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Transportasi Laut MAGISTRA Law Review Jurnal Ilmiah Dunia Hukum Jurnal Pengabdian Masyarakat: Darma Bakti Teuku Umar Management Studies and Entrepreneurship Journal (MSEJ) JURNAL GEOGRAFI Geografi dan Pengajarannya TSAQOFIYA : Jurnal Pendidikan Bahasa dan Sastra Arab Enrichment : Journal of Management Attractive : Innovative Education Journal Visual Heritage: Jurnal Kreasi Seni dan Budaya JURNAL USM LAW REVIEW Reswara: Jurnal Pengabdian Kepada Masyarakat Journal of Research and Educational Research Evaluation Coopetition : Jurnal Ilmiah Manajemen Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Kordinat : Jurnal Komunikasi antar Perguruan Tinggi Agama Islam Jurnal Pengabdian UNDIKMA International Journal Of Science, Technology & Management (IJSTM) Jurnal Pendidikan Jurnal Mekanik Terapan Journal of Industrial Engineering & Management Research (JIEMAR) JURNAL ABDIMAS TRIDHARMA MANAJEMEN International Journal of Environmental, Sustainability, and Social Science International Journal of Applied Technology Research International Journal of Marketing and Human Resource Research Jurnal Kesehatan Tambusai Bioeduca : Journal of Biology Education Abdimisi Bioscientist : Jurnal Ilmiah Biologi Juvenil: Jurnal Ilmiah Kelautan dan Perikanan CENDEKIA : Jurnal Ilmu Pengetahuan AloHA International Journal of Health Advancement (AIJHA) Journal La Edusci Al-Fikru: Jurnal Ilmiah JURNAL STUDIA ADMINISTRASI International Journal of Social Science LEARNING : Jurnal Inovasi Penelitian Pendidikan dan Pembelajaran ARTCHIVE: Indonesia Journal of Visual Art and Design JITEL (Jurnal Ilmiah Telekomunikasi, Elektronika, dan Listrik Tenaga) Edu Cendikia: Jurnal Ilmiah Kependidikan Jurnal Abdi Masyarakat Indonesia Empiricism Journal Basic and Applied Nursing Research Journal Journal Evaluation in Education (JEE) Tanwir Arabiyyah: Arabic as Foreign Language Journal Jurnal Pemberdayaan Masyarakat Indonesia (JPMI) Journal of Social Research COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat Society: Jurnal Pengabdian Masyarakat Indonesian Journal of Research and Educational Review (IJRER) Jurnal Al-Qiyam Jurnal Tana Mana Jurnal Kajian Ilmu Pendidikan (JKIP) Bureaucracy Journal : Indonesia Journal of Law and Social-Political Governance AKADEMIK: Jurnal Mahasiswa Ekonomi & Bisnis Eksergi: Jurnal Teknik Energi Jurnal Pengabdian Kefarmasian At-Tajdid: Jurnal Ilmu Tarbiyah Jurnal Bilqolam Pendidikan Islam SENGKUNI Journal (Social Science and Humanities Studies) Toba: Journal of Tourism, Hospitality, and Destination Taroa : Jurnal Pengabdian Masyarakat JKKI : Jurnal Kedokteran dan Kesehatan Indonesia Industrial Research Workshop and National Seminar Jurnal Keuangan dan Akuntansi Terapan (KUAT) Edukasia: Jurnal Pendidikan dan Pembelajaran Journal of Educational Sciences Journal of Tropical Biodiversity ESENSIA: Jurnal Ilmu-Ilmu Ushuluddin Jurnal Hukum dan Peradilan Takuana: Jurnal Pendidikan, Sains, dan Humaniora Journal of Global Strategic Studies AGRIEKSTENSIA Jurnal Ekonomi, Manajemen dan Akuntansi (JEKMA) Jurnal Basicedu International Journal Corner of Educational Research (IJCER) Jambura Journal Civic Education Expensive: Jurnal Akuntansi dan Keuangan JKaKa Jurnal Indonesia Sosial Teknologi Jurnal Indonesia Sosial Sains Indonesian Research Journal on Education Jurnal Pengabdian Pada Masyarakat Jurnal Pengabdian West Science Ranah Research : Journal of Multidisciplinary Research and Development AL ULYA: JURNAL PENDIDIKAN ISLAM Proceeding of International Conference on Science, Education, and Technology Jurnal Riset Rumpun Ilmu Sosial, Politik dan Humaniora (JURRISH) Inovtek Seri Mesin Depik Jurnal Ilmu-Ilmu Perairan, Pesisir dan Perikanan Indonesian Journal of Educational Management and Leadership Jurnal Abdimas Lamin Inovasi Jurnal Pengabdian Masyarakat (IJPM) Hukum dan Politik dalam Berbagai Perspektif Jurnal Pengabdian Kepada Masyarakat Bangun Cipta, Rasa, & Karsa (Jurnal PKM BATASA) Journal of Law & Policy Review Media Kesehatan Politeknik Kesehatan Makassar (MJN) Jurnal Riset Gizi Abuya: Jurnal Pendidikan dasar Frontiers in Community Service and Empowerment Jurnal Ekonomi dan Pembangunan Indonesia Journal of Islamic Communication Studies Ahlussunnah: Journal of Islamic Education Jurnal Inovasi Konstruksi Jurnal Elemen Kimia Jurnal Riset Pembelajaran Kimia Health Dynamics AKSIOMA : Jurnal Sains Ekonomi dan Edukasi Indonesian Journal of Community Empowerment Journal of Mechanical Engineering and Applied Technology Jurnal Social Society Depik Jurnal Ilmu-Ilmu Perairan, Pesisir, dan Perikanan Jurnal Komunikasi Indonesia Jurnal Polimesin Danadyaksa: Post Modern Economy Journal JGSD : Jurnal Guru Sekolah Dasar Jurnal Terapi Wicara dan Bahasa Jurnal Dinamika Ilmu Komunikasi Catharsis Journal of Nonformal Education Media Gizi Pangan Nucleus Journal Konstruktivisme : Jurnal Pendidikan dan Pembelajaran Jurnal Perikanan Environmental and Agriculture Management EDUCATIONAL: Jurnal Inovasi 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Upaya Badan Pemberdayaan Perempuan dan Keluarga Berencana (Bppkb) dalam Penanggulangan Kasus Kekerasan Anak Dan Perempuan Di Kabupaten Kendal Firdausi, Aulya Della; Susanti, Martien Herna; Sunarto, Sunarto
Unnes Political Science Journal Vol 2 No 2 (2018): July
Publisher : Program Studi Ilmu Politik Fakultas Ilmu Sosial Universitas Negeri Semarang

