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- Afrizal
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 1 
REINTERPRETASI SIMBOL BATIK DEMAK afrizal, afrizal
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2298.236 KB) | DOI: 10.33153/acy.v11i2.2751

Abstract

AbstractThis article wants to reinterpret the symbol of batik Demak that has been lost for hundreds of years. Demak as the first Islamic empire, in its time, becomes the center of Islamic Javanese culture and a cultural figure with the various cultural products. One of the cultural products in Demak is batik. The context of this study views Batik Demak as a cultural form, namely artifacts that contain a discourse of self-representation found by ideographic aspects of the initiator and the culture that produce to it. This discourse is reflected in the form or figure of the object as well as the implicit meaning. Batik Demak is considered to be a cultural heritage in Demak since hundreds of years ago. It had, once, disappeared then in 2006 it was reappeared. This must cut the strings of history about the meaning and function of Batik Demak in ancient times. Batik Demak tends to present when each region in the territory of Indonesia, especially Central Java is promoting batik with regional motifs. The reinterpretation of symbols that emerge seems to be a strategy of branding or imaging an area. The meaning of the symbol of batik does not really represent the pattern of life of Demak community as manifested in the five typical motives of Demak.Keywords: Batik Demak, Reinterpretation, Symbols
OPTIMASI PRODUKSI ECOPRINT FABRIC DENGAN TEKNIK ROTARY PRINTING Cahyana, Agung; Afrizal, Afrizal
Acintya Vol. 13 No. 2 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i2.4049

Abstract

Abstract Ecoprint is a process of transferring colors and shapes to the fabric through direct contact between the leaves and the fabric. Ecoprint technique is an advancement technique in ecofashion that produces environmentally friendly fashion products. The coloring that are often used by the techniques are iron blanket technique and pounding technique. Furthermore, another technique used for coloring ecoprint fabric is using the leaves as ecoprint stamps. It works by coloring the leaf sheet with natural or synthetic dye and followed by adhering the leaf onto the fabric. By pressing the leaves that have been covered in dye, a leaf motif with its tissue will appear on the fabric. The ecoprint stamp technique is easier than other techniques. In the implementation, this technique is still considered taking a long time in the process that an eco-rotary printing technique needs to be developed. Its technique is expected to solve problems that ecoprint stamp techniques have. The engineering of eco rotary print tool as a medium on cap rotary printing technique is resulting 2 prototypes. i.e., 2 roll model, and 3 roll model. The eco-rotary printing method is inspired by a motif roll paint that are able to give color motif on the walls in a relatively fast time. Thus, the leaves are affixed to the roll combined with natural dyes to create a leaf motif on the surface of the fabric. The test results from the two prototypes of the tool are presented. The 3 roll model gives the result of leaf motif color on the fabric with better quality than the 2 roll model. This makes production more effective and efficient in terms of the time of the production process. And, finally, the results of this study are very possible to be utilized in the production of large-scale ecoprint fabric. Key word : Ecoprint, Ecofashion, Eco Rotary Print  
PENERAPAN MOTIF UKIR TRADISI PADA BLOK MESIN SEPEDA MOTOR Afrizal, Afrizal; Prabowo, Rahayu Adi
Acintya Vol. 14 No. 1 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i1.4320

