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The Effect of Connected Mathematics Project Model and Learning Cycle 5e Model on Mathematics Learning Outcomes Rahmadina, Shiva Nur Aulia; Slamet, Slamet
Lectura : Jurnal Pendidikan Vol. 15 No. 2 (2024): Lectura: Jurnal Pendidikan
Publisher : Fakultas Keguruan dan Ilmu Pendidikan (FKIP), Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/lectura.v15i2.20350

Abstract

This research is motivated by real problems, namely that there are still many students who get low math learning outcomes because they use learning models that are not in accordance with student needs. This study aims: 1) to determine the mathematics learning outcomes in classes that apply the CMP learning model, 2) to determine the mathematics learning outcomes in classes that apply the LC5E learning model, 3) to determine the effect of the difference in mathematics learning outcomes between classes that apply the CMP learning model and classes that apply the LC5E learning model at SMA Negeri 109 Jakarta academic year 2023/2024. This research used a quantitative approach with the Quasi Experimental Design method. The sample consisted of two XI classes taken randomly, with the experimental class applying the CMP model and the control class applying the LC5E model, each totalling 40 students. The results showed that there was a different effect of math learning outcomes between the two learning models. The average math learning outcomes in the experimental class (CMP) reached 88,90, while in the control class (LC5E) the average was 82,63. Hypothesis testing using the Independent Samples T-Test test shows a Sig. value of 0.032 , which means there is a different effect between the learning outcomes of the two groups. Therefore, the CMP learning model is more effective in improving students' mathematics learning outcomes than the LC5E model, especially if the instrument used is Higher Order Thinking Skill (HOTS) questions.
Rancang Bangun Kios Minuman dengan Konsep Container Booth Bertenaga Surya Suhono, Suhono; Hakim, Arif Lukman; Aqmarina, Nur; Oktiawati, Unan Yusmaniar; Subekti, Lukman; Pradana, Adlan Bagus; Slamet, Slamet; Ulung, Ridwan Printis
Jurnal ELTIKOM : Jurnal Teknik Elektro, Teknologi Informasi dan Komputer Vol. 6 No. 1 (2022)
Publisher : P3M Politeknik Negeri Banjarmasin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31961/eltikom.v6i1.539

Abstract

Energy access is still limited to several areas with the criteria of being remote, underdeveloped, outermost (3T). In addition, limitations still occur in areas considered less economical if an electrical system or network is built. Therefore, there is a need to implement solar panel technology that can improve the economy of the people in areas with these limitations. The objectives of this study are threefold. First, to design a beverage kiosk with a container booth concept where its energy needs are met using solar panels. Second, to analyze the energy con-sumption ratio between direct current (DC) and alternating current (AC) electricity systems when used to meet the needs of the container booth. Third, to analyze the potential for reducing carbon emissions through the use of solar-powered container booths. This research was conducted by analyzing the initial energy requirements through a survey on existing container booth users. The system design is carried out and tests the energy produced by solar panels and the energy consumed for beverage processing. The total energy produced and the potentials for emission reduction were analyzed from each system's test data (DC and AC). The AC system has an efficiency of 21.11%, while the DC system has 19.08%. In terms of battery usage for one day of use, the AC system will reduce 12.03% of the battery while the DC system is 14.34%. The analysis shows that this solar-powered beverage kiosk can meet operational energy needs for two days and reduce emissions equivalent to 34.82 to 58.84 kg of CO2. This concept is expected to be an alternative for society.
Kinetics Studies of Ciprofloxacin Waste Degradation Using TiO2 Nanotubes from The Anodization Process Kustiningsih, Indar; Putri, Berliana Tristati; Putri, Martina Reza; Kurniawan, Teguh; Sari, Denni Kartika; Adiwibowo, Muhammad Triyogo; Slamet, Slamet
EduChemia: Jurnal Kimia dan Pendidikan Vol 8, No 2 (2023)
Publisher : Department of Chemical Education Faculty of Teacher Training and Education Universitas Su