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Abstract

The case of child and woman violence in Kendal District has increased for three consecutive years since 2013. One of the agencies responsible for the prevention of child and female violence cases in Kendal District is the Women's Empowerment and Family Planning Agency (BPPKB). So the the problem in this research are (1) How is the effort of BPPKB in handling child and woman violence case in Kendal District?, (2) What is the cooperation system of BPPKB with other institutions?, and (3) What kind of problems did BPPKB get in handling cases of child and woman violence in Kendal District?. The results of the research show (1) the effort that has been done by BPPKB in handling cases of child and woman violence can be divided into two, prevention and handling after the happening of the case. As a prevention, BPPKB has conducted socialization activities with the material of Law Number 23 Year 2002 regarding Child Protection and Law Number 23 Year 2004 on the Elimination of Domestic Violence. Then for the post-case handling, the victims will be given five services in the form of Reporting Service, Health Service, Advocacy Service, Rehabilitation Service by Shelter and lastly Service of Return and Social Reintegration. (2) Cooperation conducted by BPPKB with other institutions contained in the Decree of Regent of Kendal Number: 463/248/2012 then formed an Integrated Service Team on Handling of Violence Against Women Based on Gender and Child which then formed an organization of Center for Integrated Service of Handling of Violence of Women and Larasati Children (PPT - PKPA Larasati). (3) The problem faced by BPPKB is the lack of human resources and infrastructure facilities. The suggestions that can be given is the addition of the number of human resources officers in both the reporting service and medical services, increasing the intensity of socialization in various layers of society and maintaining cooperation relationship between BPPKB and various related agencies that work together.
Form and Structure of Kentrung Art in Ngasem Village Batealit District Jepara Regency Harwanto, Dody Candra; Sunarto, Sunarto
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.21952

