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Sunarto Sunarto

SDN Bulukidul Balong Ponorogo

Author-ID : 392819

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Values of Bongkel in Gerduren Village Banyumas Regency Wijaya, Barkah Bangkit; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23515

Bongkel art was created by Kerta Wijaya as an expression of self-motivated by dissatisfaction of farmworker regarding the results of work. Development of Bongkel art by Gerduren Village community functioned as a medium of entertainment, communication between Gerduren community while keeping the fields. Based on the reason, the researcher examines the values contained in Bongkel art. This research is qualitative research. The location in this research is in Gerduren village of Banyumas Regency. Data collection techniques consist of observation, interview, and document study. Data validity technique used in this research is triangulation. Miles and Huberman analysis model is used as data analysis technique. Bongkel result is analysed using the value of axiology. The analysis is using some values on art Bongkely that divine the value reflected in the activity. For exmples: Religion value in sedekah bumi, the good living value reflected in the activities of visiting family members, the truth value seen in traditional clothing used by society. This clothes uphold the values and norms agreed by Banyumas community, while the value of beauty is seen from the relationship between human beings, man with God and man with nature.

Steve HandoyoÃ¢â‚¬â„¢s Creativity in the Arrangement of Orchestral Campursari Music Manik, Astri Marita; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23810

This thesis aims to analyze the creative process of an arranger named Steve Handoyo in Semarang. The researcher used interdisciplinary approach with qualitative method and interpretative case study. The supporting data were collected from observation, interview, and documentation. Triangulation were used to maintain the validity of the data. The analysis of the data was in the sequence of data reductin, presentation, and verification. The findings shows that Steve HandoyoÃ¢â‚¬â„¢s creativity are projected in three elements of BarretÃ¢â‚¬â„¢s theory of creation, which are; (1) Conceptual Elements (impuls, feelings, ideas). This element is realized from HandoyoÃ¢â‚¬â„¢s experience in campursari and orchestra. He also uses his feelings and imagination as the source of creativity.(2) Operational Elements(media, materials, technique). The used media are computer, midi, VSD plug in, violin, drum, cuk, and keyboard. The musical materials came form his experience learning Campursari and Orchestra, while the technicalities developed from the combination of musical instruments, including violing, drum, and keyboard with the sampling of Ã¢â‚¬Å“viona houseÃ¢â‚¬Â. (3) Synthesis Elements (persepsi bentuk visual). From his experiences, Steve Handoyo imagines to apprehend the work he is going to make. Based on findings and discussion, Steve Handoyo does not include all the elements of orchestral instruments into his work, the authors hope for Steve Handoyo's later work with orchestral music can be adjusted to the rules of orchestration that includes all elements of the Orchestral instrument so it does not sound just an orchestra feel.

The Study of Performance Art Ã¢â‚¬Å“Kethuk RosoÃ¢â‚¬Â by Fenny Rochbeind Pristiati, Tutut; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24240

Performance artÃ¢â‚¬ÂKethuk RosoÃ¢â‚¬Â is a form of spontaneity of body action as a media of expression that presents the stretching of the spirituality of the artist to knock the sense of audience to interpret the morality. This study aims to describe the visual form and characteristics of performance Ã¢â‚¬Å“Kethuk RosoÃ¢â‚¬Â by Fenny Rochbeind. This research used qualitative method with interdisciplinary approach. The source of the data used primary and secondary data through observation, interview, and documentary techniques. The validaty data technique used source of triangulation and the analysis technique data is done with performance art theory by RoseLee Goldberg. The result shows that performance art of Ã¢â‚¬Å“Kethuk RosoÃ¢â‚¬Â is a multidisciplinary in the form of non-profit art genre that primarily focuses on the body as a media expression that directly conveys a dialogical message between the performer and the audience in the form of action communication. The researcher expects that through appreciation of performance art Ã¢â‚¬Å“Kethuk RosoÃ¢â‚¬Â is important to be known by the public especially for art educators to understand, appreciate, and apply the contemporary art form which gives new color and meaning in art and to support the development of basic competence in art education. The research findings that Kethuk Roso performance art is able to knock everybody's sense of responding to cases of physical violence. Performance art Kethuk Roso proves its manifestation as a contemporary art shows the actual and factual events which gives new colors and meaning.

Gandalia Art of Banyumas : a Socio-cultural Change Febrianto, Aji Sofian; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24372

Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.

The Form of Javanesse Gamelan in the Worship Liturgy in the Baptism Church Indonesia (GBI) Ngembak Kristanto, Alfa; Florentinus, Totok Sumaryanto; Sunarto, Sunarto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24877

Baptism Church Indonesia (GBI) Ngembak uses Javanesse gamelan (traditional music accompaniment) to accompany the SundaysÃ¢â‚¬â„¢ worship which is held every Sunday in the end month. The purpose of this research is to analyze the form of Javanese gamelan music in a worship liturgy of Baptism Church Indonesia (GBI) Ngembak. The research method used qualitative with case study research design. Data collecting techniques are observation, interview, and document study. To maintain its validity, the researcher uses the technique of source triangulation. While the technique of data analysis is done by the process of reduction, presentation, and conclusion (verification). The research findings show that the form of musical composition in one of worship songs in GBI Ngembak is a song titled Puji Nama-Nya (Praise His name) uses bar of 4/4, the types of melody is stepping and jumping. Its harmony is one voice although in the book of Nyanyian Pujian (Hymn) provides the harmony of Soprano, Alto, Tenor, and Bass. The structure of musical form in Puji Nama-Nya song has two parts, they are part A and part B. and the lyrics of this song is a, a , a , a. This song uses a particular musical arrangement of Javanese gamelan accompaniment laras Pelog.

