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Sunarto Sunarto

SDN Bulukidul Balong Ponorogo

Author-ID : 392819

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An Adaptation Strategy Lasmi in Maintaning Its Existence As Waranggana Tayub in Grobogan Regency Widihastuti, Santi; Sunarto, Sunarto; Udi Utomo, Udi Utomo
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30263

Various attempts were made by an artist to maintain its existence, Lasmi waranggana tayub is an artist who did the adaptation strategy to maintain its existence in Grobogan. This study aimed to analyze the adaptation strategies that do Lasmi to maintain its existence as a waranggana tayub dikabupaten Grobogan. This research method is qualitative. The data collection techniques is using observation, interviews, document study. Mechanical validity of the data is using triangulation of data and resources, while the data analysis procedures with data reduction, data presentation, and draw conclusions. The results of the study, Lasmi started his career at age 11 years and able to maintain its existence until now at the age of 60 years. Existence Lasmi shown with active Lasmi in any activity tayub Arts in Grobogan. The efforts are being made by Lasmi that still exist to do the process of learning and cultural modification. The learning process is carried out Lasmi based on their awareness to improve themselves, to always keep abreast of the times. The learning process is carried out Lasmi classified into two types, namely singing or vocal learning, and the learning process of recording. While modifications were made Lasmi culture is, by displaying a new presentation form Tayub Art performances, namely in the form of tapes. Lasmi is a waranggana tayub first recording, so that through Lasmi Music tayub in Grobogan developed rapidly and became more famous Lasmi name everywhere. The implications of this research for art education, especially formal art education as a source of locally-based arts learning. Suggestions for artists tayub, particularly in Grobogan in order to keep up with changing times, to continue to improve themselves through adaptability, as well as constantly improving the quality of the vocals.

Dialectics Dance Ritual in Wanara Parisuka in Talunkacang Kreo Cave Semarang Central Java Ekowati, Yunik; Sunarto, Sunarto; Malarsih, Malarsih
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.30922

Wanara Parisuk dance is one of the traditional arts are contained in a series of ritual offerings Rewanda and entertainment in Kreo cave Semarang. Derived from the word â€œ Wanaraâ€ which means monkey, â€œParisukaâ€ means having fun. Dance Wanara Parisuka used as a ritual and entertainment interests. Objective to study the dialectic Dance Wanara Parisuka (study: ritual and entertainment). The method used in this study is a qualitative ethnographic approach. Data collection techniques are observation, observation, interviews, document study.Mechanical validity of data used triangulation techniques and data analysis techniques that follow an interactive model analysis phase.Dance research results Wanara Parisuka there are two kinds of functions: as a ritual and as entertainment. The findings are important as ritual offerings in Rewanda Dance Ritual Wanara Parisuka presented at the peak of the ritual. Overall findings as entertainment is to entertain and attract public interest, dancers invite the audience to dance together, to entertain the audience. In the dialectic Dance Wanara Parisuka there are three stages namely; thesis (function according to each), antithesis (rejection, both have different roles and can not be mixed), the synthesis of (mutual influence, and biting for togetherness and strategic importance attract the interest of visitors).

Internalization of Character Values of CÑpÑtan Dance Performance at Manunggal Putra Budaya Group in Karanggayam District Kebumen Regency Hapsari, Wahyu Ratri; Lestari, Wahyu; Sunarto, Sunarto
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31241

CÃ¨pÃ¨tan dance as one of arts of Karanggayam society is full of values in its performance. The values here means part of character values. Character values are indirectly able to internalize the actors that learn the CÃ¨pÃ¨tan dance. There is something interesting in this group, i.e. the dancers are children. It is hoped that the values behind this dance can build the childrenâ€™s character. The research aimed at knowing the form of performance and internalization character values that reflect in CÃ¨pÃ¨tan dance. To analyze the internalization, the writer uses Koentjaraningratâ€™s theory (1990) about inheriting. The approach used in this research is qualitative with phenomenology design. The data collecting techniques are observation, interview, and literature observation. The data validity used triangulation technique, they are source triangulation, and method triangulation. The data was analyzed through reduction, presentation, and verification. From the results show that the character values of CÃ¨pÃ¨tan dance performance reflects the values of creativity, discipline, and responsibility.

The Function of Timorese Gong Music in The Tfua Ton Ritual Ceremony in Napan Kefamenanu Village Renaldus Afoan Elu, Agustinus; Utomo, Udi; Sunarto, Sunarto
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31426

Tfua Ton is a ritual ceremony carried out by the community in Napan Village to ask for rain and soil fertility to Uis Neno (God) and Uis Pah (deceased ancestors). In the ritual there is a Timorese Gong instrument that has an important role in it. The gong consists of Tonu mese, Ote and Kbola and one drum (Ke'e). The purpose of this study is to analyze the function of the Timorese Gong Music in the Tfua Ton Ritual Ceremony. The method used in this study is qualitative interpretive with phenomenological approach. Data collection techniques with observation, interview and document study techniques. Check the validity of the data by using data triangulation, researcherâ€™s triangulation, triangulation of theories, methods and techniques. For data analysis, the researchers used the theory of music function from Allan P. Merriam with stages of data reduction, data presentation, and conclusion (verification). The results of the study are Timorese Gong in the Tfua Ton ritual have an important role in it and have become a part of traditional rituals. Timorese Gong In the Tfua Ton ritual has several functions, including functioning as aesthetic appreciation, as entertainment, as an emotional expression, as communication and education, integrating society, as an endorsement of social institutions and religious rituals. Timorese Gong can function to show the existence, character and identity of the Dawan people in Napan Village. The results of this study can provide understanding and increase knowledge to the people of Napan Village and the younger generation to better understand Timorese Gong music in the Tfua Ton ritual, besides it is expected that the Napan Village community will continue to preserve and maintain Timorese Gong music as one of the traditional music of the society.

