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Brand Equity Review: Sales Promotion Role in Tropicana Slim Purchasing Decision Michelle Michelle; Sugeng Wahyudi; Rustono Farady Marta
Komunikator Vol 14, No 1 (2022)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.11948

Abstract

As a top Indonesian product, Tropicana Slim seems to give new solutions to enjoying sweet taste widely used in Indonesian cuisine without worrying about the negative impacts often feared by the public, such as obesity and diabetes. Tropicana Slim’s achievements as the top brand for five years have several factors in consumer purchasing decisions that could lead to product loyalty under the Tropicana Slim brand. Therefore, this study aims to see the role of brand equity which consist of brand image, brand awareness, and sales promotion of Tropicana slim products introduced by PT Nutrifood Indonesia through their Instagram account @tropicanaslim leads to purchasing decisions. This research was carried out from March until April 2021 using a positivism paradigm with a quantitative approach and content analysis using visuals and text from 16 posts on their Instagram account. This research indicates the role of brand equity in the form of brand image with a frequency value of 42,03%, brand awareness with 26,09%, and sales promotion with a frequency of 31,88% on purchasing decisions. It can be concluded that the postings on the @tropicanaslim Instagram account take the role of elements of brand equity and sales promotion in purchasing decision process. 
Mediamorphosis of Radio Broadcasting on a Drive-in Concert Event during Pandemic Era Vincent Atmadja; Alfred Pieter Menayang; Rustono Farady Marta; Yohanes Nugroho Widiyanto
Nyimak: Journal of Communication Vol 5, No 2 (2021): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (740.943 KB) | DOI: 10.31000/nyimak.v5i2.4806

Abstract

Radio listeners in Indonesia amounted to 11.1 million in 2019, which is the highest number in the last 4 (four) years. Radio is one of the broadcasting communication media that is still very effective for entertainment purposes, accurate information, news, advertising, and also educational purposes. Intensified by the existence of radio streaming applications, there has been the development of loyal listeners due to its easier access. The fact that  radio broadcasting media is still popular for advertising purposes, PT. Berlian Entertainment then decided to cooperate with Mahaka Radio Integra in marketing and conducting a drive-in concert event. This study aims to analyze the role of Mahaka Radio Integra Broadcasting in marketing and organizing a drive-in concert named after “Danamon New Life Experience”. The paradigm in this study is a constructivist paradigm with sociocultural traditions and qualitative approaches. The method used in compiling this study is Gamson and Modigliani’s Framing Analysis with research theory based on Marshall McLuhan’s Technological Determinism. From various news headlines displayed by online media such as Beritasatu, Kompas.com, JakartaPost, and Tribunews, it can be concluded that the drive-in concert event is the first event which applied health protocols while watching behind the wheel of the car, and enjoying the music. The convergence between online and offline media is one of the innovations for this drive-in concert itself, and this convergence is part of Mediamorphosis. Music lovers who miss watching musical concerts because of the pandemic can enjoy the concert by utilizing the online FM radio signal presented in their cars and can also see the live performance of the musicians behind their wheels.Keywords: Radio broadcasting role, drive-in concert event, convergence, framing analysis, technological determinism, mediamorphosis ABSTRAKJumlah pendengar radio di Indonesia mencapai 11,1 juta pada tahun 2019, yang merupakan jumlah tertinggi dalam 4 (empat) tahun terakhir. Radio merupakan salah satu media komunikasi penyiaran yang masih sangat efektif untuk tujuan hiburan, mendengarkan informasi akurat, berita, iklan dan juga tujuan pendidikan. Ditambah lagi dengan adanya aplikasi streaming radio yang memudahkan pendengar setia untuk terus mengikuti siarannya. Efektivitas periklanan dengan menggunakan media penyiaran radio dilihat oleh PT. Berlian Entertainment yang kemudian memutuskan untuk bekerjasama dengan Mahaka Radio Integra dalam memasarkan Event Drive-in concert yang akan diadakan. Penelitian ini bertujuan untuk menganalisis peran broadcasting Mahaka Radio Integra dalam memasarkan Event Drive-in concert yang diselenggarakan oleh PT. Berlian Entertainment dalam “Danamon New Life Experience”. Paradigma dalam penelitian ini adalah paradigma konstruktivis dengan tradisi sosiokultural dan pendekatan kualitatif. Metode yang digunakan dalam penelitian ini adalah Analisis Framing Gamson dan Modigliani dengan teori penelitian berdasarkan Technological Determinism Marshall McLuhan. Dari berbagai headline berita yang ditampilkan oleh media online seperti Beritasatu, Kompas.com, JakartaPost, dan Tribunews dapat disimpulkan bahwa pemberitaan yang diberikan mengenai acara konser drive-in ini merupakan acara pertama yang dilakukan Berlian Entertainment bersama Mahaka Radio Integra dengan menerapkan protokol kesehatan, menonton di belakang kemudi, dan suguhan musik. Konvergensi antara media daring dan luring menjadi salah satu inovasi bagi drive-in concert ini sendiri, dan hal ini menjadi salah satu bagian dari Mediamorfosis. Pecinta yang rindu menonton konser musik dapat menikmati konser tersebut dengan memanfaatkan sinyal radio FM secara daring yang dihadirkan di mobil masing-masing dan juga dapat melihat musisi yang bermain musik menggunakan sound system secara luring.Kata Kunci: Peran penyiaran radio, konvergensi event drive-in concert, analisis framing, technological determinism,mediamorfosis 
Discursive Intertextualities of RuangGuru due COVID-19 by the Governor of Central Java Cosmas Gatot Haryono; Rustono Farady Marta; Maichel Chinmi
Nyimak: Journal of Communication Vol 4, No 2 (2020): Nyimak: Journal of Communication
Publisher : Faculty of Social and Political Science, Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1697.672 KB) | DOI: 10.31000/nyimak.v4i2.2711