An Adaptation Strategy Lasmi in Maintaning Its Existence As Waranggana Tayub in Grobogan Regency Widihastuti, Santi; Sunarto, Sunarto; Udi Utomo, Udi Utomo
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30263

Various attempts were made by an artist to maintain its existence, Lasmi waranggana tayub is an artist who did the adaptation strategy to maintain its existence in Grobogan. This study aimed to analyze the adaptation strategies that do Lasmi to maintain its existence as a waranggana tayub dikabupaten Grobogan. This research method is qualitative. The data collection techniques is using observation, interviews, document study. Mechanical validity of the data is using triangulation of data and resources, while the data analysis procedures with data reduction, data presentation, and draw conclusions. The results of the study, Lasmi started his career at age 11 years and able to maintain its existence until now at the age of 60 years. Existence Lasmi shown with active Lasmi in any activity tayub Arts in Grobogan. The efforts are being made by Lasmi that still exist to do the process of learning and cultural modification. The learning process is carried out Lasmi based on their awareness to improve themselves, to always keep abreast of the times. The learning process is carried out Lasmi classified into two types, namely singing or vocal learning, and the learning process of recording. While modifications were made Lasmi culture is, by displaying a new presentation form Tayub Art performances, namely in the form of tapes. Lasmi is a waranggana tayub first recording, so that through Lasmi Music tayub in Grobogan developed rapidly and became more famous Lasmi name everywhere. The implications of this research for art education, especially formal art education as a source of locally-based arts learning. Suggestions for artists tayub, particularly in Grobogan in order to keep up with changing times, to continue to improve themselves through adaptability, as well as constantly improving the quality of the vocals.

Dialectics Dance Ritual in Wanara Parisuka in Talunkacang Kreo Cave Semarang Central Java Ekowati, Yunik; Sunarto, Sunarto; Malarsih, Malarsih
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30922

Wanara Parisuk dance is one of the traditional arts are contained in a series of ritual offerings Rewanda and entertainment in Kreo cave Semarang. Derived from the word Ã¢â‚¬Å“ WanaraÃ¢â‚¬Â which means monkey, Ã¢â‚¬Å“ParisukaÃ¢â‚¬Â means having fun. Dance Wanara Parisuka used as a ritual and entertainment interests. Objective to study the dialectic Dance Wanara Parisuka (study: ritual and entertainment). The method used in this study is a qualitative ethnographic approach. Data collection techniques are observation, observation, interviews, document study.Mechanical validity of data used triangulation techniques and data analysis techniques that follow an interactive model analysis phase.Dance research results Wanara Parisuka there are two kinds of functions: as a ritual and as entertainment. The findings are important as ritual offerings in Rewanda Dance Ritual Wanara Parisuka presented at the peak of the ritual. Overall findings as entertainment is to entertain and attract public interest, dancers invite the audience to dance together, to entertain the audience. In the dialectic Dance Wanara Parisuka there are three stages namely; thesis (function according to each), antithesis (rejection, both have different roles and can not be mixed), the synthesis of (mutual influence, and biting for togetherness and strategic importance attract the interest of visitors).

The Function of Timorese Gong Music in The Tfua Ton Ritual Ceremony in Napan Kefamenanu Village Renaldus Afoan Elu, Agustinus; Utomo, Udi; Sunarto, Sunarto
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31426

Tfua Ton is a ritual ceremony carried out by the community in Napan Village to ask for rain and soil fertility to Uis Neno (God) and Uis Pah (deceased ancestors). In the ritual there is a Timorese Gong instrument that has an important role in it. The gong consists of Tonu mese, Ote and Kbola and one drum (Ke'e). The purpose of this study is to analyze the function of the Timorese Gong Music in the Tfua Ton Ritual Ceremony. The method used in this study is qualitative interpretive with phenomenological approach. Data collection techniques with observation, interview and document study techniques. Check the validity of the data by using data triangulation, researcherÃ¢â‚¬â„¢s triangulation, triangulation of theories, methods and techniques. For data analysis, the researchers used the theory of music function from Allan P. Merriam with stages of data reduction, data presentation, and conclusion (verification). The results of the study are Timorese Gong in the Tfua Ton ritual have an important role in it and have become a part of traditional rituals. Timorese Gong In the Tfua Ton ritual has several functions, including functioning as aesthetic appreciation, as entertainment, as an emotional expression, as communication and education, integrating society, as an endorsement of social institutions and religious rituals. Timorese Gong can function to show the existence, character and identity of the Dawan people in Napan Village. The results of this study can provide understanding and increase knowledge to the people of Napan Village and the younger generation to better understand Timorese Gong music in the Tfua Ton ritual, besides it is expected that the Napan Village community will continue to preserve and maintain Timorese Gong music as one of the traditional music of the society.