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/educhemia.v8i2.23963

Abstract

ecosystems and alter the genetic code of normal bacteria, resulting in bacterial resistance. Ciprofloxacin (CIP) is one of the antibiotics that can be an environmental challenge if it accumulates in certain quantities. The process that can be used to eliminate CIP waste from water is the photocatalysis process. This work aimed to study the kinetics of CIP degradation using TiO2 nanotubes (TNTAs) from the anodization process. TNTAs with varying water contents and voltages are produced during the anodization process. TNTAs are synthesized by anodizing organic electrolyte solutions with different voltages (40, 50, and 60 V) and water contents (20, 25, and 30%). The TNTAs are then employed in CIP waste degradation with variations in the initial pH of the waste (pH 5-8) for 3 hours. SEM and XRD were used in this investigation to characterize the catalyst. SEM results illustrate the effect of voltage and water content on the anodization process with increasing contact surface area. XRD data demonstrate the presence of anatase phase crystals produced in TNTAs. The results showed that the kinetics of the CIP degradation reaction followed order one, with the best kinetic constant attained at 8.24 hours-1.
Edukasi Pemanfaatan Toga Sebagai Pencegah Hipertensi Ningrum, Wulan Agustin; Waznah, Urmatul; Rahmasari, Khusna Santika; Slamet, Slamet; Balqis, Fadia Indah
Jurnal Pengabdian Kesehatan Vol 6, No 2 (2023): Jurnal Pengabdian Kesehatan
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) STIKES Cendekia Utama Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31596/jpk.v6i2.346

Abstract

TOGA (Tanaman Obat Keluarga) untuk pencegahan hipertensi bagi masyarakat. Persepsi masyarakat dalam menanggapi masalah hipertensi, persepsi yang sering keliru tentang pemanfaatan TOGA untuk pencegahan hipertensi pada masyarakat akan berdampak pada pola penerapan perawatan masyarakat dengan penyakit hipertensi. Tujuan dari kegiatan ini adalah untuk meningkatkan pengetahuan masyarakat khususnya ibu-ibu di Desa Bligo tentang pemanfaatan toga sebagai alternatif terapi pencegah hipertensi. Metode yang digunakan dalam kegiatan pengabdian masyarakat ini dibagi menjadi 3 tahap yaitu tahap persiapan, tahap pelaksanaan  program dan tahap evaluasi. Pelaksanaan kegiatan pengabdian masyarakat dilakukan di Desa bligo, sebagai peserta kegiatan ini ada ibu-ibu Asiyiyah Cabang Bligo Kabupaten Pekalongan. Hasil kegiatan ini menunjukkan adanya peningkatan pengetahuan masyarakat yang diketahui dari hasil post test sebesar 84,2% dan dari hasil kuisioner masyarakat yang menyatakan kegiatan ini sangat menarik.
Stakeholders Reactions to Rebranding of Madiun City: Case Study in Indonesia Erdiana, Luthfi Widad; Slamet, Slamet
JKAP (Jurnal Kebijakan dan Administrasi Publik) Vol 28, No 1 (2024): May 2024
Publisher : Magister Ilmu Administrasi Publik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jkap.94797

Abstract

The Indonesian people have called Madiun City “Kota Brem,” “Kota Pecel,” and “Kota Sepur” since the Dutch era. In line with the Mayor’s leadership policy, the city branding of Madiun was shifted from “Madiun Kota Gadis” to “Madiun Kota Karismatik” and finally to “Madiun Kota Pendekar”. This study examines stakeholders’ reactions to the rebranding of Madiun City. This study uses qualitative research paradigms and case study methods. The primary data sources were obtained through extensive interviews and non-participant observations. Secondary data came from documentation. Data analysis uses Miles and Huberman’s interactive model approach. The study found that the stakeholders are apathetic when responding to the city rebranding due to their low participation and lack of knowledge in the decision-making process. Differences of interest between the government and stakeholders result in a low response. 
KREATIVITAS SARI APRILIANTI DALAM KARYA TARI CAHAYA PIRDI DI SANGGAR SENI NUSA KIRANA KOTA PALEMBANG Wardani, Suci Kesuma; Slamet, Slamet
Greget : Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.4224