Abstract

Kentrung art is a folk theater art that tells a story in the form of prose and interspersed by pantun, an Indonesian unique form of prose. It is played by sung, and uses musical instrument called “Terbang” or Rebana. This research aims to analyze the shape and structure of Kentrung art in Ngasem Village District Batealit Jepara regency. The method used in this research is qualitative descriptive with interpretative case study research design. The research data was collected by observation technique, interview, and documentation study. It is also using triangulation techniques of sources and data to maintain its validity. Meanwhile, the data analysis technique is done through the process of reduction, presentation, and withdrawal of conclusion (verification). The results of this study indicate that, Kentrung musical form consists of two elements, namely elements of time and melody. The time element of Kentrung art employs Allegreto tempo which means fast or between the speed limit of 104-112 steps per minute; the meter uses 4/4, meaning there are four or four minutes of beats on each bar; and rhythmic patterns are divided into two types (senggakan and sautan) which generally use the value of half-tap, and on the big fly using the pattern of rhythm singkup. Most melodies use a half-tap note with the highest tone of G# 5 (la), and the lowest tone is F# 4 (sol). Meanwhile, the musical structure of Kentrung consists of two sentences or periods namely repeated A B.
A Multicultural Study of Suma Budaya Marawis Music Band in Pekalongan Mujadid, Ahmad Zahry; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23292

Abstract

The entity of the adoption process produced a concept of multiculturalism in the form of marawis music presented by Suma Budaya group. This study aims to analyze the musical elements of the group Suma Budaya marawis Pekalongan City and multicultural characteristics in the context of urban Pekalongan. The research method is qualitative with interdisciplinary approach. The supporting data were collected from observation, interview, and documentation. Then, these data were validated using triangulation technique. The analysis of the data included four steps, including data collection, data reduction, data presentation, and conclusion. The results showed that the musical elements presented by the Suma Culture marawis group brought Arabic, Javanese and Chinese concepts in the show, among others realized through (a) the addition of musical instrument that is Javanese gamelan that have elements of pentatonic tones of Java with the pelog nem is 1 (ji), 2 (ro), 3 (lu), 5 (mo), 6 (nem), and when the tone of nog in gamelan make a diatonic tone it will sound 3 (mi), 4 (fa), 5 (sol), 7 (si), 1 (do); (b) Chinese elements can be seen from the Chinese pentatonic tones found in Ghuzeng musical instruments: 1 (do), 2 (re), 3 (mi), 5 (so), 6 (la); (c) Arabic elements in this case can be seen from rampak marawis itself, including with the musical instrument marawis, bass jidor, and darbuka.
Values of Bongkel in Gerduren Village Banyumas Regency Wijaya, Barkah Bangkit; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23515

Abstract

Bongkel art was created by Kerta Wijaya as an expression of self-motivated by dissatisfaction of farmworker regarding the results of work. Development of Bongkel art by Gerduren Village community functioned as a medium of entertainment, communication between Gerduren community while keeping the fields. Based on the reason, the researcher examines the values contained in Bongkel art. This research is qualitative research. The location in this research is in Gerduren village of Banyumas Regency. Data collection techniques consist of observation, interview, and document study. Data validity technique used in this research is triangulation. Miles and Huberman analysis model is used as data analysis technique. Bongkel result is analysed using the value of axiology. The analysis is using some values on art Bongkely that divine the value reflected in the activity. For exmples: Religion value in sedekah bumi, the good living value reflected in the activities of visiting family members, the truth value seen in traditional clothing used by society. This clothes uphold the values and norms agreed by Banyumas community, while the value of beauty is seen from the relationship between human beings, man with God and man with nature.
Steve Handoyo’s Creativity in the Arrangement of Orchestral Campursari Music Manik, Astri Marita; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23810