Guritan in Besemah, Pagaralam City: from Sacred to Profane Luzi, Ahmad Surya; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31566

Guritan is a traditional art of the Besemah community, Pagaralam City which is inherited from one generation to another. Whereas in the guritan there was a change occur which initially as sacred art turns to profane. This thing was what interests the author to discuss the art of guritan. This study aimed at investigating the form of changes in the art of guritan from sacred to profane. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection techniques used observation, interviews, and document studies. The data validity technique uses source triangulation. The data analysis techniques have used the theory from Schoun (2003) with the elaboration of concepts and other supporting data that fits the problem. The results of this study were to provide knowledge and become reference about the initial forms and changes in the art of guritan in Besemah, Pagaralam city. Hopefully, this research can be useful for the public and readers who want to know about the art of guritan in Besemah, Pagaralam City. Because in the text or poetry that is performed in traditional events the marriages contain values, life guidelines, and philosophy that can be applied in the social life of the community with the aim of doing good among fellow humans.

Internalization of Character Values of CÃ‘ÂpÃ‘Âtan Dance Performance at Manunggal Putra Budaya Group in Karanggayam District Kebumen Regency Hapsari, Wahyu Ratri; Lestari, Wahyu; Sunarto, Sunarto
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31241

CÃƒÂ¨pÃƒÂ¨tan dance as one of arts of Karanggayam society is full of values in its performance. The values here means part of character values. Character values are indirectly able to internalize the actors that learn the CÃƒÂ¨pÃƒÂ¨tan dance. There is something interesting in this group, i.e. the dancers are children. It is hoped that the values behind this dance can build the childrenÃ¢â‚¬â„¢s character. The research aimed at knowing the form of performance and internalization character values that reflect in CÃƒÂ¨pÃƒÂ¨tan dance. To analyze the internalization, the writer uses KoentjaraningratÃ¢â‚¬â„¢s theory (1990) about inheriting. The approach used in this research is qualitative with phenomenology design. The data collecting techniques are observation, interview, and literature observation. The data validity used triangulation technique, they are source triangulation, and method triangulation. The data was analyzed through reduction, presentation, and verification. From the results show that the character values of CÃƒÂ¨pÃƒÂ¨tan dance performance reflects the values of creativity, discipline, and responsibility.