Abstract

The research entitled Sari Aprilianti's Creativity in the Cahaya Pirdi Dance Work at the Nusa Kirana Art Studio in Palembang City contains the Cahaya Pirdi dance which is a composition of the Pirdi dance by Sari Aprilianti in 2016. The Cahaya Pirdi dance is a new creative dance work that illustrates that humans must strive to achieve something for the sake of survival on earth. At the beginning of the composition, this dance was specifically for children, but in 2020 the Cahaya Pirdi dance was danced for the first time by teenagers to take part in a competition. The problems formulated in this study are the first, what is the form of the Cahaya Pirdi dance, and the second is how is Sari Apriliani's creativity in creating the Cahaya Pirdi dance. Answering the problem about the form of the Cahaya Pirdi dance, Soedarsono's theory of form is used that the form of dance includes interrelated elements including dance movements, floor patterns, dance music, make-up and costumes, properties, time and place of performance. Meanwhile, to answer the problem about Sari Apriliani's creativity, the theory from Rodhes' theory known as 4P (Four P's Creativity) developed by Utami Munandar states that creativity usually has four dimensions, namely personal, process, product, and driver. Based on the object to be studied, the study uses a descriptive analysis method. The results of the study show that Sari Apriliani's creativity is influenced by internal factors, such as her life experiences and artistic vision, and external factors, such as the cultural environment and social support. In addition, this study discusses various supporting elements of the work, such as music, costumes, and stage design. All of these components play an important role in creating an aesthetic experience for the audience
BENTUK DAN FUNGSI TARI RONGGENG PASER DI DESA SESULU GUNUNG BATU KABUPATEN PENAJAM PASER UTARA KALIMANTAN TIMUR Istiani, Lia Sukma; Slamet, Slamet
Greget : Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4695

Abstract

The research entitled Form and Function of Ronggeng Paser Dance in Sesulu Gunung Batu Village, Penajam Paser Utara Regency, East Kalimantan is a form of traditional dance in Sesulu Gunung Batu Village, East Kalimantan. The focus of this research is on the form and function of Ronggeng Paser dance in society. To answer the problems that arise, several theories are used, including: Form theory by Slamet, MD and also function theory by Soedarsono. The research method used is a qualitative method with a descriptive analysis form. While the data used are field data and written data, then described according to the facts in the field. The research stage carried out is the data collection stage which includes observation, interviews, and literature studies, continued with data analysis. The results of this study can be obtained a picture related to the form and function of Ronggeng Paser dance that lives in the Sesulu Gunung Batu Village community, Penajam Paser Utara Regency, East Kalimantan. The Ronggeng Paser dance form in its presentation has 3 (three) movement motifs that match the song, namely the first part Batu Sopang with the song Batu Sopang, the second part Tirik with the song Tirik, and the third part Makinang with the song Makinang. This dance is included in social dances or happy dances danced by six dancers using Malay lenggang movement motifs with dance music of three types of songs, namely Batu Sopang, Tirik, and Makinang. It cannot be separated from the elements that form it and are interrelated such as movement, rhythm, expression or feeling, costume, stage location, and dancers. The function of the Ronggeng Paser dance is divided into three, namely, as a means of ceremony, as personal entertainment, and as a spectacle.
KREATIVITAS YOLANDA PUTRI PROBOSEKAR DALAM KARYA TARI LEDHEK DI SANGGAR GUNTUR KOTA KEDIRI Pramesti, Rory Nur; Slamet, Slamet
Greget : Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4696