Abstract

ABSTRAKSeni ukir di Indonesia telah mengalami kemajuan dengan adanya ragam jenisnya, mulai dari pengembangan motif, media, teknik, dan aspek pengembangan lainnya. Dikenal di masyarakat luas bahwa seni ukir adalah sebuah tindakan pengolahan media dengan teknik cukil, gores, coret, dan pahat yang diterapkan pada media kayu, kulit, dan logam. Kekayaan seni ukir logam di Indonesia perlu ada pengembangan-pengembangan yang akan menambah ekspresi seni untuk para pengrajin dan para pegiat seni ukir logam. Pengembangan seni ukir logam diharapkan mampu memberi dampak yang nyata dalam rangka memberikan gambaran tentang alternatif pengembangan dari seni ukir yang berkembang selama ini. Fokus penerapan seni ukir logam pada sajian tulisan ini diaplikasikan pada bentuk benda yang sudah ada yaitu blok mesin sepeda motor. Sajian penelitian ini menggunakan metode aplikasi eksplorasi motif, yaitu memunculkan motif ukir tradisi yang dikemas dalam penerapannya pada blok mesin sepeda motor dengan mengaplikasikan pola motif garapan baru sesuai dengan ranah teknik ukir motif tradisi. Metode ini menuangkan motif tradisi Surakarta dan Mataram dengan gubahan pada pola mengikuti bentuk dari blok mesin sepeda motor. Kata Kunci : Seni Ukir, Logam, Blok Mesin  ABSTRACTThe art of carving in Indonesia has progressed with various types, ranging from the development of motifs, media, techniques, and other aspects of development. It is known in the wider community that the art of carving is an act of media processing with the technique of cutting, scratching, scribbling, and chiseling which is applied to wood, leather, and metal media. The wealth of metal carving in Indonesia needs developments that will add artistic expression to craftsmen and metal carving activists. The development of metal carving is expected to have a real impact in order to provide an overview of the alternative development of carving that has developed so far. The focus of the application of metal carving in the presentation of this paper is applied to the shape of an existing object, namely the motorcycle engine block. This research presentation uses the application method of motif exploration, namely bringing up traditional carving motifs that are packaged in their application to motorcycle engine blocks by applying new patterned motifs in accordance with the realm of traditional motif carving techniques. This method expresses the traditional motifs of Surakarta and Mataram with compositions in a pattern following the shape of the motorcycle engine block. Keywords: Carving, Metal, Machine Block
REINTERPRETASI SIMBOL BATIK DEMAK afrizal, afrizal
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i2.2751

Abstract

AbstractThis article wants to reinterpret the symbol of batik Demak that has been lost for hundreds of years. Demak as the first Islamic empire, in its time, becomes the center of Islamic Javanese culture and a cultural figure with the various cultural products. One of the cultural products in Demak is batik. The context of this study views Batik Demak as a cultural form, namely artifacts that contain a discourse of self-representation found by ideographic aspects of the initiator and the culture that produce to it. This discourse is reflected in the form or figure of the object as well as the implicit meaning. Batik Demak is considered to be a cultural heritage in Demak since hundreds of years ago. It had, once, disappeared then in 2006 it was reappeared. This must cut the strings of history about the meaning and function of Batik Demak in ancient times. Batik Demak tends to present when each region in the territory of Indonesia, especially Central Java is promoting batik with regional motifs. The reinterpretation of symbols that emerge seems to be a strategy of branding or imaging an area. The meaning of the symbol of batik does not really represent the pattern of life of Demak community as manifested in the five typical motives of Demak.Keywords: Batik Demak, Reinterpretation, Symbols
OPTIMASI PRODUKSI ECOPRINT FABRIC DENGAN TEKNIK ROTARY PRINTING Cahyana, Agung; Afrizal, Afrizal
Acintya Vol. 13 No. 2 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i2.4049

Abstract

Abstract Ecoprint is a process of transferring colors and shapes to the fabric through direct contact between the leaves and the fabric. Ecoprint technique is an advancement technique in ecofashion that produces environmentally friendly fashion products. The coloring that are often used by the techniques are iron blanket technique and pounding technique. Furthermore, another technique used for coloring ecoprint fabric is using the leaves as ecoprint stamps. It works by coloring the leaf sheet with natural or synthetic dye and followed by adhering the leaf onto the fabric. By pressing the leaves that have been covered in dye, a leaf motif with its tissue will appear on the fabric. The ecoprint stamp technique is easier than other techniques. In the implementation, this technique is still considered taking a long time in the process that an eco-rotary printing technique needs to be developed. Its technique is expected to solve problems that ecoprint stamp techniques have. The engineering of eco rotary print tool as a medium on cap rotary printing technique is resulting 2 prototypes. i.e., 2 roll model, and 3 roll model. The eco-rotary printing method is inspired by a motif roll paint that are able to give color motif on the walls in a relatively fast time. Thus, the leaves are affixed to the roll combined with natural dyes to create a leaf motif on the surface of the fabric. The test results from the two prototypes of the tool are presented. The 3 roll model gives the result of leaf motif color on the fabric with better quality than the 2 roll model. This makes production more effective and efficient in terms of the time of the production process. And, finally, the results of this study are very possible to be utilized in the production of large-scale ecoprint fabric. Key word : Ecoprint, Ecofashion, Eco Rotary Print  
PENERAPAN MOTIF UKIR TRADISI PADA BLOK MESIN SEPEDA MOTOR Afrizal, Afrizal; Prabowo, Rahayu Adi
Acintya Vol. 14 No. 1 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i1.4320