Guritan in Besemah, Pagaralam City: from Sacred to Profane Luzi, Ahmad Surya; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31566

Guritan is a traditional art of the Besemah community, Pagaralam City which is inherited from one generation to another. Whereas in the guritan there was a change occur which initially as sacred art turns to profane. This thing was what interests the author to discuss the art of guritan. This study aimed at investigating the form of changes in the art of guritan from sacred to profane. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection techniques used observation, interviews, and document studies. The data validity technique uses source triangulation. The data analysis techniques have used the theory from Schoun (2003) with the elaboration of concepts and other supporting data that fits the problem. The results of this study were to provide knowledge and become reference about the initial forms and changes in the art of guritan in Besemah, Pagaralam city. Hopefully, this research can be useful for the public and readers who want to know about the art of guritan in Besemah, Pagaralam City. Because in the text or poetry that is performed in traditional events the marriages contain values, life guidelines, and philosophy that can be applied in the social life of the community with the aim of doing good among fellow humans.

The Meanings of Symbols of Priyambada Mustakaweni Dance merdekawati, Ika; Malarsih, Malarsih; Sunarto, Sunarto
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31790

This Research Aimed At Expressing The Meaning Of Symbols Of Priyambada Mustakaweni Dance. It Is Used Qualitative Method. The Data Collecting Techniques Were Through Observation, In Depth Interview, And Documentation. The Data Validation Used Data Triangulation Technique And Informan Review. The Data Was Analyzed Through The Process Of Reduction, Presentation, And Data Verification. The Results Of The Research Are That The Performance Form Of Priyambada Mustakaweni Dance Consist Of Title, Theme, Number Of Dancers, Movements, Place, Accompaniment, Makeup And Costume, Property, And Lighting. The Meaning Of Priyambada Mustakaweni Dance Is Reflected Through The Movements Perang Tantang-Tantangan, Perang Keris And Perang Gendhewa. (1) Perang Tantang-Tantangan Has A Meaning Of A Brave Female Soldier And Ready To Fight For The Country, (2) Perang Keris, Has An Implied Meaning That A Soldier Ha A Strategy And Power To Defend His Country, (3)Perang Gendhewa Implies That A Soldier Should Be Trained And Is Always Alert From Enemyâ€™s Attack. Kata kunci : Tari Priyambada Mustakaweni, Bentuk, Makna Simbol.

The The Identity of Congrock 17 Semarang Group : Postcolonial Studies Annisa Furi, Giza Abel; Utomo, Udi; Sunarto, Sunarto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32820

The transformation of identity in the midst of high cultural pluralism is a problem for former colonized nations, such as Indonesia. The identity crisis that hit caused by the political identity factors which used to investigate the backgrounds and the debates on an identity formation. As a former colonized nation, Indonesia comes to a new kind of colonialization era that is no longer physical but mental colonialization. Postcolonial theory used to criticize the power of dominant cultures which help to analyze and build awareness of this crisis situation, namely through the concept of hybridity and mimicry which is used as a form of identity. The Congrock 17 Semarang group brings keroncong rock music as their form of identity which later gives them space to describe the position of Congrock 17 Semarang group.This study focused on the problem of the identity of Congrock 17 Semarang group and postcolonial studies. The problems are later outlined into 2 sub focuses, (1) What factors influence the selection of keroncong rock genre as their identity in terms of political identity phenomenon? (2) What are the results of the Congrock 17 Semarang identity in postcolonial studies? Research objectives (1) To understand the supporting factors of the Congrock 17 Semarang identityâ€™s forming process in the political identity phenomenon (2) To analyze Congrock 17 Semarang identity in postcolonial studies. The writer used qualitative research methods. The writer also used several techniques to collect data such as, observation, interview and document studies. Data validation used triangulation technique. Data analysis carried out started from data reduction, data presentation, and drawing conclusions.The result of the research show that (1) Keroncong rock as the identity of congrock music 17 group was formed due to factors of media hegemony in carrying out the strategy of globalization. The media modernization continuous exposure in spreading rock at that time and in a long period of time become one of the strong factors in forming its identity. The social interaction occurs between congrock 17 group with communities in their environment also plays a major role in forming keroncong rock to reach its popularity at the moment. (2) Keroncong rock identity is formed through the unity of mimicry and hybridity to bring up the ambivalent behavior, which is imitating as well as resisting. Congrock 17 music work and performance was performed on stage shows the cultural identity unison between keroncong rock which if formed in third space. The implication given by the research on congrock 17 Semarang group is showing that keroncong rock hybrid identity can be the icon of music art to the communities, fellow musicians and the government in Semarang.