Abstract

This research was conducted as a study of the creativity of creating a new work inspired by Tayub folk art. Ledhek dance is a new creative dance of the folk tradition created by Yolanda Putri Probosekar and performed in 2019 at TMII. The problems in this study are first, how is the form of Yolanda Putri Probosekar's Ledek dance and second, how is Yolanda Putri Probosekar's creativity in creating the Ledhek dance. Answering the problem of dance form, the theory of Y. Sumandiyo Hadi is used regarding the elements of group choreography. Meanwhile, to find out the creativity of Yolanda Putri Probosekar, it is explained using the theory using the 4P (Four P's Creativity) theory from Rodhes which includes person, process, product, and press. This study uses a qualitative research method. The data collection techniques used are observation, interviews, and literature studies. This study describes the object of research according to the data in the field in the form of real data. The results of the study obtained are that Yolanda Putri Probosekar's creativity in creating the Ledhek dance is influenced by factors such as experience as a dancer and choreographer. This creativity is manifested in several developments of Tayub dance movements such as lembehan, ukel penthangan, ukel lembehan, and jogetan. Then presented with gamelan music, such as kendang, bonang barong, bonang penyerangabbta, peking, slentem, kempul, kenong, rebab, and gong.
MAKNA SIMBOLIK TARI SESANDURAN DI KABUPATEN TUBAN Yuniar, Ni Ratih Putri; Slamet, Slamet
Greget : Jurnal Kreativitas dan Studi Tari Vol. 22 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i2.5423

Abstract

This research aims to reveal the symbolic meaning that exists in the Sanduran Dance. Sesanduran dance is a dance form inspired by Sandur art in Tuban Regency. Using vocal music and accompanied by roof gongs and drums. This study describes and analyzes about: (1) the form of Sesanduran Dance which includes: movement, dancers, costumes, expressions or feelings, place of performance, (2) describes the symbolic meaning of Sesanduran Dance from the view of inner and outer aspects. To answer the form of Sesanduran Dance using theory by Slamet Md. Describing the symbolic meaning of Sesanduran Dance using theory from Allegra Fuller Synder. This research is a descriptive qualitative research. Data collection through documentation of works, literature studies, interviews and observations of Sandur and Sandur Dance. The results of this study show that the form of dance cannot be separated from the dance former consisting of movement, dancers, costumes, expressions or feelings, the place of performance. The symbolic meaning of Sesanduran Dance is seen from the outside aspect looking at the expression side of society. The compiler of Sesanduran Dance was inspired by the bancik scene in Sandur art in Tuban Regency. This section gives the understanding that humans in their lives are full of journeys that must be passed according to the cycle of life. There are nine motion motives that undergo levels of stimulation, transformation, and unity. Seven sets of motion are the foothold of bancik scenes and two motion motifs are typical movements of Sandur art in Tuban Regency.
BENTUK PERTUNJUKAN KESENIAN TIBAN DI DESA SURAT KECAMATAN MOJO KABUPATEN KEDIRI Hayya, Fina Lu'lual; Slamet, Slamet
Greget : Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.5434

