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Jurusan Bahasa Dan Sastra Indonesia, Fakultas Bahasa Dan Seni, Universitas Negeri Semarang

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Identifikasi Nilai Kemajemukan Indonesia Sebagai Identitas Bangsa dalam Iklan Mixagrip Versi Keragaman Budaya Rustono Farady Marta; Jean Sierjames Rieuwpassa
Jurnal Kajian Komunikasi Vol 6, No 1 (2018): June 2018
Publisher : Universitas Padjadjaran

Kreativitas manusia dalam produk ciptaannya berkaitan erat dengan budaya, karena kebudayaan adalah sarana bersemainya cipta, rasa, dan karsa manusia. PT. Kalbe Farma, Tbk (Kalbe) melalui produk Mixagrip berusaha mengapresiasi kekayaan budaya di Tanah Air, mulai dari kegiatan kampanye “Mixagrip, Explore Budaya Indonesia”, dilanjutkan “Gowes Pesona Nusantara” dan “Mixagrip Cinta Budaya Sehat”. Seluruh kegiatan tersebut ditujukan kepada berbagai daerah di Indonesia, setidaknya terdapat sebelas kota disasar oleh berbagai kampanye tersebut. Selain itu, terpaan nasional diramaikan pula dengan kemunculan iklan versi “Keragaman Budaya Indonesia”. Keunikan iklan Mixagrip yang mengetengahkan Laudya Cynthia Bella sebagai brand ambassador ini, terletak pada upaya mengakomodasi berbagai budaya daerah nasional ke dalam sebuah iklan. Bersandar pada analogi enam dimensi kultural yang dicetuskan oleh Geert Hofstede, maka temuan penulis pada iklan Mixagrip tersebut dielaborasi dengan metode analisis konten kualitatif Phillip Mayring. Penelitian ini akan dipijakkan pada paradigma interpretif untuk menemukan tiga elemen utama analisis konten kualitatif Mayring, antara lain: abstraksi, eksplikasi, dan strukturasi. Ketiga tahapan ini diidentifikasi penulis sebagai nilai kemajemukan Indonesia, sekaligus mengimplementasikan semboyan nasional “Bhinneka Tunggal Ika”. Kepentingan bisnis yang umumnya disematkan melalui suatu produk iklan Television Video Comercial (TVC), seketika dialihkan kepada kepedulian akan toleransi kemajemukan budaya yang sedang ditumbuh kembangkan oleh pihak Mixagrip dalam konsep berbagi “kasih” dan bersikap “epoche”.

Reflection on the Identity of the Outermost Indonesian Community on Sebatik Island through Malaysian Television Broadcasts Rizki Briandana; Rustono Farady Marta; Azman Azwan Azmawati
Jurnal Komunikasi Vol. 13 No. 2 (2021): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v13i2.10950

This study aims to analyze the interpretation of Indonesian people in Sebatik Island towards Malaysian television programs. The Sebatik community is a marginalized community who does not have access to Indonesian television broadcasts. To get Indonesian television broadcasts, they have to buy satellite dishes which the majority of the people of Sebatik Island cannot afford. But on the other hand there is a leak of Malaysian television broadcasts in the Sebatik Island area. In this case, they rely on Malaysian television broadcasts which are very accessible at all times. This situation continued for many years and Malaysian television broadcasts became the main source of communication media. This study uses the theory of Interpretive Communities, Stanley Fish. The methodology used in this study is reception analysis through focus group discussions, and observation as a data collection technique. Focus Group Discussion was conducted on the people of Sebatik Island who met the criteria in the study. The results showed that Malaysian television broadcasts were used as the main television broadcast of the Sebatik community in their daily lives. Malaysian television which contains the values and meanings of the Malaysian state is interpreted by the Indonesian people on the border of Sebatik Island. The interpretation results show that life in Malaysia is an ideal and perfect life for the people of Sebatik Island. Penelitian ini bertujuan untuk menganalisis interpretasi masyarakat Indonesia di Pulau Sebatik terhadap program televisi Malaysia. Masyarakat Sebatik adalah masyarakat terpinggir yang tidak memiliki akses siaran televisi Indonesia. Untuk mendapatkan siaran televisi Indonesia, mereka harus membeli parabola yang harganya tidak mampu dibayar oleh mayoritas masyarakat Pulau Sebatik. Namun disisi lain terdapat kebocoran siaran televisi Malaysia di kawasan Pulau Sebatik. Dalam hal ini, mereka mengandalkan siaran televisi Malaysia yang sangat mudah diakses setiap saat. Situasi ini berlangsung selama bertahun-tahun dan siaran televisi Malaysia menjadi sumber utama media komunikasi. Penelitian ini menggunakan teori Interpretive Communities, Stanley Fish. Metodologi yang digunakan dalam penelitian ini adalah analisis resepsi melalui focus group discussion, dan observasi sebagai teknik pengumpulan data. Focus Group Discussion dilakukan terhadap masyarakat Pulau Sebatik yang memenuhi kriteria dalam penelitian. Hasil penelitian menunjukkan bahwa siaran televisi Malaysia digunakan sebagai siaran televisi utama komunitas Sebatik dalam kesehariannya. Televisi Malaysia yang bermuatan nilai dan makna negara Malaysia di interpretasi oleh masyarakat Indonesia di perbatasan Pulau Sebatik. Hasil interpretasi menunjukan, kehidupan yang ada di Malaysia merupakan kehidupan yang ideal dan sempurna bagi masyarakat Pulau Sebatik.