Co-Authors 08.05.52.0064 Novi Perwitasari 09.05.52.0075 Lia Yuliana 10.05.52.0010 Dwi Sulistyowati 10.05.52.0030 Christina Dewi 12.05.52.0210 Resty Andini Putri, 12.05.52.0210 12.52.02.0204 Kinayah, 12.52.02.0204 12.5202.0172 Sukowati 1352020069 Prijatno Sri Eko Putranto, 1352020069 1352020070 Teguh Purnomo, 1352020070 1352020104 Pujadi, 1352020104 1352020105 SRI HERANINGSIH, 1352020105 A.A. Ketut Agung Cahyawan W Abas, Abas Abda Abda Abdul Aziz Abdul Gafur Abdul Hadi Abdul Latief Arung Arafah Abdul Latif Abdul Rofiq Abdullah Al Mamun Achmad Asrori Achmad Badjuri Achmad Fachrudin Acob, Joel Rey Ugsang Addi Mardi Harnanto Adi Nugroho Adilla, Annisa Aditya, Dwiky Septian Adnan Sofyan Adrian Budynata, Johan Adriyani Adam Adyani, Kartika Afiana Praditasari, Afiana Afidati Hidayanti, Syafira Afifah, Nor Aghnini, Aghnini Agrasadya, Agrasadya Agres Vivi Susanti Agung Budi Raharjo Agung Dwi Bahtiar El Rizaq Agus Cahyono Agus Faisal Asyha Agus Jatmiko Agus Pahrudin Agus Prasetyo Budi Agus Sarwo Prayogi Agus Suprijono Agus, Rifdah Adilah Agustin, Nursita Smash Agustinus Arum Eka Nugroho, Agustinus Arum Eka Ahmad Muzaki Ahmad Prawira Dhahiyat Ahmed, Jamshaid Ajeng Dinda Lestari Aji Setiawan Aji, Rozan Asyrofi Rakyan Risang Akbar, Islam Ali Akbar, Muh. Akhmad Al Aidhi Akhmad Saikhu Akhmansyah, Muhammad Al Qusaeri, Norma Nur Shifa Alam, Samsul Albahori, Albahori Albariki, Ahmad Yazid Alfauzi, Abdul Syukur Alfiannor, Alfiannor Alfret Luasunaung Ali Murtadlo Ali Sunarso Alifahmi, Hifni Alim, Muhamad Miftahul Alim, Muhamad Miftahul Alip Sugianto, Alip Alrizky, Rahmi Tazkiya Alubys, Sunarto Alya Purnomo, Fahrina Amalia Nur Adibah Amalia Yunika Putri, 13.05.52.0204 Amalia Yunika Putri, 13.05.52.0204 Amanda, Gita Amelia, Firza Anada Leo Virganta Anak Agung Gede Sugianthara Ananda, Salsha Anandha, Anandha Anastasya, Selaya Anawati, Sri Yuni Andi Iswandi Andi Suhardiyanto Andi Syaiful Amal Andiani, Lidia Andika, Vrista Andre Perbawa Angela, Ezra Angga Dwi Pratama, 14.05.52.0003 Anggun Parameswari, Anggun Angraini, Eka Wahyuningsih Anik Nurhidayati Anindiati, Irma Anisatu Thoyyibah Annisa Furi, Giza Abel Anton Styo Wibowo, Anton Styo Anugrahita, Tegar Apriani, Nur Wahidah Apriansyah, Muger Apriyani, Hikma Ardang, Rifvan Yuniar Ardang, Rifvan Yuniar Ardela, Yolanda Ardoyo, Novalia Agung Wardjito Ardyantoro, Roni Ari Setyowati Ariani, Diah Ariani, Nafiah Arie Nugroho, Arie Arief Budiono Arief, Ahmad Fikri Arief, Ahmad Fikri Arief, Mochamad Candra Wirawan Aries Prasetyo ARIF INDIARTO, ARIF Arif, Syahrizal Arifin, Danu Nur Arifin, Intan Khairunissa Aripuddin, Aripuddin Ariyani, Salsabila Ariyani, Sinta Ariyanty, Lintang Dwi Armeina Nur Rachmawati Arsyad, Gusman Arwin Muhlishoh Ary, Deasylina da Asep Sahidin Asmarani, Kidung Sukma Asmaroini, Ambiro Puji Asmawati Asmawati Assidhiq, Mohamad Reza Assidhiq, Mohammad Reza Astin Nur Hanifah Astuti Setiyani, Astuti Astuti, Satria Dwi Astuti, Satria Dwi Aswita Amir Asysyifa, Rayyana Nur Aurora Ata Ratu, Agnestia Medelin Rambu Atikah Nurhayati Atikawati, Dini - Aufanida, Arnia Azahro AUTA, Tanko Titus Avi Budi Setiawan ayi, Vebritasari Azhar Adi Darmawan Azis, Jamal Abdul Aziz, Arinal B. Setiawan Bagus Indrawan, Bagus Bagus Susetyo Bagus Wicaksono, Rudy Bahar, Nisauzzahra Baharudin Baharudin Bahri, Saiful Bahri Bahtiar Bahtiar Bambang Tjahjono Bayu Widagdo, Muhammad Bekti, Wahyu Prasetyo Bhernadetta Pravita Wahyuningtyas Billy K. Sarwono Atmonobudi Bilqisti, Bilqisti bintari, intan galuh Borman, M. Syahrul Buamona, Rachmat Hidayat Buana, Nila Aeny Chandra Budi Astuti, Cahyaning Budi Mulyawan Budi Setiadi, Budi Budi Utomo, Heri Bungaran, Andreas Bunyamin Bunyamin Butar-Butar, Obed Edom