Abstract

The government decided to make temporary policies due to COVID-19 Pandemic. One of the policies is to close schools temporarily and conduct online learning. There are obstacles for people outside Java Island who have inadequate infrastructure concerning online learning, in other words, they are still struggling to apply online learning. Related to the problem in the time of COVID-19 the researchers try to analyze the news which was published by www.solopos.com entitled “Sekolah di Jateng Libur karena Corona, Belajar Pindah ke Ruang Guru?”. The researcher uses Fairclough Discourse Analysis method to analyze the news. Besides, www.solopos.com wants to show concerns for its target community due to the government’s unfairness. Even though it looks so common, the people of Central Java will easily know what is written not just asking questions, but also trying to convince whether, are they really using RuangGuru to help people around central Java? This research focuses on how we see what is happening in reality. The results, www.solopos.com has their personal importance which can be seen in the selection of vocabularies and their style of how they deliver to their readers, how they selected the attributes of nouns, and many discursive intertextualities which use conjunctions casualties.Keywords: COVID-19, RuangGuru, Central Java Goverment, Discourse Analysis, www.solopos.com ABSTRAKPandemi COVID-19 yang terjadi di awal tahun 2020 ini memaksa pemerintah kita membuat serangkaian kebijakan jangka pendek bagi masyarakatnya. Salah satunya adalah kebijakan yang dilakukan dalam bidang pendidikan adalah proses pembelajaran di rumah masing-masing secara online. Dalam proses pembelajaran secara online terjadi kendala tersendiri bagi masyarakat di luar Pulau Jawa yang memiliki infrastruktur yang kurang memadai. Berkaitan dengan keadaan tersebut tujuan dari riset ini adalah analisa pemberitaan www.solopos.com bertajuk “Sekolah di Jateng Libur karena Corona, Belajar Pindah ke Ruang Guru?” menggunakan metode Analisa Wacana Fairclough. Pada beritanya, Peneliti melihat didalam www.solopos.com juga menunjukkan bahwa mereka mempunyai keberpihakan kepada masyarakat akibat ketidakadilan pemerintah dalam mengambil keputusan dalam masa pandemi ini yang berkaitan dengan pendidikan. Meskipun terkesan biasa saja, masyarakat Jawa Tengah akan mengetahui bahwa berita yang ditulis tidak sekedar bertanya, tetapi juga mencoba meyakinkan apakah benar-benar menggunakan aplikasi RuangGuru? Maka urgensi dan fokus pada penelitian ini agar dapat melihat kebenaran yang sebenarnya tentang perkembangan Pendidikan yang sedang terjadi dipicu juga dengan adanya pandemi COVID-19. Hasil yang ditemukan adalah terdapat suatu kepentingan www.solopos.com yang terlihat dalam pemilihan kosakata dan gaya bahasa atau lingustik yang digunakan pada teks berita, dan atribut nomina yang dipilih serta perpindahan intertekstualitas yang banyak menggunakan konjungsi sebab akibat didalam pemberitaan media Solopos.Kata Kunci: COVID-19, RuangGuru, Pemerintah Jawa Tengah, Analisa Wacana, www.solopos.com
Identifikasi Nilai Kemajemukan Indonesia Sebagai Identitas Bangsa dalam Iklan Mixagrip Versi Keragaman Budaya Rustono Farady Marta; Jean Sierjames Rieuwpassa
Jurnal Kajian Komunikasi Vol 6, No 1 (2018): June 2018
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1715.109 KB) | DOI: 10.24198/jkk.v6i1.15416

