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All Journal Jurnal Pendidikan Vokasi Publikasi Pendidikan Jurnal Sains Materi Indonesia Urania Jurnal Ilmiah Daur Bahan Bakar Nuklir Ulul Albab: Jurnal Studi Islam IQTISHODUNA El-HARAKAH : Jurnal Budaya Islam Media Farmasi : Jurnal Ilmu Farmasi (Journal Of Pharmaceutical Science) Jurnal Ekonomi Modernisasi Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Konversi Kontinu: Jurnal Penelitian Didaktik Matematika Jurnal Ruas (Review of Urbanism and Architectural Studies) FLYWHEEL : Jurnal Teknik Mesin Untirta JPI (Jurnal Pendidikan Indonesia) : Jurnal Ilmiah Pendidikan Jurnal Kimia dan Kemasan Jurnal Kebijakan dan Administrasi Publik Biology, Medicine, & Natural Product Chemistry ELINVO (Electronics, Informatics, and Vocational Education) An-Nuha : Jurnal Kajian Islam, Pendidikan, Budaya Dan Sosial Jurnal Dakwah: Media Komunikasi dan Dakwah Jurnal Kependidikan BERITA BIOLOGI Educational Management The Journal of Educational Development Sistemasi: Jurnal Sistem Informasi Journal of Development Research Jurnal ELTIKOM : Jurnal Teknik Elektro, Teknologi Informasi dan Komputer Jurnal Ilmiah Ekonomi Islam JURNAL AKUNTANSI, EKONOMI dan MANAJEMEN BISNIS Tunjuk Ajar: Jurnal Penelitian Ilmu Pendidikan Pendas : Jurnah Ilmiah Pendidikan Dasar JMM (Jurnal Masyarakat Mandiri) Pendekar : Jurnal Pendidikan Berkarakter Cetta: Jurnal Ilmu Pendidikan JURNAL PERTANIAN PRESISI (JOURNAL OF PRECISION AGRICULTURE) Jurnal Sisfokom (Sistem Informasi dan Komputer) JURNAL PENGABDIAN KEPADA MASYARAKAT JURNAL PENDIDIKAN TAMBUSAI Lectura : Jurnal Pendidikan AL-TANZIM : JURNAL MANAJEMEN PENDIDIKAN ISLAM Acintya Greget JURNAL MANAJEMEN BISNIS JUPE : Jurnal Pendidikan Mandala Humaniora PEDULI: Jurnal Imiah Pengabdian Pada Masyarakat EDUMATIC: Jurnal Pendidikan Informatika SPIRIT Jurnal Abdimas PHB : Jurnal Pengabdian Masyarakat Progresif Humanis Brainstorming JEECAE (Journal of Electrical, Electronics, Control, and Automotive Engineering) Jurnal Riset Kesehatan Poltekkes Depkes Bandung At-tijaroh: Jurnal Ilmu Manajemen dan Bisnis Islam GERAM (GERAKAN AKTIF MENULIS) M A T H L I N E : Jurnal Matematika dan Pendidikan Matematika Hisbah: Jurnal Bimbingan Konseling dan Dakwah Islam JURNAL PENDIDIKAN MIPA Performance : Jurnal Bisnis dan Akuntansi Jurnal Review Pendidikan Dasar : Jurnal Kajian Pendidikan dan Hasil Penelitian Proceedings of Annual Conference for Muslim Scholars JATI (Jurnal Mahasiswa Teknik Informatika) Respati JOURNAL OF INFORMATION SYSTEM RESEARCH (JOSH) ASIAN JOURNAL OF ISLAMIC MANAGEMENT (AJIM) Jurnal Pengabdian Kesehatan Community Empowerment Khazanah Multidisiplin Jurnal Kesehatan Tambusai Jurnal Farmasi dan Sains Indonesia (JFSI) MAHESA : Malahayati Health Student Journal Jurnal Pengabdian kepada Masyarakat Urwatul Wutsqo : Jurnal Studi Kependidikan dan Keislaman INPHARNMED Journal (Indonesian Pharmacy and Natural Medicine Journal) Bulletin of Computer Science Research Jurnal Riset dan Aplikasi Mahasiswa Informatika (JRAMI) International Journal of Progressive Mathematics Education Jurnal Sistem Informasi Universitas Dinamika KERNEL: Jurnal Riset Inovasi Bidang Informatika dan Pendidikan Informatika Pawiyatan J-LEE - Journal of Law, English, and Economics Jurnal Informatika Teknologi dan Sains (Jinteks) Ar-Rosikhun: Jurnal Manajemen Pendidikan Islam Jurnal Al-Kharaj: Studi Ekonomi Syariah, Muamalah, dan Hukum Ekonomi Makara Journal of Technology Knowbase : International Journal of Knowledge in Database Tsaqofah: Jurnal Penelitian Guru Indonesia Prosiding University Research Colloquium INDONESIAN JOURNAL OF URBAN AND ENVIRONMENTAL TECHNOLOGY Jurnal Ilmiah MEA (Manajemen, Ekonomi, dan Akuntansi) DEVOTE: Jurnal Pengabdian Masyarakat Global International Journal of Science and Environment Journal of Islamic Economics Lariba Al-Aqwal : Jurnal Kajian Hukum Islam Journal of Artificial Intelligence and Digital Business Indonesian Research Journal on Education Eduvest - Journal of Universal Studies JAGE Innovative: Journal Of Social Science Research Majalah Ilmiah METHODA Nanggroe: Journal Of Scholarly Service Jurnal Pengabdian Masyarakat Bangsa Nanggroe: Journal of Scholarly Service Jurnal Laboratorium Khatulistiwa SmartComp CERATA GEMBIRA (Pengabdian Kepada Masyarakat) International Journal of Renewable Energy Development Jurnal Progress: Wahana Kreativitas dan Intelektualitas MANGGALI JKAP (Jurnal Kebijakan dan Administrasi Publik) Anthronomics: Jurnal Manajemen Sumber Daya Manusia JGEN : Jurnal Pengabdian Kepada Masyarakat MOMENTUM : Jurnal Sosial dan Keagamaan Jurnal Pedagogy Jurnal Sains dan Kesehatan JURNAL REKAYASA KIMIA & LINGKUNGAN Jurnal Fakta: Forum Aktual Ahwal Al-Syakhsiyah International Journal of Sustainable English Language, Education, and Science Journal of Community Empowerment International Journal of Educatio Elementaria and Psychologia
Slamet .
Chemical Engineering Department, University Of Indonesia
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BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i2.2754