Abstract

Tiban Performing art at Desa Surat Kecamatan Mojo Kabupaten Kediri is a research that discusses the form and activity of art in the community.This research aims to explore the form of performance found in the Tiban arts in Surat Village, Mojo District, Kediri Regency. The problems to be discussed are: (1) How is Arriving in Surat Village, Mojo District, Kediri Regency? (2) How is the form of the Tiban show in Surat Village, Mojo District, Kediri Regency? Problems regarding the Tiban were analyzed using Richard Schechner's theory. This study used a qualitative research method, with an ethnoarchaeological approach. Ethnochoreology is one of the branches of science that discusses ethnicity and its various problems. Answering about Tiban in Sur at Village uses Talcott Parsons' theory which explains constitutive, cognitive, moral values, and also expressions, while regarding the form of Tiban uses Richard Schechner's theory which focuses on performance studies. The collection of data and information is carried out by means of observation or observation of research objects, interviews, and library research. The results of this study indicate that the art of Tiban cannot be separated from public trust, knowledge, moral values, and expressions that are embodied in Tiban in Surat Village, Mojo District, Kediri Regency. The form of performance is human activity in the form of Tiban performances which are manifested into games, rituals, and business, as well as the audience that exists as a series of human activities in the form of Tiban art performances.
Co-Authors -, Sutriyanto A. Salim Afrozi A.A. Ketut Agung Cahyawan W Abdul Hamid Budiman Abdul Malik Karim Amrullah Abdur Rahim, Abdur Achmad Rasyid Ridha Achmad Vandian Nur, Achmad Vandian Ade Eka Anggraini Ade Putera Adhim, Muhammad Maslukil Adiwibowo, Muhammad Triyogo Affifatuzahara, Affifatuzahara Agung Murti Nugroho Agung Sri Hendarsa Agung Sri Hendarsa, Agung Sri Agus Salim Afrozi, Agus Ahdiansyah, Muhammad Hafidz Ahyaitasyarafa, Afina Ainun Muthoharoh, Ainun Akbarahma, Mardika Alaiya, Syekha Vivi Alam, Nurayatul Alfien, Moh. Fajrul Ali Mandan, Ali Ali Multazam Alimandan, Alimandan Amran Jaenudin Andrianto, Arya Anesa Surya Anjelica, Benedikta Anjik Sukmaaji Annisaul Khasanah Wulandari Khasanah Wulandari, Annisaul Khasanah Wulandari Khasanah Aqmarina, Nur Ardiah Juita Ardianto, Risko Aris Aref Vai Arif Setia Sandi A. Arifianto, Rokhmat Ario Guritno Astuti, Diah Athiek Sri Redjeki Athiek Sri Redjeki Atikah Anindyarini AUNUR ROFIQ Azmala, Ilya Bagaskara, Doni Yusuf Baig, Maughal Ahmed Ali Baliputra, Gigih Army Buana Balqis, Fadia Indah Bambang Heru Susanto Banun Sri Haksasi Barokatun Hasanah, Barokatun BAYU PRASTOWO Bayu Setiawan Bekti Wulandari Budi Murtiyasa Budi Santoso Budi Sungkawa, Hendra Cahyono, Erik Catur Nitya V.N. Catur Nitya V.N., Catur Nitya Chintia, Vika Ciputra, Roni Cahya Dahliatul Hasanah Daryanto Daryanto Dea Sari, Khafifah Defi, Defi Denni Kartika Sari Desi Heltina Dewanta, Bagaskara Gita Dewanto, Satriyo Agung Dewi, Vera Melinia Didik Sudarsono Dimas Suryo Sukirno Dina Asmaul Chusniyah Dj, Herlinda Djohan Djohan, Herlinda Dwi Ningsih, Yuni Astuti E. Enjarlis E. Marliana E.G. Lestari Edy Suryanto Eko Mugiyanto, Eko Elfrida Ratnawati Eniya Listiani Dewi Eny Kusrini Erdiana, Luthfi Widad Eriawan Rismana Esha, Muhammad