displayed by online media such as Beritasatu, Kompas.com, JakartaPost, and Tribunews, it can be concluded that the drive-in concert event is the first event which applied health protocols while watching behind the wheel of the car, and enjoying the music. The convergence between online and offline media is one of the innovations for this drive-in concert itself, and this convergence is part of Mediamorphosis. Music lovers who miss watching musical concerts because of the pandemic can enjoy the concert by utilizing the online FM radio signal presented in their cars and can also see the live performance of the musicians behind their wheels.Keywords: Radio broadcasting role, drive-in concert event, convergence, framing analysis, technological determinism, mediamorphosis ABSTRAKJumlah pendengar radio di Indonesia mencapai 11,1 juta pada tahun 2019, yang merupakan jumlah tertinggi dalam 4 (empat) tahun terakhir. Radio merupakan salah satu media komunikasi penyiaran yang masih sangat efektif untuk tujuan hiburan, mendengarkan informasi akurat, berita, iklan dan juga tujuan pendidikan. Ditambah lagi dengan adanya aplikasi streaming radio yang memudahkan pendengar setia untuk terus mengikuti siarannya. Efektivitas periklanan dengan menggunakan media penyiaran radio dilihat oleh PT. Berlian Entertainment yang kemudian memutuskan untuk bekerjasama dengan Mahaka Radio Integra dalam memasarkan Event Drive-in concert yang akan diadakan. Penelitian ini bertujuan untuk menganalisis peran broadcasting Mahaka Radio Integra dalam memasarkan Event Drive-in concert yang diselenggarakan oleh PT. Berlian Entertainment dalam “Danamon New Life Experience”. Paradigma dalam penelitian ini adalah paradigma konstruktivis dengan tradisi sosiokultural dan pendekatan kualitatif. Metode yang digunakan dalam penelitian ini adalah Analisis Framing Gamson dan Modigliani dengan teori penelitian berdasarkan Technological Determinism Marshall McLuhan. Dari berbagai headline berita yang ditampilkan oleh media online seperti Beritasatu, Kompas.com, JakartaPost, dan Tribunews dapat disimpulkan bahwa pemberitaan yang diberikan mengenai acara konser drive-in ini merupakan acara pertama yang dilakukan Berlian Entertainment bersama Mahaka Radio Integra dengan menerapkan protokol kesehatan, menonton di belakang kemudi, dan suguhan musik. Konvergensi antara media daring dan luring menjadi salah satu inovasi bagi drive-in concert ini sendiri, dan hal ini menjadi salah satu bagian dari Mediamorfosis. Pecinta yang rindu menonton konser musik dapat menikmati konser tersebut dengan memanfaatkan sinyal radio FM secara daring yang dihadirkan di mobil masing-masing dan juga dapat melihat musisi yang bermain musik menggunakan sound system secara luring.Kata Kunci: Peran penyiaran radio, konvergensi event drive-in concert, analisis framing, technological determinism,mediamorfosis

Discursive Intertextualities of RuangGuru due COVID-19 by the Governor of Central Java Cosmas Gatot Haryono; Rustono Farady Marta; Maichel Chinmi
Nyimak: Journal of Communication Vol 4, No 2 (2020): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

The government decided to make temporary policies due to COVID-19 Pandemic. One of the policies is to close schools temporarily and conduct online learning. There are obstacles for people outside Java Island who have inadequate infrastructure concerning online learning, in other words, they are still struggling to apply online learning. Related to the problem in the time of COVID-19 the researchers try to analyze the news which was published by www.solopos.com entitled “Sekolah di Jateng Libur karena Corona, Belajar Pindah ke Ruang Guru?”. The researcher uses Fairclough Discourse Analysis method to analyze the news. Besides, www.solopos.com wants to show concerns for its target community due to the government’s unfairness. Even though it looks so common, the people of Central Java will easily know what is written not just asking questions, but also trying to convince whether, are they really using RuangGuru to help people around central Java? This research focuses on how we see what is happening in reality. The results, www.solopos.com has their personal importance which can be seen in the selection of vocabularies and their style of how they deliver to their readers, how they selected the attributes of nouns, and many discursive intertextualities which use conjunctions casualties.Keywords: COVID-19, RuangGuru, Central Java Goverment, Discourse Analysis, www.solopos.com ABSTRAKPandemi COVID-19 yang terjadi di awal tahun 2020 ini memaksa pemerintah kita membuat serangkaian kebijakan jangka pendek bagi masyarakatnya. Salah satunya adalah kebijakan yang dilakukan dalam bidang pendidikan adalah proses pembelajaran di rumah masing-masing secara online. Dalam proses pembelajaran secara online terjadi kendala tersendiri bagi masyarakat di luar Pulau Jawa yang memiliki infrastruktur yang kurang memadai. Berkaitan dengan keadaan tersebut tujuan dari riset ini adalah analisa pemberitaan www.solopos.com bertajuk “Sekolah di Jateng Libur karena Corona, Belajar Pindah ke Ruang Guru?” menggunakan metode Analisa Wacana Fairclough. Pada beritanya, Peneliti melihat didalam www.solopos.com juga menunjukkan bahwa mereka mempunyai keberpihakan kepada masyarakat akibat ketidakadilan pemerintah dalam mengambil keputusan dalam masa pandemi ini yang berkaitan dengan pendidikan. Meskipun terkesan biasa saja, masyarakat Jawa Tengah akan mengetahui bahwa berita yang ditulis tidak sekedar bertanya, tetapi juga mencoba meyakinkan apakah benar-benar menggunakan aplikasi RuangGuru? Maka urgensi dan fokus pada penelitian ini agar dapat melihat kebenaran yang sebenarnya tentang perkembangan Pendidikan yang sedang terjadi dipicu juga dengan adanya pandemi COVID-19. Hasil yang ditemukan adalah terdapat suatu kepentingan www.solopos.com yang terlihat dalam pemilihan kosakata dan gaya bahasa atau lingustik yang digunakan pada teks berita, dan atribut nomina yang dipilih serta perpindahan intertekstualitas yang banyak menggunakan konjungsi sebab akibat didalam pemberitaan media Solopos.Kata Kunci: COVID-19, RuangGuru, Pemerintah Jawa Tengah, Analisa Wacana, www.solopos.com

Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Budiman Sudarsono Achmad Jamil Achmad Rifai RC, Achmad Rifai Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Alessandro Kurniawan Ulung Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia Dindin Dimyati Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini SuÃ¢Â€Â™udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina Romaria Gustina, Fenti Hadi, Sholihul Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ido Prijana Hadi Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia Iskandar ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Julia Loisa Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maria Harliyono Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi Reynaldi Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames RifaÃ¢â‚¬â„¢i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Rosdian, Erwin Dwi Sabna Rosmalia Ahmad Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Sadono, Teguh Priyo Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sarno Sarno Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari SuÃ¢â‚¬â„¢udi, Edi Astini Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin

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