Abstract

Kreativitas manusia dalam produk ciptaannya berkaitan erat dengan budaya, karena kebudayaan adalah sarana bersemainya cipta, rasa, dan karsa manusia. PT. Kalbe Farma, Tbk (Kalbe) melalui produk Mixagrip berusaha mengapresiasi kekayaan budaya di Tanah Air, mulai dari kegiatan kampanye “Mixagrip, Explore Budaya Indonesia”, dilanjutkan “Gowes Pesona Nusantara” dan “Mixagrip Cinta Budaya Sehat”. Seluruh kegiatan tersebut ditujukan kepada berbagai daerah di Indonesia, setidaknya terdapat sebelas kota disasar oleh berbagai kampanye tersebut. Selain itu, terpaan nasional diramaikan pula dengan kemunculan iklan versi “Keragaman Budaya Indonesia”. Keunikan iklan Mixagrip yang mengetengahkan Laudya Cynthia Bella sebagai brand ambassador ini, terletak pada upaya mengakomodasi berbagai budaya daerah nasional ke dalam sebuah iklan. Bersandar pada analogi enam dimensi kultural yang dicetuskan oleh Geert Hofstede, maka temuan penulis pada iklan Mixagrip tersebut dielaborasi dengan metode analisis konten kualitatif Phillip Mayring. Penelitian ini akan dipijakkan pada paradigma interpretif untuk menemukan tiga elemen utama analisis konten kualitatif Mayring, antara lain: abstraksi, eksplikasi, dan strukturasi. Ketiga tahapan ini diidentifikasi penulis sebagai nilai kemajemukan Indonesia, sekaligus mengimplementasikan semboyan nasional “Bhinneka Tunggal Ika”. Kepentingan bisnis yang umumnya disematkan melalui suatu produk iklan Television Video Comercial (TVC), seketika dialihkan kepada kepedulian akan toleransi kemajemukan budaya yang sedang ditumbuh kembangkan oleh pihak Mixagrip dalam konsep berbagi “kasih” dan bersikap “epoche”.
Reflection on the Identity of the Outermost Indonesian Community on Sebatik Island through Malaysian Television Broadcasts Rizki Briandana; Rustono Farady Marta; Azman Azwan Azmawati
Jurnal Komunikasi Vol. 13 No. 2 (2021): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v13i2.10950