Abstract

This thesis aims to analyze the creative process of an arranger named Steve Handoyo in Semarang. The researcher used interdisciplinary approach with qualitative method and interpretative case study. The supporting data were collected from observation, interview, and documentation. Triangulation were used to maintain the validity of the data. The analysis of the data was in the sequence of data reductin, presentation, and verification. The findings shows that Steve Handoyo’s creativity are projected in three elements of Barret’s theory of creation, which are; (1) Conceptual Elements (impuls, feelings, ideas). This element is realized from Handoyo’s experience in campursari and orchestra. He also uses his feelings and imagination as the source of creativity.(2) Operational Elements(media, materials, technique). The used media are computer, midi, VSD plug in, violin, drum, cuk, and keyboard. The musical materials came form his experience learning Campursari and Orchestra, while the technicalities developed from the combination of musical instruments, including violing, drum, and keyboard with the sampling of “viona house”. (3) Synthesis Elements (persepsi bentuk visual). From his experiences, Steve Handoyo imagines to apprehend the work he is going to make. Based on findings and discussion, Steve Handoyo does not include all the elements of orchestral instruments into his work, the authors hope for Steve Handoyo's later work with orchestral music can be adjusted to the rules of orchestration that includes all elements of the Orchestral instrument so it does not sound just an orchestra feel.
The Study of Performance Art “Kethuk Roso” by Fenny Rochbeind Pristiati, Tutut; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24240

Abstract

Performance art”Kethuk Roso” is a form of spontaneity of body action as a media of expression that presents the stretching of the spirituality of the artist to knock the sense of audience to interpret the morality. This study aims to describe the visual form and characteristics of performance “Kethuk Roso” by Fenny Rochbeind. This research used qualitative method with interdisciplinary approach. The source of the data used primary and secondary data through observation, interview, and documentary techniques. The validaty data technique used source of triangulation and the analysis technique data is done with performance art theory by RoseLee Goldberg. The result shows that performance art of “Kethuk Roso” is a multidisciplinary in the form of non-profit art genre that primarily focuses on the body as a media expression that directly conveys a dialogical message between the performer and the audience in the form of action communication. The researcher expects that through appreciation of performance art “Kethuk Roso” is important to be known by the public especially for art educators to understand, appreciate, and apply the contemporary art form which gives new color and meaning in art and to support the development of basic competence in art education. The research findings that Kethuk Roso performance art is able to knock everybody's sense of responding to cases of physical violence. Performance art Kethuk Roso proves its manifestation as a contemporary art shows the actual and factual events which gives new colors and meaning.
Gandalia Art of Banyumas : a Socio-cultural Change Febrianto, Aji Sofian; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24372

Abstract

Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.
The Form of Javanesse Gamelan in the Worship Liturgy in the Baptism Church Indonesia (GBI) Ngembak Kristanto, Alfa; Florentinus, Totok Sumaryanto; Sunarto, Sunarto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24877

Abstract

Baptism Church Indonesia (GBI) Ngembak uses Javanesse gamelan (traditional music accompaniment) to accompany the Sundays’ worship which is held every Sunday in the end month. The purpose of this research is to analyze the form of Javanese gamelan music in a worship liturgy of Baptism Church Indonesia (GBI) Ngembak. The research method used qualitative with case study research design. Data collecting techniques are observation, interview, and document study. To maintain its validity, the researcher uses the technique of source triangulation. While the technique of data analysis is done by the process of reduction, presentation, and conclusion (verification). The research findings show that the form of musical composition in one of worship songs in GBI Ngembak is a song titled Puji Nama-Nya (Praise His name) uses bar of 4/4, the types of melody is stepping and jumping. Its harmony is one voice although in the book of Nyanyian Pujian (Hymn) provides the harmony of Soprano, Alto, Tenor, and Bass. The structure of musical form in Puji Nama-Nya song has two parts, they are part A and part B. and the lyrics of this song is a, a , a , a. This song uses a particular musical arrangement of Javanese gamelan accompaniment laras Pelog.
An Adaptation Strategy Lasmi in Maintaning Its Existence As Waranggana Tayub in Grobogan Regency Widihastuti, Santi; Sunarto, Sunarto; Udi Utomo, Udi Utomo
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30263