In'am Euis Uswatun Hasanah Evindra, Jodi FACHROZI. F Fadhilah, Isna Fahmi, Nasrina Nur Faizal Rizky Yuttama Farah Diba Toya Farida Isroani Faris, Sukron Fauzi, Chamda Fauzi, Chamdan Fauziah, Khoirunisa Fauziah, Nadia Kurnia Febrian Tri Adhi Wibowo Febrianti, Aprilia Fidarohman, Fidarohman Firdaus, Predi Firmanlindo, Dimas Satria Fitrulloh, Moch. Jassar Aqsal Frederikus Dian Indrastomo, Frederikus Dian Friarcha, Adly Fuad, Asfal Ghafur, Okta Abdul Guspari, Weldi H Sinaga, Rinaldo Agus Habibati, Almas Septia Hairuni S.T.H Hakim, Arif Lukman Hamidan, Rusdi Hardhita, Rizki Septa Hardiyanti, Dwi Harini Harini Harjanti, Agnes Isti Harsono Harsono Haryadi Wibowo Haryadi Wibowo Haryono Haryono hasan, dahlawi Hasanah, Euis Uswatun Hayya, Fina Lu'lual Hendriana, Benny Hendrini Pujiastuti Heri Hermansyah Hidayati, Suci Hidayatullah, Ahmad Diny Himmah Taulany Hutabarat, Ricard Parulian Ignatius Adrian Mastan Ihsan, Bagus Muhammad Iistiklaili, Fifti Ikha Muliawati Ikha Muliawati, Ikha Imam Rofiki Imami, Nor Ali Sukkron Imas, Karina Kalmapuspita Imma Fatayati Indah Yuliana Indar Kustiningsih Indar Kustiningsih Indar Kustiningsih Indra, Abel Indrawati, Iin Dyah Indriati Nurul Hidayah Indriyani, Puspa Irdyansah, Andry Irma Rumondang Irmayanti Hasan Irnawati Irnawati Irwan, Wahyurrahman Ferbiansyah Adha Muhammad Istiani, Lia Sukma Jaenudin, Erik Jamilah, Zahrotul Jarnuzi Gunlazuardi Jenny Ernawati Jessica Tanuwijaya Jessica Tanuwijaya, Jessica Julius Rainer Sudianto Kamaludin Kamaludin Karina Kalmapuspita Imas Karjo, Karjo Kesuma Wardanie, Debleng Puja Khasanah, Irma Khasanah kholia, Amalia Khusna Santika Rahmasari Komala, Laura Kusmanto, Adi Kustiningsih, Indar Kustiningsih, Indar Labunda, Aura Iqlima Lahmadini, Ersha Karima Laila Fitri Nur Hidayah Laili, Afrohatul Lambok Manurung Laula, Laula lenny kurniati, lenny Lianti Putri, Puspita Lili Marliyah Lukman Subekti Luluk Elyana Luswandari, Wulan Fatikhah M. Ibadurrohman M. Rizki C, M. Rizki C M. Robbi F. M. Yogi Riyantama Isjoni Maaliki. H, Maulana Danar Made Sudana, I Mafruroh, Mafruroh Manunggal, Mugi Siti Marcelinus Christwardana Maretha Ika Prajawati Marhaeni Dwi Satyarini Maria Denok Bekti Agustiningrum Masrukhi Masrukhi Maughal Ahmed Ali Baig Maulana, Yoppy Meti Fatimah Miftakhul Rohman, Muhammad Yasin, Iwan Marwan, Miftakhul Rohman, Milatun Khanifah Misbahul Munir Mochamad Syamsiro Mochammad Arifin Mochammad Facta Moedrik, Irwan Mohamad Erihadiana, Mohamad Muarofah, Siti Najatun Muchammad Ajhi Romadhon Muhamad Ibadurrohman Muhamad Ibadurrohman, Muhamad Muhammad Fahmi Hakim Muhammad Febriansyah Bachri Muhammad Ibadurrohman Muhammad Noor Fitriyanto Muhammad Syaifudin Muhammad Triyogo Adiwibowo Muhklasin, Ahmad Mulyadi Mulyadi Mulyadi, Tubagus Mulyani, Rahmatika Munardi, Fhatia Natasya Murfiah Dewi Wulandari Musaidah, Siti Mustolik, Imam Bani Mutiarani Pionera Nana Noviada Kwartawaty Nasution, Muhammad Ali Nawab, Muhammad Ni Putu Nita Wijayanti Niam, Siti Khozinatun Nida, Khairun Ningrum, Wulan Agustin Nizar, Yusuf Bahrudin Nova, Fifit Noviana, Titik Noviyanti, Shobihatul Fitroh Novriyan, Grace Nugraha, Rizaldi Nugroho, Citra Maulidyah Rahmawati Nungki Marlian Yuliadarwati Nuniek Nizmah Fajriyah Nur Azmi Ainul Bashir Nur Rohmawati, Yuli Nur Yasin Nurhayati, Etiek Nurhidayah, Larasati Sukma Nuryanti Nuryanti nuryanti, nuryanti nur Oktavia, Endah