Abstract

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.
Penentuan Awal Waktu Sholat Sebagai Syarat Sah Sholat slamet, Slamet; laili, afrohatul; sururi, endri
Fakta: Forum Aktual Ahwal Al-Syakhsiyah Vol 1 No 2 (2023): Vol. 1, No. 2, Agustus 2023
Publisher : LPPM UNU BLITAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28926/fakta.v1i2.1344

Abstract

Muslims. Performing prayers on time is an absolute prerequisite for prayers to be considered valid. Determining prayer times is important because based on Islamic teachings, prayer times have been determined and are closely related to the movement of the sun and geographical conditions. Astronomical and geographical factors, such as the sun, latitude and longitude, influence the determination of prayer times. The morning prayer begins before the sun rises, Dhuhr when the sun is at the top of the sky, Asr before the sun sets, Maghrib when the sun sets, and Isha after dusk ends. The suitability of prayer times to seasonal changes is also taken into account in areas that experience significant variations in weather and duration of day and night. Observance of prayer times is an integral part of a Muslim's adherence to religious teachings. Spiritual awareness and devotion to Allah are reflected in efforts to perform prayers at the specified times. It also creates a deep spiritual discipline, strengthening the connection between humans and their creator. Commitment to understanding and adhering to prayer times according to religious guidelines is essential in maintaining a Muslim's obedience. Most Muslims rely on local religious authorities or religious institutions to determine appropriate prayer times according to geographic and astronomical factors. This strengthens Muslims' attachment to religious teachings, making determining prayer times an integral part of their spiritual life.
Zakat Sebagai Pengurang (Penghasil Kena) Pajak hasan, dahlawi; slamet, Slamet; laili, afrohatul
Fakta: Forum Aktual Ahwal Al-Syakhsiyah Vol 2 No 1 (2024): Vol. 2, No. 1, Februari 2024
Publisher : LPPM UNU BLITAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28926/fakta.v2i1.1533