Abstract

This study aims to analyze the interpretation of Indonesian people in Sebatik Island towards Malaysian television programs. The Sebatik community is a marginalized community who does not have access to Indonesian television broadcasts. To get Indonesian television broadcasts, they have to buy satellite dishes which the majority of the people of Sebatik Island cannot afford. But on the other hand there is a leak of Malaysian television broadcasts in the Sebatik Island area. In this case, they rely on Malaysian television broadcasts which are very accessible at all times. This situation continued for many years and Malaysian television broadcasts became the main source of communication media. This study uses the theory of Interpretive Communities, Stanley Fish. The methodology used in this study is reception analysis through focus group discussions, and observation as a data collection technique. Focus Group Discussion was conducted on the people of Sebatik Island who met the criteria in the study. The results showed that Malaysian television broadcasts were used as the main television broadcast of the Sebatik community in their daily lives. Malaysian television which contains the values and meanings of the Malaysian state is interpreted by the Indonesian people on the border of Sebatik Island. The interpretation results show that life in Malaysia is an ideal and perfect life for the people of Sebatik Island. Penelitian ini bertujuan untuk menganalisis interpretasi masyarakat Indonesia di Pulau Sebatik terhadap program televisi Malaysia. Masyarakat Sebatik adalah masyarakat terpinggir yang tidak memiliki akses siaran televisi Indonesia. Untuk mendapatkan siaran televisi Indonesia, mereka harus membeli parabola yang harganya tidak mampu dibayar oleh mayoritas masyarakat Pulau Sebatik. Namun disisi lain terdapat kebocoran siaran televisi Malaysia di kawasan Pulau Sebatik. Dalam hal ini, mereka mengandalkan siaran televisi Malaysia yang sangat mudah diakses setiap saat. Situasi ini berlangsung selama bertahun-tahun dan siaran televisi Malaysia menjadi sumber utama media komunikasi. Penelitian ini menggunakan teori Interpretive Communities, Stanley Fish. Metodologi yang digunakan dalam penelitian ini adalah analisis resepsi melalui focus group discussion, dan observasi sebagai teknik pengumpulan data. Focus Group Discussion dilakukan terhadap masyarakat Pulau Sebatik yang memenuhi kriteria dalam penelitian. Hasil penelitian menunjukkan bahwa siaran televisi Malaysia digunakan sebagai siaran televisi utama komunitas Sebatik dalam kesehariannya. Televisi Malaysia yang bermuatan nilai dan makna negara Malaysia di interpretasi oleh masyarakat Indonesia di perbatasan Pulau Sebatik. Hasil interpretasi menunjukan, kehidupan yang ada di Malaysia merupakan kehidupan yang ideal dan sempurna bagi masyarakat Pulau Sebatik.
DIGITIZING THE MEANING OF ENTHUSIASM IN #generasiberanipahit THROUGH MORRIS SEMIOTICS Rini Lestari; Lieta Septiarysa; Rustono Farady Marta; Halim Agung; Fitri Murfianti
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (478.596 KB) | DOI: 10.22216/kata.v5i2.456

Abstract

The development of communication patterns carried out in virtual spaces is currently increasingly widespread. The various benefits that have been proven in various studies on digitalization efforts are driving more parties to do the same. The use of a hashtag in giving messages and impressions through digital media is one thing that should be considered. The message used needs to be structured with the right communication strategy so the series of signs, symbols, and verbal words that are used will convey the desired meaning. The hashtags of generasi berani pahit (#generatsiberanipahit) used by Jamupedia are dissected by basing the research on the constructivist paradigm and the semiotic tradition. The analytical method used is the semiotics of Charles W. Morris, which in this study focuses on the syntactic, semantic, and pragmatic dimensions. This qualitative research uses data from various scientific study literature in order to dissect and explain in detail the meaning of #generationberanipahit based on Impression Management Theory and Computer Mediation Communication Theory to get an enthusiastic attitude as a result of the meaning-making. It is also related to the philosophy of the jamu tradition, which has become the cultural wealth of Nusantara since long time ago. The enthusiastic attitude that is described by the courage to try or survive the bitter taste of jamu is also associated with the philosophy of jamu, which tells the value of life with various events that provide good and bad experiences.  Good experiences are a picture of good taste, and bad experiences are the opposite.
Brand image’s impression on impulsive buying of healthcare products Agung, Halim; Marta, Rustono Farady; Wang, Changsong; Amanda, Mercedes
Jurnal Studi Komunikasi Vol. 5 No. 3 (2021)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The COVID-19 pandemic is a disease outbreak that makes almost everyone unable to travel freely, especially in Indonesia. Shopee is one of the marketplaces used in this research. This study aims to analyse the impression of Shopee's brand image moderated by content marketing and its impact on impulsive buying of health products during the current pandemic. Data analysis used IBM SPSS Statistics 26 and involved 119 samples using survey methods and data collection instruments in questionnaires. The implication of this research shows that optimising content marketing techniques across various digital channels is a top priority to boost impulse buying, indirectly also improving brand image.
Describing social stigma of disability’s family through circumplex model on film Trihastuti, Maria Claudia Wahyu; Marta, Rustono Farady; Panggabean, Hana; Fernandes, Maristela Julia
Jurnal Studi Komunikasi Vol. 6 No. 2 (2022)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v6i2.4871