Abstract

ABSTRAKSeni ukir di Indonesia telah mengalami kemajuan dengan adanya ragam jenisnya, mulai dari pengembangan motif, media, teknik, dan aspek pengembangan lainnya. Dikenal di masyarakat luas bahwa seni ukir adalah sebuah tindakan pengolahan media dengan teknik cukil, gores, coret, dan pahat yang diterapkan pada media kayu, kulit, dan logam. Kekayaan seni ukir logam di Indonesia perlu ada pengembangan-pengembangan yang akan menambah ekspresi seni untuk para pengrajin dan para pegiat seni ukir logam. Pengembangan seni ukir logam diharapkan mampu memberi dampak yang nyata dalam rangka memberikan gambaran tentang alternatif pengembangan dari seni ukir yang berkembang selama ini. Fokus penerapan seni ukir logam pada sajian tulisan ini diaplikasikan pada bentuk benda yang sudah ada yaitu blok mesin sepeda motor. Sajian penelitian ini menggunakan metode aplikasi eksplorasi motif, yaitu memunculkan motif ukir tradisi yang dikemas dalam penerapannya pada blok mesin sepeda motor dengan mengaplikasikan pola motif garapan baru sesuai dengan ranah teknik ukir motif tradisi. Metode ini menuangkan motif tradisi Surakarta dan Mataram dengan gubahan pada pola mengikuti bentuk dari blok mesin sepeda motor. Kata Kunci : Seni Ukir, Logam, Blok Mesin  ABSTRACTThe art of carving in Indonesia has progressed with various types, ranging from the development of motifs, media, techniques, and other aspects of development. It is known in the wider community that the art of carving is an act of media processing with the technique of cutting, scratching, scribbling, and chiseling which is applied to wood, leather, and metal media. The wealth of metal carving in Indonesia needs developments that will add artistic expression to craftsmen and metal carving activists. The development of metal carving is expected to have a real impact in order to provide an overview of the alternative development of carving that has developed so far. The focus of the application of metal carving in the presentation of this paper is applied to the shape of an existing object, namely the motorcycle engine block. This research presentation uses the application method of motif exploration, namely bringing up traditional carving motifs that are packaged in their application to motorcycle engine blocks by applying new patterned motifs in accordance with the realm of traditional motif carving techniques. This method expresses the traditional motifs of Surakarta and Mataram with compositions in a pattern following the shape of the motorcycle engine block. Keywords: Carving, Metal, Machine Block