Abstract

In accordance with Islamic sharia, zakat is imposed on two things, namely on every living human soul (an-nafs) and on assets (maal) that meet the requirements. Zakat on the soul is called zakat fitrah, it is paid once a year in the holy month of Ramadan before the Eid al-Fitr prayer, it is paid in the form of one sha' of staple foods such as rice, wheat, corn or according to some scholars zakat fitrah can be paid in the form of money equivalent to the price of one sha' of these staple foodstuffs. Management under the authority of an agency established by the State will be much more effective in carrying out its functions and impact in building the welfare of the people who are the goal of zakat itself, compared to zakat being collected and distributed by institutions that run independently and have no coordination with each other. To facilitate the obligation to pay zakat for Muslims in Indonesia, the law stipulates the government's obligation, namely to provide protection, guidance and services to muzakki, mustahiq and amil zakat.
SIMULTANEOUS ELECTROCOAGULATION - PHOTOCATALYTIC SCENARIO TO ENHANCE HYDROGEN PRODUCTION IN LIQUID WASTE TREATMENT: A BRIEF OVERVIEW Pratiwi, Reno; Slamet, Slamet; Chusniyah, Dina Asmaul; Yanti, Widia
INDONESIAN JOURNAL OF URBAN AND ENVIRONMENTAL TECHNOLOGY VOLUME 5, NUMBER 3, OCTOBER 2022
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/urbanenvirotech.v5i3.14447

Abstract

The issue of environment and sustainable energy are two issues that have not been completely resolved until today. Liquid waste treatment technology, which can remove pollutants and produce hydrogen gas, is interesting to study since hydrogen itself is one of the energy sources whose use has begun to be developed. Aim: The following article will discuss several aspects that can be developed in each technology. Methodology and Results: Electrocoagulation and photocatalyst are both technologies which are possible to eliminate liquid pollutants while producing hydrogen in a single process. Research that attempts to combine two processes to improve the ability to treat pollutants in wastewater while producing hydrogen has been carried out. The optimization process can be carried out respectively in terms of electrocoagulation and photocatalytic technology. Modifications can also be made by combining the two processes of electrocoagulation and photocatalysis, either sequentially or simultaneously. Modification process carried out aims to increase hydrogen recovery without neglecting the ability of electrocoagulation and photocatalysis in removing organic waste. Conclusion, significance, and impact of study: This brief review provides an overview of the potential of electrocoagulation and photocatalysis technology in its ability to remove liquid waste while producing hydrogen gas. The opportunity to combine the two processes is also shown based on previous studies. The review is carried out based on an in-depth study of the research that has been done. The simultaneous use of both processes has been shown to provide much better capabilities in terms of removing liquid waste and producing hydrogen gas.
KREATIVITAS SARI APRILIANTI DALAM KARYA TARI CAHAYA PIRDI DI SANGGAR SENI NUSA KIRANA KOTA PALEMBANG Wardani, Suci Kesuma; Slamet, Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.4224