Abstract

The biographical film, Zero to Hero, shows the true story of Hong Kong sprinter So Wa Wai who won the 1996-2008 Paralympic Olympics. This study aims to identify signs to build meaning based on speech (words), images, images and sounds, words and gestures/body language, images and gestures/body language, images and objects, and words and objects. Identification of the mother's role in controlling the balance of the dimensions of cohesion, and flexibility through the application of effective communication with family members and the community is illustrated in this study. Dimensions of cohesion and flexibility that is based on Olson's Circumplex model describing family functions. Parenting interactions through the communication dimension of the mother figure play an important role in the Circumplex model. The analytical method used is Umberto Eco's semiotics which relies on the constructivism paradigm. The results showed that the Zero to Hero film contains three meaningful signs based on Olson's Circumplex model, namely signs in the form of speech, speech and body language, and speech and objects.
Menggelorakan makna energik sebagai brandscape erigo melalui iklan fireflies Febryan Kurniawan; Muhammad Isnaini; Rustono Farady Marta
Jurnal Komunikasi Profesional Vol. 5 No. 4 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (939.861 KB) | DOI: 10.25139/jkp.v5i4.3889

Abstract

Local brands in Indonesia today are growing and competitive and in this competition, various appropriate marketing communication strategies are needed, where this is needed to build attention from potential consumers. One of the local brands from Indonesia is Erigo, a company that has recently been discussed by internet users because one of its marketing strategies is to place advertisements in Time Square, New York. Advertising is one of the digital marketing strategies that serves to attract the attention of potential consumers through information on products and services offered to stick in the minds of consumers. Through a qualitative approach with an interpretive paradigm using Laura R. Oswald's marketing semiotics method, it was found that through the short advertisement "Fireflies", Erigo wanted to show the target audience and their target market, young people or millennials, to have enthusiasm, motivation and belief. high self-esteem in exploring their curiosity, one of which can be done by real action from their energetic nature. This energetic nature becomes an ideology (cultural categories) that Erigo wants to convey to its target market, which are young people who aim to convey an invitation to dare to explore new things to find hope and identity related to exploratory (cultural tensions). Exploratory is meant here is a sense of freedom (emotional territories) where this is necessary for them to inflame the energetic they have.
Anotasi Rasa Empati selama Pandemi COVID-19 pada Konten Digital Pariwara Youtube Rosalia Indah Lieta Septiarysa; Rustono Farady Marta; Halim Agung
Jurnal Komunikasi Profesional Vol. 5 No. 5 (2021)
Publisher : Fakultas Ilmu Komunikasi Universitas dr. Soetomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (888.75 KB) | DOI: 10.25139/jkp.v5i5.4125