Abstract

Various attempts were made by an artist to maintain its existence, Lasmi waranggana tayub is an artist who did the adaptation strategy to maintain its existence in Grobogan. This study aimed to analyze the adaptation strategies that do Lasmi to maintain its existence as a waranggana tayub dikabupaten Grobogan. This research method is qualitative. The data collection techniques is using observation, interviews, document study. Mechanical validity of the data is using triangulation of data and resources, while the data analysis procedures with data reduction, data presentation, and draw conclusions. The results of the study, Lasmi started his career at age 11 years and able to maintain its existence until now at the age of 60 years. Existence Lasmi shown with active Lasmi in any activity tayub Arts in Grobogan. The efforts are being made by Lasmi that still exist to do the process of learning and cultural modification. The learning process is carried out Lasmi based on their awareness to improve themselves, to always keep abreast of the times. The learning process is carried out Lasmi classified into two types, namely singing or vocal learning, and the learning process of recording. While modifications were made Lasmi culture is, by displaying a new presentation form Tayub Art performances, namely in the form of tapes. Lasmi is a waranggana tayub first recording, so that through Lasmi Music tayub in Grobogan developed rapidly and became more famous Lasmi name everywhere. The implications of this research for art education, especially formal art education as a source of locally-based arts learning. Suggestions for artists tayub, particularly in Grobogan in order to keep up with changing times, to continue to improve themselves through adaptability, as well as constantly improving the quality of the vocals.
Dialectics Dance Ritual in Wanara Parisuka in Talunkacang Kreo Cave Semarang Central Java Ekowati, Yunik; Sunarto, Sunarto; Malarsih, Malarsih
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30922