Abstract

The research entitled Sari Aprilianti's Creativity in the Cahaya Pirdi Dance Work at the Nusa Kirana Art Studio in Palembang City contains the Cahaya Pirdi dance which is a composition of the Pirdi dance by Sari Aprilianti in 2016. The Cahaya Pirdi dance is a new creative dance work that illustrates that humans must strive to achieve something for the sake of survival on earth. At the beginning of the composition, this dance was specifically for children, but in 2020 the Cahaya Pirdi dance was danced for the first time by teenagers to take part in a competition. The problems formulated in this study are the first, what is the form of the Cahaya Pirdi dance, and the second is how is Sari Apriliani's creativity in creating the Cahaya Pirdi dance. Answering the problem about the form of the Cahaya Pirdi dance, Soedarsono's theory of form is used that the form of dance includes interrelated elements including dance movements, floor patterns, dance music, make-up and costumes, properties, time and place of performance. Meanwhile, to answer the problem about Sari Apriliani's creativity, the theory from Rodhes' theory known as 4P (Four P's Creativity) developed by Utami Munandar states that creativity usually has four dimensions, namely personal, process, product, and driver. Based on the object to be studied, the study uses a descriptive analysis method. The results of the study show that Sari Apriliani's creativity is influenced by internal factors, such as her life experiences and artistic vision, and external factors, such as the cultural environment and social support. In addition, this study discusses various supporting elements of the work, such as music, costumes, and stage design. All of these components play an important role in creating an aesthetic experience for the audience
BENTUK DAN FUNGSI TARI RONGGENG PASER DI DESA SESULU GUNUNG BATU KABUPATEN PENAJAM PASER UTARA KALIMANTAN TIMUR Istiani, Lia Sukma; Slamet, Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4695

Abstract

The research entitled Form and Function of Ronggeng Paser Dance in Sesulu Gunung Batu Village, Penajam Paser Utara Regency, East Kalimantan is a form of traditional dance in Sesulu Gunung Batu Village, East Kalimantan. The focus of this research is on the form and function of Ronggeng Paser dance in society. To answer the problems that arise, several theories are used, including: Form theory by Slamet, MD and also function theory by Soedarsono. The research method used is a qualitative method with a descriptive analysis form. While the data used are field data and written data, then described according to the facts in the field. The research stage carried out is the data collection stage which includes observation, interviews, and literature studies, continued with data analysis. The results of this study can be obtained a picture related to the form and function of Ronggeng Paser dance that lives in the Sesulu Gunung Batu Village community, Penajam Paser Utara Regency, East Kalimantan. The Ronggeng Paser dance form in its presentation has 3 (three) movement motifs that match the song, namely the first part Batu Sopang with the song Batu Sopang, the second part Tirik with the song Tirik, and the third part Makinang with the song Makinang. This dance is included in social dances or happy dances danced by six dancers using Malay lenggang movement motifs with dance music of three types of songs, namely Batu Sopang, Tirik, and Makinang. It cannot be separated from the elements that form it and are interrelated such as movement, rhythm, expression or feeling, costume, stage location, and dancers. The function of the Ronggeng Paser dance is divided into three, namely, as a means of ceremony, as personal entertainment, and as a spectacle.
KREATIVITAS YOLANDA PUTRI PROBOSEKAR DALAM KARYA TARI LEDHEK DI SANGGAR GUNTUR KOTA KEDIRI Pramesti, Rory Nur; Slamet, Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4696

Abstract

This research was conducted as a study of the creativity of creating a new work inspired by Tayub folk art. Ledhek dance is a new creative dance of the folk tradition created by Yolanda Putri Probosekar and performed in 2019 at TMII. The problems in this study are first, how is the form of Yolanda Putri Probosekar's Ledek dance and second, how is Yolanda Putri Probosekar's creativity in creating the Ledhek dance. Answering the problem of dance form, the theory of Y. Sumandiyo Hadi is used regarding the elements of group choreography. Meanwhile, to find out the creativity of Yolanda Putri Probosekar, it is explained using the theory using the 4P (Four P's Creativity) theory from Rodhes which includes person, process, product, and press. This study uses a qualitative research method. The data collection techniques used are observation, interviews, and literature studies. This study describes the object of research according to the data in the field in the form of real data. The results of the study obtained are that Yolanda Putri Probosekar's creativity in creating the Ledhek dance is influenced by factors such as experience as a dancer and choreographer. This creativity is manifested in several developments of Tayub dance movements such as lembehan, ukel penthangan, ukel lembehan, and jogetan. Then presented with gamelan music, such as kendang, bonang barong, bonang penyerangabbta, peking, slentem, kempul, kenong, rebab, and gong.
MAKNA SIMBOLIK TARI SESANDURAN DI KABUPATEN TUBAN Yuniar, Ni Ratih Putri; Slamet, Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i2.5423