DIGITIZING THE MEANING OF ENTHUSIASM IN #generasiberanipahit THROUGH MORRIS SEMIOTICS Rini Lestari; Lieta Septiarysa; Rustono Farady Marta; Halim Agung; Fitri Murfianti
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

The development of communication patterns carried out in virtual spaces is currently increasingly widespread. The various benefits that have been proven in various studies on digitalization efforts are driving more parties to do the same. The use of a hashtag in giving messages and impressions through digital media is one thing that should be considered. The message used needs to be structured with the right communication strategy so the series of signs, symbols, and verbal words that are used will convey the desired meaning. The hashtags of generasi berani pahit (#generatsiberanipahit) used by Jamupedia are dissected by basing the research on the constructivist paradigm and the semiotic tradition. The analytical method used is the semiotics of Charles W. Morris, which in this study focuses on the syntactic, semantic, and pragmatic dimensions. This qualitative research uses data from various scientific study literature in order to dissect and explain in detail the meaning of #generationberanipahit based on Impression Management Theory and Computer Mediation Communication Theory to get an enthusiastic attitude as a result of the meaning-making. It is also related to the philosophy of the jamu tradition, which has become the cultural wealth of Nusantara since long time ago. The enthusiastic attitude that is described by the courage to try or survive the bitter taste of jamu is also associated with the philosophy of jamu, which tells the value of life with various events that provide good and bad experiences. Good experiences are a picture of good taste, and bad experiences are the opposite.

Brand image’s impression on impulsive buying of healthcare products Agung, Halim; Marta, Rustono Farady; Wang, Changsong; Amanda, Mercedes
Jurnal Studi Komunikasi Vol. 5 No. 3 (2021)
Publisher : Faculty of Communications Science, Dr. Soetomo University

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The COVID-19 pandemic is a disease outbreak that makes almost everyone unable to travel freely, especially in Indonesia. Shopee is one of the marketplaces used in this research. This study aims to analyse the impression of Shopee's brand image moderated by content marketing and its impact on impulsive buying of health products during the current pandemic. Data analysis used IBM SPSS Statistics 26 and involved 119 samples using survey methods and data collection instruments in questionnaires. The implication of this research shows that optimising content marketing techniques across various digital channels is a top priority to boost impulse buying, indirectly also improving brand image.

Describing social stigma of disability’s family through circumplex model on film Trihastuti, Maria Claudia Wahyu; Marta, Rustono Farady; Panggabean, Hana; Fernandes, Maristela Julia
Jurnal Studi Komunikasi Vol. 6 No. 2 (2022)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v6i2.4871

The biographical film, Zero to Hero, shows the true story of Hong Kong sprinter So Wa Wai who won the 1996-2008 Paralympic Olympics. This study aims to identify signs to build meaning based on speech (words), images, images and sounds, words and gestures/body language, images and gestures/body language, images and objects, and words and objects. Identification of the mother's role in controlling the balance of the dimensions of cohesion, and flexibility through the application of effective communication with family members and the community is illustrated in this study. Dimensions of cohesion and flexibility that is based on Olson's Circumplex model describing family functions. Parenting interactions through the communication dimension of the mother figure play an important role in the Circumplex model. The analytical method used is Umberto Eco's semiotics which relies on the constructivism paradigm. The results showed that the Zero to Hero film contains three meaningful signs based on Olson's Circumplex model, namely signs in the form of speech, speech and body language, and speech and objects.