Abstract

Wanara Parisuk dance is one of the traditional arts are contained in a series of ritual offerings Rewanda and entertainment in Kreo cave Semarang. Derived from the word “ Wanara” which means monkey, “Parisuka” means having fun. Dance Wanara Parisuka used as a ritual and entertainment interests. Objective to study the dialectic Dance Wanara Parisuka (study: ritual and entertainment). The method used in this study is a qualitative ethnographic approach. Data collection techniques are observation, observation, interviews, document study.Mechanical validity of data used triangulation techniques and data analysis techniques that follow an interactive model analysis phase.Dance research results Wanara Parisuka there are two kinds of functions: as a ritual and as entertainment. The findings are important as ritual offerings in Rewanda Dance Ritual Wanara Parisuka presented at the peak of the ritual. Overall findings as entertainment is to entertain and attract public interest, dancers invite the audience to dance together, to entertain the audience. In the dialectic Dance Wanara Parisuka there are three stages namely; thesis (function according to each), antithesis (rejection, both have different roles and can not be mixed), the synthesis of (mutual influence, and biting for togetherness and strategic importance attract the interest of visitors).
Co-Authors 08.05.52.0064 Novi Perwitasari 09.05.52.0075 Lia Yuliana 10.05.52.0010 Dwi Sulistyowati 10.05.52.0030 Christina Dewi 12.05.52.0210 Resty Andini Putri, 12.05.52.0210 12.52.02.0204 Kinayah, 12.52.02.0204 12.5202.0172 Sukowati 1352020069 Prijatno Sri Eko Putranto, 1352020069 1352020070 Teguh Purnomo, 1352020070 1352020104 Pujadi, 1352020104 1352020105 SRI HERANINGSIH, 1352020105 A.A. Ketut Agung Cahyawan W Abas, Abas Abdul Aziz Abdul Gafur Abdul Hadi Abdul Latief Arung Arafah Abdul Latif Abdullah Al Mamun Achmad Asrori Achmad Badjuri Achmad Fachrudin Acob, Joel Rey Ugsang Addi Mardi Harnanto Adi Nugroho Adilla, Annisa Aditya, Dwiky Septian Adnan Sofyan Adrian Budynata, Johan Adriyani Adam Adyani, Kartika Afiana Praditasari, Afiana Afidati Hidayanti, Syafira Afifah, Nor Aghnini, Aghnini Agrasadya, Agrasadya Agres Vivi Susanti Agung Budi Raharjo Agung Dwi Bahtiar El Rizaq Agus Cahyono Agus Faisal Asyha Agus Jatmiko Agus Pahrudin Agus Prasetyo Budi Agus Sarwo Prayogi Agus Suprijono Agus, Rifdah Adilah Agustin, Nursita Smash Agustinus Arum Eka Nugroho, Agustinus Arum Eka Ahmad Muzaki Ahmad Prawira Dhahiyat Ahmed, Jamshaid Ajeng Dinda Lestari Aji Setiawan Aji, Rozan Asyrofi Rakyan Risang Akbar, Islam Ali Akbar, Muh. 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Fery Febriagazi, Tendian Febrianto, Aji Sofian Febriyani, Abrar Rizqa Ferdiansyah Ferdiansyah Ferrianto Gozali Fiddy Semba Prasetiya Firdaus, Rizki Anugrah Firdausi, Aulya Della Fitrah Satrya Fajar Kusumah Fitri Anggraini, Fitri Fitri Sagantha Fitria Mahdiyyani, Anisah Fitriyanti, Addina Rizky Fredika, Anas Fredy Kurniawan Freza, Freza Ginting, Stefany Gulo, Joice Elma Miranda Gumilang, Anggita Moro Guntaris, Endik Gutomo, Gutomo Habiba Abror, Robby Hadi Paramu Hadiani, Prayekti Diftania Hafeez, Jehan Shaila Handayani, Mastuti Handayani, Tinuk Esti Handoyo Handoyo Handoyo Saputro, Handoyo Hani Faurizka Hanifah Widyadhana, Nastiti Happy Ade Permanasari Hapsari Dwiningtyas Sulistyani Hapsari, Rafif Naufi Waskitha Hapsari, Wahyu Ratri Harahap, Syawaluddin