Cahyo Budi Utomo Cahyo, Reza Dwi Cahyo, Reza Dwi Cahyono , Hadi Cahyono, Hadi Candra, Elin Carli Carli Chaerunnimah,, Chaerunnimah, Chairunnisa Chairunnisa Condro Hadi Mulyono, Condro Hadi Conny Brilliant Dwikananda, Kartika Darmawan, Dili Arfia Daryadi Daryadi Dellawati, Dellawati Desi Wulandari, Desi DEWI IRAWATI Dewi Larasati, Dewi Dewi Sekartaji, Audi Dewi Widowati Dewi, Fikrian Rafika Dewi, Luh Yuliani Dhadhang Wahyu Kurniawan Dhahiyat, Ahmad Prawira Dhimas Arvico, 13.05.52.0138 Dhimas Arvico, 13.05.52.0138 Diani, Elya Zulfa Dimabherti Ardian Nugroho, 14.05.52.0294 Dinda Salsabella, Anisa Ditasona, Candra Djarot Sadharto, Djarot Djatmika, Gatot Hery Djatmiko, Gatot Hery Djoko Sugiono Djuli Djatiprambudi Djunaid, Jamaluddin Donna Asteria Donny Juliandri Prihadi Dreitsohn Franklyn Purba Dwi Ajiatmo Dwi Pratama, 14.05.52.0003 Angga dwi saputra Dwi Septiani Dwi Widjanarko Dwiprasetyo, Krisna Mukti Dyah Nur Subandriani, Dyah Nur Dyah Ratnasari, Siwi Edhi Martono Edi Pranoto, Edi EDWI MAHAJOENO Effendy, Khasan Eka Kusumawati, Eka Eka Wahyudi Eko Armanto Eko Mujiyanto, 13.05.52.0092 Eko Mujiyanto, 13.05.52.0092 Eko Saputra Eko Saputra Ekowati, Yunik Ellys Lestari Pambayun Elvina Elvina Endang Djuana, Endang Enik Sulistyowati Eri Bachtiar Erland, Radja Erland, Radja Erlina Erlina Erma Handarsari Ernawan Setyono Erson, Elfridus Yuditus Eryani, Riris Estuasih Dyah Pertiwi, Estuasih Dyah Euis Soliha Fachry Abda El Rahman Fadhilah, Nazmi Nasyriyati Fadilah, Tubagus Fadillah, Thania Fahmi, Nuril Faizal Maghriza, Mukhammad Faizal, Ibnu Fajari, Slamet Familia Novita Simanjuntak Fareza, Muhamad Salman Faridi Faridi Fathy, Ummi Muthi’ah Faustine, Vanessa Viona Fauzi, Moh. Fery Febriagazi, Tendian Febrianto, Aji Sofian Febriyani, Abrar Rizqa Ferdiansyah Ferdiansyah Ferrianto Gozali Fiddy Semba Prasetiya Firdaus, Rizki Anugrah Firdausi, Aulya Della Fitrah Satrya Fajar Kusumah Fitri Anggraini, Fitri Fitri Sagantha Fitria Mahdiyyani, Anisah Fitriyanti, Addina Rizky Fredika, Anas Fredy Kurniawan Freza, Freza Ginting, Stefany Gulo, Joice Elma Miranda Gumilang, Anggita Moro Guntaris, Endik Gutomo, Gutomo Habiba Abror, Robby Hadi Paramu Hadiani, Prayekti Diftania Hafeez, Jehan Shaila Handayani, Mastuti Handayani, Tinuk Esti Handoyo Handoyo Handoyo Saputro, Handoyo Hani Faurizka Hanifah Widyadhana, Nastiti Happy Ade Permanasari Hapsari Dwiningtyas Sulistyani Hapsari, Rafif Naufi Waskitha Hapsari, Wahyu Ratri Harahap, Syawaluddin Harahap, Syawaludin A Hardi Saputro, Iwan Hardyansa, Hardyansa Harmanto Harmanto Harry Supriyono, Harry Hartono Hartono Hartono, Rudi Harwanto, Dody Candra Haryadi - Hasanuddin, Wahdatuljannah Hasnawati Hasnawati Hazhari, Alvan HENDRI WASITO Hendrik Napitupulu Heni Pujiastuti Heraziza, Dinda Prilla Herbowo Hardianto Heri Wijayanto Herina, Stefanus Junliem Nugratama Heriyanto Heriyanto Heriyato, Heriyanto Herlina, Tutiek Hersugondo Hersugondo Heru Juabdin Sada Heru Santoso Wahito Nugroho Hery Tristijanto HIDAYAH, YOVI MILA Hidayat, R. Taufik Hilda Yunita Wono Himawan, Widhi Hosiana MD Labania HS, Asep Agus I Ketut Suada Ianatut Thoifah Iasha, Citra Ibnu Rois Ida Ayu Putu Sri Widnyani Ida Faridatul Hasanah Ihsan Nul Hakim, Ihsan Nul Ihsani, Arina Nurul Ika Merdekawati, Ika Ikhwa Muazulfa, Tsalatsun Ilma Mufida Inayati Imam Syafei Indirawati, Dita Indra Novianto Adibayu Pamungkas Indra Surjati Indradewa, Rhian Indriyani Rebet Intan Permata Sari, 12.05.52.0029 Intan Permata Sari, 12.05.52.0029 Intening, Vivi Retno Irawati, Laila Irena Agustiningtyas Irfan Rusydi Triyanto Irfanda Rizki Harmono Sejati Irsyadiah, Uli Zahro Isa, Illyas Md Isdaryanto, Noorochmat Ismawanti, Zuhria Ismoyowati, Tri Wahyuni