Abstract

This research aims to reveal the symbolic meaning that exists in the Sanduran Dance. Sesanduran dance is a dance form inspired by Sandur art in Tuban Regency. Using vocal music and accompanied by roof gongs and drums. This study describes and analyzes about: (1) the form of Sesanduran Dance which includes: movement, dancers, costumes, expressions or feelings, place of performance, (2) describes the symbolic meaning of Sesanduran Dance from the view of inner and outer aspects. To answer the form of Sesanduran Dance using theory by Slamet Md. Describing the symbolic meaning of Sesanduran Dance using theory from Allegra Fuller Synder. This research is a descriptive qualitative research. Data collection through documentation of works, literature studies, interviews and observations of Sandur and Sandur Dance. The results of this study show that the form of dance cannot be separated from the dance former consisting of movement, dancers, costumes, expressions or feelings, the place of performance. The symbolic meaning of Sesanduran Dance is seen from the outside aspect looking at the expression side of society. The compiler of Sesanduran Dance was inspired by the bancik scene in Sandur art in Tuban Regency. This section gives the understanding that humans in their lives are full of journeys that must be passed according to the cycle of life. There are nine motion motives that undergo levels of stimulation, transformation, and unity. Seven sets of motion are the foothold of bancik scenes and two motion motifs are typical movements of Sandur art in Tuban Regency.
BENTUK PERTUNJUKAN KESENIAN TIBAN DI DESA SURAT KECAMATAN MOJO KABUPATEN KEDIRI Hayya, Fina Lu'lual; Slamet, Slamet
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i1.5434