Abstract

Media sosial menjadi teknologi digital dengan memberikan kebebasan bagi semua kalangan dalam mengekspresikan informasi. Selain digunakan untuk keperluan pribadi, Youtube juga diminati oleh korporasi. Youtube menjadi salah satu media sosial terpilih dalam penyebaran pesan selama era pandemi COVID-19. Korporasi transportasi Rosalia Indah juga turut menggunakan Youtube dalam menyampaikan pelayanan dalam masa pandemi. Selain terus meningkat angka penularan virus, kekhawatiran masyarakat dalam penggunaan transportasi umum juga menjadi alasan tersendiri bagi Rosalia Indah untuk menjaga kepercayaan pelayanan. Penelitian ini menggunakan logika produksi pesan dari Barbara O’Keefe yang terlihat dalam penggunaan proses pemikiran bertitik pada bagaimana penyampaian rasa empati Rosalia Indah. Penelitian yang menggunakan paradigma interpretif ini menjadikan penulis mampu menganotasikan makna dibalik setiap konten dari Youtube Rosalia Indah pada masa pandemi. Beralaskan metode analisis konten kualitatif dari Philip Mayring, peneliti melihat bagaimana proses anotasi Rosalia Indah menggunakan Youtube dalam menyuarakan rasa empati yang diberikan kepada penumpang. Beberapa proses yang diteliti yaitu seputar abstraksi, eksplikasi, dan strukturasi. Hasil penelitian menunjukkan bahwa konten pertama dan kedua yang diteliti, proses abstraksi dan eksplikasi semakin terlihat bahwa korporasi begitu dalam memaknai rasa empati atas pandemi COVID-19. Pada proses strukturasi, Rosalia Indah juga ingin menunjukkan dalam akun media sosial Youtube bahwa didalam masa sulit ini, korporasi selalu mengedepankan kualitas pelayanan dan menjadikan keselamatan penumpang adalah nomor satu.
Co-Authors AA Sudharmawan, AA Abdul Haris Achmad Jamil Achmad Rifai RC, Achmad Rifai Adhitya, Galant Nanta Aditya Kumar Shukla Adrianmovich, Mochammad Zlatan Afifah, Hanan Karunia Afriliana, Vio Amandini Agus Daniar Agus Nuryatin Agustina, Anna Agustinus Rusdianto Berto Agustinus, Ferdinand Ahmad Hariyadi, Ahmad Ahmad Syaifudin Ahmad, Rosmalia Alessandro Kurniawan Ulung Alfaris, Lukman Aliagan, Isiaka Zubair Almuntarizi, Almuntarizi Alvin Alexander Prasetya Amanda, Mercedes Amanda, Mercedes An Nur, Fitrinanda Andreas Lumampauw Andriyani, Monica Angelia Sampurna Angreani, Natasia Antonius Nesi Anwar Sutoyo Arlis Muryani Arni Ernawati Asmara, Shenja Nanta Asrofah Asrofah Astuty Astuty, Astuty Augustine, Liesta Aulia, Rifa Auria, Tifani Rizki Awalya Awalya, Awalya Ayudia, Alda Marsya Azizah, Septi Nur Azman Azwan Azmawati Azzahra, Adinda Febriyan B. Wahyudi Joko Santoso Baehaqi, Imam Baihaqi, Aufa Izzudin Bakti, Hari Bangun, Nurlina Benedicta Yovi Claudia Bernard Danu Kristianto Beryl Gandakusumah Borges, Serilio Verdial Maria Cahyani, Galuh Changsong Wang Changsong Wang Chinmi, Maichael Chinmi, Maichel Cholifah, Cholifah Christian, Thomas Christiani, Resistia Friska Christina, Christina Christina, Selly Clara R.P. Ajisuksmo Claudia, Benedicta Yovi Cong, Phang Kerry Cosmas Gatot Haryono Cut Meutia Karolina Dabukke, Fatrica Ivana Damayati, Anindita Denise Monica William Monica William Denny Putra Jayanegara Desy Ratnasari Desy Ratnasari Devi Jatmika, Devi Dewis, Meilia Dina Amalia DINDIN DIMYATI Dini Agustina Dwi Sasongko, Yohanes Probo Dwijatmiko, Heru