Form, Structure of Music in Magic Genjring Art at Randusanga Kulon Village, Brebes District, Brebes Regency Prasetyo, Nandhy; Sumaryanto, Totok; Sunarto, Sunarto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32823

Magic Genjring is an art handed down from generation to generation in Randusanga Kulon Village, Brebes District, Brebes Regency. However, in 1968 this art experienced changes that could be considered very significant. So that researchers are very interested in analyzing the shape, structure of this musical art and find out the function of each instrument used. The method used in this research is qualitative descriptive, with an interdisciplinary approach to sociology and music science. While the data collection technique used observation, interviews, and document studies, the validity technique itself used triangulation, the data analysis technique is collecting the data from observations, interviews, and documentation, then it is reduced to sorting the data that supports the research until finally concluded. The results of the analysis of the shape of the musical structure are described as follows: the magic Genjring song consists of 4 motifs, 2 phrases (both question and answer sentences), the song starts from the 6th chord with Do = C, ie (am), with progress to the chord ii (dm). The beat or beat value uses Â¾, then changes in the middle of the song to 4/4 in the 9th to 10th bar with percussion accent markers and changes 2/4 until returning to the initial sukat Â¾. One of the factors that caused the change in shape, the structure of the music was due to the provision of extensive improvisation so that no patent standard. The results of this study are expected to become a serious concern, especially for senior artists, so that in the future it can be easier to reduce the next generation related to music because they already have a grip. Appreciation from related agencies and residents as art owners.

The Values of Jaranan Pogogan Art Teguh Rahayu at Sugihwaras Village, Prambon Sub-District, Nganjuk Regency. Bekti, Wahyu Prasetyo; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.37936

Jaranan Pogogan art Teguh Rahayu have its own uniqueness. The uniqueness lies in the presentation performed on stage, and is presented by two male dancers who dress up like a pretty woman. A dancer is as a Sasra and another dancer is as Pogog. The purpose of this research is to analyse the values of the art performance of Jaranan Pogogan Teguh Rahayu. This study used a descriptive qualitative approach with a case study model at the art performance of Jaranan Pogogan Teguh Rahayu. This research was conducted in Sugihwaras village, Prambon Sub-district, Nganjuk Regency. The data in this research is classified as two, namely primary data and secondary data. The data collection techniques in this study are field observations, interviews, documents, and library studies. The triangulation is used as the process in the validity of the data of this study. Technique of analysis data used data reduction, data presentation and conclusion and verification. The results showed that there are four values contained in the Pogogan Teguh Rahayu Arts Museum, they are as follows; the value of deity, the value of goodness, the value of righteousness, and the value of beauty. This analysis uses some value on the Pogogan Teguh Rahayu Art which the values reflected in daily activities.

The Form and Function of Antan Delapan Music in Muara Lawai Village, Muara Enim District Aghnini, Aghnini; Sunarto, Sunarto; Triyanto, Triyanto
Catharsis Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i1.38242

Antan Delapan music is one of the arts found in the district of Muara Enim, South Sumatra. Antan Delapan art is currently displaced by the development of western music, therefore the form and function of music plays an important role in maintaining the Antan Delapan music among the people of Muara Enim Regency. The purpose is to study the form and function of Antan Delapan music. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection technique uses observation, interviews, and document studies. The data validity technique uses source triangulation. Data analysis techniques use the concepts of Strauss and Corbic. The results of this study are the form of Antan Delapan music which is dissected through the elements of time, melody, harmony, while the function of Antan Delapan music in the community as, entertainment, aesthetic appreciation, means of communication, cultural harmony, and as an integration. And it is hoped that this research can be useful for the people of Muara Enim Regency, especially the Muare Lawai Village Community in order to know the function and form of Antan Delapan music and can maintain the Antan Delapan music among the Muare Lawai villagers, and is useful for readers who will use music theory about the form and music function.