Co-Authors , Miftahul Jannah -, Norman Ferdinal Abd.Rashid, Muhammad Hafiz Abdi Dharma Adang Bachtiar Ade Putra Nanda Adha, Dedi Adhariani, Siska Adi Putri, Indah Afiful Ikhwan Afrida Sary Puspita Agnia, Wini Agryadini, Roselika Agus, Azwar Agustin, Ghea Paki Agustina, Wiwit Ahmad Louis, Ahmad ahmad rizal Ahmad Syakur Ahyar Ahyar Ainil Mardiah Ainul Mardhiah, Ainul Akbar, Kevin Naufal Akmal, Sirajuddin Akmilatunnisa, Akmilatunnisa Alfiana Alfiana Alfiandi, Bob Alfitri Alfitri Alfred Alfred Amalia, Hafizha Azra Amanda Sintya, Dwi Amel Yanis Aminah Aminah Amri, Mila Amrulloh, M. Sholahuddin Amry, Zul Ana Ana Andi Urfia Awaliah Andria, Rama Andriana, Nana Andriani, Rizki Anggreani, Yulistina Aniza Octoviani Anjani, Arum Dwi Anjik Sukmaaji Antono, Rudi April, Muhammad Ardiyansyah Ardiyansyah Ardo, Okilanda Ariandini, Dinda Ariani, Rini Aris Tristanto Aris Tristanto Arman, Juni Arnes Yuli Vandika Aryadie Adnan Asdi Agustar Asep Machpudin Asfira, Rizka Asriani Asriani, Asriani Asrinaldi Asrinaldi Astuti, Elya Asy-Syiffa, Adinda Mutiara Auradian Marta Aurin, Rizkiza Ayuni, Nadya Qurrota Aziz, Ishak Azmi, Fahrul Azwar Azwar Azwarsjah, Tengku Azril Balqis, Natasya Sabilla Balqis, Natasya Sabillah Binti Mohd Afendi, Siti Hajar Bismar Arianto Bob Alfiandi Budiyanti, Fatwa Bustanul Arifin Cahyana, Agung Chaereyranba Sholeh Clara Liany Tampubolon Claudia, Feby Dadan Sundara Dadang Mashur Dahlan, Dasrizal Dahlia Dahlia Dasril Dasril David Sarana Defrima Oka Surya Delvi Hamdayani Delvina, Delvina Dermawan, Bagas Dermawan, Rezki Deseria, Rita DESI NATALIA, DESI Devi Susana, Devi Dewi, Arisa Dewi, Dian Kharisma Diah PA, Enggar Dian Widyantini Diana, Nurdiana Diandi, Akmaluddin Dianita, Oktia Risa Dikjayanti, Melia Dimasiosz, Permata Jali Dinarni, Dian Dios Nugraha Putra Diyetmawati, Diyetmawati Dwi Pujiastuti Eddy Marheni Edi Gunawan Edyyul, Ilham Akerda Efendi, Susmitra Muhammad Efendi, Zulham Eki Darmawan Eko Martono Eko Purnomo Elfitra Elfitra Elzas Elzas, Elzas Emilia Susanti Endang Purwaningsih Erawati, Misni Erdawati Erdawati, Erdawati Erehandri, Rivaldo Erfani, Danti Erlina Burhan Erwin Erwin Fachrurrozi Fachrurrozi Fachruzzaki, Fachruzzaki Fadel, Fadel Fadjar Goembira Fahrizal Fahrizal Fairuza, Inaya Fajri, Rizki Farah Juniati Meutianingrum Fasdarsyah Fasdarsyah Fatchuroji, Acep Fathiah, Adha Fatia Fatimah Fauzan . Fauzi, Rizal Ula Ananra Febriana, Michelle Felisya, Suci Rahmatul Fernanda, Hengki fhajri, m Finola, Monicha Aulia fiprinita, rizki Firdaus, Nanda Rizky Firdawati, Firdawati Fisy Amalia Fitri Rahayu Fitria Alisa Fitrini Mansur Fredy Olimsar Fuadi Fuadi G Gunawarman, G Gaurifa, Yulia Setiawati Gea, Ali Yusran Ghasani, Almas Sabrina Giang, Phan Bao Gibran, Muhammad Nur Gita Indrawan, Mohamad Gunadi, Sahrul Gusmuliana, Paidi Hafifa, Nur Hamdan Hamdan Hamdika, Wahyu Hanasi, Raihan A. Handrisal Hardisman Harman Amir Harmayani, Ria Hartono, Makmur Hasnirwan Hasnirwan Hatidja, St. Hayati, Irma