Istihana Istihana Istiqomah, Istiqomah Iva Yuniasih, 14.05.52.0001 Jaeni Jaeni JaisSetiawan, 13.05.52.0232 JaisSetiawan, 13.05.52.0232 Jamaludin . JAMALULLAI, Jamalullail janitra, Atika ayu Jannah, Afifatul Jannah, Marichatul Januar, Fadillah Jaslin Ikhsan Jeem, Yaltafit Abror Jendri Mamangkey Jennah, Ali Joko Sutrisno Joyo Nur Suryanto Gono Juanita Theresia Adimurti Juliandri Prihadi, Donny Julta, Arbi Jumadi Jumadi Junirahma, Nur Sakinah Junun Sartohadi Karlinda Karlinda KAROLINE, Rince Karyadi, Agus Katimin, Katimin Kencana, Putri Nilam Kenia, Kenia Ketut Prasetyo Khairunnisa, Cutita Sari Khambali, Khambali Kharisma, Kharisma Khodijah, Isah Siti Khoirudin, Rifqi Khoirul Abadi, Khoirul Kholil Kholil Khoryanton, Ampala Koesmantoro, Hery Kombong, Rinda Lorensa Kresno Ario Tri Wibowo Kristanto, Alfa Kristiyanto, Mas Aryo Kuat Rahardjo T.S. Kun Aristiati Susiloretni Kurdi Kurdi Kurniawan, Ginta Widya Kurniawati, Marshelyna Kusdwianti, Eviana Kusmiyati Tjahjono Kusnanto, Anang Amir Kwartarani, Yunita Laili, Fatimah Nur Langgeng Wahyu Santosa Larasati, Sekar Maulita Latif Sahubawa Lestari, Anna Puji Lestari, Wijayanti Puji Lewaru, Muhammad Wahyudin Lia Kusumaningrum, Lia Liana, Triya Ade Lintang Permata Sari Yuliadi, Lintang Permata Sari Lintang Ratri Rahmiaji Lomo, Jhoni Yakobus Lubis, Maya Ningsih Luqmana Chakim, 15.05.52.0010 Luqyana, Novia Salma Lutfianti Mutmainah, Annisa Luzi, Ahmad Surya M Masykuri M. Choiroel Anwar Ma'ruf, Fauzan Ma'sum, Muhammad Ali Machrus Ali Maharani, Mandu Maharany, Tyas Adella Mahardhani, Ardhana Januar Mahardini, Fina Majid, Ikhwanudin Abdul Malarsih Malarsih Manik, Astri Marita Manogari Sianturi Mar'atuzzakiyyah, Mar'atuzzakiyyah Mardia, Ainun Mardiana Mardiana Mardiyanah, Nurul Mariah, Yuni Marina Silalahi MARIS, Rizal J. Mariyatul Qibtiyah Marni Zulyanty, Marni Martien Herna Susanti Masruri, Muh Bukhari Mastuti, Indah Mau, Laurensius Yosef Maulana Maulana, Maulana Melati, Nimsi Miftakhul, Amin Mochamad Rudyansyah Ismail MOH SARJOKO Moh. Aris Munandar, Moh. Aris Mohammad Mahsun Mohammad Sulchan Mohammad Syadeli MS, Yuniarti Muawafah, Muawafah Mubarok, Akbar Rizquni Mufidah, Salsa Destiani Muh. Ibnan Syarif, Muh. Ibnan Muhammad afrizal Muhammad Hariyadi Muhammad Irhas, Muhammad Muhammad Maulana Muhammad Sulchan Muhammad Wahyu, Muhammad Mujadid, Ahmad Zahry Mujiono Mujiono Mukin, Muh. Sulaiman Rifai Aprianus Mulyawan Nugraha, Akbar Munfariqoh, Siti Munkhakim, M. Ali Muslichah Muslichah Muslimah Nuraida, Elis Muslimahayati, Muslimahayati Musripah, 14.05.52.0098 Musripah, 14.05.52.0098 Mustakim Mustakim Mustamin Mustamin Muttaqin, Salwa Zainum Naafian, Nuur Rochman Nabiha, Puteri Inandin nabilunnuha, mantaaba zukhruf Nachrowi D. Nachrowi Nadia Sigi Prameswari Nadimin Nadimin NAFIAH, Ariani Nafiardli, Rizqi Najibuddiin, Azwan Nana Usnawati Nanang Budi Sriyanto Nancy, Natasha Nandang Mulyasantosa Nani Surtinah Naufal, Irfan Hanif Nazar, Irfan Abu Ni Wayan Widya Astuti Niken Widyastuti Nilamsari, Natalina Nimas Hayuning Anggrahita, Nimas Hayuning Nina Indriyawati Ningsih, Surti Nitte, Tri Maharani Permata Nova Novita Nurmalasari, 14.05.52.0016 Novemasari, Dionasius Novita Damayanti Novita Wulandari Nugroho Tri Waskitho Nugroho, Antonius Edi Nur Aini, Fatimah Sahri Nur Hidayati Nur Rahmawati, Ika Nur Sangadah, Nur Nurdianto, Talqis Nurfala, Audyla Nurfitriani Nurfitriani Nurfitriani, Anggia Nurhabibah, Desi Nurhananti, Dinda Aryuni Nurhayati Nurhayati Nuri Aslami nurlailis saadah Nursanto, Gunawan Ari Nurul Dwi Dhamayanti, 15.05.52.0096 Nurul Hasfi Nurul Khakhim Nurweningtyas, Nurweningtyas Nuryani Nuryani Nyoman Septiari, I Gusti Ayu Octari Ambarita, Angelica Octavia, Elida