Co-Authors 08.05.52.0064 Novi Perwitasari 09.05.52.0075 Lia Yuliana 10.05.52.0010 Dwi Sulistyowati 10.05.52.0030 Christina Dewi 12.05.52.0210 Resty Andini Putri, 12.05.52.0210 12.52.02.0204 Kinayah, 12.52.02.0204 12.5202.0172 Sukowati 1352020069 Prijatno Sri Eko Putranto, 1352020069 1352020070 Teguh Purnomo, 1352020070 1352020104 Pujadi, 1352020104 1352020105 SRI HERANINGSIH, 1352020105 A.A. Ketut Agung Cahyawan W Abas, Abas Abdul Aziz Abdul Gafur Abdul Hadi Abdul Latief Arung Arafah Abdul Latif Abdullah Al Mamun Achmad Asrori Achmad Badjuri Achmad Fachrudin Acob, Joel Rey Ugsang Addi Mardi Harnanto Adi Nugroho Adilla, Annisa Aditya, Dwiky Septian Adnan Sofyan Adrian Budynata, Johan Adriyani Adam Adyani, Kartika Afiana Praditasari, Afiana Afidati Hidayanti, Syafira Afifah, Nor Aghnini, Aghnini Agrasadya, Agrasadya Agres Vivi Susanti Agung Budi Raharjo Agung Dwi Bahtiar El Rizaq Agus Cahyono Agus Faisal Asyha Agus Jatmiko Agus Pahrudin Agus Prasetyo Budi Agus Sarwo Prayogi Agus Suprijono Agus, Rifdah Adilah Agustin, Nursita Smash Agustinus Arum Eka Nugroho, Agustinus Arum Eka Ahmad Muzaki Ahmad Prawira Dhahiyat Ahmed, Jamshaid Ajeng Dinda Lestari Aji Setiawan Aji, Rozan Asyrofi Rakyan Risang Akbar, Islam Ali Akbar, Muh. Akhmad Al Aidhi Akhmad Saikhu Akhmansyah, Muhammad Al Qusaeri, Norma Nur Shifa Alam, Samsul Albahori, Albahori Albariki, Ahmad Yazid Alfauzi, Abdul Syukur Alfiannor, Alfiannor Alfret Luasunaung Ali Murtadlo Ali Sunarso Alifahmi, Hifni Alim, Muhamad Miftahul Alim, Muhamad Miftahul Alip Sugianto, Alip Alrizky, Rahmi Tazkiya Alya Purnomo, Fahrina Amalia Nur Adibah Amalia Yunika Putri, 13.05.52.0204 Amalia Yunika Putri, 13.05.52.0204 Amanda, Gita Anada Leo Virganta Anak Agung Gede Sugianthara Ananda, Salsha Anandha, Anandha Anastasya, Selaya Anawati, Sri Yuni Andi Iswandi Andi Suhardiyanto Andi Syaiful Amal Andiani, Lidia Andika, Vrista Andre Perbawa Angela, Ezra Angga Dwi Pratama, 14.05.52.0003 Anggun Parameswari, Anggun Angraini, Eka Wahyuningsih Anik Nurhidayati Anindiati, Irma Anisatu Thoyyibah Annisa Furi, Giza Abel Anton Styo Wibowo, Anton Styo Anugrahita, Tegar Apriani, Nur Wahidah Apriansyah, Muger Apriyani, Hikma Ardang, Rifvan Yuniar Ardang, Rifvan Yuniar Ardela, Yolanda Ardoyo, Novalia Agung Wardjito Ardyantoro, Roni Ari Setyowati Ariani, Diah Ariani, Nafiah Arie Nugroho, Arie Arief Budiono Arief, Ahmad Fikri Arief, Ahmad Fikri Arief, Mochamad Candra Wirawan Aries Prasetyo ARIF INDIARTO, ARIF Arif, Syahrizal Arifin, Danu Nur Arifin, Intan Khairunissa Aripuddin, Aripuddin Ariyani, Salsabila Ariyani, Sinta Ariyanty, Lintang Dwi Armeina Nur Rachmawati Arsyad, Gusman Arwin Muhlishoh Ary, Deasylina da Asep Sahidin Asmarani, Kidung Sukma Asmaroini, Ambiro Puji Asmawati Asmawati Assidhiq, Mohamad Reza Assidhiq, Mohammad Reza Astin Nur Hanifah Astuti Setiyani, Astuti Astuti, Satria Dwi Astuti, Satria Dwi Aswita Amir Asysyifa, Rayyana Nur Aurora Ata Ratu, Agnestia Medelin Rambu Atikah Nurhayati Atikawati, Dini - Aufanida, Arnia Azahro AUTA, Tanko Titus Avi Budi Setiawan ayi, Vebritasari Azhar Adi Darmawan Azis, Jamal Abdul Aziz, Arinal B. Setiawan Bagus Indrawan, Bagus Bagus Susetyo Bagus Wicaksono, Rudy Bahar, Nisauzzahra Baharudin Baharudin Bahri, Saiful Bahri, Saiful Bahri Bahtiar Bahtiar Bambang Tjahjono Bayu Widagdo, Muhammad Bekti, Wahyu Prasetyo Bhernadetta Pravita Wahyuningtyas Billy K. Sarwono Atmonobudi Bilqisti, Bilqisti bintari, intan galuh Borman, M. Syahrul Buamona, Rachmat Hidayat Buana, Nila Aeny Chandra Budi Astuti, Cahyaning Budi Mulyawan Budi Setiadi, Budi Budi Utomo, Heri Bungaran, Andreas Bunyamin Bunyamin Butar-Butar, Obed Edom Cahyo Budi Utomo Cahyo, Reza Dwi