Dwijatmiko, Heru Edi Astini Su’udi, Edi Astini Edo Prasetyo Eka Perwitasari Fauzi Ekayanthi, Daesy Endah Dyah Wardani Endah Murwani Engliana Engliana, Engliana Erna Zuni Astuti Ety Syarifah, Ety Evelyn Kristanti Fadhilla, Deva Naufal Fathur Rahman Fathur Rokhman Fatiha, Raisha Aulia Febryan Kurniawan Fernandes, Maristela Julia Fernando, Joshua Fitri Murfianti Fitri Sarasati M Frederikus Fios Gandakusumah, Beryl Gatcho, Al Ryanne Gabonada Goma, Nurhalisa Sy Guru, Elisabet Gustina, Fenti Hadi, Sholihul Hakim, Lulu Nadya Halim Agung Halim, Umar Halla Puspita Yuri Hana Rochani Gustasari Panggabean Handoko, Liliek Hanifatusholihah, Hanifatusholihah Hari Bakti Mardikantoro Hariyanti, Nunik Harliyono, Maria Harry Harry Harry, Harry Hartanto Jahja Haryadi - Hasan Sazali Hayat, Nahrul Hayati, Itsnaini Nur Hendrawan, Ian Herawati Herawati Heri yanto Herman J.Waluyo, Herman Hermanto, Febe Oriana Hidayat, Endik Hilarius Bambang Winarko, Hilarius Bambang Hilda Yunita Wono Himawan, Adi Himawan, Muhammad Noor Rahman I Gede Wisnu Satria Chandra Putra Ida Zulaeha Ignatia Evelyn Susanti Sitompul Ignatius Cahyanto Imaliya Imam Baehaqie Imam Baehaqie Irin Mirrah Luthfia ISKANDAR Iskandar Iskandar Iskandar, Hari Istriwati, Enita Ita Suryani Iwan Hermawan Jarata, Jesus Rafael Boado Jean Sierjames Rieuwpassa Jingga, Jingga Jouns Candy Felice Lang Jouns Candy Felice Lang Julia Loisa Junaedi Junaedi Junida, Isma Kartono, Miranda Millian Kenny Kevin Benedict Lesmana Kezia Yohanes Kherin, Kherin Khoerunisa, Asti Khoiruddin Muchtar Krisbiono, Agung Dias Kristanti, Evelyn Kristianto, Bernard Realino Danu Kuniawati, Laurencia Steffanie Mega Wijaya Kurnia, Maya Dewi Kurniasari, Nani Kurniawan, Febryan Kurniawan, Johannes Kurniawati, Laurencia Steffanie Mega Wijaya Kurniawati, Laurencia Steffanie Mega Wijaya Kusworo, Andy L-Islami, CA Bunia Laksono, Tegar Dwi Lang, Jouns Candy Felice Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurencia Steffanie Mega Wijaya Kurniawati Laurensia, Bella Le Duc, Anthony Lenga, Klemens Maksianus Liem, Silva Liesta Augustine Lieta Septiarysa Likha Sari Anggreni Litasari Widianingsih, Litasari Luahambowo, Melkisedek Lubis, Efiana Helfrida Luh Putu Ratna Sundari Lukas, Theresia Lukman, Steven Leo Naryi Lumampauw, Andreas Luthfiani, Elma Maemonah, Maemonah Mafaza, Sofia Maichel Chinmi Manalu, Tifani Dianisya Mandaru, Silvania Stella Epiphania Maria Anggreini Grace Kelly Habeahan Maria Borges, Serilio Verdial Maulida Laily Kusuma Wati Meifida Ilyas Mellasanti Ayuwardani Menayang, Alfred Pieter Merry Agustina Meta Sya Meta Sya Michael Chinmi Michelle Michelle Michelle Michelle Mijan, Rohana Mila Roysa, Mila Mimi Mulyani Misnawati, Desy Modesti Triasrini, Fransiska Mohd Sofian, Muhammad Raqib Monica, Nisa Monika Sri Yuliarti, Monika Sri Mufid Salim, Mufid Muh Bahruddin Muhamad Isnaini Muhamad Isnaini Muhammad Iman Adi Perkasa, Muhammad Iman Adi Muhammad Isnaini Muhammad Japar Muhammad Rayhan Murti, Desideria Cempaka Wijaya Musriyono, Anna Ardiyani Muthmainah, Syifa Salmah Muttaqin, Nufi Azam Nafia, Fikriana Naili Rohmah, Naili Nantu, Marselina Yosefina Naseer, Moazzam Natasia Angreani Neldy Lesilolo Nicodemus Koli Nindyta Aisyah Dwityas Ninuk Sholikhah Akhiroh Nisa, Ainun Nobertus Ribut Santoso Noviarti Novita Sari