Okid Parama Astirin Oktapiandi, Oktapiandi Oktapiandi, Oktapiandi Padang Yanuar Pamungkas, Wahyuniar Pancawati Hardiningsih Paransa, Isrojaty Johanes Paringsih, Novia Citra Paringsih, Novia Citra Patanduk, Adolfina Perdana, Firdaus Perdana, Firdaus Pereira, Jefrino Reis Permata, Permata Permatasari, Julia Pertiwi, Nabila Putri Pinkky Sisvianingrum, 13.05.52.0049 Pinkky Sisvianingrum, 13.05.52.0049 Pitang, Antonius Prabang Setyono Prajoga, Uke Pramita, Elena Ayu Pramuwardani, Ida Pranadita, Pranadita Pranawinarni, Ratih Pranoto Pranoto Prasetya, Ragil Dwi PRASETYO ANI PUJIASTUTI, 1252020126 Prasetyo, Nandhy Prasica Rudy Artha, 12.05.52.0191 Prasica Rudy Artha, 12.05.52.0191 Prasmita, Kabul Pratama, Fadila Aditia Putri Pratama, Fakhriza Aziz Pratiwi, Afinda Pratiwi, Fika Ratna Pratiwi, Yayang Eka Prianto, Robi Prihantoro, Nur Achmad Pristiati, Tutut Priyanto, Agustinus Sugeng Pudjianti, Sri Wahyuni Puji Hardati PUJI LESTARI Purba, Noir Puspita Indra Wardhani Puspita Sari, Pita Sri Puspitasari, Diyah Putranto, Heru Adi Putren, Irenne Putri Endah Kurnia, 12.05.52.0134 Putri Endah Kurnia, 12.05.52.0134 Putri Permata, Arrawinda Putri, Karinez Leony Inaya Putri, Melati Efesia Pyae, Syscha Qonitah Fardiyah Rachmat Rachmat RACHMAT RACHMAT Rachmatsyah, T. Herry Rachmawati Meita Rachmawati Meita Oktaviani Rachmawati, Rini Nur Raden Lukman Fauroni Rahadian Zainul Rahayu, Indriyani Rahayu, Mardina Rahayu, Teta Puji Rahina Nugrahani Rahma Aulia, Zulfa Rahmadania, Siti Aisyah Nurrizqi Rahmadianti, Dhienisa Rahman, Rizqi Maulana Rahmansyah, Riadi Rahmawati, Herwinda Rahmawati, Ida Yeni Rahmawati, Naillysa Rahmawati, Niken Rahmi Lubis Ramadika Prihani, Ayu Ramandani, Aulia Ramdani Salam Rano Rano, Rano Rasyd, Mohamad Ibnu Ratnaningtyas, Endah Marendah Ratnapuri, Adisti Ratnasari, Syarifah Leila Ratulangi, Ziva Syah Rauf, Suriani Rayung Wulan Regina Tutik Padmaningrum Reina Widianingrum, 14.05.52.0159 Reina Widianingrum, 14.05.52.0159 Reiska Primanisa Renaldus Afoan Elu, Agustinus Renata Winahyu, Maria Reny Rahayuningsih, 13.05.52.0189 Reny Rahayuningsih, 13.05.52.0189 RESTAMI, DEWI NITA Restu Mufanti, Restu RHENA, MIJA MAGA Ria Ambarwati Rialdi, Rio Riana, Febi Rijalurrahman, Mohammad Rindengan, Inri Pingkan Risdiyanti, Arie Rita Irma, Rita Rivansyah, Alif Riyanto Riyanto Riyanto, Dwi Slamet Riyanto, M. Rokhali, Aulia Rokhmad Budiyono, Rokhmad Ronda, Mirza RR. Ella Evrita Hestiandari Ruhadi Ruhadi Ruhiyat, Endang Rupiyono, Leo Agung Rusdianti, Alfi S.A. Bachtiar, S.A. Sa'diyah, Kholifatus Sagaf Faozata Adzkia Sahariah Rowa, Siti Sai'in, Ali Saiful Amien Saiful Bahri Sai”™in, Ali Sajidan Sajidan Salam, Jeffri Andrian Samin Samin Samsudin Anis Samsudin Samsudin Sanglar Polnok, Sanglar Santi Rukminita Anggraeni, Santi Rukminita Santosa, Budi Joko Santosa, Yoseph Santoso, Prasetya Yoga Sapari, Iman Saputra, Andre Beny Saputra, M. Indra Sari, Apriliani Puspa Arum Sari, Febi Kurnia Sari, Nanda Kusuma Sari, Rodiani Puspita Sari, Siti Lusi Arum Sarmini Sarmini Sasongko, Nursyifa Asilah Satriawan, Ratu Balqist Priesty Higina Sausan Hanifah Setyowati Sa’idy, Sa’idy Sedana, I Made Sejati, Irfanda Selan, Yustus Sellynia Herwin Julieta SELVIA, DEVI EKA SELA Sembiring, Geskia Avikasari Sembiring, Rinawati SEPTIANA SEPTIANA Septiani Septiani Septiani, Aulia Septianti, Triana Serafin, Anne Setiawan, Wahyu Benny Mukti Setiawati, Nur Amega Setiawati, Winda Setiyawan, Teddy Hari Setiyawan, Trio Setyo Prihatin, Setyo Sevhira, Deandra Natya Shabira, Qonita Shadiq, Ja'far Shafira Bilqis Annida Shalihuddin Djalal Tandjung, Shalihuddin Djalal Shofiah, Audina Sholikah, Nurrochmatin Sigit, Ridzki Rinanto Sihombing, Aeron Frior Simbolon, Kerdid