Cahyo, Reza Dwi Cahyono , Hadi Cahyono, Hadi Candra, Elin Carli Carli Chaerunnimah,, Chaerunnimah, Chairunnisa Chairunnisa Condro Hadi Mulyono, Condro Hadi Conny Brilliant Dwikananda, Kartika Darmawan, Dili Arfia Daryadi Daryadi Dellawati, Dellawati Desi Wulandari, Desi DEWI IRAWATI Dewi Larasati, Dewi Dewi Sekartaji, Audi Dewi Widowati Dewi, Catur Kumala Dewi, Fikrian Rafika Dewi, Luh Yuliani Dhadhang Wahyu Kurniawan Dhahiyat, Ahmad Prawira Dhimas Arvico, 13.05.52.0138 Dhimas Arvico, 13.05.52.0138 Diani, Elya Zulfa Dimabherti Ardian Nugroho, 14.05.52.0294 Dinda Salsabella, Anisa Ditasona, Candra Djarot Sadharto, Djarot Djatmika, Gatot Hery Djatmiko, Gatot Hery Djoko Sugiono Djuli Djatiprambudi Djunaid, Jamaluddin Donna Asteria Donny Juliandri Prihadi Dreitsohn Franklyn Purba Dwi Ajiatmo Dwi Pratama, 14.05.52.0003 Angga dwi saputra Dwi Septiani Dwi Widjanarko Dwiprasetyo, Krisna Mukti Dyah Nur Subandriani, Dyah Nur Dyah Ratnasari, Siwi Edhi Martono Edi Pranoto, Edi EDWI MAHAJOENO Effendy, Khasan Eka Kusumawati, Eka Eka Wahyudi Eka Yudhyani, Eka Eko Armanto Eko Mujiyanto, 13.05.52.0092 Eko Mujiyanto, 13.05.52.0092 Eko Saputra Eko Saputra Ekowati, Yunik Ellys Lestari Pambayun Elvina Elvina Endang Djuana, Endang Enik Sulistyowati Eri Bachtiar Erland, Radja Erland, Radja Erlina Erlina Erma Handarsari Ernawan Setyono Erson, Elfridus Yuditus Eryani, Riris Estuasih Dyah Pertiwi, Estuasih Dyah Euis Soliha Fachry Abda El Rahman Fadhilah, Nazmi Nasyriyati Fadilah, Tubagus Fadillah, Thania Fahmi, Nuril Faizal Maghriza, Mukhammad Faizal, Ibnu Fajari, Slamet Familia Novita Simanjuntak Fareza, Muhamad Salman Faridi Faridi Fathy, Ummi Muthi’ah Faustine, Vanessa Viona Fauzi, Moh. Fery Febriagazi, Tendian Febrianto, Aji Sofian Febriyani, Abrar Rizqa Ferdiansyah Ferdiansyah Ferrianto Gozali Fiddy Semba Prasetiya Firdaus, Rizki Anugrah Firdausi, Aulya Della Fitrah Satrya Fajar Kusumah Fitri Anggraini, Fitri Fitri Sagantha Fitria Mahdiyyani, Anisah Fitriyanti, Addina Rizky Fredika, Anas Fredy Kurniawan Freza, Freza Ginting, Stefany Gulo, Joice Elma Miranda Gumilang, Anggita Moro Guntaris, Endik Gutomo, Gutomo Habiba Abror, Robby Hadi Paramu Hadiani, Prayekti Diftania Hafeez, Jehan Shaila Handayani, Mastuti Handayani, Tinuk Esti Handoyo Handoyo Handoyo Saputro, Handoyo Hani Faurizka Hanifah Widyadhana, Nastiti Happy Ade Permanasari Hapsari Dwiningtyas Sulistyani Hapsari, Rafif Naufi Waskitha Hapsari, Wahyu Ratri Harahap, Syawaluddin Harahap, Syawaludin A Hardi Saputro, Iwan Hardyansa, Hardyansa Harmanto Harmanto Harry Supriyono, Harry Hartono Hartono Hartono, Rudi Harwanto, Dody Candra Haryadi - Haryadi, Rina Masithoh Hasanuddin, Wahdatuljannah Hasnawati Hasnawati Hazhari, Alvan HENDRI WASITO Hendrik Napitupulu Heni Pujiastuti Heraziza, Dinda Prilla Herbowo Hardianto Heri Wijayanto Herina, Stefanus Junliem Nugratama Heriyanto Heriyanto Heriyato, Heriyanto Herlina, Tutiek Hersugondo Hersugondo Heru Juabdin Sada Heru Santoso Wahito Nugroho Hery Tristijanto HIDAYAH, YOVI MILA Hidayat, R. Taufik Hilda Yunita Wono Himawan, Widhi Hosiana MD Labania HS, Asep Agus I Ketut Suada Ianatut Thoifah Iasha, Citra Ibnu Rois Ida Ayu Putu Sri Widnyani Ida Faridatul Hasanah Ihsan Nul Hakim, Ihsan Nul Ihsani, Arina Nurul Ika Merdekawati, Ika Ikhwa Muazulfa, Tsalatsun Ilma Mufida Inayati Imam Syafei Indirawati, Dita Indra Novianto Adibayu Pamungkas Indra Surjati Indradewa, Rhian Indriyani Rebet Intan Permata Sari, 12.05.52.0029 Intan Permata Sari, 12.05.52.0029 Intening, Vivi Retno Irawati, Laila Irena Agustiningtyas Irfan Rusydi Triyanto Irfanda Rizki Harmono Sejati Irsyadiah, Uli Zahro Isa, Illyas Md Isdaryanto, Noorochmat Ismawanti, Zuhria