Harahap, Syawaludin A Hardi Saputro, Iwan Hardyansa, Hardyansa Harmanto Harmanto Harry Supriyono, Harry Hartono Hartono Hartono, Rudi Harwanto, Dody Candra Haryadi - Haryadi, Rina Masithoh Hasanuddin, Wahdatuljannah Hasnawati Hasnawati Hazhari, Alvan HENDRI WASITO Hendrik Napitupulu Heni Pujiastuti Heraziza, Dinda Prilla Herbowo Hardianto Heri Wijayanto Herina, Stefanus Junliem Nugratama Heriyanto Heriyanto Heriyato, Heriyanto Herlina, Tutiek Hersugondo Hersugondo Heru Juabdin Sada Heru Santoso Wahito Nugroho Hery Tristijanto HIDAYAH, YOVI MILA Hidayat, R. 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JAMALULLAI, Jamalullail janitra, Atika ayu Jannah, Afifatul Jannah, Marichatul Januar, Fadillah Jaslin Ikhsan Jeem, Yaltafit Abror Jendri Mamangkey Jennah, Ali Joko Sutrisno Juanita Theresia Adimurti Juliandri Prihadi, Donny Julta, Arbi Jumadi Jumadi Junirahma, Nur Sakinah Junun Sartohadi Karlinda Karlinda KAROLINE, Rince Karyadi, Agus Katimin, Katimin Kencana, Putri Nilam Ketut Prasetyo Khairunnisa, Cutita Sari Khambali, Khambali Kharisma, Kharisma Khodijah, Isah Siti Khoirudin, Rifqi Khoirul Abadi, Khoirul Kholil Kholil Khoryanton, Ampala Koesmantoro, Hery Kombong, Rinda Lorensa Kristanto, Alfa Kristiyanto, Mas Aryo Kuat Rahardjo T.S. 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Herry Rachmawati Meita Rachmawati Meita Oktaviani Rachmawati, Rini Nur Raden Lukman Fauroni Rahadian Zainul Rahayu, Indriyani Rahayu, Mardina Rahayu, Teta Puji Rahina Nugrahani Rahma Aulia, Zulfa Rahmadania, Siti Aisyah Nurrizqi Rahmadianti, Dhienisa Rahman, Rizqi Maulana Rahmansyah, Riadi Rahmawati, Herwinda Rahmawati, Ida Yeni Rahmawati, Naillysa Rahmawati, Niken Rahmi Lubis Ramadika Prihani, Ayu Ramandani, Aulia Ramdani Salam Rano Rano, Rano Rasyd, Mohamad Ibnu Ratnaningtyas, Endah Marendah Ratnapuri, Adisti Ratnasari, Syarifah Leila Ratulangi, Ziva Syah Rauf, Suriani Rayung Wulan Regina Tutik Padmaningrum Reina Widianingrum, 14.05.52.0159 Reina Widianingrum, 14.05.52.0159 Reiska Primanisa Renaldus Afoan Elu, Agustinus Renata Winahyu, Maria Reny Rahayuningsih, 13.05.52.0189 Reny Rahayuningsih, 13.05.52.0189 RESTAMI, DEWI NITA Restu Mufanti, Restu RHENA, MIJA MAGA Ria Ambarwati Rialdi, Rio Riana, Febi Rijalurrahman, Mohammad Rindengan, Inri Pingkan Risdiyanti, Arie Rita Irma, Rita Rivansyah, Alif Riyanto Riyanto Riyanto, Dwi Slamet Riyanto, M. Rokhali, Aulia Rokhmad Budiyono, Rokhmad Ronda, Mirza RR. Ella Evrita Hestiandari Ruhadi Ruhadi Ruhiyat, Endang Rupiyono, Leo Agung Rusdianti, Alfi S.A. Bachtiar, S.A. Sa'diyah, Kholifatus Sagaf Faozata Adzkia Sahariah Rowa, Siti Sai'in, Ali Saiful Amien Sai”™in, Ali Sajidan Sajidan Salam, Jeffri Andrian Samin Samin Samsudin Anis Samsudin Samsudin Sanglar Polnok, Sanglar Santi Rukminita Anggraeni, Santi Rukminita Santosa, Budi Joko Santosa, Yoseph Santoso, Prasetya Yoga Sapari, Iman Saputra, Andre Beny Saputra, M. Indra Sari, Apriliani Puspa Arum Sari, Febi Kurnia Sari, Nanda Kusuma Sari, Rodiani Puspita Sari, Siti Lusi Arum Sarmini Sarmini Sasongko, Nursyifa Asilah Satriawan, Ratu Balqist Priesty Higina Sausan Hanifah Setyowati Sa’idy, Sa’idy Sedana, I Made Sejati, Irfanda Selan, Yustus Sellynia Herwin Julieta SELVIA, DEVI EKA SELA Sembiring, Geskia Avikasari Sembiring, Rinawati SEPTIANA SEPTIANA Septiani Septiani Septiani, Aulia Septianti, Triana Serafin, Anne Setiawan, Wahyu Benny Mukti Setiawati, Nur Amega Setiawati, Winda Setiyawan, Teddy