Isra Haykal, Muhammad Helmi Helmi Hendry Andry Heriyani, Heriyani Herlambang, Albert Herlina Suciati Herlina, Nelli Hermazoni, Hermazoni Hery Widijanto Hildawati Hildawati, Hildawati Hospita, Wira Hsb, Aminah Rahmah Hsb, Siti Agustina Hudaeni, Nurul Hutabarat, Stiven Jerry Immanuel I GEDE PUTU WIRAWAN Ibnu Hajar Ida Ayu Putri Darmawati Ikhsan Muharma Putra Ikhwanul Arifan Ilahi, Taufiq Ilham Wahyudi IMAM, CHOIRUN Indah Damayanti, Indah Indah, Dini Permata Indraddin Indrawan, Mohammad Gita Indriarahmadani, Indria Rahmadani Indryani, Indryani Irasahwadi, Irasahwadi Irawan, Alfha Rizi Irawan, M. Alfa Rizi Irfan Oktavianus Irma Suryani IRSAN RYANTO Irwan Irwan Irwanto Irwanto Ismiyana, Ulydhatul J, Gilang Ramadhani Jarullah, Jarullah Jayawarsa, A.A. Ketut Jeki Haryanto Jelly, Jelly Jendrius Jendrius Julianti, M. Ramaddan Jumiarti, Desri Junias Robert Gultom Kalalo, Rieneke Ryke Kanchanawongpaisan, Sipnarong Karokaro, Tati Kartinah Kartinah, Kartinah Kartius, Kartius Kasmanto Rinaldi, Kasmanto Kaysi, Nisa Khairani, Nerli Khairil Anwar Khairuddin - Khairunnisa Khairunnisa Kharsela, Yeni Kholid Hidayatullah, Kholid khusnul khotimah Kontesa, Meria Lahmi, Ahmad LISTIANA SRI MULATSIH Lukito, Laksono Edhi M Ridwan, M. ridwan M. Shabri Abd. Majid M. Yusuf Mahroza, Jonni Mahyuddin, Meriwati Mahyudin Ritonga Maidarman, Maidarman Maidelwita, Yani Maihasni Maihasni Maria Paristiowati Markum Marleni Marleni Marliyah, Marliyah Marzuki Marzuki Maskota Delfi Masrun masrun Maulana, Dian Mia Aina Miko, Alfan Mimin Sundari Nasution Misni Erwati, Misni Muammar Alkadafi Muammar Khaddafi Muhammad Maulana Muhammad Ryu Syaputra Muhammad Sabir Muhammad Tahir Muhammad Zainal Abidin Mukhzarudfa, Mukhzarudfa Muktiarni, Muktiarni Musdalifa Musdalifa Muslim Muslim Mustofa , Samsul Muthia, Gina Mutiara Asy Syiffa, Adinda Na'afi, Septiana Nainggolan, Icha Ananda Nana Adriana Nazaki Nazaki Nazri, Nazri Nela Safelia nelsi arisandy arisandy, nelsi arisandy Netty Herawaty Ngaliman, Ngaliman Ningsih, Yanisa Fitria Norini, Norini Novigator, Hendri Nur Hafifa Nurasiah Nurasiah Nurdiana Nurdiana Nurfidari, Nurfidari Nurhayati Nurhayati Nuridin Widya Pranoto Nurlina, Eka Nurmadia, Nurmadia Nurnajmi, Nurnajmi Nursafiah, Nursafiah Oktaf Rina Oktora, Ria Ophiyandri, Taufika Panchadria, Pramana Anwas Paradita, Indriani Parinduri, Ramadha Yanti Perdana, Taslim Permadi, Hari Petrus Loo Prabowo, Rahayu Adi Prakoso, Lukman Yudho Pranata, Agung Prayunita Sari, Novalia Niken Pribadi, Ikhsan Abdi Prihantony, Des Indri Priyanto Priyanto Purwaningsih , Endang Putra, Dios Nugraha putra, jefry aprizal Putra, Johni Eka Putra, Juanda Putra, Juli Ishaq Putra, Yogi Arnaldo Putri Nelly Syofiah Putri, Dhea Salsabila Putri, Faura Chandra Aditya Putri, Novica Putri, Sania Destia