Ismoyowati, Tri Wahyuni Istihana Istihana Istiqomah, Istiqomah Iva Yuniasih, 14.05.52.0001 Jaeni Jaeni JaisSetiawan, 13.05.52.0232 JaisSetiawan, 13.05.52.0232 Jamaludin . JAMALULLAI, Jamalullail janitra, Atika ayu Jannah, Afifatul Jannah, Marichatul Januar, Fadillah Jaslin Ikhsan Jeem, Yaltafit Abror Jendri Mamangkey Jennah, Ali Joko Sutrisno Juanita Theresia Adimurti Juliandri Prihadi, Donny Julta, Arbi Jumadi Jumadi Junirahma, Nur Sakinah Junun Sartohadi Karlinda Karlinda KAROLINE, Rince Karyadi, Agus Katimin, Katimin Kencana, Putri Nilam Ketut Prasetyo Khairunnisa, Cutita Sari Khambali, Khambali Kharisma, Kharisma Khodijah, Isah Siti Khoirudin, Rifqi Khoirul Abadi, Khoirul Kholil Kholil Khoryanton, Ampala Koesmantoro, Hery Kombong, Rinda Lorensa Kristanto, Alfa Kristiyanto, Mas Aryo Kuat Rahardjo T.S. Kun Aristiati Susiloretni Kurdi Kurdi Kurniawan, Ginta Widya Kurniawati, Marshelyna Kusdwianti, Eviana Kusmiyati Tjahjono Kusnanto, Anang Amir Kwartarani, Yunita Laili, Fatimah Nur Langgeng Wahyu Santosa Larasati, Sekar Maulita Latif Sahubawa Lestari, Anna Puji Lestari, Wijayanti Puji Lewaru, Muhammad Wahyudin Lia Kusumaningrum, Lia Liana, Triya Ade Lintang Permata Sari Yuliadi, Lintang Permata Sari Lintang Ratri Rahmiaji Lomo, Jhoni Yakobus Lubis, Maya Ningsih Luqmana Chakim, 15.05.52.0010 Luqyana, Novia Salma Lutfianti Mutmainah, Annisa Luzi, Ahmad Surya M Masykuri M. Choiroel Anwar Ma'ruf, Fauzan Ma'sum, Muhammad Ali Machrus Ali Maharani, Mandu Maharany, Tyas Adella Mahardhani, Ardhana Januar Mahardini, Fina Majid, Ikhwanudin Abdul Malarsih Malarsih Manik, Astri Marita Manogari Sianturi Mar'atuzzakiyyah, Mar'atuzzakiyyah Mardia, Ainun Mardiana Mardiana Mardiyanah, Nurul Mariah, Yuni Marina Silalahi MARIS, Rizal J. Mariyatul Qibtiyah Marni Zulyanty, Marni Martien Herna Susanti Masruri, Muh Bukhari Mastuti, Indah Mau, Laurensius Yosef Maulana Maulana, Maulana Mazlan, Nurul Asma Melati, Nimsi Miftakhul, Amin Mochamad Rudyansyah Ismail MOH SARJOKO Moh. Aris Munandar, Moh. Aris Mohammad Mahsun Mohammad Sulchan Mohammad Syadeli MS, Yuniarti Muawafah, Muawafah Mubarok, Akbar Rizquni Mufidah, Salsa Destiani Muh. Ibnan Syarif, Muh. Ibnan Muhammad afrizal Muhammad Hariyadi Muhammad Irhas, Muhammad Muhammad Maulana Muhammad Sulchan Muhammad Wahyu, Muhammad Mujadid, Ahmad Zahry Mujiono Mujiono Mukin, Muh. Sulaiman Rifai Aprianus Mulyawan Nugraha, Akbar Munfariqoh, Siti Munkhakim, M. Ali Muslichah Muslichah Muslimah Nuraida, Elis Muslimahayati, Muslimahayati Musripah, 14.05.52.0098 Musripah, 14.05.52.0098 Mustakim Mustakim Mustamin Mustamin Muttaqin, Salwa Zainum Nabiha, Puteri Inandin nabilunnuha, mantaaba zukhruf Nachrowi D. Nachrowi Nadia Sigi Prameswari Nadimin Nadimin NAFIAH, Ariani Nafiardli, Rizqi Najibuddiin, Azwan Nana Usnawati Nanang Budi Sriyanto Nancy, Natasha Nandang Mulyasantosa Nani Surtinah Naufal, Irfan Hanif Nazar, Irfan Abu Ni Wayan Widya Astuti Niken Widyastuti Nilamsari, Natalina Nimas Hayuning Anggrahita, Nimas Hayuning Nina Indriyawati Ningsih, Surti Nitte, Tri Maharani Permata Nova Novita Nurmalasari, 14.05.52.0016 Novemasari, Dionasius Novita Damayanti Novita Wulandari Nugroho Tri Waskitho Nugroho, Antonius Edi Nur Aini, Fatimah Sahri Nur Hidayati Nur Rahmawati, Ika Nur Sangadah, Nur Nur Suryanto Gono, Joyo Nurdianto, Talqis Nurfala, Audyla Nurfitriani Nurfitriani Nurfitriani Nurfitriani, Nurfitriani Nurfitriani, Anggia Nurhabibah, Desi Nurhananti, Dinda Aryuni Nurhayati Nurhayati Nuri Aslami nurlailis saadah Nursanto, Gunawan Ari Nurul Dwi Dhamayanti, 15.05.52.0096 Nurul Hasfi Nurul Khakhim Nurweningtyas, Nurweningtyas Nuryani Nuryani Nyoman Septiari, I Gusti Ayu Octari