Menggelorakan makna energik sebagai brandscape erigo melalui iklan fireflies Febryan Kurniawan; Muhammad Isnaini; Rustono Farady Marta
Jurnal Komunikasi Profesional Vol. 5 No. 4 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Local brands in Indonesia today are growing and competitive and in this competition, various appropriate marketing communication strategies are needed, where this is needed to build attention from potential consumers. One of the local brands from Indonesia is Erigo, a company that has recently been discussed by internet users because one of its marketing strategies is to place advertisements in Time Square, New York. Advertising is one of the digital marketing strategies that serves to attract the attention of potential consumers through information on products and services offered to stick in the minds of consumers. Through a qualitative approach with an interpretive paradigm using Laura R. Oswald's marketing semiotics method, it was found that through the short advertisement "Fireflies", Erigo wanted to show the target audience and their target market, young people or millennials, to have enthusiasm, motivation and belief. high self-esteem in exploring their curiosity, one of which can be done by real action from their energetic nature. This energetic nature becomes an ideology (cultural categories) that Erigo wants to convey to its target market, which are young people who aim to convey an invitation to dare to explore new things to find hope and identity related to exploratory (cultural tensions). Exploratory is meant here is a sense of freedom (emotional territories) where this is necessary for them to inflame the energetic they have.

Anotasi Rasa Empati selama Pandemi COVID-19 pada Konten Digital Pariwara Youtube Rosalia Indah Lieta Septiarysa; Rustono Farady Marta; Halim Agung
Jurnal Komunikasi Profesional Vol. 5 No. 5 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Media sosial menjadi teknologi digital dengan memberikan kebebasan bagi semua kalangan dalam mengekspresikan informasi. Selain digunakan untuk keperluan pribadi, Youtube juga diminati oleh korporasi. Youtube menjadi salah satu media sosial terpilih dalam penyebaran pesan selama era pandemi COVID-19. Korporasi transportasi Rosalia Indah juga turut menggunakan Youtube dalam menyampaikan pelayanan dalam masa pandemi. Selain terus meningkat angka penularan virus, kekhawatiran masyarakat dalam penggunaan transportasi umum juga menjadi alasan tersendiri bagi Rosalia Indah untuk menjaga kepercayaan pelayanan. Penelitian ini menggunakan logika produksi pesan dari Barbara O’Keefe yang terlihat dalam penggunaan proses pemikiran bertitik pada bagaimana penyampaian rasa empati Rosalia Indah. Penelitian yang menggunakan paradigma interpretif ini menjadikan penulis mampu menganotasikan makna dibalik setiap konten dari Youtube Rosalia Indah pada masa pandemi. Beralaskan metode analisis konten kualitatif dari Philip Mayring, peneliti melihat bagaimana proses anotasi Rosalia Indah menggunakan Youtube dalam menyuarakan rasa empati yang diberikan kepada penumpang. Beberapa proses yang diteliti yaitu seputar abstraksi, eksplikasi, dan strukturasi. Hasil penelitian menunjukkan bahwa konten pertama dan kedua yang diteliti, proses abstraksi dan eksplikasi semakin terlihat bahwa korporasi begitu dalam memaknai rasa empati atas pandemi COVID-19. Pada proses strukturasi, Rosalia Indah juga ingin menunjukkan dalam akun media sosial Youtube bahwa didalam masa sulit ini, korporasi selalu mengedepankan kualitas pelayanan dan menjadikan keselamatan penumpang adalah nomor satu.

Konstruksi Citra Destinasi Wisata Gedung Juang45 Bekasi Dalam Berita Media Daring Tribunnews Ralvin Januar Wijaya; Bernard Realino Danu Kristianto; Rustono Farady Marta; Sugeng Wahyudi
PERSPEKTIF Vol. 10 No. 2 (2021): PERSPEKTIF - July
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v10i2.4863

Online media in the era of digitalization has become an alternative choice for people in seeking information to replace conventional mass media. This study aims to see the relationship of online media in the development of tourist destinations in Gedung Juang45 in Bekasi Regency. This research uses a qualitative descriptive method, with the Pan and Kosicki framing analysis technique. The online media studied was Tribunnews to see news narratives in the 2019 to 2020 period using discourse analysis. News was analyzed by selecting topics related to the development of the Gedung Juang45 in Bekasi Regency on the Tribunnews Online Media Content. There were two news stories in March and August 2019, which mostly criticized the Bekasi Regency Government (Pemkab. Bekasi). On the other hand, when entering February to December 2020, researchers managed to find 13 supporting news for Pemkab. Bekasi regarding the construction of the Gedung Juang45. The results showed that of the 13 news, there is the same narrative to form the image construction of the Pemkab. Bekasi in increasing tourism, especially the Gedung Juang45 Tourism Destination.