Simbolon, Pesta Evaria Sinaga, Nikita Oka Sishayati, Sishayati Siswati, Naning Siswoyo Siswoyo Siti Nurjanah SITI RACHMAWATI Siti Zulaikhah Sitinjak, Rivaldi Siwi Dyah Ratnasari Skalalis Diana Slamet Haryadi Slamet Haryono Slamet Mardiyanto Rahayu Soegiarto, Eddy Sofyana, Neng Tanty Sonhaji Sonhaji Sopaheluwakan, Ardhasena Sri Astuty Sri Lestari, Retno Sri Mawarni, Sri Sri Mulyani Sri Noor Mintarsih Sri Sularti Dewanti Handayani, Sri Sularti Dewanti Sri Sutji Susilowati Sri Widiyati, Sri Sudibiyakto Sudibiyakto Sudiro , Sudiro Sudiro Sudiro Sudrajat Sudrajat Sugiyarto Sugiyarto Suharto, Agung Suharyanto Suherman suherman Sukmana, Pandji Sulardi . Sulikah Sulikah Sulisyaningrum, Hersanti Sulton , Sulton Sulton Sulton, Sulton Sumaningsih, Rahayu Sumardino Sumardino Sumarno . Sumasno Hadi Sumasto, Hery Sumekar, Panji Adipura Sunarto Amus Sunaryo, Tejo Bagus SUPARJI Suparji Suparji Suprihatiningsih, Suprihatiningsih Suprijatmi, Tanti Suprijatmi, Tanti Supriyanto Supriyanto Suratman Suratman Surtinah, N. Surtinah, Nani Susilawati, Beti Sutrisno, Sutrisno Sutriyono, Toto suwarni, putri Suwarno Suwarno Suwarso Suwarso Suwitra, I Nyoman Suyanta Suyanta Swari, Sasmita Dewi Ratna SWN, Heru Syafika, Nurul Syah Sinaga, Fajry Sub'haan Syahrul Syah Sinaga Syahudi, Giman Syahudi, Giman Syaifuddin, Afkar Hanif Syaiful Amri Syaiful Arif Syaiko Rosyidi Syakilah, Salsabila Putri Syamsul Arifin Syofia Rahmayanti, Syofia Tampubolon, Yohanes Hasiholan Tandililing, Sostenes Mono Tansha Nastiti, Talitha Tantra, Kadek Mas Tassyabela, Fadia Meisyn Tes, Desyana Elvira Tiladuru, Vena Melinda Titik Kuntari Titin Herawati Tiyas, Diyah Irfin Wahyuning TJAHJADI PURWOKO Tomi Yuniardi M, 12.05.52.0120 Tomi Yuniardi M, 12.05.52.0120 Toto Tohir Totok Gunawan Totok Sumaryanto F. Totok Sumaryanto Florentinus, Totok Sumaryanto Totok Sumaryanto, Totok Tri Joko Raharjo Tri Marhaeni Pudji Astuti Tri Sulistyaningsih, Tri Tri Suminar Triana Setyawardani Triana Wulandari, Triana Triana, Dewi Trianza, Deni Trigunawan, Ade Trinadia, Mila Triswanti, Ririn Triyadi Hendra Wijaya Triyono Lukmantoro Triyono Triyono Tsabita, Alika Tugelida, Nel Bryan C Turnomo Rahardjo Tyastuti, Erma Musbita Tyastuti, Erma Musbita Udi Utomo Udi Utomo Udi Utomo, Udi Utomo Udin, Hafiz Rafi Ulum, M. Showi Nailul Umam, Muhammad Khairul Umi Kulsum Utami Utami Verlingga Diah Oktiasa Putri Vita Kartikasari, Vita Vivi Ervina Dewi Wadiyo Wadiyo Wahyu Lestari Wahyu Prawesthi, Wahyu Wahyu Yun Santoso Wahyuningtyas, Riska Septia Waluyo Erry Wahyudi Warsinah Warsinah Warsono Warsono Wasino Wasino Wattimena, Riles Melvy Wdayanti, Widayanti Wibowo, Sugeng Wicaksono, Gusti Widaryo, Iwan Widianingrum, Reina Widianingrum, Reina Widihastuti, Santi Widiyanti, Anik Widiyati, Dian Widodo S Pranowo Widodo Widodo Wijaya, Barkah Bangkit Wijayanti Endang, Wijayanti Wijayanti, Anggi Ariana Wijayanti, Sovia Wirasetiyo, Kukuh Wiryanto Wiryanto Wisnu, Nurwening Tyas Wita, Nurul Kurnia Wiwid Noor Rakhmad Wiwik Wijaningsih Wiyono, Jalu Sigit Aji Wulan Widiyanti, Wulan Wulandari, Annisa Dyah Wulandari, Arista Wuryaningrum, Endah Y., Eva Yanuar Luqman Yasarah Diswari Ditiya, 15.05.52.0204 Yasin, Fatimah Yasmin, Putri Auliya Yatimin Yatimin Yohanes Ferry Cahaya Yolanda Christin, Urimiana Yuandita, Tinta Yudi Nurul Ihsan Yudi Prana Hikmat Yuditiyani, Yuditiyani Yuli Kurnia Ningsih Yulianto, Moch. Iman Yuliasari, Agnes Yuliyanto Budi Setiawan Yuniarti Yuniarti Yunita Kwartarani Yunita Sari Yusriana, Amida Zain, Ferdianto Zallesa, Sheila Zam, Bagus Muhammad Iqbal Al Zam Zul fikar Zulfalia Az Zahra, Annisa Zulkarnain Zulkarnain

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Journal : Catharsis