Oktaviani, Riska Kurnia Oktiawati, Unan Yusmaniar Pambudi, Dwi Bagus Pamudi Pamudi, Pamudi Pamungkas, Maulana Al Bana Pantjawati Sudarmaningtyas Pardal, S.J. Perez, Albert Yaser Permadi, Hendro Pinurti, Hayu Pradana, Adlan Bagus prajawati, mareta Prajnawati, Maretha Ika Pramesti, Rory Nur Pramudya, Stansa Senia Pranoto, Ponco Wali Prasetya, Candra Dwi Prasetya, Johan Praswasti Pembangun Dyah Kencana Wulan Prihandoko, Tri Leksono Puguh Darmawan Pujiastuti, Hendrini Purnama, M. Wildan Purnomo, Muhammad Sidiq Pusnawati, Yeni Puspawati, Yunita Dwi Putra, Fredriex Pramana Putra, I Gusti Ngurah Alit Widana Putri, Berliana Tristati Putri, Berliana Tristati Putri, Martina Reza Putri, Martina Reza Qibtiah, Maryatul R. Arbianti R. Arbianti R. Soelistijanto Rachmanto, Wahyudi Rafinci, Ari Septia RAGAPADMI PURNAMANINGSIH Rahayu Lestari Sugihartini Rahayu, Suwasti Rahmadina, Shiva Nur Aulia Rahman, Fatchur Rahmita, Rahmita Ramli, Nurleli Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Ratnawati Reno Pratiwi Reno Pratiwi Resi Levi Permadani Riadi, Bagus Richie, Enrico Rifaldi, Ridho Rike Yudianti Rini Nurhakiki Rita Arbianti Riyadi Syakur Riyadi Syakur, Riyadi Rizqial, Farchan Ananda Roekmijati Roekmijati Rofiqi, Rofiqi Romanto, Romanto Rozi, Fajrul RR. Ella Evrita Hestiandari Rustanto Rahardi S. Bismo Sabarudin Sabarudin Saddam Husein Sadiman Sadiman Salim, Maulidyah Salsabila, Hana Sanjaya, David Julius Saraswati, Ayu Shinta Sari, Denni Kartika Sari, Mada Sumringah Sari, Ratih Ayu Puspita Satrio Kuntolaksono Sayidatu Zahrok, Firlia Setiadi Setiadi Setianto, Gigih Setiawan, Sigit Adi Setijo Bismo Setiyowati, Supami Wahyu Setyaningsih, Sri Shafira, Siti Nur Azizah Shofiyyah Taqiyyah sinaga, Bandarudin Welman Sindyana, Amanda Putri sirait, ramsyuren putra Siti Amina siti Nurindah Sari Soebandriyo, Soebandriyo Soelistijanto, R Solihandari , Shinta Sopyan, Iis SRI RAHAYU Sri Rahayuningsih Sri Sayekti Sri Widayati Srihadi Srihadi Sudaryanto Sudaryanto Sugito - Suhono Suhono, Suhono Sujatmiko, Amin Sulaiman, Robi Sulastio, Agus Sulastio, Agus Sulatio, Agus Sulchan, Sulchan Sumardi . Sumarwati Supiat Suprizal, Suprizal sururi, endri Susy Kuspambudi Andaini Sutriswanto, Sutriswanto Suwadji, Suwadji Suwandi, Edy Syafriadinata, Ridho Syafriwan, Dio Syahdilla, Ade Syaiful Hamzah Nasution Syamsiar, Syamsiar Syamsul Arifin Syamsul Rizal Syarifah, Dewi Tamaulina Br Sembiring Teguh Kurniawan Teguh Widodo Titik Susiatik Tri Suminar Trianingsih Eni Lestari Triyantoro, Haris Tugino, Tugino Tuti Mutia Ujang Sumarwan Ulhaq, M Daffa’ Dhiya’ Ulul Azmi Ulum, Mazro’atul Ulung, Ridwan Printis Umarella, Novel Umi Trisnaningsih Ummie Masrurah Urmatul Waznah Verina J.W.D Vicky Andria Kusuma victoria, yeni Viona Wongso Viviyanti Johar, Intan Wahyu Danumulyo Wahyu Danumulyo, Wahyu Wardani, Suci Kesuma Wasino Wasino Widia Yanti Widiyanti, Leonita Widodo W. Purwanto Wijayanti, Ni Putu Putu Nita Winarni, Dyah Setyaningrum Winarno, Andhika Sarfatra Wiranata, Agus Wirasti, Wirasti Wuryanto, Nareswari Hidayah YM. Indarwati Rahayu Yudi Kristyawan, Yudi Yuli Amalia Husnil Yundari, Yundari Yuniar, Ni Ratih Putri Yusran Fachry Reza Yusrilia, Yusrilia Yustiana Putri, Naimatul Jannah Yuwendi Yuwendi Zakiroh, Ainin Zenda Christian Adhiatama Zidni Imanurrohmah Lubis Zubaidah R, Zubaidah Zuhri, Muchammad Syaifudin Zusrotin, Zusrotin