Ambarita, Angelica Octavia, Elida Okid Parama Astirin Oktapiandi, Oktapiandi Oktapiandi, Oktapiandi Padang Yanuar Pamungkas, Wahyuniar Pancawati Hardiningsih Paransa, Isrojaty Johanes Paringsih, Novia Citra Paringsih, Novia Citra Patanduk, Adolfina Perdana, Firdaus Perdana, Firdaus Pereira, Jefrino Reis Permata, Permata Permatasari, Julia Pertiwi, Nabila Putri Pinkky Sisvianingrum, 13.05.52.0049 Pinkky Sisvianingrum, 13.05.52.0049 Pitang, Antonius Prabang Setyono Prajoga, Uke Pramita, Elena Ayu Pramuwardani, Ida Pranadita, Pranadita Pranawinarni, Ratih Pranoto Pranoto Prasetya, Ragil Dwi PRASETYO ANI PUJIASTUTI, 1252020126 Prasetyo, Nandhy Prasica Rudy Artha, 12.05.52.0191 Prasica Rudy Artha, 12.05.52.0191 Prasmita, Kabul Pratama, Fadila Aditia Putri Pratama, Fakhriza Aziz Pratiwi, Afinda Pratiwi, Fika Ratna Pratiwi, Yayang Eka Prianto, Robi Prihantoro, Nur Achmad Pristiati, Tutut Priyanto, Agustinus Sugeng Pudjianti, Sri Wahyuni Puji Hardati PUJI LESTARI Purba, Noir Puspita Indra Wardhani Puspita Sari, Pita Sri Putranto, Heru Adi Putren, Irenne Putri Endah Kurnia, 12.05.52.0134 Putri Endah Kurnia, 12.05.52.0134 Putri Permata, Arrawinda Putri, Karinez Leony Inaya Putri, Melati Efesia Pyae, Syscha Qonitah Fardiyah Rachmat Rachmat RACHMAT RACHMAT Rachmatsyah, T. Herry Rachmawati Meita Rachmawati Meita Oktaviani Rachmawati, Rini Nur Raden Lukman Fauroni Rahadian Zainul Rahayu, Indriyani Rahayu, Mardina Rahayu, Teta Puji Rahina Nugrahani Rahma Aulia, Zulfa Rahmadania, Siti Aisyah Nurrizqi Rahmadianti, Dhienisa Rahman, Rizqi Maulana Rahmansyah, Riadi Rahmawati, Herwinda Rahmawati, Ida Yeni Rahmawati, Naillysa Rahmawati, Niken Rahmi Lubis Ramadika Prihani, Ayu Ramandani, Aulia Ramdani Salam Rano Rano, Rano Rasyd, Mohamad Ibnu Ratnaningtyas, Endah Marendah Ratnapuri, Adisti Ratnasari, Syarifah Leila Ratulangi, Ziva Syah Rauf, Suriani Rayung Wulan Regina Tutik Padmaningrum Reina Widianingrum, 14.05.52.0159 Reina Widianingrum, 14.05.52.0159 Reiska Primanisa Renaldus Afoan Elu, Agustinus Renata Winahyu, Maria Reny Rahayuningsih, 13.05.52.0189 Reny Rahayuningsih, 13.05.52.0189 RESTAMI, DEWI NITA Restu Mufanti, Restu RHENA, MIJA MAGA Ria Ambarwati Rialdi, Rio Riana, Febi Rijalurrahman, Mohammad Rindengan, Inri Pingkan Risdiyanti, Arie Rita Irma, Rita Rivansyah, Alif Riyanto Riyanto Riyanto, Dwi Slamet Riyanto, M. Rokhali, Aulia Rokhmad Budiyono, Rokhmad Ronda, Mirza RR. Ella Evrita Hestiandari Ruhadi Ruhadi Ruhiyat, Endang Rupiyono, Leo Agung Rusdianti, Alfi S.A. Bachtiar, S.A. Sa'diyah, Kholifatus Sagaf Faozata Adzkia Sahariah Rowa, Siti Sai'in, Ali Saiful Amien Sai”™in, Ali Sajidan Sajidan Salam, Jeffri Andrian Samin Samin Samsudin Anis Samsudin Samsudin Sanglar Polnok, Sanglar Santi Rukminita Anggraeni, Santi Rukminita Santosa, Budi Joko Santosa, Yoseph Santoso, Prasetya Yoga Sapari, Iman Saputra, Andre Beny Saputra, M. Indra Sari, Apriliani Puspa Arum Sari, Febi Kurnia Sari, Nanda Kusuma Sari, Rodiani Puspita Sari, Siti Lusi Arum Sarmini Sarmini Sasongko, Nursyifa Asilah Satriawan, Ratu Balqist Priesty Higina Sausan Hanifah Setyowati Sa’idy, Sa’idy Sedana, I Made Sejati, Irfanda Selan, Yustus Sellynia Herwin Julieta SELVIA, DEVI EKA SELA Sembiring, Geskia Avikasari Sembiring, Rinawati SEPTIANA SEPTIANA Septiani Septiani Septiani, Aulia Septianti, Triana Serafin, Anne Setiawan, Wahyu Benny Mukti Setiawati, Nur Amega Setiawati, Winda Setiyawan, Teddy Hari Setiyawan, Trio Setyo Prihatin, Setyo Sevhira, Deandra Natya Shabira, Qonita Shadiq, Ja'far Shafira Bilqis Annida Shalihuddin Djalal Tandjung, Shalihuddin Djalal Shofiah, Audina Sholikah, Nurrochmatin Sigit, Ridzki Rinanto Sihombing, Aeron Frior Simbolon, Kerdid