Abstract

Tiban Performing art at Desa Surat Kecamatan Mojo Kabupaten Kediri is a research that discusses the form and activity of art in the community.This research aims to explore the form of performance found in the Tiban arts in Surat Village, Mojo District, Kediri Regency. The problems to be discussed are: (1) How is Arriving in Surat Village, Mojo District, Kediri Regency? (2) How is the form of the Tiban show in Surat Village, Mojo District, Kediri Regency? Problems regarding the Tiban were analyzed using Richard Schechner's theory. This study used a qualitative research method, with an ethnoarchaeological approach. Ethnochoreology is one of the branches of science that discusses ethnicity and its various problems. Answering about Tiban in Sur at Village uses Talcott Parsons' theory which explains constitutive, cognitive, moral values, and also expressions, while regarding the form of Tiban uses Richard Schechner's theory which focuses on performance studies. The collection of data and information is carried out by means of observation or observation of research objects, interviews, and library research. The results of this study indicate that the art of Tiban cannot be separated from public trust, knowledge, moral values, and expressions that are embodied in Tiban in Surat Village, Mojo District, Kediri Regency. The form of performance is human activity in the form of Tiban performances which are manifested into games, rituals, and business, as well as the audience that exists as a series of human activities in the form of Tiban art performances.
Pengaruh Komunikasi Pimpinan dan Bawahan Terhadap Kinerja Karyawan Restoran Ayam Bawang Cak Per Cabang Malang Slamet, Slamet; Imami, Nor Ali Sukkron
MOMENTUM : Jurnal Sosial dan Keagamaan Vol 9 No 2 (2020): MUMENTUM NOVEMBER 2020
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Sekolah Tinggi Islam Blambangan (STIB) Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to understand: 1) The communication intensity level at Ayam Bawang Cak Per Restaurant, Malang Branch; 2) The employee performance at Ayam Bawang Cak Per Restaurant, Malang Branch; and 3) To know the communication influence between branch managers to employees on employee performance at Ayam Bawang Cak Per Restaurant, Malang Branch. This research used quantitative methods in the process and consist of two variables, dependent and independent. Communication is the independent variable and employee performance is the dependent variable. The research sample was taken 99% of the total population 50 people. Sampling in the study using the population sample method. Where in this case the researcher made the entire population as the research sample.The result showed that: 1) The communication intensity level between branch managers and subordinates was at a moderate level with a percentage of 75% of 30 employees; 2) The employee performance level was at the medium category with a percentage of 65% of 24 employees; and 3) There is a significant influence between communication on employee performance at Ayam Bawang Cak Per Restaurant, Malang Branch.The effective contribution or predictive power is shown by a coefficient (R2) of 0.256, which means that communication has an effect of 25.6% on employee performance, and the rest is due to variables not mentioned in this study