Hari Setiyawan, Trio Setyo Prihatin, Setyo Sevhira, Deandra Natya Shabira, Qonita Shadiq, Ja'far Shafira Bilqis Annida Shalihuddin Djalal Tandjung, Shalihuddin Djalal Shofiah, Audina Sholikah, Nurrochmatin Sigit, Ridzki Rinanto Sihombing, Aeron Frior Simbolon, Kerdid Simbolon, Pesta Evaria Sinaga, Nikita Oka Sishayati, Sishayati Siswati, Naning Siswoyo Siswoyo Siti Nafisah Siti Nurjanah SITI RACHMAWATI Siti Zulaikhah Sitinjak, Rivaldi Siwi Dyah Ratnasari Skalalis Diana Slamet Haryadi Slamet Haryono Slamet Mardiyanto Rahayu Soegiarto, Eddy Sofyana, Neng Tanty Sonhaji Sonhaji Sopaheluwakan, Ardhasena Sri Astuty Sri Lestari, Retno Sri Mawarni, Sri Sri Mulyani Sri Noor Mintarsih Sri Sularti Dewanti Handayani, Sri Sularti Dewanti Sri Sutji Susilowati Sri Widiyati, Sri Sudibiyakto Sudibiyakto Sudiro , Sudiro Sudiro Sudiro Sudrajat Sudrajat Sugiyarto Sugiyarto Suharto, Agung Suharyanto Suherman suherman Sukmana, Pandji Sulardi . Sulikah Sulikah Sulisyaningrum, Hersanti Sulton , Sulton Sulton Sulton, Sulton Sumaningsih, Rahayu Sumardino Sumardino Sumarno . Sumasno Hadi Sumasto, Hery Sumekar, Panji Adipura Sunarto Amus Sunaryo, Tejo Bagus SUPARJI Suparji Suparji Suprihatiningsih, Suprihatiningsih Suprijatmi, Tanti Suprijatmi, Tanti Supriyanto Supriyanto Suratman Suratman Surtinah, N. Surtinah, Nani Susilawati, Beti Sutrisno, Sutrisno Sutriyono, Toto suwarni, putri Suwarno Suwarno Suwarso Suwarso Suwitra, I Nyoman Suyanta Suyanta Swari, Sasmita Dewi Ratna SWN, Heru Syafika, Nurul Syah Sinaga, Fajry Sub'haan Syahrul Syah Sinaga Syahudi, Giman Syahudi, Giman Syaifuddin, Afkar Hanif Syaiful Amri Syaiful Arif Syaiko Rosyidi Syakilah, Salsabila Putri Syamsul Arifin Syofia Rahmayanti, Syofia Tampubolon, Yohanes Hasiholan Tandililing, Sostenes Mono Tansha Nastiti, Talitha Tantra, Kadek Mas Tassyabela, Fadia Meisyn Tes, Desyana Elvira Tiladuru, Vena Melinda Titik Kuntari Titin Herawati Tiyas, Diyah Irfin Wahyuning TJAHJADI PURWOKO Tomi Yuniardi M, 12.05.52.0120 Tomi Yuniardi M, 12.05.52.0120 Toto Tohir Totok Gunawan Totok Sumaryanto F. 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Showi Nailul Umam, Muhammad Khairul Umi Kulsum Utami Utami Verlingga Diah Oktiasa Putri Vita Kartikasari, Vita Vivi Ervina Dewi Wadiyo Wadiyo Wahyu Lestari Wahyu Prawesthi, Wahyu Wahyu Yun Santoso Wahyuningtyas, Riska Septia Waluyo Erry Wahyudi Warsinah Warsinah Warsono Warsono Wasino Wasino Wattimena, Riles Melvy Wdayanti, Widayanti Wibowo, Sugeng Wicaksono, Gusti Widaryo, Iwan Widianingrum, Reina Widianingrum, Reina Widihastuti, Santi Widiyanti, Anik Widiyati, Dian Widodo S Pranowo Widodo Widodo Wijaya, Barkah Bangkit Wijayanti Endang, Wijayanti Wijayanti, Anggi Ariana Wijayanti, Sovia Wirasetiyo, Kukuh Wiryanto Wiryanto Wisnu, Nurwening Tyas Wita, Nurul Kurnia Wiwid Noor Rakhmad Wiwik Wijaningsih Wiyono, Jalu Sigit Aji Wulan Widiyanti, Wulan Wulandari, Annisa Dyah Wulandari, Arista Wuryaningrum, Endah Y., Eva Yanuar Luqman Yasarah Diswari Ditiya, 15.05.52.0204 Yasin, Fatimah Yasmin, Putri Auliya Yatimin Yatimin Yohanes Ferry Cahaya Yolanda Christin, Urimiana Yuandita, Tinta Yudi Nurul Ihsan Yudi Prana Hikmat Yuditiyani, Yuditiyani Yuli Kurnia Ningsih Yulianto, Moch. Iman Yuliasari, Agnes Yuliyanto Budi Setiawan Yuniarti Yuniarti Yunita Kwartarani Yunita Sari Yusriana, Amida Zain, Ferdianto Zallesa, Sheila Zam, Bagus Muhammad Iqbal Al Zam Zul fikar Zulfalia Az Zahra, Annisa Zulkarnain Zulkarnain