Simbolon, Pesta Evaria Sinaga, Nikita Oka Sishayati, Sishayati Siswati, Naning Siswoyo Siswoyo Siti Nafisah Siti Nurjanah SITI RACHMAWATI Siti Zulaikhah Sitinjak, Rivaldi Siwi Dyah Ratnasari Skalalis Diana Slamet Haryadi Slamet Haryono Slamet Mardiyanto Rahayu Soegiarto, Eddy Sofyana, Neng Tanty Sonhaji Sonhaji Sopaheluwakan, Ardhasena Sri Astuty Sri Lestari, Retno Sri Mawarni, Sri Sri Mulyani Sri Noor Mintarsih Sri Sularti Dewanti Handayani, Sri Sularti Dewanti Sri Sutji Susilowati Sri Widiyati, Sri Sudibiyakto Sudibiyakto Sudiro , Sudiro Sudiro Sudiro Sudrajat Sudrajat Sugiyarto Sugiyarto Suharto, Agung Suharyanto Suherman suherman Sukmana, Pandji Sulardi . Sulikah Sulikah Sulisyaningrum, Hersanti Sulton , Sulton Sulton Sulton, Sulton Sumaningsih, Rahayu Sumardino Sumardino Sumarno . Sumasno Hadi Sumasto, Hery Sumekar, Panji Adipura Sunarto Amus Sunaryo, Tejo Bagus SUPARJI Suparji Suparji Suprihatiningsih, Suprihatiningsih Suprijatmi, Tanti Suprijatmi, Tanti Supriyanto Supriyanto Suratman Suratman Surtinah, N. Surtinah, Nani Susilawati, Beti Sutrisno, Sutrisno Sutriyono, Toto suwarni, putri Suwarno Suwarno Suwarso Suwarso Suwitra, I Nyoman Suyanta Suyanta Swari, Sasmita Dewi Ratna SWN, Heru Syafika, Nurul Syah Sinaga, Fajry Sub'haan Syahrul Syah Sinaga Syahudi, Giman Syahudi, Giman Syaifuddin, Afkar Hanif Syaiful Amri Syaiful Arif Syaiko Rosyidi Syakilah, Salsabila Putri Syamsul Arifin Syofia Rahmayanti, Syofia Tampubolon, Yohanes Hasiholan Tandililing, Sostenes Mono Tansha Nastiti, Talitha Tantra, Kadek Mas Tassyabela, Fadia Meisyn Tes, Desyana Elvira Tiladuru, Vena Melinda Titik Kuntari Titin Herawati Tiyas, Diyah Irfin Wahyuning TJAHJADI PURWOKO Tomi Yuniardi M, 12.05.52.0120 Tomi Yuniardi M, 12.05.52.0120 Toto Tohir Totok Gunawan Totok Sumaryanto F. Totok Sumaryanto Florentinus, Totok Sumaryanto Totok Sumaryanto, Totok Tri Joko Raharjo Tri Marhaeni Pudji Astuti Tri Sulistyaningsih, Tri Tri Suminar Triana Setyawardani Triana Wulandari, Triana Triana, Dewi Trianza, Deni Trigunawan, Ade Trinadia, Mila Triswanti, Ririn Triyadi Hendra Wijaya Triyono Lukmantoro Triyono Triyono Tsabita, Alika Tugelida, Nel Bryan C Turnomo Rahardjo Tyastuti, Erma Musbita Tyastuti, Erma Musbita Udi Utomo Udi Utomo Udi Utomo, Udi Utomo Udin, Hafiz Rafi Ulum, M. Showi Nailul Umam, Muhammad Khairul Umi Kulsum Utami Utami Verlingga Diah Oktiasa Putri Vita Kartikasari, Vita Vivi Ervina Dewi Wadiyo Wadiyo Wahyu Lestari Wahyu Prawesthi, Wahyu Wahyu Yun Santoso Wahyuningtyas, Riska Septia Waluyo Erry Wahyudi Warsinah Warsinah Warsono Warsono Wasino Wasino Wattimena, Riles Melvy Wdayanti, Widayanti Wibowo, Sugeng Wicaksono, Gusti Widaryo, Iwan Widianingrum, Reina Widianingrum, Reina Widihastuti, Santi Widiyanti, Anik Widiyati, Dian Widodo S Pranowo Widodo Widodo Wijaya, Barkah Bangkit Wijayanti Endang, Wijayanti Wijayanti, Anggi Ariana Wijayanti, Sovia Wirasetiyo, Kukuh Wiryanto Wiryanto Wisnu, Nurwening Tyas Wita, Nurul Kurnia Wiwid Noor Rakhmad Wiwik Wijaningsih Wiyono, Jalu Sigit Aji Wulan Widiyanti, Wulan Wulandari, Annisa Dyah Wulandari, Arista Wuryaningrum, Endah Y., Eva Yanuar Luqman Yasarah Diswari Ditiya, 15.05.52.0204 Yasin, Fatimah Yasmin, Putri Auliya Yatimin Yatimin Yohanes Ferry Cahaya Yolanda Christin, Urimiana Yuandita, Tinta Yudi Nurul Ihsan Yudi Prana Hikmat Yuditiyani, Yuditiyani Yuli Kurnia Ningsih Yulianto, Moch. Iman Yuliasari, Agnes Yuliyanto Budi Setiawan Yuniarti Yuniarti Yunita Kwartarani Yunita Sari Yusriana, Amida Zain, Ferdianto Zallesa, Sheila Zam, Bagus Muhammad Iqbal Al Zam Zul fikar Zulfalia Az Zahra, Annisa Zulkarnain Zulkarnain

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