Putri, Shelsa Moertiriany Qaribi, Mahanta R. Hariyani Susanti Rahmad Firdaus Rahmad Gurusinga Rahman Hidayu Rahmat Hidayat Rakhmawati, Dessy Ramadani, Mery Raniasa Putra Ratih Kusumastuti Ratih Ratnasari Ratna Lestari Redho Rama Putra Reni Yustien Reni, Ises Reviza, Liza Rico Wijaya Z Riduan, Akhmad Rifky , Sehan Rika Ampuh Hadiguna Rima Semiarty Rimanto, Rimanto Rina Lestari Rinaldo, Rio RINEL MA FITLAYENI S.Sos Ririn Handayani Risky Setiawan Rita Handayani, Rita Rivan , Muhammad Rizanda Machmud Rizkiyah, Ananda Putri Rizky Setiawan Robi Rendra Tribuana Rosniati Hakim Roswati, Roswati Rudi Febriamansyah Rusfa, Dilla Dwi Rahmatin Sabyan, Muhammad Safitri, Dian Prima Safrinal, Safrinal Saharani, Adelia Saliman Saliman Salma Wati Salman Jumaili Salsabila, Mutiara Samsul Mustofa Santosa, Tomi Apra Saputra, Alziad Sari , Elvina Mutia Sari , Sintia Eka Puspita Sari, Elvina Mutia Sari, Naura Juwita Sari, Sintia Eka Puspita Sari, Suci Kurnia Sarmiati Sarmiati Satriawan, Bambang Sawaluddin Sawaluddin, Sawaluddin Sawaludin, Sawaludin Sayfulloh, Usman Hamid Scheilla Aprilia Murnidayanti Sefrianti, Riski Sembiring, Tamaulina Br. seswandi, agus Setiawan, Budhy Setyorini, Triyana Wahyu Shabri Abd. Majid, M Sholeh , Chaereyranba Sihombing, Hanissa Wandansari Sijabat, Jannes Simarmata, Joner Sinaga, Hommy Dorthy Ellyany Siringo-ringo, Juwita Juliana Siska Adhariani Siska, Lira Tri Siti Aisyah SITI MARIYAH Slamet Raharjo sofia, nur zarit Solihat, Iis Solly Aryza Soniawan, Vega Srg, Syahruddin Sri Budi Purwaningsih, Sri Budi Sri Kurniawati Sri Patmi, Sri SRI RAHAYU Sri Rezeki Sri Setiawati Sri Setiawati, Sri Sri Wahyuni St. Hatidja Suaip, Suaip Sudirman Sudirman Sugianto, Efendi Sugiman, Ranon Suhardi Suhardi Suhardi Suhardi Sukendi Sukendi SUMARIYATI, RINA RUSDIANA Supriyanto Supriyanto Suriani, Halisah Surtika, Memi Suryadi, A. Fitriani Suryati Suryati Suryawahyuni Latief Susfayetti, Susfayetti Sutrisna, Sela Syafda, Rohadatul Aisy Syafwar, Fadhilah Syahriyal, Syahriyal Syamsiar, Syamsiar Syaprianto, Syaprianto Syaputra, Fendi Agus Syarief, Devi Syawaluddin Syawaluddin, Syawaluddin Sylvia Kartika Dhamayanti Tamrin Tamrin Tamrin Tamrin Tarigan, Selvi Br Tarissaputra, Retdian Teguh Sutanto Thoiyibi, M Tiofanny, Claudie Tona Aurora Lubis Tristanto, Aris Ulmy, Adella Yauma Unpris Yastanti, Unpris Utami, Cleofatra Utami, Eva Yuniarti Uz–Zaky, M. Rafi Wahyu, Milde Wijaya, Riko Wijaya, Sean Michael Owen Winda, Rahma Wirma, Sucy Lestari Wirmie Eka Putra Witarsyah, Witarsyah Yani, H. Ahmad Yenni Darvina Yoggi Harmaidi Yogi Setiawan Yulia Fitri Yuliana, Desi Yulitri, Rina Yuliusman Yuliusman Yulmardi Yulmardi Yunita Yunita Yupita, Sles Yusriana Yusriana, Yusriana Zainal Arifin Zaini Ali Zetra, Aidinil Zurmayeni, Zurmayeni Zusmelia Zusmelia