Nufindra, Ardin Nur Faizah, Ati Rizki Nur Faizah, Ati Rizki Nurhakki Nurhalisa Nurhayati Nurhayati Nurhayati, Kristina Nurhayati, Kritina Nurul Hidayat Octavia Putri Tjajadi Octavia Putri Tjajadi Olivia, Helen Pamungkas, Betty Tri Pangabean, Hana Paniya, Paniya Pebri Dwi Lesmono Nugroho Permana, Achmad Taufan Prakoso, Teguh Budi Pudji Muljono Puspitasari, Eka Harum Puspitasari, Hestri Afri Putri, Ayu Faizah Putri, Shalfa Zahra Amanda Putri, Triana Putri, Yessi Mareta Andari Putriyanti, Lina Qomarullah, Dian Qudratullah, Qudratullah Rafiqoh, Eva Rahayu Pristiwati Rahayu, Caswin Rahayu, Caswin Rahayu, Imaniah Kusuma Rahmadani, Rina Rahmania, Sofi Aulia Rahzanie, Risha Devina Ralvin Januar Wijaya Rama Kertamukti Rara Ririn Budi Utaminingtyas Rashid, Sabrina Mohd Ratih Kurnia Hidayati Regina Caeli Cahaya Tarsisty Resa Nurul Fahmi, Resa Nurul Rewindinar, Rewindinar Reynaldi, Reynaldi Riena F Telussa Rieuwpassa, Jean Sierjames Rifa’i, Achmad Rifani, Athaya Aurellia Rifa’i, Achmad Rini Lestari Rismi Juliadi Risqi Inayah Dwijayanti Rizki Briandana Rizkiansyah, Rio Anugrah Rokhana, Daning Wahyu Romaria, Gustina Rosario, Teresa Metta Rosdian, Erwin Dwi Sabna Rustanta, Agustinus - Ruth Florencia Simanjuntak Ruth Florescia Simanjuntak Ruvianto, Alit Widi Ruvianto, Alit Widi Saliman Saliman Samantha Tandranegara Samosir, Ricky Fhernando Sampurna, Angelia Samsudi . Samsudin Samsudin Sandi, Fitriana Sandy Alifiansyah Santi Pratiwi Tri Utami Santoso, B. Wahyudi Joko Santoso, Bernardus Wahyudi Joko Sarah Harun, Margaretha Catherine Sari Mudhita Sari, Adinda Permata Sari, Desi Novita Sari, Pipin Diana Sarno Sarno Sa’adah, Hamlatus Sendy Setiawan Septiarysa, Lieta Septina Sulistyaningrum Setiadi, Adrian Bintang Setyabudi, Kelian Wulandari Shanty Sudarji, Shanty Sigit Saptono Silva Liem Silvia Pristianita Siregar, Sri Rachmawati H. Sitanggang, Hot Junita Siti Nurjanah Sitinah, Sitinah Sitorus, Sandra Marissa Siyam, Sahrul SM, Umar Abdur Rahim Solihin, Mohammad Solten Rajagukguk Sri Eka Sadriatwati Sri Hesti Sri Rahayu, M. Fransiska Sri Wahyuni Sari Su’udi, Edi Astini Sudarsono, Achmad Budiman Sudiyati Sudiyati Sudiyati, Citra Amelia Sugeng Wahjudi Sujana Joko Sukardi, Cindy Fransisca Sukarismanti Sulaiman Girivirya Suminto A. Sayuti Sunar Wibowo Sunny Lie Supina, Supina Suroija, Noor - Susiati, Susiati Sutarman, Tifanny Suwito Eko Pramono Sya, Meta Syafuddin, Khairul Syarnubi, Kenn Lazuardhi Taryono, Mohamad Rizal Teguh Hartono Patriantoro Teguh Priyo Sadono Teguh Rifandi Teguh Supriyanto Tirta Lestari Tjajadi, Octavia Putri Todd Lyle Sandel Tommi Yuniawan Tri Mulyono Trihastuti, Maria Claudia Wahyu Triyudanto, Arya Tururaja, Tresia Sonya Umar Umar Urip Rahmani Utami, Febi Putri Veronica Viona Vincent Atmadja Vincent Atmadja Wafiq, Chici Al Wagiran Wagiran Wahyuddin Wahyuddin Wahyuddin Wandi Wandi Wang, Changsong Wati, Maulida Laily Kusuma Wibowo, Sunar Widaningsih, T. Titi Widaningsih, Titi Widianti, Nurhannah Widiyastuti, Wiwin Widodo, Aan Widyanto Widyanto Wijaya, Beby Chandra Wijaya, Boy Sandy Surya Wijayanti, Wenny Wiliem Lesmana William, Martin Yanuar, Fit Yesica Yuliani Clara Yesica Yuliani Clara Yohanes Nugroho Widiyanto Yohanes Nugroho Widyanto Yudha, Yusuf Hadi Yuli Utanto Yuliarti Yuliarti Yuri Alfrin Aladdin ZhiYing, Jin