The Ideology of Racism in Contemporary HollywoodFilms on Netflix: A Case Study on“All the Boys I’ve Loved Before” Movie Briandana, Rizki; Marta, Rustono Farady; Mijan, Rohana; Fauzi, Eka Perwitasari
JURNAL KOMUNIKASI INDONESIA Vol. 11, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study aims to analyse the ideology of racism in Hollywood films shown on Netflix. To All the Boys I’ve Loved Before is a film based on a New York Times Best Seller novel. Initially, this film had some drawbacks because almost all production houses refused to keep an Asian face as the main character in accordance with the novel. The concept of ideology in the film refers to the concept proposed by John Storey. That ideology is an ideal form of image which aims to attract attention through methods, such as those used in texts, including films as mass media products to present a certain image about the world. This study applied a qualitative text analysis method, i.e.i.e. the Semiotics method. The film was analysed through Roland Barthes’ semiotic analysis, which is known for its denotative, connotative, and mythical meanings. The signs in the film were studied in stages to get the meaning of the message and also to uncover the myths that hide behind the ideology in the film. The result shows the use of Asian faces as the main characters who are also protagonists in To All the Boys I’ve Loved Before demonstrates that the racism depicted in this film is a myth. This film also joins the ranks of Hollywood films in which Asian actors were previously thought to be unable to sell at the box office. Penelitian ini bertujuan menganalisis ideologi rasisme dalam film-film Hollywood yang ditayangkan di Netflix. To All the Boys I’ve Loved Before adalah film yang diangkat dari novel New York Times Best Seller. Pada awalnya film ini memiliki beberapa kekurangan karena hampir semua rumah produksi menolak untuk mempertahankan wajah Asia sebagai karakter utama sesuai dengan novel. Konsep ideologi dalam film mengacu pada konsep yang diusulkan oleh John Storey. Ideologi adalah bentuk citra ideal yang bertujuan untuk menarik perhatian melalui metode, seperti yang digunakan dalam teks, termasuk film sebagai produk media massa untuk menyajikan citra tertentu tentang dunia. Penelitian ini menerapkan metode analisis teks kualitatif, yaitu metode Semiotika. Film ini dianalisis melalui analisis semiotik Roland Barthes, yang dikenal dengan makna denotatif, konotatif, dan mitosnya. Tanda-tanda dalam film ini dipelajari secara bertahap untuk mendapatkan makna pesan dan juga untuk mengungkap mitos yang tersembunyi di balik ideologi dalam film. Hasilnya menunjukkan penggunaan wajah Asia sebagai karakter utama yang juga protagonis dalam To All the Boys I’ve Loved Before menunjukkan bahwa rasisme yang digambarkan dalam film ini adalah mitos. Film ini juga masuk dalam jajaran film Hollywood di mana aktor Asia sebelumnya dianggap tidak menjual di box office.

An Examination of Collective Memory of the Tsunami Disaster: A Comparative Study between Japan and Indonesia Murti, Desideria Cempaka Wijaya; Marta, Rustono Farady; Almuntarizi, Almuntarizi; Manalu, Tifani Dianisya
JURNAL KOMUNIKASI INDONESIA Vol. 12, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Japan and Indonesia, as two countries that are geographically vulnerable to tsunami disasters, have similarities in geography and culture. Analyzing disaster museums through the Inamura No Hi Museum in Japan and the Aceh Museum in Indonesia in communication, heritage, and cultural studies were conducted to show how museums' visual framework and experience are used to interpret post-disaster situations. This study aims to see how the Japanese and Indonesian disaster museums, closely related to visuals and local legends, convey information to educate the public about mitigation through the memory of the Tsunami disaster in the museum. This research is a comparative qualitative study with native ethnography as the method. This study analyzes three important theoretical aspects in establishing disaster memory through museums, and those are: information processing theory, disaster memory, and visual performing theory. In this study, there are three findings where the memory of the disaster is manifested in the Aceh museum and Inamura no hino Yakata: buildings, exhibitions, and audio-visual media.

Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Budiman Sudarsono Achmad Jamil Achmad Rifai RC, Achmad Rifai Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Alessandro Kurniawan Ulung Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia Dindin Dimyati Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini SuÃ¢Â€Â™udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina Romaria Gustina, Fenti Hadi, Sholihul Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ido Prijana Hadi Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Julia Loisa Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maria Harliyono Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi Reynaldi Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames RifaÃ¢â‚¬â„¢i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Rosdian, Erwin Dwi Sabna Rosmalia Ahmad Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Sadono, Teguh Priyo Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sarno Sarno Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari SuÃ¢â‚¬â„¢udi, Edi Astini Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin

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