Co-Authors -, Sutriyanto A.A. Ketut Agung Cahyawan W Abdul Hamid Budiman Abdul Malik Karim Amrullah Abdur Rahim, Abdur Achmad Rasyid Ridha Achmad Vandian Nur, Achmad Vandian Ade Eka Anggraini Adharani, Salza Kartika Adhim, Muhammad Maslukil Affifatuzahara, Affifatuzahara Agung Murti Nugroho Agung Sri Hendarsa, Agung Sri Agus Salim Afrozi, Agus Ahdiansyah, Muhammad Hafidz Ainun Muthoharoh, Ainun Akbarahma, Mardika Alaiya, Syekha Vivi Alam, Nurayatul Alfien, Moh. Fajrul Ali Mandan, Ali Ali Multazam Alimandan, Alimandan Amran Jaenudin Anastasia Lidya Maukar Andrianto, Arya Anik Herwati Anik Vega Vitianingsih Anjelica, Benedikta Anjik Sukmaaji Aqmarina, Nur Ardiah Juita Ardianto, Risko Aris Aref Vai, Aref Arif Setia Sandi A. Arifianto, Rokhmat Asmuni, Hadiqoh Astuti, Diah Atikah Anindyarini AUNUR ROFIQ Azmala, Ilya Bachri, M. Febriansyah Bachri, Muhammad Febriansyah Bagaskara, Doni Yusuf Baig, Maughal Ahmed Ali Baliputra, Gigih Army Buana Balqis, Fadia Indah Bambang Heru Susanto, Bambang Heru Banun Sri Haksasi Barokatun Hasanah, Barokatun BAYU PRASTOWO Bayu Setiawan Bekti Wulandari Besi, Yovita Budi Murtiyasa Budi Santoso Budi Sungkawa, Hendra Cahyati, Angela Raisya Putri Cahyono, Erik Catur Nitya V.N., Catur Nitya Chaesar, Ari Suryawati Secio Chintia, Vika Chusniyah, Dina Asmaul Ciputra, Roni Cahya Dahliatul Hasanah Daryanto Daryanto Dea Sari, Khafifah Defi, Defi Denni Kartika Sari Desi Heltina Dewanta, Bagaskara Gita Dewanto, Satriyo Agung Dewi, Vera Melinia Dj, Herlinda Djohan Djohan, Herlinda Dwi Budi Santoso Dwi Ningsih, Yuni Astuti E.G. Lestari Edy Suryanto Eko Mugiyanto, Eko Eniya Listiani Dewi Eny Kusrini Erdiana, Luthfi Widad Esha, Muhammad In'am Evindra, Jodi Fachry Abda El Rahman Fadhilah, Isna Fahmi, Nasrina Nur Faizal Rizky Yuttama Farhan, Fikri Faris, Sukron Fauzi, Chamda Fauzi, Chamdan Fauziah, Nadia Kurnia Febrian Tri Adhi Wibowo Febrianti, Aprilia Fidarohman, Fidarohman Firdaus, Predi Firmanlindo, Dimas Satria Fitria, Mulajimatul Fitrulloh, Moch. Jassar Aqsal Frederikus Dian Indrastomo, Frederikus Dian Friarcha, Adly Fuad, Asfal Ghafur, Okta Abdul Guspari, Weldi Gustina, Adin H Sinaga, Rinaldo Agus Habibati, Almas Septia Hakim, Arif Lukman Hakim, Muhammad Fahmi Hamidan, Rusdi Hardhita, Rizki Septa Hardiyanti, Dwi Harini Harini Hariyanto, Dian Harjanti, Agnes Isti Harsono Harsono Haryadi Wibowo Haryono Haryono hasan, dahlawi Hasanah, Euis Uswatun Hayya, Fina Lu'lual Hendriana, Benny Heri Hermansyah Hidayah, Laila Fitri Nur Hidayati, Suci Himmah Taulany Husaini Usman Hutabarat, Ricard Parulian Ignatius Adrian Mastan Ihsan, Bagus Muhammad Iistiklaili, Fifti Ika Sartika Ikha Muliawati, Ikha Imam Rofiki Imam Santoso Imami, Nor Ali Sukkron Imma Fatayati Indar Kustiningsih Indra, Abel Indrawati, Iin Dyah Indriati Nurul Hidayah Indriyani, Puspa Irdyansah, Andry Irmayanti Hasan Irnawati Irnawati Irwan, Wahyurrahman Ferbiansyah Adha Muhammad Isnaini Isnaini Istiani, Lia Sukma Jaenudin, Erik Jamilah, Zahrotul Jenny Ernawati Jessica Tanuwijaya, Jessica Kamaludin Kamaludin Karjo, Karjo Kesuma Wardanie, Debleng Puja Khasanah Khasanah kholia, Amalia Khusna Santika Rahmasari Komala, Laura Kusmanto, Adi Kusrini, Kusrini Kustiningsih, Indar Labunda, Aura Iqlima Laili, Afrohatul Lambok Manurung Laula, Laula lenny kurniati, lenny Lestari, Juniarti Wulan Lestari, Wahyu Fajar Lianti Putri, Puspita Lili Marliyah Liza Choirun Nisa Lukman Subekti Luluk Elyana Luswandari, Wulan Fatikhah M. Ibadurrohman M. Rizki C, M. Rizki C Maaliki. H, Maulana Danar Made Sudana, I Mafruroh, Mafruroh Maretha Ika Prajawati Marhaeni Dwi Satyarini Maria Denok Bekti Agustiningrum Masrukhi Masrukhi Maulana, Yoppy Meti Fatimah Miftahul Huda Miftakhul Rohman, Muhammad Yasin, Iwan Marwan, Miftakhul Rohman, Milatun Khanifah Minggow, Lingua Franca Septha Misbahul Munir Mochamad Syamsiro Mochammad Arifin Mochammad Facta Moedrik, Irwan Mohamad Erihadiana, Mohamad Muarofah, Siti Najatun Muchammad Ajhi Romadhon Muh. Kasim Muhamad Ibadurrohman, Muhamad Muhammad Ibadurrohman Muhammad Noor Fitriyanto Muhammad Syaifudin Muhammad Triyogo Adiwibowo Muhklasin, Ahmad Mulyadi Mulyadi Mulyadi, Tubagus Mulyani Mulyani Mulyani, Rahmatika Munardi, Fhatia Natasya Murfiah Dewi Wulandari Musaidah, Siti Mutiarani Pionera Nana Noviada Kwartawaty Nasution, Muhammad Ali Nawab, Muhammad Ni Putu Nita Wijayanti Niam, Siti Khozinatun Nida, Khairun Ningrum, Wulan Agustin Nizar, Yusuf Bahrudin Nova, Fifit Noviana, Titik Noviyanti, Shobihatul Fitroh Novriyan, Grace Nugraha, Rizaldi Nugroho, Citra Maulidyah Rahmawati Nungki Marlian Yuliadarwati Nur Azmi Ainul Bashir Nur Rohmawati, Yuli Nur Yasin Nurhayat, Etiek Nurhayati, Etiek Nurhidayah, Larasati Sukma Nuryanti Nuryanti nuryanti, nuryanti nur Oktavia, Endah Oktaviani, Riska Kurnia Oktiawati, Unan Yusmaniar Pambudi, Dwi Bagus Pamudi Pamudi, Pamudi Pamungkas, Maulana Al Bana Pantjawati Sudarmaningtyas Pardal, S.J. Perez, Albert Yaser Permadi, Hendro Pinurti, Hayu Pradana, Adlan Bagus prajawati, mareta Prajnawati, Maretha Ika Pramesti, Rory Nur Pramudya, Stansa Senia Pranoto, Ponco Wali Prasetya, Candra Dwi Prasetya, Johan Praswasti PDK Wulan, Praswasti PDK Prihandoko, Tri Leksono Puguh Darmawan Pujiastuti, Hendrini Purnomo, Muhammad Sidiq Pusnawati, Yeni Putra, Fredriex Pramana Putra, I Gusti Ngurah Alit Widana Putri, Berliana Tristati Putri, Martina Reza R. Arbianti R. Soelistijanto Rachmanto, Wahyudi Rafinci, Ari Septia RAGAPADMI PURNAMANINGSIH Rahayu, Ardita Isnanda Rahayu, Suwasti Rahmadina, Shiva Nur Aulia Rahman, Fatchur Rahmita, Rahmita Ramli, Nurleli Ratnawati Ratnawati Riadi, Bagus Riani, Quensy Richie, Enrico Rifaldi, Ridho Rike Yudianti Rini Nurhakiki Rita Arbianti Riyadi Syakur, Riyadi Rizqi, Innas Iffat Rizqial, Farchan Ananda Rofiqi, Rofiqi Romanto, Romanto Roy Ardiansyah, Roy Rozi, Fajrul RR. Ella Evrita Hestiandari Rusdi, Jack Febrian Rustanto Rahardi Sabarudin Sabarudin Saddam Husein, Saddam Salim, Maulidyah Salsabila, Salma Fi Sandika, I Kadek Budi Sani, Mutiara Sanjaya, David Julius Sari, Mada Sumringah Sari, Ratih Ayu Puspita Sayidatu Zahrok, Firlia Setianto, Gigih Setiyowati, Supami Wahyu Setyaningsih, Sri Shafira, Siti Nur Azizah Shofiyyah Taqiyyah sinaga, Bandarudin Welman Sindyana, Amanda Putri sirait, ramsyuren putra Siti Amina siti Nurindah Sari Soebandriyo, Soebandriyo Sohri, Moch. Solihandari , Shinta Sopyan, Iis SRI RAHAYU Sri Rahayuningsih Sri Sayekti Sri Wahyuni Sri Widayati Sri Yulaikah, Sri Srihadi Srihadi Sugito - Sugiyanto - Sugiyono Sugiyono Suhono Suhono, Suhono Sujatmiko, Amin Sulaiman, Robi Sulastio, Agus Sulastio, Agus Sulatio, Agus Sumardi . Sumarwati Supiat Supriyanto Supriyanto Suprizal, Suprizal sururi, endri Susy Kuspambudi Andaini Sutriswanto, Sutriswanto Suwadji, Suwadji Suwandi, Edy Suwasono, Prayitno Ribut Syafriadinata, Ridho Syafriwan, Dio Syahdilla, Ade Syaiful Hamzah Nasution Syamsiar, Syamsiar Syamsul Arifin Syamsul Rizal Syarifah, Dewi Tamaulina Br Sembiring Teguh Widodo Titik Susiatik Tri Suminar Trianingsih Eni Lestari Triyantoro, Haris Tugino, Tugino Tuti Mutia Ulhaq, M Daffa’ Dhiya’ Ulul Azmi Ulum, Mazro’atul Ulung, Ridwan Printis Umarella, Novel Umi Trisnaningsih Ummie Masrurah Urmatul Waznah Utari, Dewi Vicky Andria Kusuma victoria, yeni Vitandi, Immellia Novitasari Viviyanti Johar, Intan Wahyu Danumulyo, Wahyu Wardani, Suci Kesuma Wasino Wasino Wicaksono, Dandy Widia Yanti, Widia Widiyanti, Leonita Wijayanti, Ni Putu Putu Nita Winarni, Dyah Setyaningrum Winarno, Andhika Sarfatra Wiranata, Agus Wirasti, Wirasti Wulandari, Azhari Putri Wuryanto, Nareswari Hidayah Yayu Indriati Arifin YM. Indarwati Rahayu Yudi Kristyawan, Yudi Yundari, Yundari Yuniar, Ni Ratih Putri Yusrilia, Yusrilia Yustiana Putri, Naimatul Jannah Yusuf, Adrian Edoardo Zalzalah, Guruh Ghifar Zenda Christian Adhiatama Zidni Imanurrohmah Lubis Zubaidah R, Zubaidah Zuhri, Muchammad Syaifudin Zusrotin, Zusrotin